File | Title | Manuscript Id |
More Resources | literature_full_mr01_1.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_1_dlap.xml | 5542edf5757a2e955a000000 |
Reading Comprehension Quizzes | literature_full_mr01_2.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_2_dlap.xml | 5542edf5757a2e955a000000 |
Nonfiction | literature_full_mr01_3.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_3_dlap.xml | 5542edf5757a2e955a000000 |
Chris Abani, The Lottery
| literature_full_mr01_4.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_4_dlap.xml | 5542edf5757a2e955a000000 |
Diane Ackerman, Plato: The Perfect Union
| literature_full_mr01_5.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_5_dlap.xml | 5542edf5757a2e955a000000 |
Joan Acocella, A Few Too Many
| literature_full_mr01_6.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_6_dlap.xml | 5542edf5757a2e955a000000 |
Daniel Akst, What Meets the Eye
| literature_full_mr01_7.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_7_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, Superman and Me
| literature_full_mr01_8.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_8_dlap.xml | 5542edf5757a2e955a000000 |
Akhil Reed Amar, Second Thoughts
| literature_full_mr01_9.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_9_dlap.xml | 5542edf5757a2e955a000000 |
Maya Angelou, Graduation in Stamps
| literature_full_mr01_10.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_10_dlap.xml | 5542edf5757a2e955a000000 |
Marie Arana, Ghosts: Pishtacos
| literature_full_mr01_11.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_11_dlap.xml | 5542edf5757a2e955a000000 |
James Baldwin, Notes of a Native Son
| literature_full_mr01_12.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_12_dlap.xml | 5542edf5757a2e955a000000 |
Dave Barry, Beauty and the Beast
| literature_full_mr01_13.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_13_dlap.xml | 5542edf5757a2e955a000000 |
Lynda Barry, Todayâs Demon: Magic
| literature_full_mr01_14.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_14_dlap.xml | 5542edf5757a2e955a000000 |
Thomas Beller, The Problem with T-Shirts
| literature_full_mr01_15.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_15_dlap.xml | 5542edf5757a2e955a000000 |
Charles Bowden, Our Wall
| literature_full_mr01_16.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_16_dlap.xml | 5542edf5757a2e955a000000 |
David Brooks, People Like Us
| literature_full_mr01_17.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_17_dlap.xml | 5542edf5757a2e955a000000 |
Ken Burns, Our Best Selves
| literature_full_mr01_18.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_18_dlap.xml | 5542edf5757a2e955a000000 |
Augusten Burroughs, Absolutely Fabulous
| literature_full_mr01_19.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_19_dlap.xml | 5542edf5757a2e955a000000 |
Nicholas Carr, Is Google Making Us Stupid?
| literature_full_mr01_20.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_20_dlap.xml | 5542edf5757a2e955a000000 |
Rachel Carson, The Obligation to Endure
| literature_full_mr01_21.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_21_dlap.xml | 5542edf5757a2e955a000000 |
Stephen L. Carter, The Insufficiency of Honesty
| literature_full_mr01_22.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_22_dlap.xml | 5542edf5757a2e955a000000 |
Raymond Carver, My Fatherâs Life
| literature_full_mr01_23.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_23_dlap.xml | 5542edf5757a2e955a000000 |
Michael Chabon, Faking It
| literature_full_mr01_24.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_24_dlap.xml | 5542edf5757a2e955a000000 |
Susan Cheever, Drinking with Daddy
| literature_full_mr01_25.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_25_dlap.xml | 5542edf5757a2e955a000000 |
Jill Christman, The Sloth
| literature_full_mr01_26.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_26_dlap.xml | 5542edf5757a2e955a000000 |
Judith Ortiz Cofer, American History
| literature_full_mr01_27.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_27_dlap.xml | 5542edf5757a2e955a000000 |
Bernard Cooper, A Clack of Tiny Sparks: Remembrances of a Gay Boyhood
| literature_full_mr01_28.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_28_dlap.xml | 5542edf5757a2e955a000000 |
Amy Cunningham, Why Women Smile
| literature_full_mr01_29.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_29_dlap.xml | 5542edf5757a2e955a000000 |
Meghan Daum, Toy Children
| literature_full_mr01_30.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_30_dlap.xml | 5542edf5757a2e955a000000 |
Don DeLillo, In the Ruins of the Future
| literature_full_mr01_31.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_31_dlap.xml | 5542edf5757a2e955a000000 |
Jared Diamond, The Ends of the World as We Know Them
| literature_full_mr01_32.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_32_dlap.xml | 5542edf5757a2e955a000000 |
Joan Didion, On Morality
| literature_full_mr01_33.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_33_dlap.xml | 5542edf5757a2e955a000000 |
Annie Dillard, The Death of a Moth
| literature_full_mr01_34.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_34_dlap.xml | 5542edf5757a2e955a000000 |
Annie Dillard, The Deer at Providencia
| literature_full_mr01_35.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_35_dlap.xml | 5542edf5757a2e955a000000 |
E.L. Doctorow, Why We Are Infidels
| literature_full_mr01_36.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_36_dlap.xml | 5542edf5757a2e955a000000 |
John Donne, Meditation XVII, from Devotions upon Emergent Occasions
| literature_full_mr01_37.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_37_dlap.xml | 5542edf5757a2e955a000000 |
Frederick Douglass, Learning to Read and Write
| literature_full_mr01_38.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_38_dlap.xml | 5542edf5757a2e955a000000 |
Brian Doyle, Joyas Volardores
| literature_full_mr01_39.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_39_dlap.xml | 5542edf5757a2e955a000000 |
Brian Doyle, Pop Art
| literature_full_mr01_40.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_40_dlap.xml | 5542edf5757a2e955a000000 |
Brian Doyle, The Greatest Nature Essay Ever
| literature_full_mr01_41.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_41_dlap.xml | 5542edf5757a2e955a000000 |
Mark Edmundson, Dwelling in Possibilities
| literature_full_mr01_42.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_42_dlap.xml | 5542edf5757a2e955a000000 |
Barbara Ehrenreich, Will Women Still Need Men?
| literature_full_mr01_43.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_43_dlap.xml | 5542edf5757a2e955a000000 |
Lars Eighner, On Dumpster Diving
| literature_full_mr01_44.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_44_dlap.xml | 5542edf5757a2e955a000000 |
Nora Ephron, The Boston Photographs
| literature_full_mr01_45.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_45_dlap.xml | 5542edf5757a2e955a000000 |
Joseph Epstein, The Perpetual Adolescent
| literature_full_mr01_46.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_46_dlap.xml | 5542edf5757a2e955a000000 |
Kai Erikson, The Witches of Salem Village
| literature_full_mr01_47.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_47_dlap.xml | 5542edf5757a2e955a000000 |
Anne Fadiman, Under Water
| literature_full_mr01_48.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_48_dlap.xml | 5542edf5757a2e955a000000 |
James Fallows, Throwing Like a Girl
| literature_full_mr01_49.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_49_dlap.xml | 5542edf5757a2e955a000000 |
Jonathan Safran Foer, Let Them Eat Dog
| literature_full_mr01_50.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_50_dlap.xml | 5542edf5757a2e955a000000 |
Richard Ford, A City Beyond the Reach of Empathy
| literature_full_mr01_51.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_51_dlap.xml | 5542edf5757a2e955a000000 |
Anne Frank, from Diary of a Young Girl
| literature_full_mr01_52.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_52_dlap.xml | 5542edf5757a2e955a000000 |
Erich Fromm, Is Love an Art?
