VideoCentral: Film

Actors and Performance in Do the Right Thing (excerpt)

An Editing Tutorial in Man with a Movie Camera

Avant-Garde Visions in Meshes of the Afternoon

Blocking in Do the Right Thing (excerpt)

Cinematography: Framing and Offscreen Space in M (excerpt)

Cinematography: Good Vs. Evil in M (excerpt)

Cinematography: Meaning through Images in M

Cinematography: The Spiral Image in M (excerpt)

Costumes and Props in Do the Right Thing (excerpt)

Distance and Angles in Vertigo (excerpt)

Formal Play in Ballet Mécanique

Frames and Framing in Vertigo (excerpt)

Framing, Camera Angles, and Special Effects in Vertigo

Mise-en-scene in Do the Right Thing

Mise-en-scene in Fantastic Mr. Fox

Montage in Battleship Potemkin and The Untouchables

Patterns of Editing in Bonnie and Clyde (1967)

Plot and Narration in Apocalypse Now

Props in Fantastic Mr. Fox (exceprt)

Reshaping Genre in Chinatown

Sets and Settings in Do the Right Thing (excerpt)

Special Effects & Animation in Vertigo (excerpt)

The Climatic Sequence in Do the Right Thing (excerpt)

The Contemporary Documentary: Exit through the Gift Shop

The Handcrafted Details in Fantastic Mr. Fox (excerpt)

The Western and Genre Revisionism: Comparing True Grit (1969) and True Grit (2010)

The Vertigo Effect: Zooms and Tracks (excerpt)

Taxi Driver and New Hollywood