Name | File | Manuscript |
Advertising & Effects on Children | video_english_ch1_1.html | 526ac509757a2e613f000003 |
DLAP questions | video_english_ch1_1_dlap.xml | 526ac509757a2e613f000003 |
Agenda Setting & Gatekeeping | video_english_ch2_1.html | 526aca36757a2e643f000005 |
DLAP questions | video_english_ch2_1_dlap.xml | 526aca36757a2e643f000005 |
Alternative Strategies for Music Marketing | video_english_ch3_1.html | 526acb0a757a2ed349000000 |
DLAP questions | video_english_ch3_1_dlap.xml | 526acb0a757a2ed349000000 |
Analyzing Text | video_english_ch4_1.html | 526acbac757a2e3f3e000001 |
DLAP questions | video_english_ch4_1_dlap.xml | 526acbac757a2e3f3e000001 |
Anne Rice, On Becoming a Writer | video_english_ch5_1.html | 526acc2e757a2ed64a000000 |
DLAP questions | video_english_ch5_1_dlap.xml | 526acc2e757a2ed64a000000 |
Anne Rice, On Dialogue in Fiction | video_english_ch6_1.html | 526acca1757a2ed649000001 |
DLAP questions | video_english_ch6_1_dlap.xml | 526acca1757a2ed649000001 |
Anne Rice, On Research and the Novel | video_english_ch7_1.html | 526accee757a2e2148000003 |
DLAP questions | video_english_ch7_1_dlap.xml | 526accee757a2e2148000003 |
Anne Rice, On the Novel | video_english_ch8_1.html | 526acd3e757a2ef049000003 |
DLAP questions | video_english_ch8_1_dlap.xml | 526acd3e757a2ef049000003 |
Anne Rice, On Transition in Fiction | video_english_ch9_1.html | 526acd86757a2ed54a000000 |
DLAP questions | video_english_ch9_1_dlap.xml | 526acd86757a2ed54a000000 |
Argument and Persuasion: Academic Writers | video_english_ch10_1.html | 526acdd2757a2ed64a000001 |
DLAP questions | video_english_ch10_1_dlap.xml | 526acdd2757a2ed64a000001 |
Argument and Persuasion: Opposing Viewpoints | video_english_ch11_1.html | 526acf52757a2ed54a000001 |
DLAP questions | video_english_ch11_1_dlap.xml | 526acf52757a2ed54a000001 |
Argument and Persuasion: Real-World Writers | video_english_ch12_1.html | 526acfe0757a2ed649000002 |
DLAP questions | video_english_ch12_1_dlap.xml | 526acfe0757a2ed649000002 |
Argument & the Ad Hominem Fallacy | video_english_ch13_1.html | 526ad01c757a2e1b4b000000 |
DLAP questions | video_english_ch13_1_dlap.xml | 526ad01c757a2e1b4b000000 |
Based On: Making Books into Movies | video_english_ch14_1.html | 526ad0f0757a2e6a3e000000 |
DLAP questions | video_english_ch14_1_dlap.xml | 526ad0f0757a2e6a3e000000 |
Bloggers & Legal Rights | video_english_ch15_1.html | 526ad13d757a2e094b000000 |
DLAP questions | video_english_ch15_1_dlap.xml | 526ad13d757a2e094b000000 |
Books in the New Millennium | video_english_ch16_1.html | 526ad1a8757a2e284b000000 |
DLAP questions | video_english_ch16_1_dlap.xml | 526ad1a8757a2e284b000000 |
Carl Hiaasen, On Analyzing His Novels | video_english_ch17_1.html | 526ad203757a2e6c3e000007 |
DLAP questions | video_english_ch17_1_dlap.xml | 526ad203757a2e6c3e000007 |
Carl Hiaasen, On Character and Writing from Observation | video_english_ch18_1.html | 526ad246757a2ed74a000000 |
DLAP questions | video_english_ch18_1_dlap.xml | 526ad246757a2ed74a000000 |
Carl Hiaasen, On Creating Fictional Characters | video_english_ch19_1.html | 526ad28d757a2e094b000001 |