| literature_full_mr01_53.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_53_dlap.xml | 5542edf5757a2e955a000000 |
Henry Louis Gates Jr., In the Kitchen
| literature_full_mr01_54.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_54_dlap.xml | 5542edf5757a2e955a000000 |
John Taylor Gatto, Against School
| literature_full_mr01_55.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_55_dlap.xml | 5542edf5757a2e955a000000 |
Atul Gawande, Hellhole
| literature_full_mr01_56.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_56_dlap.xml | 5542edf5757a2e955a000000 |
Jon Gertner, The Futile Pursuit of Happiness
| literature_full_mr01_57.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_57_dlap.xml | 5542edf5757a2e955a000000 |
Daniel Gilbert, Next to Nothing
| literature_full_mr01_58.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_58_dlap.xml | 5542edf5757a2e955a000000 |
Malcolm Gladwell, Small Change: Why the Revolution Will Not Be Tweeted
| literature_full_mr01_59.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_59_dlap.xml | 5542edf5757a2e955a000000 |
Emma Goldman, Defense
| literature_full_mr01_60.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_60_dlap.xml | 5542edf5757a2e955a000000 |
Cynthia Gorney, The Urge to Merge
| literature_full_mr01_61.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_61_dlap.xml | 5542edf5757a2e955a000000 |
Stephen J. Gould, Sex, Drugs, Disasters, and the Extinction of Dinosaurs
| literature_full_mr01_62.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_62_dlap.xml | 5542edf5757a2e955a000000 |
Michihiko Hachiya, from Hiroshima Diary
| literature_full_mr01_63.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_63_dlap.xml | 5542edf5757a2e955a000000 |
Daniel Harris, Celebrity Bodies
| literature_full_mr01_64.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_64_dlap.xml | 5542edf5757a2e955a000000 |
Nathaniel Hawthorne, My Visit to Niagara
| literature_full_mr01_65.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_65_dlap.xml | 5542edf5757a2e955a000000 |
Vicki Hearne, Whatâs Wrong with Animal Rights
| literature_full_mr01_66.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_66_dlap.xml | 5542edf5757a2e955a000000 |
Christopher Hitchens, Believe Me, Itâs Torture
| literature_full_mr01_67.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_67_dlap.xml | 5542edf5757a2e955a000000 |
Edward Hoagland, On Stuttering
| literature_full_mr01_68.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_68_dlap.xml | 5542edf5757a2e955a000000 |
bell hooks, from Bone Black: Memories of Girlhood
| literature_full_mr01_69.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_69_dlap.xml | 5542edf5757a2e955a000000 |
bell hooks, Inspired Eccentricity
| literature_full_mr01_70.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_70_dlap.xml | 5542edf5757a2e955a000000 |
Langston Hughes, Salvation
| literature_full_mr01_71.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_71_dlap.xml | 5542edf5757a2e955a000000 |
Zora Neale Hurston, How It Feels to Be Colored Me
| literature_full_mr01_72.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_72_dlap.xml | 5542edf5757a2e955a000000 |
Siri Hustvedt, Eight Days in a Corset
| literature_full_mr01_73.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_73_dlap.xml | 5542edf5757a2e955a000000 |
Pico Iyer, The Inner Climate
| literature_full_mr01_74.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_74_dlap.xml | 5542edf5757a2e955a000000 |
Thomas Jefferson, The Declaration of Independence
| literature_full_mr01_75.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_75_dlap.xml | 5542edf5757a2e955a000000 |
Ha Jin, Arrival
| literature_full_mr01_76.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_76_dlap.xml | 5542edf5757a2e955a000000 |
Lacy M. Johnson, White Trash Primer
| literature_full_mr01_77.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_77_dlap.xml | 5542edf5757a2e955a000000 |
Jamaica Kincaid, On Seeing England for the First Time
| literature_full_mr01_78.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_78_dlap.xml | 5542edf5757a2e955a000000 |
Jamaica Kincaid, Girl
| literature_full_mr01_79.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_79_dlap.xml | 5542edf5757a2e955a000000 |
Martin Luther King Jr., I Have a Dream
| literature_full_mr01_80.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_80_dlap.xml | 5542edf5757a2e955a000000 |
Martin Luther King Jr., Letter from Birmingham Jail
| literature_full_mr01_81.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_81_dlap.xml | 5542edf5757a2e955a000000 |
Stephen King, Everything You Need to Know about Writing Successfullyâin Ten Minutes
| literature_full_mr01_82.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_82_dlap.xml | 5542edf5757a2e955a000000 |
Maxine Hong Kingston, No Name Woman
| literature_full_mr01_83.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_83_dlap.xml | 5542edf5757a2e955a000000 |
Caroline Knapp, Love
| literature_full_mr01_84.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_84_dlap.xml | 5542edf5757a2e955a000000 |
Laura Kipnis, Against Love
| literature_full_mr01_85.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_85_dlap.xml | 5542edf5757a2e955a000000 |
Geeta Kothari, If You Are What You Eat, Then What Am I?
| literature_full_mr01_86.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_86_dlap.xml | 5542edf5757a2e955a000000 |
Chang-Rae Lee, Coming Home Again
| literature_full_mr01_87.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_87_dlap.xml | 5542edf5757a2e955a000000 |
Steven D. Levitt and Stephen J. Dubner, What Should You Worry About?
| literature_full_mr01_88.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_88_dlap.xml | 5542edf5757a2e955a000000 |
Michael Lewis, The Mansion: A Subprime Parable
| literature_full_mr01_89.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_89_dlap.xml | 5542edf5757a2e955a000000 |
Abraham Lincoln, Gettysburg Address
| literature_full_mr01_90.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_90_dlap.xml | 5542edf5757a2e955a000000 |
Stuart Lishan, Winter Count, 1964
| literature_full_mr01_91.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_91_dlap.xml | 5542edf5757a2e955a000000 |
Barry Lopez, Emancipation
| literature_full_mr01_92.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_92_dlap.xml | 5542edf5757a2e955a000000 |
Thomas Lynch, Into the Oblivion
| literature_full_mr01_93.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_93_dlap.xml | 5542edf5757a2e955a000000 |
Nancy Mairs, On Being a Cripple
| literature_full_mr01_94.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_94_dlap.xml | 5542edf5757a2e955a000000 |
Malcolm X, My First Conk
| literature_full_mr01_95.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_95_dlap.xml | 5542edf5757a2e955a000000 |
David Mamet, The Rake: A Few Scenes from My Childhood
| literature_full_mr01_96.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_96_dlap.xml | 5542edf5757a2e955a000000 |
Adam Mayblum, The Price We Pay
| literature_full_mr01_97.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_97_dlap.xml | 5542edf5757a2e955a000000 |
James McBride, Hip-Hop Planet
| literature_full_mr01_98.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_98_dlap.xml | 5542edf5757a2e955a000000 |
Charles McGrath, The Pleasures of the Text
| literature_full_mr01_99.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_99_dlap.xml | 5542edf5757a2e955a000000 |
Louis Menand, Name that Tone
| literature_full_mr01_100.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_100_dlap.xml | 5542edf5757a2e955a000000 |
Dinaw Mengestu, Home at Last
| literature_full_mr01_101.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_101_dlap.xml | 5542edf5757a2e955a000000 |
Walter Ben Michaels, The Trouble with Diversity
| literature_full_mr01_102.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_102_dlap.xml | 5542edf5757a2e955a000000 |
Arthur Miller, Tragedy and the Common Man
| literature_full_mr01_103.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_103_dlap.xml | 5542edf5757a2e955a000000 |
Jessica Mitford, The American Way of Death
| literature_full_mr01_104.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_104_dlap.xml | 5542edf5757a2e955a000000 |
N. Scott Momaday, The Way to Rainy Mountain
| literature_full_mr01_105.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_105_dlap.xml | 5542edf5757a2e955a000000 |
Errol Morris, Liar, Liar, Pants on Fire
| literature_full_mr01_106.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_106_dlap.xml | 5542edf5757a2e955a000000 |
Bharati Mukherjee, Two Ways to Belong in America
| literature_full_mr01_107.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_107_dlap.xml | 5542edf5757a2e955a000000 |
Azar Nafisi, Reading Lolita in Tehran
| literature_full_mr01_108.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_108_dlap.xml | 5542edf5757a2e955a000000 |
Martha Nussbaum, Veiled Threats
| literature_full_mr01_109.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_109_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, I, the Juror
| literature_full_mr01_110.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_110_dlap.xml | 5542edf5757a2e955a000000 |
Barack Obama, Grant Park Victory Speech
| literature_full_mr01_111.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_111_dlap.xml | 5542edf5757a2e955a000000 |
Barack Obama, Origins
| literature_full_mr01_112.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_112_dlap.xml | 5542edf5757a2e955a000000 |
Danielle Ofri, SAT
| literature_full_mr01_113.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_113_dlap.xml | 5542edf5757a2e955a000000 |
George Orwell, Politics and the English Language
| literature_full_mr01_114.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_114_dlap.xml | 5542edf5757a2e955a000000 |
George Orwell, Shooting an Elephant
| literature_full_mr01_115.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_115_dlap.xml | 5542edf5757a2e955a000000 |
Camille Paglia, The Pitfalls of Plastic Surgery
| literature_full_mr01_116.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_116_dlap.xml | 5542edf5757a2e955a000000 |
Paul, 1 Corinthians 13
| literature_full_mr01_117.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_117_dlap.xml | 5542edf5757a2e955a000000 |
Walker Percy, The Loss of the Creature
| literature_full_mr01_118.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_118_dlap.xml | 5542edf5757a2e955a000000 |
Michael Pollan, Whatâs Eating America
| literature_full_mr01_119.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_119_dlap.xml | 5542edf5757a2e955a000000 |
Katha Pollitt, Webstalker
| literature_full_mr01_120.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_120_dlap.xml | 5542edf5757a2e955a000000 |
Katha Pollitt, Why Boys Donât Play with Dolls
| literature_full_mr01_121.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_121_dlap.xml | 5542edf5757a2e955a000000 |
Richard Rodriguez, Aria: A Memoir of a Bilingual Childhood
| literature_full_mr01_122.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_122_dlap.xml | 5542edf5757a2e955a000000 |
Randall Robinson, Can a Black Family Be a Legal Nuisance?
