CHAPTER REVIEW

COMMON THREADS

184

One of the Common Threads discussed in Chapter 1 is the developmental stages of mass media. Like other mass media, radio evolved in three stages, but it also influenced an important dichotomy in mass media technology: wired versus wireless.

In radio’s novelty stage, several inventors transcended the wires of the telegraph and telephone to solve the problem of wireless communication. In the entrepreneurial stage, inventors tested ship-to-shore radio, while others developed person-to-person toll radio transmissions and other schemes to make money from wireless communication. Finally, when radio stations began broadcasting to the general public (who bought radio receivers for their homes), radio became a mass medium.

As the first electronic mass medium, radio set the pattern for an ongoing battle between wired and wireless technologies. For example, television brought images to wireless broadcasting. Then, cable television’s wires brought television signals to places where receiving antennas didn’t work. Satellite television (wireless from outer space) followed as an innovation to bring TV where cable didn’t exist. Now, broadcast, cable, and satellite all compete against one another.

Similarly, think of how cell phones have eliminated millions of traditional phone, or land, lines. The Internet, like the telephone, also began with wires, but Wi-Fi and home wireless systems are eliminating those wires, too. And radio? Most listeners get traditional local (wireless) radio broadcast signals, but now listeners may use a wired Internet connection to stream Internet radio or download Webcasts and podcasts. The radio industry’s push for the future is to ensure that all mobile phones have enabled FM radio chips so that local radio listening through the Internet can be (again) wireless.

Both wired and wireless technologies have advantages and disadvantages. Do we want the stability and the tethers of a wired connection? Or do we want the freedom and occasional instability (“Can you hear me now?”) of wireless media? Can radio’s development help us understand wired-versus-wireless battles in other media?

KEY TERMS

The definitions for the terms listed below can be found in the glossary at the end of the book. The page numbers listed with the terms indicate where the term is highlighted in the chapter.

telegraph, 151

Morse code, 151

electromagnetic waves, 152

radio waves, 152

wireless telegraphy, 153

wireless telephony, 154

broadcasting, 155

narrowcasting, 155

Radio Act of 1912, 156

Radio Corporation of America (RCA), 157

network, 158

option time, 161

Radio Act of 1927, 162

Federal Radio Commission (FRC), 162

Communications Act of 1934, 162

Federal Communications Commission (FCC), 162

transistors, 166

FM, 166

AM, 166

format radio, 167

rotation, 167

Top 40 format, 168

progressive rock, 168

album-oriented rock (AOR), 169

drive time, 169

news/talk/information, 170

adult contemporary (AC), 172

contemporary hit radio (CHR), 172

country, 172

urban contemporary, 172

Pacifica Foundation, 173

National Public Radio (NPR), 173

Public Broadcasting Service (PBS), 173

Public Broadcasting Act of 1967, 173

Corporation for Public Broadcasting (CPB), 173

satellite radio, 175

HD radio, 175

Internet radio, 175

podcasting, 177

payola, 179

Telecommunications Act of 1996, 179

low-power FM (LPFM), 181

185

REVIEW QUESTIONS

Early Technology and the Development of Radio

  1. Question 5.1

    Ch0Np8jYXbkkCVJKZxqXaoGRT358Nz7oAQCn2e/MqPjhIjbGtZAWzz0Xb6k6FZ1rm01lj/fil6Fl/5I7TFrgwbI/hPQXYRgVVQDHkqzQzQ9WsUf+qkViOA6U81DE4A+c+Iyb0U3gywHsiXIdYvOwKhOX+ETlVIv7oma4w5oPn9J/Ii+AewMuJg==
    Why was the development of the telegraph important in media history? What were some of the disadvantages of telegraph technology?
  2. Question 5.2

    Jf3i8OkAny3iiX+GUwox0Ffjliq2TrJwOW33UK24wzX4WY/w6Y7obxnyEzjARZpECkBOyx436R3O+ejb5H8Iyw==
    How is the concept of wireless different from that of radio?
  3. Question 5.3