DLAP questions | video_english_ch19_1_dlap.xml | 526ad28d757a2e094b000001 |
Carl Hiaasen, On Crime, Novels, and Satire | video_english_ch20_1.html | 526ad2eb757a2e613f000004 |
DLAP questions | video_english_ch20_1_dlap.xml | 526ad2eb757a2e613f000004 |
Carl Hiaasen, On Drafting and Revising His Novels | video_english_ch21_1.html | 526ad33f757a2ed649000003 |
DLAP questions | video_english_ch21_1_dlap.xml | 526ad33f757a2ed649000003 |
Carl Hiaasen, On Pacing the Action in Crime Novels | video_english_ch22_1.html | 526ad38f757a2e764b000000 |
DLAP questions | video_english_ch22_1_dlap.xml | 526ad38f757a2e764b000000 |
Changes in Prime-Time | video_english_ch23_1.html | 526ad3e7757a2ed74a000001 |
DLAP questions | video_english_ch23_1_dlap.xml | 526ad3e7757a2ed74a000001 |
Chitra Banerjee Divakaruni, On Character and Dialogue in Fiction | video_english_ch24_1.html | 526ad449757a2ed74a000002 |
DLAP questions | video_english_ch24_1_dlap.xml | 526ad449757a2ed74a000002 |
Chitra Banerjee Divakaruni, On Simile in Fiction | video_english_ch25_1.html | 526ad48a757a2ed649000004 |
DLAP questions | video_english_ch25_1_dlap.xml | 526ad48a757a2ed649000004 |
Chitra Banerjee Divakaruni, On the American Dream as a Theme in Fiction | video_english_ch26_1.html | 526ad4d7757a2ed949000001 |
DLAP questions | video_english_ch26_1_dlap.xml | 526ad4d7757a2ed949000001 |
Chitra Banerjee Divakaruni, On Voice in Academic and Creative Writing | video_english_ch27_1.html | 526ad525757a2e964b000000 |
DLAP questions | video_english_ch27_1_dlap.xml | 526ad525757a2e964b000000 |
Chitra Banerjee Divakaruni, On Voice in Fiction | video_english_ch28_1.html | 526ad569757a2e904b000000 |
DLAP questions | video_english_ch28_1_dlap.xml | 526ad569757a2e904b000000 |
Collaboration: Real-World Writers | video_english_ch29_1.html | 526ad5ba757a2e8f4b000000 |
DLAP questions | video_english_ch29_1_dlap.xml | 526ad5ba757a2e8f4b000000 |
Collaboration: Student Writers | video_english_ch30_1.html | 526ad611757a2e9a4b000000 |
DLAP questions | video_english_ch30_1_dlap.xml | 526ad611757a2e9a4b000000 |
Compare and Contrast | video_english_ch31_1.html | 526ad9ad757a2e904b000001 |
DLAP questions | video_english_ch31_1_dlap.xml | 526ad9ad757a2e904b000001 |
Comparison and Contrast: Real-World Writers | video_english_ch32_1.html | 526ada25757a2e6a3e000001 |
DLAP questions | video_english_ch32_1_dlap.xml | 526ada25757a2e6a3e000001 |
Definition: Real-World Writers | video_english_ch33_1.html | 526ada9c757a2e6b4b000000 |
DLAP questions | video_english_ch33_1_dlap.xml | 526ada9c757a2e6b4b000000 |
Definition: Student Writers | video_english_ch34_1.html | 526adae1757a2eaa4b000000 |
DLAP questions | video_english_ch34_1_dlap.xml | 526adae1757a2eaa4b000000 |
Description: Academic Writers | video_english_ch35_1.html | 526adb2a757a2e9b4b000000 |
DLAP questions | video_english_ch35_1_dlap.xml | 526adb2a757a2e9b4b000000 |
Discourse Communities: Academic Writers | video_english_ch36_1.html | 526adb6f757a2e6b4b000001 |
DLAP questions | video_english_ch36_1_dlap.xml | 526adb6f757a2e6b4b000001 |
Double Play: The New Era of Sports Reporting | video_english_ch37_1.html | 526adbb6757a2eab4b000000 |
