Listening Quiz for Chapter 8

Read Chapter 8 in your book and practice listening by answering the following questions. Then “submit” your work.

  1. This passage is an example of which style of presenting words in an opera?

    Listen

    Question

    d3TvAcPwb1ngn9CgZx/RI7+3E6mTAGQv47UgdQVwDxFgyE6rOcAsAW/teo+rkVZVgCEY7TgZjGKHPSQknJndb1EnBTaOpf3ev0eKh/IAXGQ=
    This passage is an example of which style of presenting words in an opera?
    Correct.
    Incorrect. See Claudio Monteverdi, The Coronation of Poppea in Chapter 8.
  2. This passage is an example of which style of presenting words in an opera?

    Listen

    Question

    STsIj+Nct1PfbGkbUl+SIxGiLMILwaXZKDeBjK6itOrlqYBe+2J7C3yW1ZAhG+kZ7Zm/f1/oukUCKnDPsB4wKDMgEwl081qQQECL+fDYmkM=
    This passage is an example of which style of presenting words in an opera?
    Correct.
    Incorrect. See Claudio Monteverdi, The Coronation of Poppea in Chapter 8.
  3. The excerpt heard here is from which work?

    Listen

    Question

    e6REhjLhqP2/8qKz77Ia/1OK6CsPT637AQ6WF7Vmvo+WrxipRS9Cctx0+iSjiy22KHn78xm59XhSWfglIL9pFguA8DAyotA7ca4h4p7WdFhgicv687r44Wc/QchGCScuYzW1DwQnV2wMhZzOyUcwDTXDz6G65EuhgayYV4uAxFTqHhq/m1/0D+TizdmaF2wg2uf4LK+5Vx3ebD6AFBUuHsGiJhXWrttd/4Ea4JvEGP5sIem8NiKyDqR8yEuAsVetl0iAlVr9e5dxewg1NnOH4ZzwyckmL5b+0d6m6g==
    The excerpt heard here is from which work?
    Correct.
    Incorrect. See Claudio Monteverdi, The Coronation of Poppea in Chapter 8.
  4. The excerpt heard here is from which work?

    Listen

    Question

    AKMqNvl8+sWDItordO2KntwFxJeeY8wQhFjddKuN3r4Xb2NzGnsjRec1/7L25xVeXzHL64WNzXeJfCirEg0b/PIyVaVTSj2R5tVwKfydVzDLF5A0UusT79PbjaclsZi0+paQquaE72gJXOO8Hqao8OsvugWJfb51H4jpXw7zltkYnbofvCOb95Ty+gIyvQudgwYcykkyOgcBT9sY1RgwlKTwVnDiXu5mfba6Yxjq7J2An55ccONVnahYFbSdw344iV6RdqhDoOXa2a8/TIOBwdgIQgb/CQX9v9+rhA==
    The excerpt heard here is from which work?
    Correct.
    Incorrect. See Giovanni Gabrieli, Motet, “O magnum mysterium” in Chapter 8.
  5. What describes the use of meter in this passage?

    Listen

    Question

    0hrSPznlajchAsPaEAS7SnA15PCXkFukeuNJ5TYH2Hztt2+TS2RVxPlZQ5riBRbOXqWFWlGV6PuU20PmT3uTFof3cK4jTUtanoAKtXyVYPeJROZ7+PP8vx1ELVj007ffHSYbHYldEgl0+HWjIOuIBiBJoiX/YG4RPdXUX7u32JXp710MM01ugvOjUtmLvB01lrlLul/cBZpNcHVTyYoeodvon5hZwD3kzyGXKPCSnSc=
    What describes the use of meter in this passage?
    Correct.
    Incorrect. See Giovanni Gabrieli, Motet, “O magnum mysterium” in Chapter 8.
  6. This dance by Frescobaldi is in what meter?

    Listen

    Question

    Hcx+PXrmfUUrV3MeXuVhl/5TFczJuvxpUr6L0ST0cH0beVMUBqDo92e5r5CJJqgukHPXFSB6iRvLnH5JQ8Jrkobu8UIVCGgm+wJ32kAP35070l49TRbNwA==
    This dance by Frescobaldi is in what meter?
    Correct.
    Incorrect. See Girolamo Frescobaldi, Canzona, Balletto, and Corrente in Chapter 8.
  7. Which is featured in this passage?

    Listen

    Question

    jj8/MEwpTvH7zwQISR2KYc/9jWyQ8KiI18kCiOXrjpUmu49SXmulnKgQdzJTGXvY5kjCTeJSrqjHZfwVZ5WWu8BuOA4WxcRXcjoVDUzceOEuUihpS3Jo6/f9CS8lHZ0ENY3T8/8/d1+u2Jg3i/PwdtubkyecqMRk
    Which is featured in this passage?
    Correct.
    Incorrect. See Girolamo Frescobaldi, Canzona, Balletto, and Corrente in Chapter 8.
  8. The excerpt heard here is from which work?

    Listen

    Question

    4ESntS1YkuC9kFr8WJICWY01NqgUcEsbIkZrb2H4i4xMuwRUKS0A809NLBxr0el+ggYay5XQ9GafSLDYoY/v43dTY/cNVqSX21hfmQlolE4o3Op3zVr5AmdyWXQFj6EO58hElsOJ+BO+E2LvBTksCM5i3YKNVhUigIOUuWSxvpAK9Xj2JiDe6uDD66bwCepEP7OmUBsPRW7NfK9UcXxIkjdse8nyXQVZfGxr6AkDE9JblLjVONYtTO4EOCJGGmdQtZZTAPLJSZzC8epKqNjkttE5imBq+nuuAMoDyw==
    The excerpt heard here is from which work?
    Correct.
    Incorrect. See Henry Purcell, Dido and Aeneas in Chapter 8.
  9. This passage is an example of which style of presenting words in an opera?

    Listen

    Question

    fk5/tL7/yFg7uSQA1bc6QrCzj49jDkn+aza2t/76eViaqfyR0KauS5oWyDBnTZYq1PC/XUlMQAk4tpdo1WPKREphhT9LV2T7
    This passage is an example of which style of presenting words in an opera?
    Correct.
    Incorrect. See Henry Purcell, Dido and Aeneas in Chapter 8.
  10. What contributes to the mournful quality of this passage?

    Listen

    Question

    5l8qYjRKoawFtemScgV5fPmBadCO7dqPyjIHXLqgqyyV+dx4EL1aSoW6IXIhLgEQvfjibMRDLmEeR8X5/ZOGxuS3zTRFixJZgsswApaZ+sDas5G+znebDojgq3wjfKypZSkoOGSYAdhhr2x85UQaYF5zBmtqYor3BGTP92bD0BY=
    What contributes to the mournful quality of this passage?
    Correct.
    Incorrect. See Henry Purcell, Dido and Aeneas in Chapter 8.