5d Following patterns of development

5dFollowing patterns of development

Contents:

Developing with narration

Developing with description

Developing with illustration

Developing with definition

Developing with division and classification

Developing with comparison and contrast

Developing with cause and effect

Developing with process

Developing from problem to solution

Developing with analogy

Developing with reiteration

Combining patterns

Quick Help: Determining paragraph length

The patterns shown in 3e for organizing essays can also help you develop and arrange paragraphs.

Developing with narration

Narration tells a story in order to develop a main idea. Although writers usually arrange narrative paragraphs in chronological order, they sometimes use such variations as flashbacks and flash-forwards. Some narratives include dialogue; some gradually lead to a climax, the most dramatic point in the story. Here is one student’s narrative paragraph that tells a personal story in order to support a point about the dangers of racing bicycles with flimsy alloy frames. Starting with a topic sentence, the paragraph proceeds chronologically and builds to a climax.

People who have been exposed to the risk of dangerously designed bicycle frames have paid too high a price. I saw this danger myself in the 1984 Putney Race. An expensive Stowe-Shimano graphite frame failed, and the rider was catapulted onto Vermont pavement at fifty miles per hour. The pack of riders behind him was so dense that most other racers crashed into a tangled, sliding heap. The aftermath: four hospitalizations. I got off with some stitches, a bad road rash, and severely pulled tendons. My Italian racing bike was pretzeled, and my racing was over for that summer. Others were not so lucky. An Olympic hopeful, Brian Stone of the Northstar team, woke up in a hospital bed to find that his cycling was over—and not just for that summer. His kneecap had been surgically removed. He couldn’t even walk.

Developing with description

Description uses specific details to create a clear impression. In the following descriptive paragraph, the writer includes details about an old schoolroom where “time had taken its toll.” Although a topic sentence may be unnecessary in such a paragraph (5b), sometimes a topic sentence at the beginning helps set the scene. The paragraph below shows the writer using spatial organization (3e), moving from the ceiling to the floor.

The professor’s voice began to fade into the background as my eyes wandered around the classroom in the old administration building. The water-stained ceiling was cracked and peeling, and the splitting wooden beams played host to a variety of lead pipes and coils. My eyes followed these pipes down the walls and around corners until I eventually saw the electric outlets. I thought it was strange that they were exposed, not built in, until I realized that there probably had been no electricity when the building was built. Below the outlets the sunshine was falling in bright rays across the hardwood floor, and I noticed how smoothly the floor was worn. Time had taken its toll on this building.

Developing with illustration

Illustration makes a point with concrete examples or good reasons. To support the topic sentence in the following illustration paragraph, Mari Sandoz uses one long example about her short hair and short stature.

A SINGLE EXAMPLE

The Indians made names for us children in their teasing way. Because our very busy mother kept my hair cut short, like my brothers’, they called me Short Furred One, pointing to their hair and making the sign for short, the right hand with fingers pressed close together, held upward, back out, at the height intended. With me this was about two feet tall, the Indians laughing gently at my abashed face. I am told that I was given a pair of small moccasins that first time, to clear up my unhappiness at being picked out from the dusk behind the fire and my two unhappy shortcomings made conspicuous.

—MARI SANDOZ, “The Go-Along Ones”

In the following excerpt, John Rickford offers several reasons that underlie linguists’ argument that Ebonics is not “poor grammar” but a legitimate and powerful dialect of English.

SEVERAL REASONS

Why do linguists see the issue so differently from most other people? A founding principle of our science is that we describe how people talk; we don’t judge how language should or should not be used. A second principle is that all languages, if they have enough speakers, have dialects—regional or social varieties that develop when people are separated by geographic or social barriers. And a third principle, vital for understanding linguists’ reactions to the Ebonics controversy, is that all languages and dialects are systematic and rule-governed. Every human language and dialect that we have studied to date—and we have studied thousands—obeys distinct rules of grammar and pronunciation.

—JOHN RICKFORD, “Suite for Ebony and Phonics”

Developing with definition

When you write a paragraph to define a word or concept, you will often want to combine definition with other patterns of development. In the following paragraph, Timothy Tregarthen starts with a definition of economics and then uses examples to support it:

Economics is the study of how people choose among the alternatives available to them. It’s the study of little choices (“Should I take the chocolate or the strawberry?”) and big choices (“Should we require a reduction in energy consumption in order to protect the environment?”). It’s the study of individual choices, choices by firms, and choices by governments. Life presents each of us with a wide range of alternative uses of our time and other resources; economists examine how we choose among those alternatives.