DLAP questions | video_english_ch37_1_dlap.xml | 526adbb6757a2eab4b000000 |
Ethos, Logos and Pathos: Academic Writers | video_english_ch38_1.html | 526adbfd757a2eb54b000000 |
DLAP questions | video_english_ch38_1_dlap.xml | 526adbfd757a2eb54b000000 |
Everything's An Argument | video_english_ch39_1.html | 526adc49757a2e6a3e000002 |
DLAP questions | video_english_ch39_1_dlap.xml | 526adc49757a2e6a3e000002 |
Fake News/Real News: A Fine Line | video_english_ch40_1.html | 526adc99757a2eea4b000000 |
DLAP questions | video_english_ch40_1_dlap.xml | 526adc99757a2eea4b000000 |
Filling the News Hole: Video News Releases | video_english_ch41_1.html | 526eb09b757a2ec656000002 |
DLAP questions | video_english_ch41_1_dlap.xml | 526eb09b757a2ec656000002 |
Frank McCourt, On Getting Started as a Writer | video_english_ch42_1.html | 526eb1ac757a2eff57000000 |
DLAP questions | video_english_ch42_1_dlap.xml | 526eb1ac757a2eff57000000 |
Frank McCourt, On Voice and Storytelling | video_english_ch43_1.html | 526eb269757a2e0458000000 |
DLAP questions | video_english_ch43_1_dlap.xml | 526eb269757a2e0458000000 |
44.1 Section Title
| frank mccourt's voice in angela's ashes_1.html | 5272d23f757a2e8410000000 |
DLAP questions | frank mccourt's voice in angela's ashes_1_dlap.xml | 5272d23f757a2e8410000000 |
Frank McCourt's Voice in Angela's Ashes | video_english_ch44_1.html | 5272d2d1757a2eda0f000001 |
DLAP questions | video_english_ch44_1_dlap.xml | 5272d2d1757a2eda0f000001 |
Getting Feedback: Real-World Writers | video_english_ch45_1.html | 5272d3de757a2e9010000000 |
DLAP questions | video_english_ch45_1_dlap.xml | 5272d3de757a2e9010000000 |
Getting Feedback: Student Writers | video_english_ch46_1.html | 5272d436757a2e8010000000 |
DLAP questions | video_english_ch46_1_dlap.xml | 5272d436757a2e8010000000 |
Getting Started: Freewriting | video_english_ch47_1.html | 5272d4d3757a2ecc0f000000 |
DLAP questions | video_english_ch47_1_dlap.xml | 5272d4d3757a2ecc0f000000 |
Getting Started: Real-World Writers | video_english_ch48_1.html | 5272d527757a2e8010000001 |
DLAP questions | video_english_ch48_1_dlap.xml | 5272d527757a2e8010000001 |
Getting Started: Student Writers | video_english_ch49_1.html | 5272d576757a2ee511000000 |
DLAP questions | video_english_ch49_1_dlap.xml | 5272d576757a2ee511000000 |
Give and Take: Public Relations and Journalism | video_english_ch50_1.html | 5272da53757a2e1612000000 |
DLAP questions | video_english_ch50_1_dlap.xml | 5272da53757a2e1612000000 |
Giving Feedback: Student Writers | video_english_ch51_1.html | 5272daa9757a2ee511000001 |
DLAP questions | video_english_ch51_1_dlap.xml | 5272daa9757a2ee511000001 |
Ha Jin, On Character in Fiction | video_english_ch52_1.html | 5272db04757a2e0212000000 |
DLAP questions | video_english_ch52_1_dlap.xml | 5272db04757a2e0212000000 |
Ha Jin, On Comedy and Meaning in Fiction | video_english_ch53_1.html | 5272db44757a2ecc0f000001 |
DLAP questions | video_english_ch53_1_dlap.xml | 5272db44757a2ecc0f000001 |
Ha Jin, On Description and Detail in Fiction | video_english_ch54_1.html | 5272db7c757a2e3812000000 |
