| File | Title | Manuscript Id |
|---|
| Introduction | smg10e_ch2_1.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_1_dlap.xml | 517eab57b11c0fb83d000000 |
| Practicing The Genre: Telling a Story | smg10e_ch2_2.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_2_dlap.xml | 517eab57b11c0fb83d000000 |
| Guide to Reading | smg10e_ch2_3.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_3_dlap.xml | 517eab57b11c0fb83d000000 |
| Analyzing Remembered Event Essays | smg10e_ch2_4.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_4_dlap.xml | 517eab57b11c0fb83d000000 |
| Determine the writerâs purpose and audience. | smg10e_ch2_5.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_5_dlap.xml | 517eab57b11c0fb83d000000 |
| Assess the genreâs basic features. | smg10e_ch2_6.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_6_dlap.xml | 517eab57b11c0fb83d000000 |
| Readings | smg10e_ch2_7.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_7_dlap.xml | 517eab57b11c0fb83d000000 |
| Jean Brandt, Calling Home | smg10e_ch2_8.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_8_dlap.xml | 517eab57b11c0fb83d000000 |
| Annie Dillard, An American Childhood | smg10e_ch2_9.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_9_dlap.xml | 517eab57b11c0fb83d000000 |
| [Reflect] Make connections: Acting fearlessly. | smg10e_ch2_10.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_10_dlap.xml | 517eab57b11c0fb83d000000 |
| [Analyze] Use the basic features. | smg10e_ch2_11.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_11_dlap.xml | 517eab57b11c0fb83d000000 |
| A Well-Told Story: Constructing an Action Sequence | smg10e_ch2_12.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_12_dlap.xml | 517eab57b11c0fb83d000000 |
| Vivid Description of People and Places: Using Names and Details | smg10e_ch2_13.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_13_dlap.xml | 517eab57b11c0fb83d000000 |
| Autobiographical Significance: Showing and Telling | smg10e_ch2_14.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_14_dlap.xml | 517eab57b11c0fb83d000000 |
| [Respond] Consider possible topics: Remembering unexpected adult actions and reactions. | smg10e_ch2_15.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_15_dlap.xml | 517eab57b11c0fb83d000000 |
| Jenée Desmond-Harris, Tupac and My Non-Thug Life | smg10e_ch2_16.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_16_dlap.xml | 517eab57b11c0fb83d000000 |
| [Reflect] Make connections: Remembering idols. | smg10e_ch2_17.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_17_dlap.xml | 517eab57b11c0fb83d000000 |
| [Analyze] Use the basic features. | smg10e_ch2_18.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_18_dlap.xml | 517eab57b11c0fb83d000000 |
| A Well-Told Story: Using Dialogue | smg10e_ch2_19.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_19_dlap.xml | 517eab57b11c0fb83d000000 |
| Vivid Description of People and Places: Using Visuals and Brand Names | smg10e_ch2_20.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_20_dlap.xml | 517eab57b11c0fb83d000000 |
| Autobiographical Significance: Handling Complex Emotions | smg10e_ch2_21.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_21_dlap.xml | 517eab57b11c0fb83d000000 |
| [Respond] Consider possible topics: Recognizing a public event as a turning point. | smg10e_ch2_22.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_22_dlap.xml | 517eab57b11c0fb83d000000 |
| Tom Ruprecht, In Too Deep | smg10e_ch2_23.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_23_dlap.xml | 517eab57b11c0fb83d000000 |
| [Reflect] Make connections: Using humor. | smg10e_ch2_24.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_24_dlap.xml | 517eab57b11c0fb83d000000 |
| [Analyze] Use the basic features. | smg10e_ch2_25.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_25_dlap.xml | 517eab57b11c0fb83d000000 |
| A Well-Told Story: Understanding the Dramatic Organization of a Story | smg10e_ch2_26.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_26_dlap.xml | 517eab57b11c0fb83d000000 |
| Vivid Description of People and Places: Using Figures of Speech | smg10e_ch2_27.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_27_dlap.xml | 517eab57b11c0fb83d000000 |
| Autobiographical Significance: Coming Full Circle | smg10e_ch2_28.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_28_dlap.xml | 517eab57b11c0fb83d000000 |
| [Respond] Consider possible topics: Being âIn Too Deep.â | smg10e_ch2_29.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_29_dlap.xml | 517eab57b11c0fb83d000000 |
| Guide to Writing | smg10e_ch2_30.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_30_dlap.xml | 517eab57b11c0fb83d000000 |
| The Writing Assignment | smg10e_ch2_31.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_31_dlap.xml | 517eab57b11c0fb83d000000 |
| Starting Points: Explaining a Concept | smg10e_ch2_32.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_32_dlap.xml | 517eab57b11c0fb83d000000 |
| Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch2_33.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_33_dlap.xml | 517eab57b11c0fb83d000000 |
| Choose an event to write about. | smg10e_ch2_34.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_34_dlap.xml | 517eab57b11c0fb83d000000 |
| Shape your story. | smg10e_ch2_35.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_35_dlap.xml | 517eab57b11c0fb83d000000 |
