Although cities and mercantile centers dotted the entire Islamic world, the cities of Baghdad and Córdoba, at their peak in the tenth century, stand out as the finest examples of cosmopolitan Muslim civilization. On Baghdad’s streets thronged a kaleidoscope of races, creeds, costumes, and cultures, an almost infinite variety of peoples: returning travelers, administrative officials, slaves, visitors, and merchants from Asia, Africa, and Europe. Shops and marketplaces offered a dazzling and exotic array of goods from all over the world.
The caliph Harun al-
The central story of this fictional collection concerns the attempt of a new bride, Scheherazade, to keep her husband, Shahyar, legendary king of Samarkand, from killing her out of certainty that she will be unfaithful like his first wife. In efforts to delay her execution, she entertains him with one tale a night for 1,001 nights. In the end, Scheherazade’s efforts succeed, and her husband pardons her. Among the tales she tells him are such famous ones as “Aladdin and His Lamp,” “Sinbad the Sailor,” and “Ali Baba and the Forty Thieves.” Though filled with folklore, the Arabian Nights (as it is also called) has provided many of the images through which Europeans have understood the Islamic world.
Córdoba in southern Spain competed with Baghdad for the cultural leadership of the Islamic world. In the tenth century no city in Asia or Europe could equal dazzling Córdoba. Its streets were well paved and lighted, and the city had an abundant supply of fresh water. With a population of about 1 million, Córdoba contained 1,600 mosques, 900 public baths, 213,177 houses for ordinary people, and 60,000 mansions for generals, officials, and the wealthy. In its 80,455 shops, 13,000 weavers produced silks, woolens, and brocades that were internationally famous. Córdoba was also a great educational center with 27 free schools and a library containing 400,000 volumes. (By contrast, the renowned Benedictine abbey of Saint-