| literature_full_mr01_123.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_123_dlap.xml | 5542edf5757a2e955a000000 |
Salman Rushdie, Imagine Thereâs No Heaven
| literature_full_mr01_124.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_124_dlap.xml | 5542edf5757a2e955a000000 |
William Safire, Changing Warming
| literature_full_mr01_125.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_125_dlap.xml | 5542edf5757a2e955a000000 |
Michael J. Sandel, Designer Babies
| literature_full_mr01_126.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_126_dlap.xml | 5542edf5757a2e955a000000 |
Scott Russell Sanders, The Men We Carry in Our Minds
| literature_full_mr01_127.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_127_dlap.xml | 5542edf5757a2e955a000000 |
Marjane Satrapi, My Speech at West Point
| literature_full_mr01_128.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_128_dlap.xml | 5542edf5757a2e955a000000 |
Marjane Satrapi, The Cigarette
| literature_full_mr01_129.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_129_dlap.xml | 5542edf5757a2e955a000000 |
Eric Schlosser, Why McDonaldâs Fries Taste So Good
| literature_full_mr01_130.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_130_dlap.xml | 5542edf5757a2e955a000000 |
David Sedaris, What I Learned and What I Said at Princeton
| literature_full_mr01_131.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_131_dlap.xml | 5542edf5757a2e955a000000 |
Rebecca Solnit, The Thoreau Problem
| literature_full_mr01_132.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_132_dlap.xml | 5542edf5757a2e955a000000 |
Art Spiegelman, from Maus
| literature_full_mr01_133.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_133_dlap.xml | 5542edf5757a2e955a000000 |
Jonathan Swift, A Modest Proposal
| literature_full_mr01_134.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_134_dlap.xml | 5542edf5757a2e955a000000 |
Grace Talusan, My Fatherâs Noose
| literature_full_mr01_135.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_135_dlap.xml | 5542edf5757a2e955a000000 |
Amy Tan, Two Kinds
| literature_full_mr01_136.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_136_dlap.xml | 5542edf5757a2e955a000000 |
Henry David Thoreau, Civil Disobedience
| literature_full_mr01_137.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_137_dlap.xml | 5542edf5757a2e955a000000 |
Mark Twain, The Story of the Good Little Boy
| literature_full_mr01_138.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_138_dlap.xml | 5542edf5757a2e955a000000 |
Jill Tweedie, The Experience
| literature_full_mr01_139.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_139_dlap.xml | 5542edf5757a2e955a000000 |
Melvin I. Urofsky, Two Scenes from a Hospital
| literature_full_mr01_140.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_140_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Wadler, Peter Rabbit Must Die
| literature_full_mr01_141.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_141_dlap.xml | 5542edf5757a2e955a000000 |
David Foster Wallace, Commencement Speech, Kenyon College
| literature_full_mr01_142.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_142_dlap.xml | 5542edf5757a2e955a000000 |
Will Wright, Dream Machines
| literature_full_mr01_143.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_143_dlap.xml | 5542edf5757a2e955a000000 |
Poetry | literature_full_mr01_144.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_144_dlap.xml | 5542edf5757a2e955a000000 |
Word Choice and Word Order | literature_full_mr01_145.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_145_dlap.xml | 5542edf5757a2e955a000000 |
Tone | literature_full_mr01_146.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_146_dlap.xml | 5542edf5757a2e955a000000 |
Images | literature_full_mr01_147.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_147_dlap.xml | 5542edf5757a2e955a000000 |
Figures of Speech | literature_full_mr01_148.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_148_dlap.xml | 5542edf5757a2e955a000000 |
Symbol and Allegory | literature_full_mr01_149.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_149_dlap.xml | 5542edf5757a2e955a000000 |
Irony | literature_full_mr01_150.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_150_dlap.xml | 5542edf5757a2e955a000000 |
Sounds | literature_full_mr01_151.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_151_dlap.xml | 5542edf5757a2e955a000000 |
Patterns of Rhythm | literature_full_mr01_152.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_152_dlap.xml | 5542edf5757a2e955a000000 |
Poetic Forms | literature_full_mr01_153.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_153_dlap.xml | 5542edf5757a2e955a000000 |
Fiction | literature_full_mr01_154.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_154_dlap.xml | 5542edf5757a2e955a000000 |
Chinua Achebe, Marriage Is a Private Affair
| literature_full_mr01_155.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_155_dlap.xml | 5542edf5757a2e955a000000 |
Kim Addonizio, Survivors
| literature_full_mr01_156.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_156_dlap.xml | 5542edf5757a2e955a000000 |
Chimamanda Ngozi Adichie, Birdsong
| literature_full_mr01_157.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_157_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, Somebody Kept Saying Powwow
| literature_full_mr01_158.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_158_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, The Lone Ranger and Tonto Fistfight in Heaven
| literature_full_mr01_159.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_159_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, This Is What It Means to Say Phoenix, Arizona
| literature_full_mr01_160.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_160_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, War Dances
| literature_full_mr01_161.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_161_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, What You Pawn I Will Redeem
| literature_full_mr01_162.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_162_dlap.xml | 5542edf5757a2e955a000000 |
Monica Ali, Dinner with Dr. Azad
| literature_full_mr01_163.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_163_dlap.xml | 5542edf5757a2e955a000000 |
Isabel Allende, And of Clay Are We Created
| literature_full_mr01_164.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_164_dlap.xml | 5542edf5757a2e955a000000 |
Isabel Allende, The Judgeâs Wife
| literature_full_mr01_165.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_165_dlap.xml | 5542edf5757a2e955a000000 |
Dorothy Allison, Jason Who Will Be Famous
| literature_full_mr01_166.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_166_dlap.xml | 5542edf5757a2e955a000000 |
Julia Alvarez, Daughter of Invention
| literature_full_mr01_167.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_167_dlap.xml | 5542edf5757a2e955a000000 |
Martin Amis, The Last Days of Muhammad Atta
| literature_full_mr01_168.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_168_dlap.xml | 5542edf5757a2e955a000000 |
Sherwood Anderson, Hands
| literature_full_mr01_169.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_169_dlap.xml | 5542edf5757a2e955a000000 |
Margaret Atwood, Death by Landscape
| literature_full_mr01_170.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_170_dlap.xml | 5542edf5757a2e955a000000 |
Margaret Atwood, Happy Endings
| literature_full_mr01_171.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_171_dlap.xml | 5542edf5757a2e955a000000 |
Margaret Atwood, There Was Once
| literature_full_mr01_172.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_172_dlap.xml | 5542edf5757a2e955a000000 |
Alison Baker, Better Be Ready âBout Half Past Eight
| literature_full_mr01_173.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_173_dlap.xml | 5542edf5757a2e955a000000 |
James Baldwin, Sonnyâs Blues
| literature_full_mr01_174.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_174_dlap.xml | 5542edf5757a2e955a000000 |
Toni Cade Bambara, The Lesson
| literature_full_mr01_175.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_175_dlap.xml | 5542edf5757a2e955a000000 |
Melissa Bank, The Wonder Spot
| literature_full_mr01_176.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_176_dlap.xml | 5542edf5757a2e955a000000 |
Rick Bass, Her First Elk
| literature_full_mr01_177.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_177_dlap.xml | 5542edf5757a2e955a000000 |
Ann Beattie, The Four-Night Fight
| literature_full_mr01_178.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_178_dlap.xml | 5542edf5757a2e955a000000 |
Ann Beattie, Snow
| literature_full_mr01_179.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_179_dlap.xml | 5542edf5757a2e955a000000 |
Aimee Bender, Tiger Mender
| literature_full_mr01_180.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_180_dlap.xml | 5542edf5757a2e955a000000 |
Ambrose Bierce, An Occurrence at Owl Creek Bridge
| literature_full_mr01_181.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_181_dlap.xml | 5542edf5757a2e955a000000 |
Amy Bloom, By-and-by
| literature_full_mr01_182.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_182_dlap.xml | 5542edf5757a2e955a000000 |
Amy Bloom, Hold Tight
| literature_full_mr01_183.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_183_dlap.xml | 5542edf5757a2e955a000000 |
Roberto Bolaño, Jim
| literature_full_mr01_184.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_184_dlap.xml | 5542edf5757a2e955a000000 |
Tadeusz Borowski, This Way for the Gas, Ladies and Gentlemen
| literature_full_mr01_185.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_185_dlap.xml | 5542edf5757a2e955a000000 |
George Bowering, A Short Story
| literature_full_mr01_186.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_186_dlap.xml | 5542edf5757a2e955a000000 |
T. Coraghessan Boyle, Admiral
| literature_full_mr01_187.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_187_dlap.xml | 5542edf5757a2e955a000000 |
T. Coraghessan Boyle, Balto
| literature_full_mr01_188.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_188_dlap.xml | 5542edf5757a2e955a000000 |
T. Coraghessan Boyle, Carnal Knowledge
| literature_full_mr01_189.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_189_dlap.xml | 5542edf5757a2e955a000000 |
Ray Bradbury, Mars Is Heaven!
