Uncle Tom’s Cabin

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Uncle Tom’s Cabin Poster After Congress passed the Fugitive Slave Act in 1850, Harriet Beecher Stowe’s outraged sister-in-law told her, “Now Hattie, if I could use a pen as you can, I would write something that will make this whole nation feel what an accursed thing slavery is.” This poster advertising the novel Stowe wrote calls it “The Greatest Book of the Age.” The novel fueled the growing antislavery crusade. The Granger Collection, New York.

The spectacle of shackled African Americans being herded south seared the conscience of every Northerner who witnessed such a scene. But even more Northerners were turned against slavery by a novel. Harriet Beecher Stowe, a white Northerner who had never set foot on a plantation, made the South’s slaves into flesh-and-blood human beings almost more real than life.

A member of a famous clan of preachers, teachers, and reformers, Stowe despised the slave catchers and wrote to expose the sin of slavery. Published as a book in 1852, Uncle Tom’s Cabin, or Life among the Lowly, became a blockbuster hit, selling 300,000 copies in its first year and more than 2 million copies within ten years. Stowe’s characters leaped from the page. Here was the gentle slave Uncle Tom, a Christian saint who forgave those who beat him to death; the courageous slave Eliza, who fled with her child across the frozen Ohio River; and the fiendish overseer Simon Legree, whose Louisiana plantation was a nightmare of torture and death.

Stowe aimed her most powerful blows at slavery’s destructive impact on the family. Her character Eliza succeeds in keeping her son from being sold away, but other mothers are not so fortunate. When told that her infant has been sold, Lucy drowns herself. Driven half mad by the sale of a son and daughter, Cassy decides “never again [to] let a child live to grow up!” She gives her third child an opiate and watches as “he slept to death.” Northerners shed tears and sang praises to Uncle Tom’s Cabin.

What Northerners accepted as truth, Southerners denounced as slander. The Virginian George F. Holmes proclaimed Stowe a member of the “Woman’s Rights” and “Higher Law” schools and dismissed the novel as a work of “intense fanaticism.” The New Orleans Crescent called Stowe “part quack and part cutthroat,” a fake physician who came with arsenic in one hand and a pistol in the other to treat diseases she had “never witnessed.” Although it is impossible to measure precisely the impact of a novel on public opinion, Uncle Tom’s Cabin clearly helped to crystallize northern sentiment against slavery and to confirm white Southerners’ suspicion that they no longer received any sympathy in the free states.

Other writers—ex-slaves who knew life in slave cabins firsthand—also produced stinging indictments of slavery. Solomon Northup’s compelling Twelve Years a Slave (1853) sold 27,000 copies in two years, and the powerful Narrative of the Life of Frederick Douglass, as Told by Himself (1845) eventually sold more than 30,000 copies. But no work touched the North’s conscience as did the novel by a free white woman. A decade after its publication, when Stowe visited Abraham Lincoln at the White House, he reportedly said, “So you are the little woman who wrote the book that made this great war.”