Reading Quiz for Chapter 14

Read Chapter 14 in your book and check your comprehension by answering the following questions. Then “submit” your work.

  1. Question

    d1WnOZZCwl6RU4Uw9/lYOc6cj1WCrb/EUtj4Ed64gd7ohig6luN9EB5WPynxnk2Oz+lYcG65YCcOQACDCqlHZdDlcvQzxo2h9yM1GJfxIEQ/6NTSGroncj+bGaJLfnMh5LwQdqhyNCVY+Aedz7YwB266B5jxBuYEc2Ge0P+poSlFuvaK4ysdzxw8RsmAuCqr5NbSDSJxfjT01KEqCEG8U+7YnaqfNqUj26C8/cycQJ+Gjkj5ccFyIUKu/y3EavVp4VW1hcw0Mw/VTYV8ng//TZ5IaK5YUPqZWB/ZnfQnZdUBTtfdrIhr6XyK2MNTmL6teop5QrVLvQXMkfJL7oprUuPpvXXP6C+wZTnsIMj/ysZakM7HhSR5VmATH7N90jR+LmG6f2q6EN0Ct0nXm/DR81zfZFzMoc/jZ6AVTQ==
    In addition to the symphony, what were the other important genres of the Classical era?
    Correct.
    Incorrect. See the opening of Chapter 14.

  2. Question

    +32tpJ4NWDGS3vYo3Rbyw+VKmP+yOTYhwK5SclrJGodqgxonnYLozion7vvBBuXtxp4+f6xobnIUUbaVT42ApODf5gFzo9BNI9MVQz2Q2qsOpFW50UwzgnfjIagM0S/agbDc4m97W52Ny1ZLOCrBeNstaOiu2Venq3GVFCvVwxC+ujpWyG/raB0EwTqapTDCdy7YKYV+BZEKrOKf
    Where were Classical sonatas designed to be played?
    Correct.
    Incorrect. See The Sonata in Chapter 14.

  3. Question

    a8yWlPkusB3TN8UhfM3xK9jeVcF8hlO5FSfxjvuo6FvsL9GlB/nroBhp4mU4qbSTs+ErW5zDh6MBw2sezVaHEWVRh2wT8k6kAFtKbl0IQ0vc57hgO6JE4iCSMlHH+gEOVlR/KXcmrbuQUYy/AE6ZPLK2jNv30R0u/UAbcq8/YtdYjZcZhZ8xrO8KG8TsrfWzin7BpSgzOE/neOI6
    How many movements are in the typical Classical sonata?
    Correct.
    Incorrect. See The Sonata in Chapter 14.

  4. Question

    DaaG+Lx6xvOL5FqLmKhoKCnK/y/WGHnd+tilqI/LIBjKiJnG//tLiT9OqNKQHs7YTT20xWHTfS0Em9dGYwO5fxy5a/eerhGNmSRCYif2CTOlw6k05/5GRZWyYF1gyI5CL94dcxDAUJu+XQQA9amqmLaWzlaND53ED5Z2fQPgvQYo/I0btMRHzp0WVIJygaBuSkenZKoTFh1iVMEVrYV+wC5gi5AIlXPP
    Classical sonatas were usually written to be played by how many instruments?
    Correct.
    Incorrect. See The Sonata in Chapter 14.

  5. Question

    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
    As in the Baroque concerto, a central feature of the Classical concerto is
    Correct.
    Incorrect. See The Classical Concerto in Chapter 14.

  6. Question

    bkaNxULrEm8wS0pjMJ2T02f6/VZfHcCcMJsJXDFQdjsPp5sHpanOowoxwzd6YwcD7JUdntyZyQRLgSVnKjKCaGFK3jACyA5bD4UQozyJca7LmQPoFmhWQGkaBHdF1Lu4Ko/n5CGTANggS/F3OL9m9CsRkFxN4sgzRop2ReycTZ8JKa4QYooMlBBysckWEQOoPNPBTPcq9uhRJTIFi2Ph/StZYJiv6IfTH6HvSztmnvhtjjWX
    Which composer developed double-exposition form for his concertos?
    Correct.
    Incorrect. See Double-Exposition Form in Chapter 14.