DLAP questions | video_english_ch54_1_dlap.xml | 5272db7c757a2e3812000000 |
Ha Jin, On Persistence and Writing Fiction | video_english_ch55_1.html | 5272dbb5757a2e3f12000000 |
DLAP questions | video_english_ch55_1_dlap.xml | 5272dbb5757a2e3f12000000 |
Ha Jin, On Tension and Conflict in Fiction | video_english_ch56_1.html | 5272dc0a757a2e1512000000 |
DLAP questions | video_english_ch56_1_dlap.xml | 5272dc0a757a2e1512000000 |
Highlighting and Annotating | video_english_ch57_1.html | 5272dc58757a2eca0f000000 |
DLAP questions | video_english_ch57_1_dlap.xml | 5272dc58757a2eca0f000000 |
Confidence (personal anecdote) | video_english_ch58_1.html | 5272dc92757a2e3e12000000 |
DLAP questions | video_english_ch58_1_dlap.xml | 5272dc92757a2e3e12000000 |
I Don't Like Reading | video_english_ch59_1.html | 5272dd80757a2e2612000000 |
DLAP questions | video_english_ch59_1_dlap.xml | 5272dd80757a2e2612000000 |
I Don't Really Want to Join a Group | video_english_ch60_1.html | 5272de82757a2e3112000000 |
DLAP questions | video_english_ch60_1_dlap.xml | 5272de82757a2e3112000000 |
I Think I May Drop Out | video_english_ch61_1.html | 5272deee757a2e5c12000000 |
DLAP questions | video_english_ch61_1_dlap.xml | 5272deee757a2e5c12000000 |
Jane Smiley, On Character and Point of View in Fiction | video_english_ch62_1.html | 5272df27757a2e6d12000000 |
DLAP questions | video_english_ch62_1_dlap.xml | 5272df27757a2e6d12000000 |
Jane Smiley, On Her Novel Horse Heaven | video_english_ch63_1.html | 5272df70757a2e5b12000000 |
DLAP questions | video_english_ch63_1_dlap.xml | 5272df70757a2e5b12000000 |
Jane Smiley, On the Challenges of Writing Fiction | video_english_ch64_1.html | 5272dfe2757a2e3412000000 |
DLAP questions | video_english_ch64_1_dlap.xml | 5272dfe2757a2e3412000000 |
Jane Smiley, On the Structure of the Novel | video_english_ch65_1.html | 5272e01b757a2e2512000000 |
DLAP questions | video_english_ch65_1_dlap.xml | 5272e01b757a2e2512000000 |
Jane Smiley, On Two Types of Novelists | video_english_ch66_1.html | 5272e05f757a2e3112000001 |
DLAP questions | video_english_ch66_1_dlap.xml | 5272e05f757a2e3112000001 |
Journalism Ethics: What News Is Fit to Print? | video_english_ch67_1.html | 5272e096757a2e3812000001 |
DLAP questions | video_english_ch67_1_dlap.xml | 5272e096757a2e3812000001 |
Magazine Specialization Today | video_english_ch68_1.html | 5272e0db757a2e4c12000000 |
DLAP questions | video_english_ch68_1_dlap.xml | 5272e0db757a2e4c12000000 |
Media Effects Research | video_english_ch69_1.html | 5272e2d5757a2e4c12000001 |
DLAP questions | video_english_ch69_1_dlap.xml | 5272e2d5757a2e4c12000001 |
Mike Rose, On Blogging | video_english_ch70_1.html | 5272e31c757a2e6b12000000 |
DLAP questions | video_english_ch70_1_dlap.xml | 5272e31c757a2e6b12000000 |
Mike Rose, On Creativity, Mixing Genres, and Lives on the Boundary | video_english_ch71_1.html | 5272e379757a2ea212000000 |
DLAP questions | video_english_ch71_1_dlap.xml | 5272e379757a2ea212000000 |
Mike Rose, On Writing Non-Fiction | video_english_ch72_1.html | 5272e3b9757a2e9f12000000 |
DLAP questions | video_english_ch72_1_dlap.xml | 5272e3b9757a2e9f12000000 |
