Ever since Michel de Montaigne, the founder of the modern essay, gave as a motto his befuddled “What do I know?” and put forth a vision of humanity as mentally wavering and inconstant, the essay has become a meadow inviting contradiction, paradox, irresolution, and self-doubt. The essay’s job is to track consciousness; if you are fully aware of your mind you will find your thoughts doubling back, registering little peeps of ambivalence or disbelief.
Write an essay in which you examine the “contradiction, paradox, irresolution, and self-doubt” in at least three of the twentieth- and twenty-first-century American essays in this chapter.