Working with Evidence: Pompeii as a Window on the Roman World

WORKING WITH EVIDENCE

Pompeii as a Window on the Roman World

You could hear the shrieks of women, the wailing of infants, and the shouting of men; some were calling their parents, others their children or their wives, trying to recognize them by their voices. People bewailed their own fate or that of their relatives, and there were some who prayed for death in their terror of dying. Many besought the aid of the gods, but still more imagined there were no gods left, and that the universe was plunged into eternal darkness for evermore.22

Written by a prominent Roman known as Pliny the Younger, this eyewitness account details reactions to the volcanic eruption of Mount Vesuvius, located on the southwestern side of the Italian peninsula, on August 24, 79 C.E. That eruption buried the nearby city of Pompeii, located about 150 miles south of Rome, but it also preserved the city, frozen in time, until archeologists began to uncover it in the mid-eighteenth century (see Map 3.4). Now substantially excavated, Pompeii is an archeological and historical treasure, offering a unique window into the life of a Roman city during the first century C.E.

As this city of perhaps 20,000 people emerged from layers of ash, it stood revealed as a small but prosperous center of commerce and agriculture, serving as a point of entry for goods coming to southern Italy by sea. Pompeii also hosted numerous vineyards, production facilities for wine and olive oil, and a fisheries industry. In addition, the city was a tourist destination for well-to-do Romans. The houses of the wealthy were elegant structures, often built around a central courtyard, and were decorated with lovely murals displaying still-life images, landscapes, and scenes from Greek and Roman mythology. An inscription found on the threshold of one house expressed the entrepreneurial spirit of the town: “Gain is pure joy.”23

Laid out in a grid pattern with straight streets, the city’s numerous public facilities included a central bathing/swimming pool, some twenty-five street fountains, various public bathhouses, and a large food market as well as many bars and small restaurants. More than thirty brothels, often featuring explicit erotic art, offered sexual services at relatively inexpensive prices. One inscription, apparently aimed at local tourists, declared: “If anyone is looking for some tender love in this town, keep in mind that here all the girls are very friendly.” Graffiti too abounded, much of it clearly sexual. Here are three of the milder examples: “Atimetus got me pregnant”; “Sarra, you are not being very nice, leaving me all alone like this”; and “If anyone does not believe in Venus, they should gaze at my girlfriend.”24