| literature_full_mr01_190.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_190_dlap.xml | 5542edf5757a2e955a000000 |
Laura Brodie, Spiderman Summer
| literature_full_mr01_191.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_191_dlap.xml | 5542edf5757a2e955a000000 |
Rebecca Brown, The Gift of Sweat
| literature_full_mr01_192.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_192_dlap.xml | 5542edf5757a2e955a000000 |
Mark Budman, Diary of a Salaryman
| literature_full_mr01_193.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_193_dlap.xml | 5542edf5757a2e955a000000 |
José Antonio Burciaga, La Puerta
| literature_full_mr01_194.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_194_dlap.xml | 5542edf5757a2e955a000000 |
Edgar Rice Burroughs, from Tarzan of the Apes
| literature_full_mr01_195.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_195_dlap.xml | 5542edf5757a2e955a000000 |
Robert Olen Butler, Christmas 1910
| literature_full_mr01_196.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_196_dlap.xml | 5542edf5757a2e955a000000 |
Robert Olen Butler, Jealous Husband Returns in Form of Parrot
| literature_full_mr01_197.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_197_dlap.xml | 5542edf5757a2e955a000000 |
A.S. Byatt, Baglady
| literature_full_mr01_198.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_198_dlap.xml | 5542edf5757a2e955a000000 |
Ron Carlson, Max
| literature_full_mr01_199.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_199_dlap.xml | 5542edf5757a2e955a000000 |
Angela Carter, A Souvenir of Japan
| literature_full_mr01_200.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_200_dlap.xml | 5542edf5757a2e955a000000 |
Angela Carter, The Company of Wolves
| literature_full_mr01_201.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_201_dlap.xml | 5542edf5757a2e955a000000 |
Raymond Carver, Cathedral
| literature_full_mr01_202.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_202_dlap.xml | 5542edf5757a2e955a000000 |
Raymond Carver, Popular Mechanics
| literature_full_mr01_203.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_203_dlap.xml | 5542edf5757a2e955a000000 |
Raymond Carver, What We Talk About When We Talk About Love
| literature_full_mr01_204.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_204_dlap.xml | 5542edf5757a2e955a000000 |
Willa Cather, Paulâs Case
| literature_full_mr01_205.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_205_dlap.xml | 5542edf5757a2e955a000000 |
Michael Chabon, Along the Frontage Road
| literature_full_mr01_206.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_206_dlap.xml | 5542edf5757a2e955a000000 |
May-lee Chai, Saving Sourdi
| literature_full_mr01_207.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_207_dlap.xml | 5542edf5757a2e955a000000 |
Anton Chekhov, A Blunder
| literature_full_mr01_208.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_208_dlap.xml | 5542edf5757a2e955a000000 |
Anton Chekhov, The Lady with the Pet Dog
| literature_full_mr01_209.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_209_dlap.xml | 5542edf5757a2e955a000000 |
Kate Chopin, Désiréeâs Baby
| literature_full_mr01_210.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_210_dlap.xml | 5542edf5757a2e955a000000 |
Kate Chopin, The Story of an Hour
| literature_full_mr01_211.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_211_dlap.xml | 5542edf5757a2e955a000000 |
Sandra Cisneros, Eleven
| literature_full_mr01_212.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_212_dlap.xml | 5542edf5757a2e955a000000 |
Sandra Cisneros, The House on Mango Street
| literature_full_mr01_213.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_213_dlap.xml | 5542edf5757a2e955a000000 |
Sandra Cisneros, Woman Hollering Creek
| literature_full_mr01_214.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_214_dlap.xml | 5542edf5757a2e955a000000 |
Judith Ortiz Cofer, Nada
| literature_full_mr01_215.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_215_dlap.xml | 5542edf5757a2e955a000000 |
Sidonie-Gabrielle Colette, The Hand
| literature_full_mr01_216.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_216_dlap.xml | 5542edf5757a2e955a000000 |
Joseph Conrad, An Outpost of Progress
| literature_full_mr01_217.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_217_dlap.xml | 5542edf5757a2e955a000000 |
Stephen Crane, The Open Boat
| literature_full_mr01_218.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_218_dlap.xml | 5542edf5757a2e955a000000 |
Stephen Crane, The Bride Comes to Yellow Sky
| literature_full_mr01_219.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_219_dlap.xml | 5542edf5757a2e955a000000 |
Edwidge Danticat, New York Day Women
| literature_full_mr01_220.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_220_dlap.xml | 5542edf5757a2e955a000000 |
Lydia Davis, Blind Date
| literature_full_mr01_221.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_221_dlap.xml | 5542edf5757a2e955a000000 |
Lydia Davis, Letter to a Funeral Parlor
| literature_full_mr01_222.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_222_dlap.xml | 5542edf5757a2e955a000000 |
Lydia Davis, What She Knew
| literature_full_mr01_223.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_223_dlap.xml | 5542edf5757a2e955a000000 |
Don DeLillo, Videotape
| literature_full_mr01_224.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_224_dlap.xml | 5542edf5757a2e955a000000 |
Junot DÃaz, Drown
| literature_full_mr01_225.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_225_dlap.xml | 5542edf5757a2e955a000000 |
Junot DÃaz, Fiesta, 1980
| literature_full_mr01_226.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_226_dlap.xml | 5542edf5757a2e955a000000 |
Junot DÃaz, How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie
| literature_full_mr01_227.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_227_dlap.xml | 5542edf5757a2e955a000000 |
Charles Dickens, from Hard Times
| literature_full_mr01_228.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_228_dlap.xml | 5542edf5757a2e955a000000 |
Linh Dinh, â!â
| literature_full_mr01_229.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_229_dlap.xml | 5542edf5757a2e955a000000 |
Chitra Banerjee Divakaruni, Clothes
| literature_full_mr01_230.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_230_dlap.xml | 5542edf5757a2e955a000000 |
Andre Dubus, Killings
| literature_full_mr01_231.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_231_dlap.xml | 5542edf5757a2e955a000000 |
Dave Eggers, Accident
| literature_full_mr01_232.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_232_dlap.xml | 5542edf5757a2e955a000000 |
Ralph Ellison, Battle Royal
| literature_full_mr01_233.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_233_dlap.xml | 5542edf5757a2e955a000000 |
Harlan Ellison, âRepent, Harlequin!â Said the Ticktockman
| literature_full_mr01_234.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_234_dlap.xml | 5542edf5757a2e955a000000 |
Nathan Englander, Free Fruit For Young Widows
| literature_full_mr01_235.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_235_dlap.xml | 5542edf5757a2e955a000000 |
Louise Erdrich, Fleur
| literature_full_mr01_236.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_236_dlap.xml | 5542edf5757a2e955a000000 |
Louise Erdrich, The Red Convertible
| literature_full_mr01_237.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_237_dlap.xml | 5542edf5757a2e955a000000 |
William Faulkner, Barn Burning
| literature_full_mr01_238.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_238_dlap.xml | 5542edf5757a2e955a000000 |
William Faulkner, A Rose for Emily
| literature_full_mr01_239.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_239_dlap.xml | 5542edf5757a2e955a000000 |
F. Scott Fitzgerald, Winter Dreams
| literature_full_mr01_240.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_240_dlap.xml | 5542edf5757a2e955a000000 |
Rivka Galchen, Wild Berry Blue
| literature_full_mr01_241.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_241_dlap.xml | 5542edf5757a2e955a000000 |
Gabriel GarcÃa Márquez, The Handsomest Drowned Man in the World
| literature_full_mr01_242.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_242_dlap.xml | 5542edf5757a2e955a000000 |
Gabriel GarcÃa Márquez, One of These Days
| literature_full_mr01_243.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_243_dlap.xml | 5542edf5757a2e955a000000 |
Gabriel GarcÃa Márquez, A Very Old Man with Enormous Wings
| literature_full_mr01_244.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_244_dlap.xml | 5542edf5757a2e955a000000 |
Dagoberto Gilb, Love in L.A.
