Source 3.3: Statue of Augustus

This statue of Augustus, the first of the Roman emperors (r. 27 B.C.E.–14 C.E.), was probably created shortly after his death, though based on a somewhat earlier bronze original. It symbolized a new era of peace and abundance in Roman history, following a century of turmoil and civil war. Here Augustus is “imperator” or military commander, wearing a breastplate and with his right arm extended as if addressing his troops. The statue was clearly intended to commemorate the victory of Augustus over the Parthian Empire, centered in Persia, in 20 B.C.E., a triumph that reversed several earlier Roman defeats. The central relief on the breastplate shows the Parthian ruler (on the right) returning to a Roman military figure the battle standard that the Parthians had seized thirty-three years before. “I compelled the Parthians to return the spoils and standards of three Roman armies,” Augustus declared, “and humbly to beg the friendship of the Roman people.”1

The other figures from Roman mythology on the breastplate represent the ordered, peaceful, stable, and bountiful world that the defeat of the Parthians promised. Cupid or Eros, riding a dolphin next to Augustus’s right leg in the statue, evokes his mother, Venus, often said to be an ancestor of Augustus. Notice that the military figure of Augustus is strangely barefoot, a portrayal usually associated with gods and heroes.

Questions to consider as you examine the source:

Source 3.3A

Augustus Statue

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Statue of AugustusBraccio Nuovo, Museo Chiaramonti, Vatican Museums/Scala/Art Resource, NY

Source 3.3B

Augustus Statue: The Breastplate

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Breastplate from Statue of AugustusThis breastplate contains various figures from Roman mythology. At the top left is the sun god Sol driving a chariot, while the top right shows the moon goddess Luna as well as Aurora, the winged goddess of dawn, pouring dew from her jug. Between them Caelus, the sky god, spreads out the heavens, and at the bottom of the breastplate the earth goddess cradles two babies and holds a cornucopia overflowing with fruit.Braccio Nuovo, Museo Chiaramonti, Vatican Museums/Scala/Art Resource, NY

Notes

  1. Paul Zanker, The Power of Images in the Age of Augustus (Ann Arbor: University of Michigan Press, 1988), 187.