File | Title | Manuscript Id |
Chapter 2 Close Reading: The Art and Craft of Analysis | cialit1e_ch02_1.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_1_dlap.xml | 53b4487d757a2ecf2f000000 |
Analyzing Style | cialit1e_ch02_2.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_2_dlap.xml | 53b4487d757a2ecf2f000000 |
Establishing the Rhetorical Situation | cialit1e_ch02_3.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_3_dlap.xml | 53b4487d757a2ecf2f000000 |
A Model Analysis | cialit1e_ch02_4.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_4_dlap.xml | 53b4487d757a2ecf2f000000 |
Determining Tone | cialit1e_ch02_5.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_5_dlap.xml | 53b4487d757a2ecf2f000000 |
ACTIVITY Angelina Grimké Weld, Speech at Pennsylvania Hall | cialit1e_ch02_6.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_6_dlap.xml | 53b4487d757a2ecf2f000000 |
Talking with the Text | cialit1e_ch02_7.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_7_dlap.xml | 53b4487d757a2ecf2f000000 |
Asking Questions | cialit1e_ch02_8.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_8_dlap.xml | 53b4487d757a2ecf2f000000 |
ACTIVITY Ralph Ellison, from On Bird, Bird-Watching and Jazz
| cialit1e_ch02_9.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_9_dlap.xml | 53b4487d757a2ecf2f000000 |
Annotating | cialit1e_ch02_10.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_10_dlap.xml | 53b4487d757a2ecf2f000000 |
Using a Graphic Organizer | cialit1e_ch02_11.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_11_dlap.xml | 53b4487d757a2ecf2f000000 |
From Close Reading to Analysis | cialit1e_ch02_12.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_12_dlap.xml | 53b4487d757a2ecf2f000000 |
ACTIVITY Tecumseh, Address to the Osages
| cialit1e_ch02_13.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_13_dlap.xml | 53b4487d757a2ecf2f000000 |
Writing a Close-Analysis Essay | cialit1e_ch02_14.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_14_dlap.xml | 53b4487d757a2ecf2f000000 |
Developing a Thesis Statement | cialit1e_ch02_15.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_15_dlap.xml | 53b4487d757a2ecf2f000000 |
A Sample Close-Analysis Essay | cialit1e_ch02_16.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_16_dlap.xml | 53b4487d757a2ecf2f000000 |
ACTIVITY Christopher Morley, On Laziness
| cialit1e_ch02_17.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_17_dlap.xml | 53b4487d757a2ecf2f000000 |
Close Reading Fiction | cialit1e_ch02_18.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_18_dlap.xml | 53b4487d757a2ecf2f000000 |
ACTIVITY Robert Penn Warren, from All the King's Men
| cialit1e_ch02_19.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_19_dlap.xml | 53b4487d757a2ecf2f000000 |
Close Reading Poetry | cialit1e_ch02_20.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_20_dlap.xml | 53b4487d757a2ecf2f000000 |
ACTIVITY Langston Hughes, Harlem
| cialit1e_ch02_21.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_21_dlap.xml | 53b4487d757a2ecf2f000000 |
Close Reading Visual Texts | cialit1e_ch02_22.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_22_dlap.xml | 53b4487d757a2ecf2f000000 |
ACTIVITY Environmental Protection Agency, Slip, Slop, Slap & Wrap! (advertisement)
| cialit1e_ch02_23.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_23_dlap.xml | 53b4487d757a2ecf2f000000 |
CULMINATING ACTIVITY John F. Kennedy's Inauguration | cialit1e_ch02_24.html | 53b4487d757a2ecf2f000000 |
DLAP questions | cialit1e_ch02_24_dlap.xml | 53b4487d757a2ecf2f000000 |