Learning from the West

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Porcelain Vase Among the objects produced in China that were in high demand in Europe in the seventeenth and eighteenth centuries were colorful porcelains. In this period Chinese potters perfected the use of overglaze enamels, which allowed the application of many colors to a single object. Blue, green, yellow, orange, and red all appear on this 18-inch-tall vase.(Vase, Qing dynasty, Kangxi period [1662–1722], late 17th–early 18th century. Porcelain painted in overglaze famille verte enamels and gold. Bequest of John D. Rockefeller Jr., 1960 [61.200.66], The Metropolitan Museum of Art, New York, NY, USA/Image copyright © The Metropolitan Museum of Art/Image source: Art Resource, NY)

Although both China and Japan ended up prohibiting Christian missionary work, other aspects of Western culture were seen as impressive and worth learning. The closed-country policy that Japan instituted in 1639 restricted Japanese from leaving the country and kept European merchants in small enclaves. Still, Japanese interest in Europe did not disappear. Through the Dutch enclave of Deshima on a tiny island in Nagasaki harbor, a stream of Western ideas and inventions trickled into Japan in the eighteenth century. Western writings, architectural illustrations, calendars, watches, medicine, weapons, and paintings deeply impressed the Japanese. Western portraits and other paintings introduced the Japanese to perspective, shading, and other strategies for bringing more realism to art.

In China, too, both scholars and rulers showed an interest in Western learning. The Kangxi emperor frequently discussed scientific and philosophical questions with the Jesuits at court. When he got malaria, he accepted the Jesuits’ offer of the medicine quinine. In addition, he had translations made of a collection of Western works on mathematics and the calendar. The court was impressed with the Jesuits’ skill in astronomy and quickly appointed them to the Board of Astronomy. In 1674 the emperor asked them to re-equip the observatory with European instruments. In the visual arts the emperor and his successors employed Italian painters to make imperial portraits. Qianlong also took a fancy to European-style gardens and palaces. Firearms and mechanical clocks were also widely admired. The court established its own clock and watch factory, and in 1673 the emperor insisted that the Jesuits manufacture cannon for him and supervise gunnery practice.

Admiration was not one-sided. In the early eighteenth century China enjoyed a positive reputation in Europe. Voltaire wrote of the rationalism of Confucianism and saw advantages to the Chinese political system because the rulers did not put up with parasitical aristocrats or hypocritical priests. Chinese medical practice also drew European interest. One Chinese practice that Europeans adopted was “variolation,” an early form of smallpox inoculation.