Listening to the Past: Sixth-Century Biographies of Buddhist Nuns

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In 910 a Buddhist nun of the Universal Light convent named Yanhui commissioned a painting of Guanyin and had her own portrait painted in the corner to show her devotion to the bodhisattva. Like other nuns, she had had her head shaved. (© The Trustees of the British Museum/Art Resource, NY)

Women drawn to Buddhism could leave secular life to become nuns. Most nuns lived with other nuns in convents, but they could also work to spread Buddhist teachings outside the cloister. The first collection of biographies of eminent nuns in China was written in 516. Among the sixty-five nuns whose lives it recounted are these three.

Kang Minggan

Minggan’s secular surname was Zhu, and her family was from Kaoping. For generations the family had venerated the [Buddhist] teachings known as the Great Vehicle.

A bandit who wanted to make her his wife abducted her, but, even though she suffered increasing torment, she vowed not to give in to him. She was forced to serve as a shepherdess far from her native home. Ten years went by and her longing for her home and family grew more and more intense, but there seemed to be no way back. During all this she kept her mind fixed on the Three Treasures, and she herself wished to become a nun.

One day she happened to meet a Buddhist monk, and she asked him to bestow on her the five fundamental precepts [of a Buddhist householder]. He granted her request and also presented her with a copy of the Bodhisattva Guanshiyin Scripture, which she then practiced chanting day and night without pause.

Deciding to return home to build a five-story pagoda, she fled to the east in great anxiety and distress. At first she did not know the road but kept traveling both day and night. When crossing over a mountain she saw a tiger lying only a few steps away from her. After momentary terror she composed her mind, and her hopes were more than met, for the tiger led the way for her, and, after the days had grown into weeks, she finally arrived in her home territory of Qing Province. As she was about to enter the village, the tiger disappeared, but at that moment, having arrived in the province, Minggan was again abducted, this time by Ming Bolian. When word reached her family, her husband and son ransomed her, but the family did not let her carry out her wishes [to enter the life of a Buddhist nun]. Only after three years of cultivating stringent religious practices was she able to follow her intention. As a nun, she especially concentrated on the cultivation of meditation, and she kept all the regulations of a monastic life without any transgressions. If she happened to commit a minor fault, she would confess it several mornings in a row, ceasing only after she received a sign or a good omen. Sometimes as a good omen she saw flowers rain down from the sky or she heard a voice in the sky or she saw a Buddha image or she had auspicious dreams.

As Minggan approached old age, her moral cultivation was even more strict and lofty. All the men and women north of the Yangtze River honored her as their spiritual teacher in whom they could take refuge.

In the spring of 348 of the Jin dynasty, she, together with Huichan and others — ten in all — traveled south, crossed the Yangtze River, and went to see the minister of public works, He Chong, in the capital of the Eastern Jin dynasty. As soon as he met them, he showed them great respect. Because at that time there were no convents in the capital region He Chong converted one of his private residences into a convent for them.

He asked Minggan, “What should the convent be named?”

She replied, “In the great realm of the Jin dynasty all the four Buddhist assemblies of monks, nuns, and male and female householders are now established for the first time. Furthermore, that which you as donor have established will bestow blessings and merit. Therefore, let us call the convent ‘Establishing Blessings Convent.’” He Chong agreed to her suggestion. Not long afterward Minggan took sick and died.

Daoqiong

Daoqiong’s secular surname was Jiang. Her family was from Danyang. When she was a little more than ten years old, she was already well educated in the classics and history, and after her full admission to the monastic assembly she became learned in the Buddhist writings as well and also diligently cultivated a life of asceticism. In the Taiyuan reign period [376–396] of the Eastern Jin dynasty, the empress admired her exalted conduct, and, whenever she wished to gain merit by giving gifts or by listening to religious exhortations, she most often depended on the convent where Daoqiong lived for such opportunities. Ladies of noble family vied with one another to associate with Daoqiong.

In 431 she had many Buddhist images made and placed them everywhere: in Pengcheng Monastery, two gold Buddha images with a curtained dais and all accessories; in Pottery Office Monastery, a processional image of Maitreya, the future Buddha, with a jeweled umbrella and pendants; in Southern Establishing Joy Monastery, two gold images with various articles, banners, and canopies. In Establishing Blessings Convent, she had an image of the reclining Buddha made, as well as a hall to house it. She also had a processional image of the bodhisattva, Puxian [or Samantabhadra], made. Of all these items, there was none that was not extremely beautiful. Again, in 438, Daoqiong commissioned a gold Amitayus [or Infinite Life] Buddha, and in the fourth month and tenth day of that same year a golden light shone forth from the mark between the eyebrows of the image and filled the entire convent. The news of this event spread among religious and worldly alike, and all came to pay honor, and, gazing at the unearthly brilliance, there was none who was not filled with great happiness. Further, using the materials bequeathed to her by the Yuan empress consort, she extended the convent to the south to build another meditation hall.

Daozong

Daozong, whose family origins are unknown, lived in Three-Story Convent in Jiangling. As a child she had no intention of setting herself apart; as an adult she did not consider associating with others a defilement. She merely followed a course along the boundary between the wise and the foolish, and, although outwardly she seemed muddled, yet within she traversed hidden profundities.

On the full-moon night of the fifteenth day of the third month, in 463 . . . , Daozong, as an offering to the Buddha, purified herself in a fire fed by oil. Even though she was engulfed by flames up to her forehead, and her eyes and ears were nearly consumed, her chanting of the scriptures did not falter. Monastics and householders sighed in wonder; the demonic and upright were alike startled. When the country heard this news, everyone aspired to attain enlightenment. The appointed court scholar . . . , Liu Qiu, especially revered her and composed a Buddhist-style poetic verse to praise her.

Source: Kathryn Ann Tsai, trans., Lives of the Nuns: Biographies of Chinese Buddhist Nuns from the Fourth to Sixth Centuries. Copyright © 1994 University of Hawai‘i Press. Reprinted with permission of the University of Hawai‘i Press.

QUESTIONS FOR ANALYSIS

  1. Why were the lives of these three particular nuns considered worth recording? What was admirable or inspiring about their examples?
  2. What do the nuns’ spiritual journeys reveal about the virtues associated with Buddhist monastic life?
  3. Do you see a gender element in these accounts? Were the traits that made a nun admirable also appropriate for monks?