  7. Question

    E79j2E7PswmKMc2baEpmO9qkknNzLD/y0rvgQU9D5+hNUDpPAIdmm2rCuKeA2nAUuG9NXYEjq4pHVmIK0XpyPPocRr/0QWrXxmcLGlXOV+klKYQvkvNFktVuORuN80n5yP90szmyTDWp2a+iKs3ZskuTjvX4+6KfeL6u9X33dmOhRMbsH+JIShmc4u03cH1mfaZM6q1qvpiZJ7Gz+uctgFT5JyLfMbywD1Wu12GyxlcF7dCfpUfzNouiLS2kI9sw9+eDGN3IM/4exxRCkBwdOCAUQRmDqjNGvUdeN9nk9mp38MRoWE7m93MaL9Gi3kBXBIZAUL9PyFFfNUgHEHVQGFy8P58=
    In double-exposition form, the orchestra exposition does not modulate. Instead, the change of key is saved for the
    Correct.
    Incorrect. See Double-Exposition Form in Chapter 14.

  8. Question

    CTs5l9yxs0bjEzxHp9++RGETOWrrzJVIv/hmqMr4fErbicE9RAs0FfLAlcWmC/ZKvgl2rA/4ioPkzc/OnQaSgEuSiBCPGZAACqae98OfNGgsJ6FQMNTJ2bIof32+Ud2lYzygNk59755oodSzokSbdlFbe1QxOrC5JiUSdNK6VkchW5ahLY1Wag==
    String quartets are meant to be played by how many instruments?
    Correct.
    Incorrect. See The String Quartet in Chapter 14.

  9. Question

    lR/BgOmtZk46YshykP9GNoE3xGsoLZRrijmDbvIi6mnGNE6FFzR7e9NN+EeT4zP6Hiu74S7+GmCSt8VgbWqUZKE8GmkNw5Hl5u8syjmODvEmKmXih9sndQWcpPpAJPLEWm5xxXrciHLyybCrQl53BLczEMOoTk170h0k8LTuL7nH/zIH9Ob39zAvuv+EEjYMeqcAFUrZ8IGUlO8Mtu4Kv5oC2Z0=
    Where were Classical string quartets designed to be played?
    Correct.
    Incorrect. See The String Quartet in Chapter 14.

  10. Question

    eALsKULyoRmqiQFfEnTGJGt5RH/7pqiEVL92gwm7WVpU4j3c6BYa8++4bZSFIZ92XWMsO3nqa31yMeW1/gJ+vJm8qjuBfd+I0R6sbwTy7dZmF9jotlsBRxD5yFDBYwXxhESpuBdQMut+9ZYuOm742hW2FrH+bpaNvFmL12MikguOJPjHTUtt02qki4JPsqffMYAw1P0Kd7nkIA/chbDUDziIw6a9DRhKQ7gwCAj4TBfuCI9/yrDUV+DTNR6z/Gph0NHTPFZhZ8Pk8bt5L8J2G+qbPiZjkRaUGr4EirjEzBLZLroEAVBUYRmVmoiwWhHY6dktqBFmgbC3oOyUe48AxvycBX2wtl2BFe4Y+OnlyucsjnUP80UvozJ1TmBkalzZDlpBGmPOgMs+2aWd5Xt+gjbPbxxgqh0FUQ97H/2On6DkfMod+iuUBdlCMryYslRRCFrG5H/LMxU=
    Chamber music can be defined as
    Correct.
    Incorrect. See Chamber Music in Chapter 14.