    Q9NkmCMWsSKQ892EYt0vx6CMz8k5L+sx/7dPor/3MYuEuaTK7mJjV+INORA+3AP+Myj353fOaDI6leT1FiqbLcItTMDNJWuhbRRoV6g1SdTL3LDQ
    What was Guglielmo Marconi’s role in the development of wireless telegraphy?
  4. Question 5.4

    1rd2rPICWZ+w9cnQWM94AGqflwpvq9+6Q2D65GpwtEOQm1GAzX3dl7jG03hWWoWczSGuK3Z70TA=
    What were Lee De Forest’s contributions to radio?
  5. Question 5.5

    LT19uHQrlk+V+W0RruDECbQFOSJK0nB23vhiHCkePPCs2KnbvK6yQJyomD1Ka5Q0zy4Q6ZuCvzCfCQ4aE4uZjhzXTJDkysji
    Why were there so many patent disputes in the development of radio?
  6. Question 5.6

    yqAN18MMPx3IlFyc3BBFAX7myuRUGdwFiHUSKu0n78m0NVp1
    Why was the RCA monopoly formed?
  7. Question 5.7

    vDMYUcMOILYrw5H8Z3DcAUWjlWubpjRGbfplp+KQChVSF9TSRFaHJgcQTHXju0Hu3KjUPLds+9kHFU67jyg8AtSdy1+6Cz9V5B2g9VizvHs=
    How did broadcasting, unlike print media, come to be federally regulated?

The Evolution of Radio

  1. Question 5.8

    CUn8svHjuFWLb8y1iSSZi61+RcLJWjhu/Rgkvixjvr/w7i9QGrO14rExkJYZmRvynDY9kuaIbwmld1ZM
    What was AT&T’s role in the early days of radio?
  2. Question 5.9

    IN/IoMkeTjXJ8Z9Dc4nnBDHZ+w4ea934zemJBF/B8EYwswugow2YNCmn/ezSx2H1cbk4h/UdQbRjIVKptss/h1uKHBCLrSnjfYgFLi+/cQuVRvRCMmMcGQX5bpgoNlH1BvtXPcDglKpRckJvzLzn3qHjg8XmKESG
    How did the radio networks develop? What were the contributions of David Sarnoff and William Paley to network radio?
  3. Question 5.10

    wbLd2GM7BOpe3wxHxK0AwXUTgNjweU9nJ49Do7VGCawyaEUdHIS5bpOuF2daT8hYTJb4IJuxSGYArHRAoTFLKJOmm/VyiNnXaPO0mlGDI3lxYvkWJxisgqDZSvAhTOUzWEtY1LdcAXU=
    Why did the government-sanctioned RCA monopoly end?
  4. Question 5.11

    HySBoj9kHS6jqYlKHvDm+OoQjk0bSRcz0tmUAJ+fE5HsgA2qpBbgJkDGMZWna8ALxpANpTDElSARK9wifGezFM5eHK/e1EHk9SMxxoY/E0lZ/TBR1Rpx4jcVSZo=
    What is the significance of the Radio Act of 1927 and the Communications Act of 1934?

Radio Reinvents Itself

  1. Question 5.12

    z1lOFX7zbGLjQLlUZ8mKqahsR6nW73Jte4NoC6MMz+OmABzWzFvR/s3BkkuFwU1SksBMdbL5PT0=
    How did radio adapt to the arrival of television?
  2. Question 5.13

    owVfWs+iDRBVowuqWTGPjLiYJN5QLf5YFsMGCscu/4hRi+0KrKardPVdu18gYslEU3OC3CZPdskGOnZKt3YO4H7EtD3AI0ua/GukS5NYSqWQeTsOk6gyZE3WNA54hsk7av2bUKO8EQ5eGEO9W/CFZ8yMxIw=
    What was Edwin Armstrong’s role in the advancement of radio technology? Why did RCA hamper Armstrong’s work?
  3. Question 5.14