| literature_full_mr01_245.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_245_dlap.xml | 5542edf5757a2e955a000000 |
Dagoberto Gilb, Romeroâs Shirt
| literature_full_mr01_246.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_246_dlap.xml | 5542edf5757a2e955a000000 |
Dagoberto Gilb, Shout
| literature_full_mr01_247.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_247_dlap.xml | 5542edf5757a2e955a000000 |
Dagoberto Gilb, Uncle Rock
| literature_full_mr01_248.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_248_dlap.xml | 5542edf5757a2e955a000000 |
Charlotte Perkins Gilman, The Yellow Wallpaper
| literature_full_mr01_249.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_249_dlap.xml | 5542edf5757a2e955a000000 |
Susan Glaspell, A Jury of Her Peers
| literature_full_mr01_250.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_250_dlap.xml | 5542edf5757a2e955a000000 |
Gail Godwin, A Sorrowful Woman
| literature_full_mr01_251.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_251_dlap.xml | 5542edf5757a2e955a000000 |
Ray Gonzalez, The Jalapeño Contest
| literature_full_mr01_252.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_252_dlap.xml | 5542edf5757a2e955a000000 |
Alasdair Gray, Pillow Talk
| literature_full_mr01_253.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_253_dlap.xml | 5542edf5757a2e955a000000 |
Jakob and Wilhelm Grimm, Little Red Cap
| literature_full_mr01_254.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_254_dlap.xml | 5542edf5757a2e955a000000 |
Mark Halliday, Young Man on Sixth Avenue
| literature_full_mr01_255.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_255_dlap.xml | 5542edf5757a2e955a000000 |
Ron Hansen, My Kidâs Dog
| literature_full_mr01_256.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_256_dlap.xml | 5542edf5757a2e955a000000 |
Ron Hansen, Nebraska
| literature_full_mr01_257.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_257_dlap.xml | 5542edf5757a2e955a000000 |
Nathaniel Hawthorne, The Birthmark
| literature_full_mr01_258.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_258_dlap.xml | 5542edf5757a2e955a000000 |
Nathaniel Hawthorne, Lady Eleanoreâs Mantle
| literature_full_mr01_259.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_259_dlap.xml | 5542edf5757a2e955a000000 |
Nathaniel Hawthorne, The Ministerâs Black Veil
| literature_full_mr01_260.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_260_dlap.xml | 5542edf5757a2e955a000000 |
Nathaniel Hawthorne, Young Goodman Brown
| literature_full_mr01_261.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_261_dlap.xml | 5542edf5757a2e955a000000 |
Bessie Head, Looking for a Rain God
| literature_full_mr01_262.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_262_dlap.xml | 5542edf5757a2e955a000000 |
Bessie Head, The Prisoner Who Wore Glasses
| literature_full_mr01_263.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_263_dlap.xml | 5542edf5757a2e955a000000 |
Ernest Hemingway, A Clean, Well-Lighted Place
| literature_full_mr01_264.html | 5542edf5757a2e955a000000 |
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Ernest Hemingway, Hills Like White Elephants
| literature_full_mr01_265.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_265_dlap.xml | 5542edf5757a2e955a000000 |
Pam Houston, How to Talk to a Hunter
| literature_full_mr01_266.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_266_dlap.xml | 5542edf5757a2e955a000000 |
Langston Hughes, On the Road
| literature_full_mr01_267.html | 5542edf5757a2e955a000000 |
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Langston Hughes, Thank You, Mâam
| literature_full_mr01_268.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_268_dlap.xml | 5542edf5757a2e955a000000 |
Zora Neale Hurston, Spunk
| literature_full_mr01_269.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_269_dlap.xml | 5542edf5757a2e955a000000 |
Zora Neale Hurston, Sweat
| literature_full_mr01_270.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_270_dlap.xml | 5542edf5757a2e955a000000 |
Shirley Jackson, The Lottery
| literature_full_mr01_271.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_271_dlap.xml | 5542edf5757a2e955a000000 |
Gish Jen, Whoâs Irish?
| literature_full_mr01_272.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_272_dlap.xml | 5542edf5757a2e955a000000 |
Sarah Orne Jewett, A White Heron
| literature_full_mr01_273.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_273_dlap.xml | 5542edf5757a2e955a000000 |
Ha Jin, Love in the Air
| literature_full_mr01_274.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_274_dlap.xml | 5542edf5757a2e955a000000 |
Ha Jin, Saboteur
| literature_full_mr01_275.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_275_dlap.xml | 5542edf5757a2e955a000000 |
Ha Jin, The Bridegroom
| literature_full_mr01_276.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_276_dlap.xml | 5542edf5757a2e955a000000 |
Edward P. Jones, Bad Neighbors
| literature_full_mr01_277.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_277_dlap.xml | 5542edf5757a2e955a000000 |
June Jordan, Many Rivers to Cross
| literature_full_mr01_278.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_278_dlap.xml | 5542edf5757a2e955a000000 |
James Joyce, Araby
| literature_full_mr01_279.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_279_dlap.xml | 5542edf5757a2e955a000000 |
James Joyce, Counterparts
| literature_full_mr01_280.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_280_dlap.xml | 5542edf5757a2e955a000000 |
James Joyce, Eveline
| literature_full_mr01_281.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_281_dlap.xml | 5542edf5757a2e955a000000 |
Franz Kafka, A Hunger Artist
| literature_full_mr01_282.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_282_dlap.xml | 5542edf5757a2e955a000000 |
Franz Kafka, The Metamorphosis
| literature_full_mr01_283.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_283_dlap.xml | 5542edf5757a2e955a000000 |
Bel Kaufman, Sunday in the Park
| literature_full_mr01_284.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_284_dlap.xml | 5542edf5757a2e955a000000 |
Yasunari Kawabata, The Grasshopper and the Bell Cricket
| literature_full_mr01_285.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_285_dlap.xml | 5542edf5757a2e955a000000 |
Stephen King, All That You Love Will Be Carried Away
| literature_full_mr01_286.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_286_dlap.xml | 5542edf5757a2e955a000000 |
Hari Kunzru, Raj, Bohemian
| literature_full_mr01_287.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_287_dlap.xml | 5542edf5757a2e955a000000 |
Jhumpa Lahiri, Going Ashore
| literature_full_mr01_288.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_288_dlap.xml | 5542edf5757a2e955a000000 |
Jhumpa Lahiri, Hell-Heaven
| literature_full_mr01_289.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_289_dlap.xml | 5542edf5757a2e955a000000 |
Jhumpa Lahiri, Interpreter of Maladies
| literature_full_mr01_290.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_290_dlap.xml | 5542edf5757a2e955a000000 |
Jhumpa Lahiri, A Temporary Matter
| literature_full_mr01_291.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_291_dlap.xml | 5542edf5757a2e955a000000 |
Jhumpa Lahiri, When Mr. Pirzada Came to Dine
| literature_full_mr01_292.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_292_dlap.xml | 5542edf5757a2e955a000000 |
D. H. Lawrence, The Horse Dealerâs Daughter
| literature_full_mr01_293.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_293_dlap.xml | 5542edf5757a2e955a000000 |
D. H. Lawrence, The Rocking-Horse Winner
| literature_full_mr01_294.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_294_dlap.xml | 5542edf5757a2e955a000000 |
Andrea Lee, Anthropology
| literature_full_mr01_295.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_295_dlap.xml | 5542edf5757a2e955a000000 |
Ursula K. Le Guin, The Ones Who Walk Away from Omelas
| literature_full_mr01_296.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_296_dlap.xml | 5542edf5757a2e955a000000 |
Dennis Lehane, Until Gwen
| literature_full_mr01_297.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_297_dlap.xml | 5542edf5757a2e955a000000 |
Jonathan Lethem, Super Goat Man
| literature_full_mr01_298.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_298_dlap.xml | 5542edf5757a2e955a000000 |
Yiyun Li, The Princess of Nebraska
| literature_full_mr01_299.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_299_dlap.xml | 5542edf5757a2e955a000000 |
Yiyun Li, The Science of Flight
| literature_full_mr01_300.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_300_dlap.xml | 5542edf5757a2e955a000000 |
Paul Lisicky, What Might Life Be Like in the 21st Century?
