Listening Quiz for Chapter 7

Read Chapter 7 in your book and practice listening by answering the following questions. Then “submit” your work.

  1. In what order do the first three voice parts enter in this passage from Josquin’s Pange lingua Mass?

    Listen

    Question

    RQ1/ySIhXlWLNnDBAuWbgB4jTCH4qCShjC9nPxRc8sXsAO8hYC22fLrOQaB3q2M4na11pLbwIOFY4ztIeXVUkIEJZM6wA/4NBPj266ey8exdAC1bqe8LkcMiQ+Oc7HdZGqAVz8XxB73Gui35ByiD8faAWYu32F/vRW+XIT87Mss=
    In what order do the first three voice parts enter in this passage from Josquin’s Pange lingua Mass?
    Correct.
    Incorrect. See Josquin Desprez, Pange lingua Mass in Chapter 7.
  2. What do you hear in this passage from Josquin’s Pange lingua Mass?

    Listen

    Question

    X7ouAuKQeT+yOmhPHO2uTv6fOssoKqsX/2gH3fmO0sIkqM6bN0I+V3VAFyG8cfUOaz5Q2+xAIadOcFHc/uW/WhU0YyuOC4mYmmEkT1y+ofTLP+a8UrGsO1hCWCXHvPAk
    What do you hear in this passage from Josquin’s Pange lingua Mass?
    Correct.
    Incorrect. See Josquin Desprez, Pange lingua Mass in Chapter 7.
  3. What do you hear in this passage from Dufay’s “Ave maris stella”?

    Listen

    Question

    fXGQE8u6M4LM6h0tgRHcev25IxfeXN++3axapJs3dOk0gv0cg/Cb44As9Gf+K+zct3FJx7IcJTyqbEQhXkKGBUEZTKEXw5FvJseAc6S1UcXOySyUKPS2HPDXZxHe9TKIE1l37oa1HqKdRga6Ua3lA7Cck6QLOI6l1StVPX9Miho/ZmL1P0Z0u8EyKUsDl84oZTxY0UnuuLQEpKhFmNvAVhzhSXyX2WJZxhFrYyPB2BxMZhcchXqV8hZuLPnmGaOhhnxTb9oTq9ButvfUj2SzldHOY9Ms5uRPQZfD/p44q59DcPR12qxBe9FLEKGw776Uf3BCmcvEps0VSRRWY7wM9xap38HjJ5nlcTpx3bY0/HlllnZdT+NDpKVU0BbwAoCtS1dgsZX5We64JvNs57LZvC+s7fY=
    What do you hear in this passage from Dufay’s “Ave maris stella”?
    Correct.
    Incorrect. See Guillaume Dufay, Harmonized hymn, “Ave maris stella” in Chapter 7.
  4. The excerpt heard here comes from which work?

    Listen

    Question

    Hlv+Rcs/yq4hSMzgXxpNlc8wHvoN+TNI9eMidVubAk7AfJ9ohTEdxf91SrdSFN0JplHG9L2evWOgcFFQ6Hv4ZzVz6T5evLrVRcjGewtuqz9WSTCN84JuVTDfOHbt8o/lvonTIU5FXVnil3nPk5sRa7u3WwPtueCS/RrDJm3fsux2eKrOmQ0cdJy6re7lTAArXnzzPhpv8Ojpk2O2i4oJJr61jwc8O4Z+Y07emt/nAdg=
    The excerpt heard here comes from which work?
    Correct.
    Incorrect. See Josquin Desprez, Chanson, “Mille regrets” in Chapter 7.
  5. The excerpt heard here comes from which work?

