The first time you read a text, mark it up (if the medium allows) or take notes. Consider content, author, intended audience, and genre and design.
READING FOR CONTENT
READING FOR AUTHOR/CREATOR AND AUDIENCE
READING FOR DESIGN, COMPOSITION, AND STYLE
Student annotation of an assigned text
Following is an excerpt from Andrea A. Lunsford and Karen J. Lunsford’s essay “ ‘Mistakes Are a Fact of Life’: A National Comparative Study,” with annotations made by Sarah Lum and Fernando Sanchez. Read the full article with Sarah and Fernando's annotations here.
“Mistakes Are a Fact of Life”: A National Comparative Study
BY ANDREA A. LUNSFORD AND KAREN J. LUNSFORD
Mistakes are a fact of life. It is the response to the error that counts.
—NIKKI GIOVANNI, Black Feeling, Black Talk, Black Judgment
Fernando Sanchez: To an older audience, this is a good reference. To a much younger audience reading and researching this, “Bushisms” might not be a word in their vocabulary.
Sarah Lum: Perhaps text message lingo is not the main problem of student writing; rather it is the subjects students are currently interested in. They are reading less formal texts and are more engaged in social media. In the past, I read an essay in which a student had quoted the lyrics of a rapper rather than an author.
Perhaps it is the seemingly endless string of what have come to be called “Bushisms” (“We shouldn’t fear a world that is more interacted”) and the complex response to them from both right and left. Perhaps it is the hype over Instant Messaging lingo cropping up in formal writing and the debate among teachers over how to respond (Farmer 48). Perhaps it is the long series of attempts to loosen the grip of “standard” English on the public imagination, from the 1974 special issue of College Composition and Communication (Students’ Right to Their Own Language) to a 2006 special issue of College English devoted to Cross-
Whatever the reasons, and they are surely complex and multilayered, forms of language use have been much in the news, with charges of what student writers can and cannot (or should and should not) do all around us. The times seemed ripe, then, for taking a close look at a national sample of student writing to see what it might tell us about the current state of affairs. With that goal in mind, we drew up plans to conduct a national study of first-
“The Frequency of Formal Errors,” or Remembering Ma and Pa Kettle
FS: This article will contain much content that older readers are already familiar with. It also includes phrases like “for now, flash back to the mid-
SL: As frequent as misspelling is, I would expect that percentage to decrease in this age because we rely on computers to autocorrect our mistakes.
But we are getting a bit ahead of ourselves here. For now, flash back to the mid-
Why the focus on error in the Lunsford and Connors study? Bob and Andrea’s historical research had led each of them to caches of student papers with teacher comments focusing on errors that sometimes seemed very out of date if not downright odd (“stringy” syntax, for example, or obsessive comments on how to distinguish between the use of “shall” and “will”), and they wondered what teachers in the 1980s would focus on instead. In addition, the 1938–39 research into student patterns of formal error carried out by John C. Hodges, author of the Harbrace Handbook of English, piqued their curiosity—
Beginning around 1910 . . . teachers and educational researchers began trying to taxonomize errors and chart their frequency. The great heyday of error-
As Connors and Lunsford noted, Hodges did not publish any results of his study in contemporary journals, though in a footnote to the preface of the first edition of his Handbook, he did list the top ten errors he found. Connors and Lunsford’s research turned up two other “top ten” lists, one by Roy Ivan Johnson in 1917, the other by Paul Witty and Roberta Green in 1930. The three lists are presented in Table 1.2.
[Table 1: Historical Top Ten Errors Lists appeared here.]
Increasingly intrigued to see how formal error patterns might have shifted in the sixty-
[Table 2: Connors and Lunsford List of Most Frequent Formal Errors appeared here.]
SL: Some teachers are more lenient and some are more constructive—
FS: What is that popular stereotype?
As noted above, Table 2 omits spelling errors, which constituted such a large number of the formal errors that Andrea and Bob decided to study them separately (see “Exercising Demonolatry”). In analyzing the other most frequent patterns of formal error and teacher marking of them, Bob and Andrea drew some intriguing conclusions: First, teachers vary widely in their thinking about what constitutes a “markable” error. Second, teachers do not mark as many errors as the popular stereotype might have us believe, perhaps because of the difficulty of explaining the error or because the teacher is focusing on only a few errors at any one time. Finally, they concluded that error patterns had indeed shifted since the time of Hodges’s Harbrace Handbook, especially in terms of a “proliferation of error patterns that seem to suggest declining familiarity with the visual look of a written page” (406).
FS: Good wording to keep the reader’s mind on the idea of mistakes being a fact of life!
While Andrea and Bob found errors aplenty in the 3,000 papers from 1984, they also found reason for optimism:
One very telling fact emerging from our research is our realization that college students are not making more formal errors in writing than they used to. The numbers of errors made by students in earlier studies and the numbers we found in the 1980s agree remarkably. (406)
Table 3 presents their comparison of the findings of the three studies.
[Table 3: Comparison of Three Studies’ Findings appeared here.]
FS: Although I did not know about the Lunsford and Connors study in 1984, this first section really gave me a good summary and base to start to understand the statistics and studies of today.
SL: Since this is a scholarly article, I expected it to be hard to read and understand, but it is pretty clear so far.
Given the consistency of these numbers, Connors and Lunsford concluded that “although the length of the average paper demanded in freshman composition has been steadily rising, the formal skills of students have not declined precipitously” (406). . . .