Mike Rose, On Writing Poetry and Poetic Prose | video_english_ch73_1.html | 5272e42b757a2e3612000000 |
DLAP questions | video_english_ch73_1_dlap.xml | 5272e42b757a2e3612000000 |
More than a Movie: Social Issues and Film | video_english_ch74_1.html | 5272e46f757a2ea512000000 |
DLAP questions | video_english_ch74_1_dlap.xml | 5272e46f757a2ea512000000 |
Murky Waters: Debating the Role of Citizen Journalism | video_english_ch75_1.html | 5272e4aa757a2eb312000000 |
DLAP questions | video_english_ch75_1_dlap.xml | 5272e4aa757a2eb312000000 |
Narration & Description: Real-World Writers | video_english_ch76_1.html | 5272e4e7757a2e3112000002 |
DLAP questions | video_english_ch76_1_dlap.xml | 5272e4e7757a2e3112000002 |
Narration: Real-World Writers | video_english_ch77_1.html | 5272e51f757a2eb512000000 |
DLAP questions | video_english_ch77_1_dlap.xml | 5272e51f757a2eb512000000 |
Narration & Description: Student Writers | video_english_ch78_1.html | 5272e566757a2eb312000001 |
DLAP questions | video_english_ch78_1_dlap.xml | 5272e566757a2eb312000001 |
Narrative Structure | video_english_ch79_1.html | 5272e59c757a2ecc12000000 |
DLAP questions | video_english_ch79_1_dlap.xml | 5272e59c757a2ecc12000000 |
Narrowcasting in Magazines | video_english_ch80_1.html | 5272e5d1757a2e6b12000001 |
DLAP questions | video_english_ch80_1_dlap.xml | 5272e5d1757a2e6b12000001 |
Net Neutrality | video_english_ch81_1.html | 5272e6e0757a2ed612000000 |
DLAP questions | video_english_ch81_1_dlap.xml | 5272e6e0757a2ed612000000 |
Newspapers and the Internet: Convergence | video_english_ch82_1.html | 5272e71e757a2eb412000000 |
DLAP questions | video_english_ch82_1_dlap.xml | 5272e71e757a2eb412000000 |
Organizing Your Writing: Clustering | video_english_ch83_1.html | 5272e758757a2ecd12000000 |
DLAP questions | video_english_ch83_1_dlap.xml | 5272e758757a2ecd12000000 |
Organizing Your Writing: Outlines | video_english_ch84_1.html | 5272e795757a2e9f12000001 |
DLAP questions | video_english_ch84_1_dlap.xml | 5272e795757a2e9f12000001 |
Plagiarism in the Remix Culture | video_english_ch85_1.html | 5272e7d8757a2e6b12000002 |
DLAP questions | video_english_ch85_1_dlap.xml | 5272e7d8757a2e6b12000002 |
Point of View: Real-World Writing | video_english_ch86_1.html | 5272e814757a2e9912000000 |
DLAP questions | video_english_ch86_1_dlap.xml | 5272e814757a2e9912000000 |
Proofreading an Essay Exam: Student Writers | video_english_ch87_1.html | 5272e84f757a2e6d12000001 |
DLAP questions | video_english_ch87_1_dlap.xml | 5272e84f757a2e6d12000001 |
Radio: Yesterday, Today, and Tomorrow | video_english_ch88_1.html | 5272e89f757a2ee612000000 |
DLAP questions | video_english_ch88_1_dlap.xml | 5272e89f757a2ee612000000 |
Reading Critically: Real-World Writers | video_english_ch89_1.html | 5272e8d5757a2eae12000000 |
DLAP questions | video_english_ch89_1_dlap.xml | 5272e8d5757a2eae12000000 |
Reading Critically: Student Writers | video_english_ch90_1.html | 5272e9b4757a2eb312000002 |
DLAP questions | video_english_ch90_1_dlap.xml | 5272e9b4757a2eb312000002 |
Recording Music Today | video_english_ch91_1.html | 5272ea6c757a2ed412000000 |