| literature_full_mr01_301.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_301_dlap.xml | 5542edf5757a2e955a000000 |
Jack London, To Build a Fire
| literature_full_mr01_302.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_302_dlap.xml | 5542edf5757a2e955a000000 |
Barry Holstun Lopez, Winter Count 1973: Geese, They Flew Over in a Storm
| literature_full_mr01_303.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_303_dlap.xml | 5542edf5757a2e955a000000 |
Naguib Mahfouz, Half a Day
| literature_full_mr01_304.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_304_dlap.xml | 5542edf5757a2e955a000000 |
Naguib Mahfouz, The Answer Is No
| literature_full_mr01_305.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_305_dlap.xml | 5542edf5757a2e955a000000 |
Naguib Mahfouz, Zaabalawi
| literature_full_mr01_306.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_306_dlap.xml | 5542edf5757a2e955a000000 |
Rebecca Makkai, The Briefcase
| literature_full_mr01_307.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_307_dlap.xml | 5542edf5757a2e955a000000 |
Bernard Malamud, Idiots First
| literature_full_mr01_308.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_308_dlap.xml | 5542edf5757a2e955a000000 |
Katherine Mansfield, Miss Brill
| literature_full_mr01_309.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_309_dlap.xml | 5542edf5757a2e955a000000 |
Katherine Mansfield, The Fly
| literature_full_mr01_310.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_310_dlap.xml | 5542edf5757a2e955a000000 |
Katherine Mansfield, The Garden Party
| literature_full_mr01_311.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_311_dlap.xml | 5542edf5757a2e955a000000 |
Hayashi Mariko, Wine
| literature_full_mr01_312.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_312_dlap.xml | 5542edf5757a2e955a000000 |
Guy de Maupassant, The Necklace
| literature_full_mr01_313.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_313_dlap.xml | 5542edf5757a2e955a000000 |
Alice McDermott, Enough
| literature_full_mr01_314.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_314_dlap.xml | 5542edf5757a2e955a000000 |
Ian McEwan, The Use of Poetry
| literature_full_mr01_315.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_315_dlap.xml | 5542edf5757a2e955a000000 |
Richard McGuire, Here
| literature_full_mr01_316.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_316_dlap.xml | 5542edf5757a2e955a000000 |
James Alan McPherson, A Loaf of Bread
| literature_full_mr01_317.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_317_dlap.xml | 5542edf5757a2e955a000000 |
David Means, The Secret Goldfish
| literature_full_mr01_318.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_318_dlap.xml | 5542edf5757a2e955a000000 |
Peter Meinke, The Cranes
| literature_full_mr01_319.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_319_dlap.xml | 5542edf5757a2e955a000000 |
Herman Melville, Bartleby the Scrivener
| literature_full_mr01_320.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_320_dlap.xml | 5542edf5757a2e955a000000 |
Ana Menéndez, Her Motherâs House
| literature_full_mr01_321.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_321_dlap.xml | 5542edf5757a2e955a000000 |
Lydia Millet, Girl and Giraffe
| literature_full_mr01_322.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_322_dlap.xml | 5542edf5757a2e955a000000 |
Katherine Min, Courting a Monk
| literature_full_mr01_323.html | 5542edf5757a2e955a000000 |
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Susan Minot, Lust
| literature_full_mr01_324.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_324_dlap.xml | 5542edf5757a2e955a000000 |
Maggie Mitchell, It Would Be Different If
| literature_full_mr01_325.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_325_dlap.xml | 5542edf5757a2e955a000000 |
Rick Moody, Boys
| literature_full_mr01_326.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_326_dlap.xml | 5542edf5757a2e955a000000 |
Lorrie Moore, How to Become a Writer
| literature_full_mr01_327.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_327_dlap.xml | 5542edf5757a2e955a000000 |
Rosario Morales, The Day It Happened
| literature_full_mr01_328.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_328_dlap.xml | 5542edf5757a2e955a000000 |
Toni Morrison, Recitatif
| literature_full_mr01_329.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_329_dlap.xml | 5542edf5757a2e955a000000 |
Bharati Mukherjee, The Management of Grief
| literature_full_mr01_330.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_330_dlap.xml | 5542edf5757a2e955a000000 |
Bharati Mukherjee, Orbiting
| literature_full_mr01_331.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_331_dlap.xml | 5542edf5757a2e955a000000 |
Herta Müller, Workday
| literature_full_mr01_332.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_332_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, An Ounce of Cure
| literature_full_mr01_333.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_333_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, Childâs Play
| literature_full_mr01_334.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_334_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, How I Met My Husband
| literature_full_mr01_335.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_335_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, Miles City, Montana
| literature_full_mr01_336.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_336_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, Prue
| literature_full_mr01_337.html | 5542edf5757a2e955a000000 |
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Alice Munro, Wild Swans
| literature_full_mr01_338.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_338_dlap.xml | 5542edf5757a2e955a000000 |
Haruki Murakami, Birthday Girl
| literature_full_mr01_339.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_339_dlap.xml | 5542edf5757a2e955a000000 |
R. K. Narayan, An Astrologerâs Day
| literature_full_mr01_340.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_340_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, Hi Howya Doin
| literature_full_mr01_341.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_341_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, The Lady with the Pet Dog
| literature_full_mr01_342.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_342_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, The Night Nurse
| literature_full_mr01_343.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_343_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, Three Girls
| literature_full_mr01_344.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_344_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, Where Are You Going, Where Have You Been?
| literature_full_mr01_345.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_345_dlap.xml | 5542edf5757a2e955a000000 |
Achy Obejas, We Came All the Way from Cuba So You Could Dress Like This?
