File | Title | Manuscript Id |
Writing about Literature | writershelp2e_axs_ch3_1.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_1_dlap.xml | 58db30bb7894d23404000002 |
Planning an interpretation of literature | writershelp2e_axs_ch3_2.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_2_dlap.xml | 58db30bb7894d23404000002 |
Annotating a literary work | writershelp2e_axs_ch3_3.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_3_dlap.xml | 58db30bb7894d23404000002 |
Taking notes on a literary work | writershelp2e_axs_ch3_4.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_4_dlap.xml | 58db30bb7894d23404000002 |
Discussing a literary work | writershelp2e_axs_ch3_5.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_5_dlap.xml | 58db30bb7894d23404000002 |
Forming an interpretation | writershelp2e_axs_ch3_6.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_6_dlap.xml | 58db30bb7894d23404000002 |
Asking questions that lead to an interpretation | writershelp2e_axs_ch3_7.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_7_dlap.xml | 58db30bb7894d23404000002 |
Drafting an interpretive thesis | writershelp2e_axs_ch3_8.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_8_dlap.xml | 58db30bb7894d23404000002 |
Focusing an interpretive thesis | writershelp2e_axs_ch3_9.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_9_dlap.xml | 58db30bb7894d23404000002 |
Outlining an interpretive essay | writershelp2e_axs_ch3_10.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_10_dlap.xml | 58db30bb7894d23404000002 |
Exercise: Writing about literature | writershelp2e_axs_ch3_11.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_11_dlap.xml | 58db30bb7894d23404000002 |
Thesis statements in literature papers | writershelp2e_axs_ch3_12.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_12_dlap.xml | 58db30bb7894d23404000002 |
Resources: Planning an interpretation of literature | writershelp2e_axs_ch3_13.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_13_dlap.xml | 58db30bb7894d23404000002 |
Chart, models, and visuals | writershelp2e_axs_ch3_14.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_14_dlap.xml | 58db30bb7894d23404000002 |
Questions to ask about literature | writershelp2e_axs_ch3_15.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_15_dlap.xml | 58db30bb7894d23404000002 |
Models and visuals (pop-up windows) (DELETE) | writershelp2e_axs_ch3_16.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_16_dlap.xml | 58db30bb7894d23404000002 |
Annotated poem | writershelp2e_axs_ch3_17.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_17_dlap.xml | 58db30bb7894d23404000002 |
Note taking on a literary work | writershelp2e_axs_ch3_18.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_18_dlap.xml | 58db30bb7894d23404000002 |
Blog discussion exploring a subject | writershelp2e_axs_ch3_19.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_19_dlap.xml | 58db30bb7894d23404000002 |
Writing a literature paper | writershelp2e_axs_ch3_20.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_20_dlap.xml | 58db30bb7894d23404000002 |
Drafting an introduction that announces your interpretation | writershelp2e_axs_ch3_21.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_21_dlap.xml | 58db30bb7894d23404000002 |
Supporting your interpretation with evidence from the work | writershelp2e_axs_ch3_22.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_22_dlap.xml | 58db30bb7894d23404000002 |
Avoiding simple plot summary | writershelp2e_axs_ch3_23.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_23_dlap.xml | 58db30bb7894d23404000002 |
Observing the conventions of literature papers | writershelp2e_axs_ch3_24.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_24_dlap.xml | 58db30bb7894d23404000002 |
Referring to literary authors, titles, and characters | writershelp2e_axs_ch3_25.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_25_dlap.xml | 58db30bb7894d23404000002 |
Using the present tense to describe fictional events | writershelp2e_axs_ch3_26.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_26_dlap.xml | 58db30bb7894d23404000002 |
Avoiding shifts in tense when integrating quotations | writershelp2e_axs_ch3_27.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_27_dlap.xml | 58db30bb7894d23404000002 |
Avoiding confusion of the author with a narrator, speaker, or character | writershelp2e_axs_ch3_28.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_28_dlap.xml | 58db30bb7894d23404000002 |
Integrating quotations from a literary work | writershelp2e_axs_ch3_29.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_29_dlap.xml | 58db30bb7894d23404000002 |
Creating a context for quotations | writershelp2e_axs_ch3_30.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_30_dlap.xml | 58db30bb7894d23404000002 |
Enclosing embedded quotations in single quotation marks | writershelp2e_axs_ch3_31.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_31_dlap.xml | 58db30bb7894d23404000002 |
Indicating changes in a quotation | writershelp2e_axs_ch3_32.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_32_dlap.xml | 58db30bb7894d23404000002 |
Using MLA style for citing literary works | writershelp2e_axs_ch3_33.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_33_dlap.xml | 58db30bb7894d23404000002 |
Citing passages from short stories or novels | writershelp2e_axs_ch3_34.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_34_dlap.xml | 58db30bb7894d23404000002 |
Citing lines from poems | writershelp2e_axs_ch3_35.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_35_dlap.xml | 58db30bb7894d23404000002 |
Citing lines from plays | writershelp2e_axs_ch3_36.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_36_dlap.xml | 58db30bb7894d23404000002 |
Documenting secondary sources | writershelp2e_axs_ch3_37.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_37_dlap.xml | 58db30bb7894d23404000002 |
Using MLA style to document secondary sources | writershelp2e_axs_ch3_38.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_38_dlap.xml | 58db30bb7894d23404000002 |
Avoiding plagiarism in literature papers | writershelp2e_axs_ch3_39.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_39_dlap.xml | 58db30bb7894d23404000002 |
Using quotation marks for borrowed language | writershelp2e_axs_ch3_40.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_40_dlap.xml | 58db30bb7894d23404000002 |
Paraphrasing in your own words | writershelp2e_axs_ch3_41.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_41_dlap.xml | 58db30bb7894d23404000002 |
Sample literature papers (DELETE) | writershelp2e_axs_ch3_42.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_42_dlap.xml | 58db30bb7894d23404000002 |
Sample literature papers | writershelp2e_axs_ch3_43.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_43_dlap.xml | 58db30bb7894d23404000002 |
Literary analysis (MLA): Peel, “Opposing Voices in 'Ballad of the Landlord'†| writershelp2e_axs_ch3_44.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_44_dlap.xml | 58db30bb7894d23404000002 |
Literary analysis (MLA): Larson, “The Transformation of Mrs. Peters: An Analysis of 'A Jury of Her Peers'†| writershelp2e_axs_ch3_45.html | 58db30bb7894d23404000002 |
DLAP questions | writershelp2e_axs_ch3_45_dlap.xml | 58db30bb7894d23404000002 |