DLAP questions | video_english_ch91_1_dlap.xml | 5272ea6c757a2ed412000000 |
Researched Writing: Choosing a Topic | video_english_ch92_1.html | 5272eaaa757a2e9912000001 |
DLAP questions | video_english_ch92_1_dlap.xml | 5272eaaa757a2e9912000001 |
Researched Writing: Citing Sources | video_english_ch93_1.html | 5272eae8757a2eb312000003 |
DLAP questions | video_english_ch93_1_dlap.xml | 5272eae8757a2eb312000003 |
Researched Writing: Fact vs. Opinion | video_english_ch94_1.html | 5272eb3e757a2ea312000000 |
DLAP questions | video_english_ch94_1_dlap.xml | 5272eb3e757a2ea312000000 |
Researched Writing: Finding Sources | video_english_ch95_1.html | 5272ebf3757a2ee312000000 |
DLAP questions | video_english_ch95_1_dlap.xml | 5272ebf3757a2ee312000000 |
Researched Writing: Integrating Sources | video_english_ch96_1.html | 5272ec27757a2ed412000001 |
DLAP questions | video_english_ch96_1_dlap.xml | 5272ec27757a2ed412000001 |
Researched Writing: Summarizing and Paraphrasing | video_english_ch97_1.html | 5272ec5f757a2ecd12000001 |
DLAP questions | video_english_ch97_1_dlap.xml | 5272ec5f757a2ecd12000001 |
Revising Is Dumb | video_english_ch98_1.html | 5272ec93757a2ea312000001 |
DLAP questions | video_english_ch98_1_dlap.xml | 5272ec93757a2ea312000001 |
Revising: Real-World Writers | video_english_ch99_1.html | 5272ece1757a2e0e13000000 |
DLAP questions | video_english_ch99_1_dlap.xml | 5272ece1757a2e0e13000000 |
Revising: Student Writers | video_english_ch100_1.html | 5272ed4c757a2ee512000000 |
DLAP questions | video_english_ch100_1_dlap.xml | 5272ed4c757a2ee512000000 |
Robert Olen Butler, On Becoming a Fiction Writer | video_english_ch101_1.html | 5273f1f2757a2e8721000001 |
DLAP questions | video_english_ch101_1_dlap.xml | 5273f1f2757a2e8721000001 |
Robert Olen Butler, On Reading Literature as a Writer | video_english_ch102_1.html | 5273f2b5757a2e9921000002 |
DLAP questions | video_english_ch102_1_dlap.xml | 5273f2b5757a2e9921000002 |
Robert Olen Butler, On Responding to Literature | video_english_ch103_1.html | 5273f363757a2e0c22000000 |
DLAP questions | video_english_ch103_1_dlap.xml | 5273f363757a2e0c22000000 |
Robert Olen Butler, On Voice and Narrators in Fiction | video_english_ch104_1.html | 5273f3a4757a2e1922000000 |
DLAP questions | video_english_ch104_1_dlap.xml | 5273f3a4757a2e1922000000 |
Robert Olen Butler, On Writing Fiction and Creating Characters | video_english_ch105_1.html | 5273f3eb757a2e1a22000000 |
DLAP questions | video_english_ch105_1_dlap.xml | 5273f3eb757a2e1a22000000 |
Studying for an Essay Exam: Student Writers | video_english_ch106_1.html | 5273f42b757a2e5121000000 |
DLAP questions | video_english_ch106_1_dlap.xml | 5273f42b757a2e5121000000 |
Sue Grafton, On Conducting Research for Her Novels | video_english_ch107_1.html | 5273f461757a2e2022000000 |
DLAP questions | video_english_ch107_1_dlap.xml | 5273f461757a2e2022000000 |
T.Coraghessan Boyle, On Beginning to Write Fiction | video_english_ch108_1.html | 5273f49b757a2e2522000000 |
DLAP questions | video_english_ch108_1_dlap.xml | 5273f49b757a2e2522000000 |
T. Coraghessan Boyle, On Comedy in Fiction | video_english_ch109_1.html | 5273f4f3757a2e0b22000000 |