  11. Question

    K4JMY3R6bCNlT0DiSk+7Uzq2YZTmDAjCfcInOHK8r/6eARN7spkjapwPisBeIlL9u1/EkeZn1246hWp4PXbV83fvAgoKkFY3iyoJlYD3vA4aT0YS1MUKs7Qma5fYmeyfqbkOqjeMK5ZpQ6X++GhuqYiufquQb183hckSmTAmXQT86DmwP+UokTqYHGuLuXXNoLtWAfMbhHHb1shdc9xZmgQ4gF0IvtMhlja453YMDHAxVxVQwlH3LKBAzIaVHNB1JdPtziN6P5DclqEl7LP7hZUQW+0pTGtzGaikYRfK0NQ6oSoVPIRpFSC50b+slevT0BTKLbou+YZb20MYwJX/JIrboMg8vfl2ztfFJeBIgORRfpw7XTKSNfB9p7H10rG5Ifrjpm1ElBUETeHqWIHG/aCXB68aWd4wOCVBmQzjgxJ7mNYoJm3Ry9FQ2TU=
    Which is true of opera in the Classical era?
    Correct.
    Incorrect. See Opera Buffa in Chapter 14.

  12. Question

    9rGQpssT+51rDkimjsMK3VOIucPe+4wiyv8Yt0HCucpPRHfVGEe9BZ6hunXlysB767oGKXyDrBPj7KF0g+F5/XMx88vTki8zbZfNjEIDBi5o4PcjODxTuRyLZ84Si1umQ4gWGREkiKid4TQQEIERSCArNbF/gi2KTV26fnp7GbcJj+L4YER1Dru6WsCEKt6vNJkfXp1+TjiIji8lw25AbLcXZO/eUgtJVnvIOvXJ2uZ6rKtXJ30SW0QkP15rNBxIqjgwnOmVMF4vR4QQ+HVtw24MdOwJa4KQ2oIyIyFjsYDxdSp+39K64FM+KgvF41ZZfQEjR7sEmEEx/kG/GSfgR+1JIp3zlpgU
    Unlike characters in opera of the Baroque era, characters in opera buffa of the Classical era tended to be
    Correct.
    Incorrect. See Opera Buffa in Chapter 14.

  13. Question

    chbUqEduwbRtZ2M4vL0tXoaPf1TtUnSPRWZ626RZ8mhX546LuHKSQ2W8mLQzRwRVz33wlR/HWAJgd+cTXp5S8Z8MIozCYM4nwCpNz03JkbHImaCwg0h9xT4gR0wAZId4Bg+6aqJ/s6yQ9h3ANeUf7FX/QIUVh0w1tXvT54Ly+9fOcdLx5Qm6evS0VdA=
    Unlike Baroque opera seria, Classical opera buffa can include
    Correct.
    Incorrect. See The Ensemble in Chapter 14.

  14. Question

    5tW7/EqkQkhUmZCGFbV6e6HL7vfS3wXnx76kIp3BPp02oJ2sIPeQ8shyc8HW+tvIKbl4Fy4+z5Rwifj9tAv5H8sM1nCaWSN3kXEnfE1MXXd2NMvHKhokfzv7K5O8SHk6iZc9vneVRpKn8ZcB0vyJfskZyj0DAWmbCPoBd7LY4kpoJiUBQxZR6uURB088Npa8yE8k3OBAKhIPMdOGqSeIT+RTcPw2kouoCrXVHrFq4gDB2ufKzWuDJPNelI9to2NvonqqnGTfv39zJl6op+VqQ9Q/Nh2otNAHtUR6lK6j67RLyHdMoZYQe+lpaLc=
    In Mozart’s Don Giovanni, the character Don Giovanni is
    Correct.
    Incorrect. See Wolfgang Amadeus Mozart, Don Giovanni in Chapter 14.

  15. Question

    E8bck/vi87qy2lmd3rHW4iW2AUUBWcKgkFOYyTjgJ+vNdtKy3G5EAaVVb+U4REy6S8BKNc0Z+6cdPxfLBi8OPgbSnNAm8TEHlK0F8QTKM0gPsqIW0PkE0DjtCUqYBaKuL6+2Ng+ltcXFJtZ/54FtBAvQiI/92O3rjD2gfxHtE/zrgU2L7N5RANP3UX4TFtkQz3G8Vw==
    In Mozart’s Don Giovanni, “Là ci darem la mano” is
    Correct.
    Incorrect. See Wolfgang Amadeus Mozart, Don Giovanni in Chapter 14.