Writing an Opening

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Even writers with something to say may find it hard to begin. Often they are so intent on a brilliant opening that they freeze. They forget even the essentials—set up the topic, stick to what’s relevant, and establish a thesis. If you feel like a deer paralyzed by headlights, try these ways of opening:

Your opening should intrigue readers—engaging their minds and hearts, exciting their curiosity, drawing them into the world set forth in your writing.

DISCOVERY CHECKLIST

  • What vital background might readers need?

  • What general situation might help you narrow down to your point?

  • What facts or statistics might make your issue compelling?

  • What powerful anecdote or incident might introduce your point?

  • What striking example or comparison would engage a reader?

  • What question will your thesis—and your essay—answer?

  • What lively quotation would set the scene for your essay?

  • What assertion or claim might be the necessary prelude for your essay?

  • What points should you preview to prepare a reader for what will come?

  • What would compel someone to keep on reading?

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Begin with a Story.Often a simple anecdote can capture your readers’ interest and thus serve as a good beginning. Here is how Dan Leeth opens his essay “Trails of Treasure” (Encompass, November/December 2013):

It was my first ever hike. I was 9 years old when my father’s friend, Scotty, invited us to join him on a trek into the Superstition Mountains, a rugged jumble of bluffs, buttes, crags, cliffs and canyons rising 35 miles east of Phoenix. Naturally, I wore my Roy Rogers cowboy boots. Six blisters later, I realized why Roy rode and seldom walked. Only Scotty’s tales of treasure kept me going.

Most of us, after an anecdote, want to read on. What will the writer say next? How does the anecdote launch the essay? Leeth continues, explaining that the hike introduced him to the territory of the long-lost—and long-sought—golden treasure trove known as the Lost Dutchman Mine.

Comment on a Topic or Position.Sometimes a writer expands on a topic, bringing in vital details, as Greg Lukianoff and Jonathan Haidt do to open their article “The Coddling of the American Mind” (The Atlantic, September 2015):

Something strange is happening at America’s colleges and universities. A movement is arising, undirected and driven largely by students, to scrub campuses clean of words, ideas, and subjects that might cause discomfort or give offense. Last December, Jeannie Suk wrote in an online article for the New Yorker about law students asking her fellow professors at Harvard not to teach rape law—or, in one case, even use the word violate (as in “that violates the law”) lest it cause students distress. In February, Laura Kipnis, a professor at Northwestern University, wrote an essay in the Chronicle of Higher Education describing a new campus politics of sexual paranoia—and was then subjected to a long investigation after students who were offended by the article and by a tweet she’d sent filed Title IX complaints against her. In June, a professor protecting himself with a pseudonym wrote an essay for Vox describing how gingerly he now has to teach.“I’m a Liberal Professor, and My Liberal Students Terrify Me,” the headline said. A number of popular comedians, including Chris Rock, have stopped performing on college campuses. . . . Jerry Seinfeld and Bill Maher have publicly condemned the oversensitivity of college students, saying too many of them can’t take a joke.

After announcing their topic and their particular viewpoint regarding it, Lukianoff and Haidt supply a series of anecdotes to support that viewpoint.

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Ask a Question. An essay can begin with a question and answer, as James H. Austin begins “Four Kinds of Chance,” in Chase, Chance, and Creativity: The Lucky Art of Novelty (Columbia UP, 1978):

What is chance? Dictionaries define it as something fortuitous that happens unpredictably without discernible human intention. Chance is unintentional and capricious, but we needn’t conclude that chance is immune from human intervention. Indeed, chance plays several distinct roles when humans react creatively with one another and with their environment.

Beginning to answer the question in the first paragraph leads readers to expect the rest of the essay to continue the answer.

For more on thesis statements, see Stating and Using a Thesis in Ch. 20.

End with thesis Statement. Opening paragraphs often end by stating the essay’s main point. After capturing readers’ attention with an anecdote, gripping details, or examples, you lead readers in exactly the direction your essay goes. In response to the question “Should Washington stem the tide of both legal and illegal immigration?” (Insight on the News, 11 March 2002), Daniel T. Griswold uses this strategy to begin his answer:

Immigration always has been controversial in the United States. More than two centuries ago, Benjamin Franklin worried that too many German immigrants would swamp America’s predominantly British culture. In the mid-1800s, Irish immigrants were scorned as lazy drunks, not to mention Roman Catholics. At the turn of the century a wave of “new immigrants”—Poles, Italians, Russian Jews—were believed to be too different ever to assimilate into American life. Today the same fears are raised about immigrants from Latin America and Asia, but current critics of immigration are as wrong as their counterparts were in previous eras.

Learning by Doing Trying Different Methods of Writing an Opening

Learning by Doingimage Trying Different Methods of Writing an Opening

Choose three methods of writing an opening, selecting from the previously discussed methods (begin with a story, comment on a topic or position, ask a question, end with thesis statement) or from the following list:

  • Offer a startling statistic or an unusual fact.

  • Introduce a quotation or a bit of dialogue.

  • Provide historical background.

  • Define a key term or concept.

  • State a problem, contradiction, or dilemma.

  • Use a vivid example or image.

  • Develop an analogy.

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Write (or rewrite) an introduction to a paper using the three methods you have chosen. Which method do you think is most effective and engaging, and why? Swap introductions with a writing partner and ask your partner which introduction he or she thinks is most effective and why.