Listening Quiz for Chapter 6

Read Chapter 6 in your book and practice listening by answering the following questions. Then “submit” your work.

  1. Which of the following do you hear in this passage from Hildegard of Bingen’s “Columba aspexit”?

    Listen

    Question

    bbtN1IbN/aut32jx5Hy1JgUe9yyKWilqUI+IPDRqflvr2Fy5o+vganWMof6gTflJA2b4SSijXIsaQio/U0+2CDJD6e9KZtNS/MswVugmp4iCuvHHAvymnxM9MSzGKN4r162ItsK93/JWs1yEuDN1zLrULgTvfs4ppihoIfyD9zvRHL/ipBYpIQ+VxKYglcumtruOeIFZ6Y8MabgdQmuWWUhpZ9BAk6L64dMHJ9UZY29FJIbihmsPdqIwnCzrfdPp2D413bX9K52IN+o8gCDmjPWYUJL4l2HAaeF7kBRkbjpuzrkJLcBiN7XAE40eL0v54Mk+zr+5JC68AbsQ4u6XsbEySzEY3J87Gy+URhqpk0o=
    Which of the following do you hear in this passage from Hildegard of Bingen’s “Columba aspexit”?
    Correct.
    Incorrect. See Hildegard of Bingen, Plainchant sequence, “Columba aspexit” in Chapter 6.
  2. This excerpt is from which work?

    Listen

    Question

    rmd50Atuf0Va/fUTfQKUMVGYq0QJnt4hN9mvGUF2ZuOSNpAj7cwloPMMCA08N2km//AFQVxDTNv9MWaAdMKxCJ7zwFGPGRujcnLIFhI88IebTCQNBc9WBpPYPBBukQ4x4T70/604XXQJO4AAPX1GK5bXcnFs7lDYglAzTP3zVAUdHoBBrW3En6se24Czg5fluzgnS989lr60FfMuQrFL1pvNlxgmAgmbOVuUe30Rfk6hmd1LpC67J7vKp3JVAeFL9zNwL9CR4c/+LUiL9qoG6ocluea3c6CD156gosjzI0YYsj6N5OzvqQ==
    This excerpt is from which work?
    Correct.
    Incorrect. See Anonymous, Plainchant antiphon, “In paradisum” in Chapter 6.
  3. What is especially prominent on the final syllable you hear in this passage?

    Listen

    Question

    9o3h+BNsdfYNe3gv9SIPr5fqGl0NPvF+XOnP9evG1JJxZsIIEdv53f+H7hMYfhwPVOMycdCMrRjh8MKQEabQu0Z4hc8/tLZ52hdCKc7JRFrGWY0yLW8vnWgh5zE=
    What is especially prominent on the final syllable you hear in this passage?
    Correct.
    Incorrect. See Anonymous, Plainchant antiphon, “In paradisum” in Chapter 6.
  4. What describes the texture and meter of this passage?

    Listen

    Question

    FGxffyZRBEO0I70EicPRmp1JF97ji/uL2oRm9An8rVxcIEAFCCMZL0w1SVQXFqQwMayWKwbYyVHAZx+pqqvUJzQdzKOOTWK8nfZ8ybpyeVVMRe698a3bTK0gVpp+UB3VP3ppyunpC4o6xOL9z4TORyYV0AR5yx1VlR+qKryah6pTEemgN2rGjzaZFb/Y5GRNgRIodO09NNM=
    What describes the texture and meter of this passage?
    Correct.
    Incorrect. See Characteristics of Plainchant and Anonymous, Plainchant antiphon, “In paradisum” in Chapter 6.
  5. This is an example of what type of music?

    Listen

    Question

    6zAOolD6zndXpkt1Vmg0AethVXnOcEdT2IWH9YeqSAFxeMJPJFj2ws4GGnXn93MUa8e9PEOARD0xU1xYLBSPJ0TD/09FipnIZl33aOOA3AqaHAYnYBkNRF1aItW4e0ZqIs+EaQ==
    This is an example of what type of music?
    Correct.
    Incorrect. See Bernart de Ventadorn, Troubadour song, “La dousa votz” in Chapter 6.
  6. This excerpt is from which work?