—TIMOTHY TREGARTHEN, Economics

Developing with division and classification

Division breaks a single item into parts. Classification groups many separate items according to their similarities. A paragraph evaluating one history course might divide the course into several segments—textbooks, lectures, assignments—and examine each one in turn. A paragraph giving an overview of many history courses at your college might classify, or group, the courses in a number of ways—by time periods, by geographic areas, and so on. In the following paragraph, note how Aaron Copland divides the listening process into three parts:

DIVISION

We all listen to music according to our separate capacities. But, for the sake of analysis, the whole listening process may become clearer if we break it up into its component parts, so to speak. In a certain sense, we all listen to music on three separate planes. For lack of a better terminology, one might name these (1) the sensuous plane, (2) the expressive plane, (3) the sheerly musical plane. The only advantage to be gained from mechanically splitting up the listening process into these hypothetical planes is the clearer view to be had of the way in which we listen.

—AARON COPLAND, What to Listen for in Music

In this paragraph, the writer classifies, or separates, fad dieters into two groups:

CLASSIFICATION

Two types of people are seduced by fad diets. Those who have always been overweight turn to them out of despair; they have tried everything, and yet nothing seems to work. The second group to succumb appear perfectly healthy but are baited by slogans such as “look good, feel good.” These slogans prompt self-questioning and insecurity—do I really look good and feel good?—and, as a direct result, many healthy people fall prey to fad diets. With both types of people, however, the problems surrounding such diets are numerous and dangerous. In fact, these diets provide neither intelligent nor effective answers to weight control.

Developing with comparison and contrast

Comparing two things means looking at their similarities; contrasting means focusing on the differences. You can structure paragraphs that compare and contrast in two different ways. The block method presents all the information about one item and then all the information about the other item. The alternating method switches back and forth between the two items.

BLOCK METHOD

You could tell the veterans from the rookies by the way they were dressed. The knowledgeable ones had their heads covered by kerchiefs, so that if they were hired, tobacco dust wouldn’t get in their hair; they had on clean dresses that by now were faded and shapeless, so that if they were hired they wouldn’t get tobacco dust and grime on their best clothes. Those who were trying for the first time had their hair freshly done and wore attractive dresses; they wanted to make a good impression. But the dresses couldn’t be seen at the distance that many were standing from the employment office, and they were crumpled in the crush.

—MARY MEBANE, “Summer Job”

ALTERNATING METHOD

Malcolm X emphasized the use of violence in his movement and employed the biblical principle of “an eye for an eye and a tooth for a tooth.” King, on the other hand, felt that blacks should use nonviolent civil disobedience and employed the theme of “turning the other cheek,” which Malcolm X rejected as “beggarly” and “feeble.” The philosophy of Malcolm X was one of revenge, and often it broke the unity of black Americans. More radical blacks supported him, while more conservative ones supported King. King thought that blacks should transcend their humanity. In contrast, Malcolm X thought they should embrace it and reserve their love for one another, regarding whites as “devils” and the “enemy.” King’s politics were those of a rainbow, but Malcolm X’s rainbow was insistently one color—black. The distance between Martin Luther King Jr.’s thinking and Malcolm X’s was the distance between growing up in the seminary and growing up on the streets, between the American dream and the American reality.

Developing with cause and effect

You can often develop paragraphs by detailing the causes of something or the effects that something brings about. The following paragraph discusses the causes that led pediatrician Phil Offit to study science and become a physician:

To understand exactly why Offit became a scientist, you must go back more than half a century, to 1956. That was when doctors in Offit’s hometown of Baltimore operated on one of his legs to correct a club foot, requiring him to spend three weeks recovering in a chronic care facility with 20 other children, all of whom had polio. Parents were allowed to visit just one hour a week, on Sundays. His father, a shirt salesman, came when he could. His mother, who was pregnant with his brother and hospitalized with appendicitis, was unable to visit at all. He was five years old. “It was a pretty lonely, isolating experience,” Offit says. “But what was even worse was looking at these other children who were just horribly crippled and disfigured by polio.” That memory, he says, was the first thing that drove him toward a career in pediatric infectious diseases.

—AMY WALLACE, “An Epidemic of Fear”

Developing with process

You may need to develop a paragraph to explain a process—that is, to describe how something happens or is done, usually in chronological order, as this paragraph illustrates.

