DLAP questions | filmmaking1e_ch3_1_dlap.xml | 556e5719757a2efa0f000014 |
DLAP questions | filmmaking1e_ch3_2_dlap.xml | 556e5719757a2efa0f000014 |
Seeing Your Project through a Director’s Eyes | filmmaking1e_ch3_3.html | 556e5719757a2efa0f000014 |
DLAP questions | filmmaking1e_ch3_3_dlap.xml | 556e5719757a2efa0f000014 |
Planning and Visualizing the Shoot | filmmaking1e_ch3_4.html | 556e5719757a2efa0f000014 |
DLAP questions | filmmaking1e_ch3_4_dlap.xml | 556e5719757a2efa0f000014 |
Working the Movie You Just Shot | filmmaking1e_ch3_5.html | 556e5719757a2efa0f000014 |
DLAP questions | filmmaking1e_ch3_5_dlap.xml | 556e5719757a2efa0f000014 |
DLAP questions | filmmaking1e_ch3_6_dlap.xml | 556e5719757a2efa0f000014 |
DLAP questions | filmmaking1e_ch3_7_dlap.xml | 556e5719757a2efa0f000014 |
TV vs. Movies: Who Has the Power? | filmmaking1e_ch3_8.html | 556e5719757a2efa0f000014 |
DLAP questions | filmmaking1e_ch3_8_dlap.xml | 556e5719757a2efa0f000014 |