File | Title | Manuscript Id |
---|---|---|
Chapter 12 Resources | listen8e_ch12_1.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_1_dlap.xml | 54087ed3757a2e4444000000 |
Reading Quiz for Chapter 12 | listen8e_ch12_2.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_2_dlap.xml | 54087ed3757a2e4444000000 |
Prelude: Music and the Enlightenment | listen8e_ch12_3.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_3_dlap.xml | 54087ed3757a2e4444000000 |
1 | The Enlightenment and Music | listen8e_ch12_4.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_4_dlap.xml | 54087ed3757a2e4444000000 |
“The Pursuit of Happiness†| listen8e_ch12_5.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_5_dlap.xml | 54087ed3757a2e4444000000 |
Art and Entertainment | listen8e_ch12_6.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_6_dlap.xml | 54087ed3757a2e4444000000 |
Jean-Jacques Rousseau and Opera | listen8e_ch12_7.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_7_dlap.xml | 54087ed3757a2e4444000000 |
The Novel | listen8e_ch12_8.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_8_dlap.xml | 54087ed3757a2e4444000000 |
2 | The Rise of Concerts | listen8e_ch12_9.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_9_dlap.xml | 54087ed3757a2e4444000000 |
3 | Style Features of Classical Music | listen8e_ch12_10.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_10_dlap.xml | 54087ed3757a2e4444000000 |
Rhythm | listen8e_ch12_11.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_11_dlap.xml | 54087ed3757a2e4444000000 |
Dynamics | listen8e_ch12_12.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_12_dlap.xml | 54087ed3757a2e4444000000 |
Tone Color: The Classical Orchestra | listen8e_ch12_13.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_13_dlap.xml | 54087ed3757a2e4444000000 |
Melody: Tunes | listen8e_ch12_14.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_14_dlap.xml | 54087ed3757a2e4444000000 |
Texture: Homophony | listen8e_ch12_15.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_15_dlap.xml | 54087ed3757a2e4444000000 |
Classical Counterpoint | listen8e_ch12_16.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_16_dlap.xml | 54087ed3757a2e4444000000 |
4 | Form in Classical Music | listen8e_ch12_17.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_17_dlap.xml | 54087ed3757a2e4444000000 |
Repetitions and Cadences | listen8e_ch12_18.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_18_dlap.xml | 54087ed3757a2e4444000000 |
Classical Forms | listen8e_ch12_19.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_19_dlap.xml | 54087ed3757a2e4444000000 |
Goals for Review | listen8e_ch12_20.html | 54087ed3757a2e4444000000 |
DLAP questions | listen8e_ch12_20_dlap.xml | 54087ed3757a2e4444000000 |