    Listen

    Question

    ZNhfDB/9Nwd8RhFskWQk2iy2G//J6yNRRoknITT4i06IyMr6si7vIp7spUAs9scAJty7hjPZZGj1tRS3lXiU3s7nSsqhzxfeDDSdEd9qVI2Ns35d0xN9PE/ejw0lgwoUIFW3j/OwS6oWXvNcWUZODOj0CAzxiq2O2COzJQapaJDd8olbbFYMfB1Rh24KivAwhBx06DcwLUMWKDiJ+c3/iE+RkbYJWOEMPeFxuc7kwF/MxnmV6hOAx7QRWq3uqN0c7me2hI6fqQ2oXWmGaEJrZm+6iWY6wWlfYyDMR6CO/ya0W5jDuxDxwODCwO7m6edrUwd3eU9y1/MaDJeDMGjEnQ==
    This excerpt is from which work?
    Correct.
    Incorrect. See Guillaume de Machaut, Chanson, “Dame, de qui toute ma joie vient” in Chapter 6.
  7. This is an example of what type of music?

    Listen

    Question

    DbkDx3rnBp+a76YMLAhcZsFTw3Ojth9ohT7SjIPpPMlxXnrqloEWYl3FmFVAEC4nwtdu7sKod4iKuzt4G/TlRTQwn/R7gRdqxRFnbX24uo++a2JJDzbJiClHt7wfmpv6JV8RUQ==
    This is an example of what type of music?
    Correct.
    Incorrect. See Pérotin, Organum, “Alleluia. Diffusa est gratia” in Chapter 6.
  8. Which do you hear in this passage?

    Listen

    Question

    rIlP28fp7HtssTslGvm/xB+IyyiiV1N9VBs3lu5x+dq4TYHPtXY+weJ+fNccSzNQwbEOs2WweLbE9UcrcwkTW2UmFVjo6/u3MaxxkjWM/Upc9xuBpwmgPymKG4sL3/mprCqMin1q1nJaaF5TJ6a4qfYi0vcGW47G3egjJzpToRcIUtzjCsg0QiqEs4Ayrvo17JkFiGaFa+5Q2SJfR6jHbSEoFtP4+yDxi3xQk+mKoNPl+7++WTjNTUIeG1vnHnm6JJbo3LtTaapKdMmGeGO3P7z2BHCBR+oO5FORLQa07PrsTP8xg+NAMJbNUqRM3Y03da52ou9IQpIc/hNR4Lng3aYywAE/MfyQW+8Enh2LFjeXekmHT19mtz9seFmoSIycdPF3dfDI2q3IiwooypYKa10SRQnItXbV2CdvU9sW2WKDqYAhtOp5ZfZBENIb7z7GfQodWa+0FQd9r3lf
    Which do you hear in this passage?
    Correct.
    Incorrect. See Pérotin, Organum, “Alleluia. Diffusa est gratia” in Chapter 6.
  9. This passage is a good example of what type of texture?

    Listen

    Question

    gelEjS3peVdnwfmUs+ne+i+NWwKylqXSIUC1O2/DZc0JeS74yM8osysSlGN7lgujuearravufAaLt5y4fs57K9YfHuQ7UsADABqudIS2ODPFsKJk0j2RPu3GcO+xnFMzu6NbOQJJKWpOEjGRvKE8TiofeiaG+YR7geO92Iz9QkkF6gDp2yoRqEKLnN1vMAn3WNZ7e5MNsg8=
    This passage is a good example of what type of texture?
    Correct.
    Incorrect. See Anonymous, Round, “Sumer Is Icumen In” in Chapter 6.
  10. This music is written in what mode?

    Listen

    Question

    K5YlNKGrsKB2W0t53PtJ6HEbd6CMbxVcuwkDQwF2X4YypV4iyOtSkezmF0Sn0tQ0IOegmooG/8B77xoRRo3gTj8EA57j3LyvIXI1EEUFmD5TcZ7FqAabAyYv+3LfN8cnlPF7kFVV3AOzXiWAEFykzyCdD63cTF5ydgPkpQ==
    This music is written in what mode?
    Correct.
    Incorrect. See Anonymous, Round, “Sumer Is Icumen In” in Chapter 6.