| literature_full_mr01_346.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_346_dlap.xml | 5542edf5757a2e955a000000 |
Téa Obreht, Blue Water Djinn
| literature_full_mr01_347.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_347_dlap.xml | 5542edf5757a2e955a000000 |
Tim OâBrien, How to Tell a True War Story
| literature_full_mr01_348.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_348_dlap.xml | 5542edf5757a2e955a000000 |
Tim OâBrien, The Things They Carried
| literature_full_mr01_349.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_349_dlap.xml | 5542edf5757a2e955a000000 |
Flannery OâConnor, Good Country People
| literature_full_mr01_350.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_350_dlap.xml | 5542edf5757a2e955a000000 |
Flannery OâConnor, A Good Man Is Hard to Find
| literature_full_mr01_351.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_351_dlap.xml | 5542edf5757a2e955a000000 |
Flannery OâConnor, Parkerâs Back
| literature_full_mr01_352.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_352_dlap.xml | 5542edf5757a2e955a000000 |
Flannery OâConnor, Revelation
| literature_full_mr01_353.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_353_dlap.xml | 5542edf5757a2e955a000000 |
Frank OâConnor, My Oedipus Complex
| literature_full_mr01_354.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_354_dlap.xml | 5542edf5757a2e955a000000 |
Olaf Olafsson, On the Lake
| literature_full_mr01_355.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_355_dlap.xml | 5542edf5757a2e955a000000 |
Tillie Olsen, I Stand Here Ironing
| literature_full_mr01_356.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_356_dlap.xml | 5542edf5757a2e955a000000 |
Michael Oppenheimer, The Paring Knife
| literature_full_mr01_357.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_357_dlap.xml | 5542edf5757a2e955a000000 |
Daniel Orozco, Orientation
| literature_full_mr01_358.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_358_dlap.xml | 5542edf5757a2e955a000000 |
Cynthia Ozick, The Shawl
| literature_full_mr01_359.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_359_dlap.xml | 5542edf5757a2e955a000000 |
Z. Z. Packer, Brownies
| literature_full_mr01_360.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_360_dlap.xml | 5542edf5757a2e955a000000 |
Z. Z. Packer, Geese
| literature_full_mr01_361.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_361_dlap.xml | 5542edf5757a2e955a000000 |
Grace Paley, A Conversation with My Father
| literature_full_mr01_362.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_362_dlap.xml | 5542edf5757a2e955a000000 |
Grace Paley, Samuel
| literature_full_mr01_363.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_363_dlap.xml | 5542edf5757a2e955a000000 |
Karen Palmer, Virtuoso Mio
| literature_full_mr01_364.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_364_dlap.xml | 5542edf5757a2e955a000000 |
Charles Perrault, Little Red Riding Hood
| literature_full_mr01_365.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_365_dlap.xml | 5542edf5757a2e955a000000 |
Ann Petry, Like a Winding Sheet
| literature_full_mr01_366.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_366_dlap.xml | 5542edf5757a2e955a000000 |
Jayne Anne Phillips, Cheers
| literature_full_mr01_367.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_367_dlap.xml | 5542edf5757a2e955a000000 |
Luigi Pirandello, War
| literature_full_mr01_368.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_368_dlap.xml | 5542edf5757a2e955a000000 |
Edgar Allan Poe, The Cask of Amontillado
| literature_full_mr01_369.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_369_dlap.xml | 5542edf5757a2e955a000000 |
Edgar Allan Poe, The Fall of the House of Usher
| literature_full_mr01_370.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_370_dlap.xml | 5542edf5757a2e955a000000 |
Katherine Anne Porter, The Jilting of Granny Weatherall
| literature_full_mr01_371.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_371_dlap.xml | 5542edf5757a2e955a000000 |
Katherine Anne Porter, The Witness
| literature_full_mr01_372.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_372_dlap.xml | 5542edf5757a2e955a000000 |
E. Annie Proulx, 55 Miles to the Gas Pump
| literature_full_mr01_373.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_373_dlap.xml | 5542edf5757a2e955a000000 |
Nahid Rachlin, Departures
| literature_full_mr01_374.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_374_dlap.xml | 5542edf5757a2e955a000000 |
Alberto Ãlvaro RÃos, The Secret Lion
| literature_full_mr01_375.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_375_dlap.xml | 5542edf5757a2e955a000000 |
Salman Rushdie, The Free Radio
| literature_full_mr01_376.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_376_dlap.xml | 5542edf5757a2e955a000000 |
Salman Rushdie, The Prophetâs Hair
| literature_full_mr01_377.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_377_dlap.xml | 5542edf5757a2e955a000000 |
Karen Russell, Vampires in the Lemon Grove
| literature_full_mr01_378.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_378_dlap.xml | 5542edf5757a2e955a000000 |
Richard Russo, The Whoreâs Child
| literature_full_mr01_379.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_379_dlap.xml | 5542edf5757a2e955a000000 |
Scott Russell Sanders, Doing Time in the Thirteenth Chair
| literature_full_mr01_380.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_380_dlap.xml | 5542edf5757a2e955a000000 |
Marjane Satrapi, The Veil
| literature_full_mr01_381.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_381_dlap.xml | 5542edf5757a2e955a000000 |
George Saunders, The End of FIRPO in the World
| literature_full_mr01_382.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_382_dlap.xml | 5542edf5757a2e955a000000 |
Irwin Shaw, The Girls in Their Summer Dresses
| literature_full_mr01_383.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_383_dlap.xml | 5542edf5757a2e955a000000 |
Ira Sher, The Man in the Well
| literature_full_mr01_384.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_384_dlap.xml | 5542edf5757a2e955a000000 |
Leslie Marmon Silko, The Man to Send Rain Clouds
| literature_full_mr01_385.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_385_dlap.xml | 5542edf5757a2e955a000000 |
Leslie Marmon Silko, Yellow Woman
| literature_full_mr01_386.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_386_dlap.xml | 5542edf5757a2e955a000000 |
Lee Smith, The Happy Memories Club
| literature_full_mr01_387.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_387_dlap.xml | 5542edf5757a2e955a000000 |
Zadie Smith, The Girl with Bangs
| literature_full_mr01_388.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_388_dlap.xml | 5542edf5757a2e955a000000 |
Muriel Spark, The First Year of My Life
| literature_full_mr01_389.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_389_dlap.xml | 5542edf5757a2e955a000000 |
June Spence, Missing Women
| literature_full_mr01_390.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_390_dlap.xml | 5542edf5757a2e955a000000 |
John Steinbeck, The Chrysanthemums
| literature_full_mr01_391.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_391_dlap.xml | 5542edf5757a2e955a000000 |
Susan Straight, Mines
| literature_full_mr01_392.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_392_dlap.xml | 5542edf5757a2e955a000000 |
James Thurber, Fables
| literature_full_mr01_393.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_393_dlap.xml | 5542edf5757a2e955a000000 |
James Thurber, The Greatest Man in the World
| literature_full_mr01_394.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_394_dlap.xml | 5542edf5757a2e955a000000 |
Terry L. Tilton, That Settles That
| literature_full_mr01_395.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_395_dlap.xml | 5542edf5757a2e955a000000 |
Tatyana Tolstaya, See the Other Side
| literature_full_mr01_396.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_396_dlap.xml | 5542edf5757a2e955a000000 |
Leo Tolstoy, The Death of Iván Ilých
| literature_full_mr01_397.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_397_dlap.xml | 5542edf5757a2e955a000000 |
David Updike, Summer
| literature_full_mr01_398.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_398_dlap.xml | 5542edf5757a2e955a000000 |
John Updike, A & P
| literature_full_mr01_399.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_399_dlap.xml | 5542edf5757a2e955a000000 |
John Updike, Outage
| literature_full_mr01_400.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_400_dlap.xml | 5542edf5757a2e955a000000 |
Karen van der Zee, from A Secret Sorrow
| literature_full_mr01_401.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_401_dlap.xml | 5542edf5757a2e955a000000 |
Helena MarÃa Viramontes, The Moths
| literature_full_mr01_402.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_402_dlap.xml | 5542edf5757a2e955a000000 |
Kurt Vonnegut Jr., Harrison Bergeron
| literature_full_mr01_403.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_403_dlap.xml | 5542edf5757a2e955a000000 |
Alice Walker, Everyday Use
| literature_full_mr01_404.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_404_dlap.xml | 5542edf5757a2e955a000000 |
Alice Walker, The Flowers
| literature_full_mr01_405.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_405_dlap.xml | 5542edf5757a2e955a000000 |
Alice Walker, Roselily
| literature_full_mr01_406.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_406_dlap.xml | 5542edf5757a2e955a000000 |
Daly Walker, I Am the Grass
| literature_full_mr01_407.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_407_dlap.xml | 5542edf5757a2e955a000000 |