    gMf+DRC4wQdVH7MPFvk3knUYL6/0qF+J5v7fsj03JAt5xxs2Vhan2KXPKJrpdgao
    How did music on radio change in the 1950s?
  4. Question 5.15

    bzzylccUKG6/u3PkDQSsYMAZI+GN4IxBsoGXoL1iICTSJ/U4DGE2oSJRRfhJVpBx7N6g4+ADuYXo+2wSDzQGQh3neq6PmetGYW3CJA==
    What is format radio, and why was it important to the survival of radio?

The Sounds of Commercial Radio

  1. Question 5.16

    wbithDjAlgRwFaWtBM/vpQcpaXJXa+zn+cvCJOxdMXX7IDM2vLEcXYbJB4WyGSoe
    Why are there so many radio formats today?
  2. Question 5.17

    ALfj71u5yxnHs++pUvZ9c9Krql3Fi6SE/eAhi+74vPsw40bmIwx+0+d9itddtjhXzya3HBltKsehl9YARDTX2+tvxnz6HVHZ
    Why did Top 40 radio diminish as a format in the 1980s and 1990s?
  3. Question 5.18

    EEsk4vn8G2gj5o2dZi62UCzMUjnfk5Cph1WKGF+2AgBltmGyIaJI42hSCU/u9fPl
    What is the state of nonprofit radio today?
  4. Question 5.19

    AAmzNgH1cmq/CX4sPKcNDx4Y+P9LVNiUop1Q8E5gSnZRSGIsXkbOG7EMK038vMqCSLEImeuLk45lCXsboPCXGW3kTVFL+ePlyAYjwJ7QkVYHaxblkuXei5EFjWIS2Ac//dEJfZ2O1gNV2AxwNK2BygJgPSeL+Oz7f+UhmiLd06bWHjRGYSw/vLSY3HM=
    Why are performance royalties a topic of debate between broadcast radio, satellite radio, Internet radio, and the recording industry?
  5. Question 5.20

    pvmwAb/7Z/5KOe2pq6E8/q2l1cETnK2t0SX6Gs3YJ/MgQ4K2g0EQpRW+ixIsM7M+8+QJekpsXNohgh/tar3Fg+SLuM6YvTnW70HE7/Jq0x6a82jv
    Why do radio broadcasters want FM radio chips enabled for use in mobile phones?

The Economics of Broadcast Radio

  1. Question 5.21

    8WO7HPW9J2vOCC8Av0XZXlaaOykRNaBQ463ljhgdfZ2SGdMaYpzC9gjlNpkv3bNjIazlm27ww7KDN/6C7w8ihNIr390=
    What are the current ownership rules governing American radio?
  2. Question 5.22

    tsN6j/VoIsGvikaFGMXvdrH6H8ijK1WAi0YV02Y3VOCrqmPSDYx0gyeTL14BlNpmyF/sQ8k9Gv5De7NjJFUZs3+zw0SK2LuQ7Ohq6U0rWjQCr62uMmwFTE6nToehB+O+KJN3yw==
    What has been the main effect of the Telecommunications Act of 1996 on radio station ownership?
  3. Question 5.23

    G5jGXHb+5IJzg902LNpl4BMYHAZZvUJZO6eiTwz1IMpmZJe17G6qjMtQWi/10PbCuuzpxCuDslGGozHxRgUh+v0y3lamrB5wd+L+ccSUPgl+UfIKTFMOgWXiSp2EWibcECzaR8JUERVvzsP6t83KSw==
    Why did the FCC create a new class of low-power FM stations?