In July of 1877, Eadweard Muybridge photographed a horse in motion with a camera fast enough to capture clearly the split second when the horse’s hooves were all off the ground—a moment never before caught on film. His next goal was to photograph a sequence of such rapid images. In June of 1878, he set up twelve cameras along a track, each connected to a tripwire. Then, as a crowd watched, a trotting horse raced down the track pulling a two-wheeled carriage. The carriage wheels tripped each camera in quick succession, snapping a dozen photographs. Muybridge developed the negatives and displayed them to an admiring public that same morning. His technical achievement helped to pave the way for the first motion pictures a decade later.

Developing from problem to solution

A paragraph developed in the problem-solution pattern opens with a topic sentence that states a problem or asks a question about a problem; then it offers a solution or an answer to the question, as in the following example from a review of Ted Nordhaus and Michael Shellenberger’s book Break Through: From the Death of Environmentalism to the Politics of Possibility:

Unfortunately, at the moment growth means burning more fossil fuel. . . . How can that fact be faced? How to have growth that Americans want, but without limits that they instinctively oppose, and still reduce carbon emissions? [Nordhaus and Shellenberger’s] answer is: investments in new technology. Acknowledge that America “is great at imagining, experimenting, and inventing the future,” and then start spending. They cite examples ranging from the nuclear weapons program to the invention of the Internet to show what government money can do, and argue that too many clean-energy advocates focus on caps instead.

—BILL McKIBBEN, “Can Anyone Stop It?”

Developing with analogy

Analogies (comparisons that explain an unfamiliar thing in terms of a familiar one) can also help develop paragraphs.

Since the advent of Hollywood editing, back in the earliest days of cinema, the goal of filmmakers has been for us to feel the movement of the camera but not to be aware of it, to look past the construction of the media, to ignore the seams in the material. Just as an Olympic diver smiles and hides the effort as she catapults skyward and manages to pull off multiple flips while seemingly twisting in both directions, good storytelling—whether oral, in print, or visual—typically hides the construction and the hard work that go into making it. Both the medal-winning dives and the best stories are more intricate than they appear.

—STEPHEN APKON, The Age of the Image: Redefining Literacy in a World of Screens

Developing with reiteration

Reiteration is a method of development that you may recognize from political speeches or some styles of preaching. In this pattern, the writer states the main point of a paragraph and then restates it, hammering home the point and often building in intensity as well. In the following passage from Barack Obama’s 2004 keynote speech at the Democratic National Convention, Obama contrasts what he identifies as the ideas of “those who are preparing to divide us” with memorable references to common ground and unity, including repeated references to the United States as he builds to his climactic point:

Now even as we speak, there are those who are preparing to divide us—the spin masters, the negative ad peddlers who embrace the politics of anything goes. Well, I say to them tonight, there is not a liberal America and a conservative America—there is the United States of America. There is not a black America and a white America and Latino America and an Asian America—there’s the United States of America. The pundits like to slice and dice our country into Red States and Blue States: Red States for Republicans, Blue States for Democrats. But I’ve got news for them, too. We worship an awesome God in the Blue States, and we don’t like federal agents poking around in our libraries in the Red States. We coach Little League in the Blue States and yes, we’ve got some gay friends in the Red States. There are patriots who opposed the war in Iraq and there are patriots who supported the war in Iraq. We are one people, all of us pledging allegiance to the stars and stripes, all of us defending the United States of America.

—BARACK OBAMA

Combining patterns

Most paragraphs combine patterns of development. In the following paragraph, the writer begins with a topic sentence and then divides his topic (the accounting systems used by American companies) into two subtopics (the system used to summarize a company’s overall financial state and the one used to measure internal transactions). Next he develops the second subtopic through illustration (the assessment of costs for a delivery truck shared by two departments) and cause and effect (the system produces some disadvantages).

Most American companies have basically two accounting systems. One system summarizes the overall financial state to inform stockholders, bankers, and other outsiders. That system is not of interest here. The other system, called the managerial or cost accounting system, exists for an entirely different reason. It measures in detail all of the particulars of transactions between departments, divisions, and key individuals in the organization, for the purpose of untangling the interdependencies between people. When, for example, two departments share one truck for deliveries, the cost accounting system charges each department for part of the cost of maintaining the truck and driver, so that at the end of the year, the performance of each department can be individually assessed, and the better department’s manager can receive a larger raise. Of course, all of this information processing costs money, and furthermore may lead to arguments between the departments over whether the costs charged to each are fair.

—WILLIAM OUCHI, “Japanese and American Workers: Two Casts of Mind”