Visual Source 19.2: Women and Westernization

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By the 1880s, Japan was in the midst of an amazing transformation, in part the outcome of Perry’s forced “opening” of the country. By then Japan had a new government committed to the country’s rapid modernization. Particularly among the young, there was an acute awareness of the need to create a new culture that could support a revived Japan. “We have no history,” declared one of these students; “our history begins today.”19 In this context, much that was Western was enthusiastically embraced. The technological side of this borrowing was illustrated in the woodblock print of Japanese modernization.

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But borrowing extended as well to more purely cultural matters. Eating beef became popular, despite Buddhist objections. Many men adopted Western hairstyles and grew beards, even though the facial hair of Westerners had earlier been portrayed as ugly. In 1872, Western dress was ordered for all official ceremonies. Women in elite circles likewise adopted Western ways, as illustrated in Visual Source 19.2, an 1887 woodblock print titled Illustration of Singing by the Plum Garden. At the same time, the dress of the woman in the middle seems to reflect earlier Japanese court traditions that encouraged women to wear many layers of kimonos.

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Visual Source 19.2 Women and Westernization (Hashimoto Chikanobu, Japanese, 1838–1912. Publisher: Ōmori Kakutarō, Japanese. Singing by the Plum Garden (Baien shōka zu). Japanese, Meiji era, 1887 (Meiji 20), December. Woodblock print (nishiki-e); ink and color on paper. Vertical ōban triptych; 35.4 x 71.6 cm (13 15/16 x 28 3/16 in.). Museum of Fine Arts, Boston. Gift of L. Aaron Lebowich. RES.53.82-4. Photograph © 2014 Museum of Fine Arts, Boston.)