Radio and the Democracy of the Airwaves

  1. Question 5.24

    zpI6MlotlHF5zl6lGoFtmLWShhSR24zWM3Cop4XF+k5SckYX8lYI6oZu6C2q6qyUjJVJ5Hiezk7u+fRu5NA88Qvj1f02b6vjmKzJNJN/k+K856bPNH7vXlCMqFOk5r8h1yyPrtjZexSfET2qrAMuHvT5NPw7J7W8ZHgZiQ==
    Throughout the history of radio, why did the government encourage monopoly or oligopoly ownership of radio broadcasting?
  2. Question 5.25

    GCBk7GQrfIWwsBIVNGCUojTHZyBd8UfHZ1+/5bzynxvVG76+im1L4mxNCn2NGM3/FAtjYt9B7D3I1yzmLr4+yzR626nsL1imqlQAYg==
    What is the relevance of localism to debates about ownership in radio?

QUESTIONING THE MEDIA

  1. Question 5.26

    pfAR8RKNfvNwpDP9d9WX5DdYn/PxtBy2cCBa5UcVinVooUWozBsHl9yyCDQzLwnsgEdQitr9cdkdJhSWmdfMnq+2G81aFIt8vtMXvPt+oIV7ygt5tymAwjh9aiukfhpmugRRRvS3L9U3oucK+cM4+TzOxQzsln1glR+mDv2gSFfrajTF+jFfYPOHNFF529QHTbq/VTmblEKU2zgBgs5JdXP5FbOhGjOx6deoP1a+jrDtmTwcTbwd/bB0E6KVxNG5bQPDbaBikmumObZGW0JnctRIyumu3fmeMwBJCuaom/0g86MYmDoIuNI/GNxOratZFW4BQa6O4Tmg23J/T1/c2Z4wotZh2xrosdfybuO8aK4y0k6r
    Count the number and types of radio stations in your area today. What formats do they use? Do a little research, and find out who owns the stations in your market. How much diversity is there among the highest-rated stations?
  2. Question 5.27

    Pz0CZpxc8TnUCcsNpkSBTBgkWsfQTqnYU6xyFftw9sjgq29w68kgM6qQ0H6Mqx6V/Yw74uv5pSKlisPD3UwUmtIvRCDXamShXjS3Wr/oGdb2aAhV0XmOzj8RTcx9URPDO/Bu2g==
    If you could own and manage a commercial radio station, what format would you choose, and why?
  3. Question 5.28

    DWcg4/ZevCReXdkX90v2DzBkQEbtsvj3cvdc4aBeoUlrNLIs/2vhg78tWSHjE70BIy5hQteJYWSl/Riv6c8v1616T+3AjVc+Dx5gJqv1VXcsAq1C91hD8lumkpTYfFwpT4NAR4ZVjAmssBhaOdS2IQNORQhc1/w9cEeJOR4xQx/TYYIPtL/5v16NXSuRWU203AIEvqPcOTTs30jmjff8TA==
    If you ran a noncommercial radio station in your area, what services would you provide to address needs that are not being met by commercial format radio?
  4. Question 5.29

    3DtMsX7RF4wsL+xciQfSUzsnDQPz/DE/ALN81tePpfLN0k3eFnK80Ud3oQLFnUpp5lnJ6QJucngWMe1PfAV3OHhsgI5j3K43IHT4mBahq1SPEfYix/lnQf+WHINHLVJp
    How might radio be used to improve social and political discussions in the United States?
  5. Question 5.30

    X27uQygPRPLzEVQ8/g7HS6WqSGnIG2vWo9+1ai4kJKFAcTokx/3CWZu4YJBcC9fwbE2+pv7XQGCox1uxC9maV8lj3SYVC5BgrsUe85+iCDhO02ej6ClEffJb3p3W5Dt3qCJk79gW022x9skJRa8B2CX1O/LGHozudPfZCA==
    If you were a broadcast radio executive, what arguments would you make in favor of broadcast radio over Internet radio?

LAUNCHPAD FOR MEDIA & CULTURE