David Foster Wallace, Good People
| literature_full_mr01_408.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_408_dlap.xml | 5542edf5757a2e955a000000 |
David Foster Wallace, Incarnations of Burned Children
| literature_full_mr01_409.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_409_dlap.xml | 5542edf5757a2e955a000000 |
Bruce Weigl, Spike
| literature_full_mr01_410.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_410_dlap.xml | 5542edf5757a2e955a000000 |
Fay Weldon, IND AFF, or Out of Love in Sarajevo
| literature_full_mr01_411.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_411_dlap.xml | 5542edf5757a2e955a000000 |
Eudora Welty, A Worn Path
| literature_full_mr01_412.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_412_dlap.xml | 5542edf5757a2e955a000000 |
John Edgar Wideman, Newborn Thrown in Trash and Dies
| literature_full_mr01_413.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_413_dlap.xml | 5542edf5757a2e955a000000 |
Punyakante Wijenaike, Anoma
| literature_full_mr01_414.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_414_dlap.xml | 5542edf5757a2e955a000000 |
William Carlos Williams, The Use of Force
| literature_full_mr01_415.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_415_dlap.xml | 5542edf5757a2e955a000000 |
Bill Willingham, The Christmas Pies
| literature_full_mr01_416.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_416_dlap.xml | 5542edf5757a2e955a000000 |
Tobias Wolff, Bullet in the Brain
| literature_full_mr01_417.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_417_dlap.xml | 5542edf5757a2e955a000000 |
Tobias Wolff, Say Yes
| literature_full_mr01_418.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_418_dlap.xml | 5542edf5757a2e955a000000 |
Tobias Wolff, That Room
| literature_full_mr01_419.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_419_dlap.xml | 5542edf5757a2e955a000000 |
Richard Wright, The Man Who Was Almost a Man
| literature_full_mr01_420.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_420_dlap.xml | 5542edf5757a2e955a000000 |
Geoff Wyss, Child Of God
| literature_full_mr01_421.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_421_dlap.xml | 5542edf5757a2e955a000000 |
Xu Xi, Famine
| literature_full_mr01_422.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_422_dlap.xml | 5542edf5757a2e955a000000 |
Drama | literature_full_mr01_423.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_423_dlap.xml | 5542edf5757a2e955a000000 |
Joan Ackermann, Quiet Torrential Sound
| literature_full_mr01_424.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_424_dlap.xml | 5542edf5757a2e955a000000 |
Woody Allen, Death Knocks
| literature_full_mr01_425.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_425_dlap.xml | 5542edf5757a2e955a000000 |
Woody Allen, Old Saybrook
| literature_full_mr01_426.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_426_dlap.xml | 5542edf5757a2e955a000000 |
Jane Anderson, The Reprimand
| literature_full_mr01_427.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_427_dlap.xml | 5542edf5757a2e955a000000 |
Jon Robin Baitz, Other Desert Cities
| literature_full_mr01_428.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_428_dlap.xml | 5542edf5757a2e955a000000 |
Samuel Beckett, Endgame
| literature_full_mr01_429.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_429_dlap.xml | 5542edf5757a2e955a000000 |
Samuel Beckett, Krappâs Last Tape
| literature_full_mr01_430.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_430_dlap.xml | 5542edf5757a2e955a000000 |
Andrew Biss, Whatâs The Meta?
| literature_full_mr01_431.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_431_dlap.xml | 5542edf5757a2e955a000000 |
Sharon E. Cooper, Mistaken Identity
| literature_full_mr01_432.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_432_dlap.xml | 5542edf5757a2e955a000000 |
Cusi Cram, West of Stupid
| literature_full_mr01_433.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_433_dlap.xml | 5542edf5757a2e955a000000 |
Larry David, from âThe Pitch,â a Seinfeld episode
| literature_full_mr01_434.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_434_dlap.xml | 5542edf5757a2e955a000000 |
Christopher Durang, Wandaâs Visit
| literature_full_mr01_435.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_435_dlap.xml | 5542edf5757a2e955a000000 |
Harvey Fierstein, On Tidy Endings
| literature_full_mr01_436.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_436_dlap.xml | 5542edf5757a2e955a000000 |
Athol Fugard, âMASTER HAROLDâ . . . and the boys
| literature_full_mr01_437.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_437_dlap.xml | 5542edf5757a2e955a000000 |
Susan Glaspell, Trifles
| literature_full_mr01_438.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_438_dlap.xml | 5542edf5757a2e955a000000 |
Lorraine Hansberry, A Raisin in the Sun
| literature_full_mr01_439.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_439_dlap.xml | 5542edf5757a2e955a000000 |
Václav Havel, Unveiling
| literature_full_mr01_440.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_440_dlap.xml | 5542edf5757a2e955a000000 |
Michael Hollinger, Naked Lunch
| literature_full_mr01_441.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_441_dlap.xml | 5542edf5757a2e955a000000 |
David Henry Hwang, As the Crow Flies
| literature_full_mr01_442.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_442_dlap.xml | 5542edf5757a2e955a000000 |
David Henry Hwang, Trying to Find Chinatown
| literature_full_mr01_443.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_443_dlap.xml | 5542edf5757a2e955a000000 |
Henrik Ibsen, A Doll House
| literature_full_mr01_444.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_444_dlap.xml | 5542edf5757a2e955a000000 |
David Ives, Moby-Dude, Or: The Three-Minute Whale
| literature_full_mr01_445.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_445_dlap.xml | 5542edf5757a2e955a000000 |
David Ives, Sure Thing
| literature_full_mr01_446.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_446_dlap.xml | 5542edf5757a2e955a000000 |
David Ives, The Blizzard
| literature_full_mr01_447.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_447_dlap.xml | 5542edf5757a2e955a000000 |
Elaine Jarvik, Dead Right
| literature_full_mr01_448.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_448_dlap.xml | 5542edf5757a2e955a000000 |
Mark Lambeck, Intervention
| literature_full_mr01_449.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_449_dlap.xml | 5542edf5757a2e955a000000 |
John Leguizamo, from Mambo Mouth
| literature_full_mr01_450.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_450_dlap.xml | 5542edf5757a2e955a000000 |
Kari Lizer, âDolls and Dolls,â a Will & Grace episode
| literature_full_mr01_451.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_451_dlap.xml | 5542edf5757a2e955a000000 |
Josefina Lopez, Real Women Have Curves
| literature_full_mr01_452.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_452_dlap.xml | 5542edf5757a2e955a000000 |
Suzan Lori-Parks, Father Comes Home from the Wars (Part 1)
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DLAP questions | literature_full_mr01_453_dlap.xml | 5542edf5757a2e955a000000 |
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Anne Bradstreet, To My Dear and Loving Husband | literature_full_mr01_498.html | 5542edf5757a2e955a000000 |
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Robert Burns, A Red, Red Rose | literature_full_mr01_503.html | 5542edf5757a2e955a000000 |
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T. S. Eliot, Preludes | literature_full_mr01_511.html | 5542edf5757a2e955a000000 |
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Mayor of London, Objections to the Elizabethan Theater 1597 | literature_full_mr01_635.html | 5542edf5757a2e955a000000 |
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Sandburg, Carl. Buttons | literature_full_mr01_650.html | 5542edf5757a2e955a000000 |
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Sigourney, Lydia Huntley. Indian Names | literature_full_mr01_660.html | 5542edf5757a2e955a000000 |
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Wordsworth, William. My Heart Leaps Up | literature_full_mr01_682.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_682_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. The Solitary Reaper | literature_full_mr01_683.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_683_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. The World Is Too Much With Us | literature_full_mr01_684.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_684_dlap.xml | 5542edf5757a2e955a000000 |
Zitkala-Sa. The School Days of an Indian Girl | literature_full_mr01_685.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_685_dlap.xml | 5542edf5757a2e955a000000 |
Additional Selections (Winter Videos 2015) | literature_full_mr01_686.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_686_dlap.xml | 5542edf5757a2e955a000000 |
Thinking (Aloud) About Literature | literature_full_mr01_687.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_687_dlap.xml | 5542edf5757a2e955a000000 |
Think Aloud: Student Chelsea Dickson | literature_full_mr01_688.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_688_dlap.xml | 5542edf5757a2e955a000000 |
Think Aloud: Student Laura Paik | literature_full_mr01_689.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_689_dlap.xml | 5542edf5757a2e955a000000 |
Think Aloud: Student Stephen Epples | literature_full_mr01_690.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_690_dlap.xml | 5542edf5757a2e955a000000 |