    Listen

    Question

    uYkD0uoJfks7skglZUc2e/FpRznhccRt7RSv1aqsUurUgf7FOSvHU7kz3JOMz7mPGAn8TJ20I+PHOWPN2qAH5Fs7jpN/BNTwn+AqFP4Z+CdsuHNI3lld9M8UXflyIZSpEiqiy6DsAtaTR2cvMUTAOuZ/zXHXIBjIU2NXuLdiMT0tokUxx9J8efVDoYXinFNcJqQCCdCN9Ev/SKgX15VLSxmYDV76k1V4ZfMtzdFuvUs=
    The excerpt heard here comes from which work?
    Correct.
    Incorrect. See Giovanni Pierluigi da Palestrina, Pope Marcellus Mass in Chapter 7.
  6. Which do you hear in this excerpt?

    Listen

    Question

    qdOx1fPn46CVqLzpyrdlj8cGlSupVlCqREn12MsXoTUWZ1rk4bNUd2tOXymgKOQvC2qoaIGkGM9XLdVpQSjUGK/kT7A+rhHKmgN3gUA5dEci8Q98kuAQB9jjOGg=
    Which do you hear in this excerpt?
    Correct.
    Incorrect. See Giovanni Pierluigi da Palestrina, Pope Marcellus Mass in Chapter 7.
  7. The excerpt heard here comes from which work?

    Listen

    Question

    0/0Pmxv7YFF8CEP1VFzeRbzZ6Da4FqbS/9BKHNsYtQbno0hHbttogOS4TKGP2wM03uIvIGXyYijyaYOOdrUEh2zxh1qe+xi1wIPQ2pUFThWNgu6zqH0g/kLfWjVKr+XcLZgIcF09+HmIZhqyW2PIW4BYo0YgoY4PCb5apGiC07JQb/HgjVkSftZAJW3hMNxjyoYeMusVeas+yXeXlyYv1M5mL3cuO+HTxlQz4bHBgM+i4KdrCWlEGA1naCvq6hWa09ZKlBcZcqM9cOo2yclxwCRLvad/ztnZ
    The excerpt heard here comes from which work?
    Correct.
    Incorrect. See Thomas Weelkes, Madrigal, “As Vesta Was from Latmos Hill Descending” in Chapter 7.
  8. What technique is used to make the singers sound like they are cheering for “fair Oriana” in this passage?

    Listen

    Question

    FjtitjvuOB7881AymOJRvm8cfVWgpU2pvzjic7CnmRRjPHF7l7uwtUQRRK2IIHC1fyGtwhYr/I1+QKf/yPAvcHeShY8l4TZiUK6gdViHAeTMxtEwLSXDV3CTdd6hHXoRwvcaT8aO04jTJSzt7TvOjXa3RjUkrdp21XUcymzbDn7sr0Nfl6WLciYFk1jRU6PRqwmnSsgOS4gy8q/UGgcymibVrdsgheIUKOwM5Ab2Y4ZWecZMi5NBfyyN8+rqtMotk8NYJYGYd4s4sSjjkBKOxgrEyfOtETI+MOUOoVwczJgUQET/98+8K9Uo7Ic=
    What technique is used to make the singers sound like they are cheering for “fair Oriana” in this passage?
    Correct.
    Incorrect. See Thomas Weelkes, Madrigal, “As Vesta Was from Latmos Hill Descending” in Chapter 7.
  9. This dance is in what meter?

    Listen

    Question

    UdszNQ5WBs6qlp4PWJQAAfwY9B0hTiHzLpl6+MsQjczFv9CHE0MVle8WWPRdvJz2hpnDN9cUwY9WpO0A9NQ3U+q+xq2Xc9XncEg2bB3DGuCoSCuA
    This dance is in what meter?
    Correct.
    Incorrect. See Anonymous, “Kemp’s Jig” in Chapter 7.
  10. This dance is in what meter?

    Listen

    Question

    +siIsX2siuzSpzzzfQodA+aVH9AA04BsANWEkR7ofXN54ROcRWgWq2JJ2/aQZTzclVUjJxzYR1AhkbgdrMly/xrSmN9meL4mZPJ/i0QsOAA9JgtE
    This dance is in what meter?
    Correct.
    Incorrect. See Anonymous, Galliard, “Daphne” in Chapter 7.