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Actors and Performance in Do the Right Thing (excerpt)video_film_accessible_ch1_1.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_1_dlap.xml59e9c59c7894d2a17e000000
An Editing Tutorial in Man with a Movie Cameravideo_film_accessible_ch1_2.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_2_dlap.xml59e9c59c7894d2a17e000000
Avant-Garde Visions in Meshes of the Afternoonvideo_film_accessible_ch1_3.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_3_dlap.xml59e9c59c7894d2a17e000000
Blocking in Do the Right Thing (excerpt)video_film_accessible_ch1_4.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_4_dlap.xml59e9c59c7894d2a17e000000
Cinematography: Framing and Offscreen Space in M (excerpt)video_film_accessible_ch1_5.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_5_dlap.xml59e9c59c7894d2a17e000000
Cinematography: Good Vs. Evil in M (excerpt)video_film_accessible_ch1_6.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_6_dlap.xml59e9c59c7894d2a17e000000
Cinematography: Meaning through Images in Mvideo_film_accessible_ch1_7.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_7_dlap.xml59e9c59c7894d2a17e000000
Cinematography: The Spiral Image in M (excerpt)video_film_accessible_ch1_8.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_8_dlap.xml59e9c59c7894d2a17e000000
Costumes and Props in Do the Right Thing (excerpt)video_film_accessible_ch1_9.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_9_dlap.xml59e9c59c7894d2a17e000000
Distance and Angles in Vertigo (excerpt)video_film_accessible_ch1_10.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_10_dlap.xml59e9c59c7894d2a17e000000
Formal Play in Ballet Mécaniquevideo_film_accessible_ch1_11.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_11_dlap.xml59e9c59c7894d2a17e000000
Frames and Framing in Vertigo (excerpt)video_film_accessible_ch1_12.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_12_dlap.xml59e9c59c7894d2a17e000000
Framing, Camera Angles, and Special Effects in Vertigovideo_film_accessible_ch1_13.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_13_dlap.xml59e9c59c7894d2a17e000000
Mise-en-scene in Do the Right Thingvideo_film_accessible_ch1_14.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_14_dlap.xml59e9c59c7894d2a17e000000
Mise-en-scene in Fantastic Mr. Foxvideo_film_accessible_ch1_15.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_15_dlap.xml59e9c59c7894d2a17e000000
Montage in Battleship Potemkin and The Untouchablesvideo_film_accessible_ch1_16.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_16_dlap.xml59e9c59c7894d2a17e000000
Patterns of Editing in Bonnie and Clyde (1967)video_film_accessible_ch1_17.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_17_dlap.xml59e9c59c7894d2a17e000000
Plot and Narration in Apocalypse Nowvideo_film_accessible_ch1_18.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_18_dlap.xml59e9c59c7894d2a17e000000
Props in Fantastic Mr. Fox (exceprt)video_film_accessible_ch1_19.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_19_dlap.xml59e9c59c7894d2a17e000000
Reshaping Genre in Chinatownvideo_film_accessible_ch1_20.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_20_dlap.xml59e9c59c7894d2a17e000000
Sets and Settings in Do the Right Thing (excerpt)video_film_accessible_ch1_21.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_21_dlap.xml59e9c59c7894d2a17e000000
Special Effects & Animation in Vertigo (excerpt)video_film_accessible_ch1_22.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_22_dlap.xml59e9c59c7894d2a17e000000
The Climatic Sequence in Do the Right Thing (excerpt)video_film_accessible_ch1_23.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_23_dlap.xml59e9c59c7894d2a17e000000
The Contemporary Documentary: Exit through the Gift Shopvideo_film_accessible_ch1_24.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_24_dlap.xml59e9c59c7894d2a17e000000
The Handcrafted Details in Fantastic Mr. Fox (excerpt)video_film_accessible_ch1_25.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_25_dlap.xml59e9c59c7894d2a17e000000
The Western and Genre Revisionism: Comparing True Grit (1969) and True Grit (2010)video_film_accessible_ch1_26.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_26_dlap.xml59e9c59c7894d2a17e000000
The Vertigo Effect: Zooms and Tracks (excerpt)video_film_accessible_ch1_27.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_27_dlap.xml59e9c59c7894d2a17e000000
Taxi Driver and New Hollywoodvideo_film_accessible_ch1_28.html59e9c59c7894d2a17e000000
DLAP questionsvideo_film_accessible_ch1_28_dlap.xml59e9c59c7894d2a17e000000