| Organize your story to enhance the drama. | smg10e_ch2_36.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_36_dlap.xml | 517eab57b11c0fb83d000000 |
| Choose your tense and plan time cues. | smg10e_ch2_37.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_37_dlap.xml | 517eab57b11c0fb83d000000 |
| Use dialogue to tell your story. | smg10e_ch2_38.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_38_dlap.xml | 517eab57b11c0fb83d000000 |
| Develop and refine your descriptions. | smg10e_ch2_39.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_39_dlap.xml | 517eab57b11c0fb83d000000 |
| Incorporate descriptive details throughout your story. | smg10e_ch2_40.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_40_dlap.xml | 517eab57b11c0fb83d000000 |
| Consider ways to convey your eventâs autobiographical significance. | smg10e_ch2_41.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_41_dlap.xml | 517eab57b11c0fb83d000000 |
| Write the opening sentences. | smg10e_ch2_42.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_42_dlap.xml | 517eab57b11c0fb83d000000 |
| Draft your story. | smg10e_ch2_43.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_43_dlap.xml | 517eab57b11c0fb83d000000 |
| Evaluating the Draft: Getting a Critical Reading | smg10e_ch2_44.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_44_dlap.xml | 517eab57b11c0fb83d000000 |
| A Critical Reading Guide | smg10e_ch2_45.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_45_dlap.xml | 517eab57b11c0fb83d000000 |
| Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch2_46.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_46_dlap.xml | 517eab57b11c0fb83d000000 |
| Revise your draft. | smg10e_ch2_47.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_47_dlap.xml | 517eab57b11c0fb83d000000 |
| A Troubleshooting Guide | smg10e_ch2_48.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_48_dlap.xml | 517eab57b11c0fb83d000000 |
| Think about design. | smg10e_ch2_49.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_49_dlap.xml | 517eab57b11c0fb83d000000 |
| Edit and proofread your draft. | smg10e_ch2_50.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_50_dlap.xml | 517eab57b11c0fb83d000000 |
| A Writer at Work | smg10e_ch2_51.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_51_dlap.xml | 517eab57b11c0fb83d000000 |
| Jean Brandtâs Essay | smg10e_ch2_52.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_52_dlap.xml | 517eab57b11c0fb83d000000 |
| The First Draft | smg10e_ch2_53.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_53_dlap.xml | 517eab57b11c0fb83d000000 |
| Critical Reading and Revision | smg10e_ch2_54.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_54_dlap.xml | 517eab57b11c0fb83d000000 |
| Thinking Critically | smg10e_ch2_55.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_55_dlap.xml | 517eab57b11c0fb83d000000 |
| Reflecting on What You Have Learned | smg10e_ch2_56.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_56_dlap.xml | 517eab57b11c0fb83d000000 |
| Reflecting on the Genre | smg10e_ch2_57.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_57_dlap.xml | 517eab57b11c0fb83d000000 |
| Shannon Lewis: We Were Here | smg10e_ch2_58.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_58_dlap.xml | 517eab57b11c0fb83d000000 |
| Juliane Koepcke: How I Survived a Plane Crash | smg10e_ch2_59.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_59_dlap.xml | 517eab57b11c0fb83d000000 |
| Sally Williams: Sole Survivor: The Woman Who Fell to Earth | smg10e_ch2_60.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_60_dlap.xml | 517eab57b11c0fb83d000000 |
| [Analyze] Use the basic features. | smg10e_ch2_61.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_61_dlap.xml | 517eab57b11c0fb83d000000 |
| A Well-Told Story: Seeing an Event From Different Perspectives | smg10e_ch2_62.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_62_dlap.xml | 517eab57b11c0fb83d000000 |
| [Respond] Consider possible topics: Exploring unexpected events. | smg10e_ch2_63.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_63_dlap.xml | 517eab57b11c0fb83d000000 |
| Andrew Lam: Waterloo | smg10e_ch2_64.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_64_dlap.xml | 517eab57b11c0fb83d000000 |
| [Analyze] Use the basic features. | smg10e_ch2_65.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_65_dlap.xml | 517eab57b11c0fb83d000000 |
| Autobiographical Significance: Pairing Description and Reflection | smg10e_ch2_66.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_66_dlap.xml | 517eab57b11c0fb83d000000 |
| [Respond] Consider possible topics: Remembering a turning point. | smg10e_ch2_67.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_67_dlap.xml | 517eab57b11c0fb83d000000 |
| Playing With Genre: Remembering an Event in a Graphic Memoir | smg10e_ch2_68.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_68_dlap.xml | 517eab57b11c0fb83d000000 |
| [Reflect] Make connections: Revisiting your younger self. | smg10e_ch2_69.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_69_dlap.xml | 517eab57b11c0fb83d000000 |
| [Analyze] Use the basic features. | smg10e_ch2_70.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_70_dlap.xml | 517eab57b11c0fb83d000000 |
| A Well-Told Story: Using Cartoons to Share an Experience | smg10e_ch2_71.html | 517eab57b11c0fb83d000000 |
| DLAP questions | smg10e_ch2_71_dlap.xml | 517eab57b11c0fb83d000000 |