DLAP questions | video_english_ch109_1_dlap.xml | 5273f4f3757a2e0b22000000 |
T. Coraghessan Boyle, On Creativity and Writing | video_english_ch110_1.html | 5273f533757a2eff21000000 |
DLAP questions | video_english_ch110_1_dlap.xml | 5273f533757a2eff21000000 |
T.Coraghessan Boyle, On Research and Historical Fiction | video_english_ch111_1.html | 5273f63a757a2e0e22000000 |
DLAP questions | video_english_ch111_1_dlap.xml | 5273f63a757a2e0e22000000 |
T.Coraghessan Boyle, On Style in Fiction | video_english_ch112_1.html | 5273f676757a2eff21000001 |
DLAP questions | video_english_ch112_1_dlap.xml | 5273f676757a2eff21000001 |
T. Coraghessan Boyle, On What Literature Does | video_english_ch113_1.html | 5273f6a8757a2e3a22000000 |
DLAP questions | video_english_ch113_1_dlap.xml | 5273f6a8757a2e3a22000000 |
Tablets, Technology, and the Classroom | video_english_ch114_1.html | 5273f6e6757a2e7f20000001 |
DLAP questions | video_english_ch114_1_dlap.xml | 5273f6e6757a2e7f20000001 |
Television Networks Evolve: Cable, Satellite, Broadband | video_english_ch115_1.html | 5273f719757a2e3522000000 |
DLAP questions | video_english_ch115_1_dlap.xml | 5273f719757a2e3522000000 |
The Contemporary Journalist: Pundit or Reporter? | video_english_ch116_1.html | 5273f753757a2e0f22000000 |
DLAP questions | video_english_ch116_1_dlap.xml | 5273f753757a2e0f22000000 |
The Money Behind The Media | video_english_ch117_1.html | 5273f78b757a2e0f22000001 |
DLAP questions | video_english_ch117_1_dlap.xml | 5273f78b757a2e0f22000001 |
The Power of Images: Amy Goodman on Emmett Till | video_english_ch118_1.html | 5273f7be757a2eff21000002 |
DLAP questions | video_english_ch118_1_dlap.xml | 5273f7be757a2eff21000002 |
The Thesis Statement: Real-World Writers | video_english_ch119_1.html | 5273f7f7757a2e0e22000001 |
DLAP questions | video_english_ch119_1_dlap.xml | 5273f7f7757a2e0e22000001 |
Thinking Critically | video_english_ch120_1.html | 5273f82d757a2e6422000000 |
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Turning the Page: Books Go Digital | video_english_ch121_1.html | 5273f862757a2e6422000001 |
DLAP questions | video_english_ch121_1_dlap.xml | 5273f862757a2e6422000001 |
User Generated Content | video_english_ch122_1.html | 5273f897757a2eb61f00000e |
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Voice: Academic Writers | video_english_ch123_1.html | 5273f8e4757a2e3522000001 |
DLAP questions | video_english_ch123_1_dlap.xml | 5273f8e4757a2e3522000001 |
Voice: Real-World Writers | video_english_ch124_1.html | 5273f91e757a2e4a22000000 |
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Voice: Student Writers | video_english_ch125_1.html | 5273f956757a2e6f22000000 |
DLAP questions | video_english_ch125_1_dlap.xml | 5273f956757a2e6f22000000 |
Wally Lamb, On Becoming a Writer | video_english_ch126_1.html | 5273f98b757a2e5c22000000 |
DLAP questions | video_english_ch126_1_dlap.xml | 5273f98b757a2e5c22000000 |
Wally Lamb, On Character and Theme | video_english_ch127_1.html | 5273f9cd757a2e7522000000 |
DLAP questions | video_english_ch127_1_dlap.xml | 5273f9cd757a2e7522000000 |
Wally Lamb, On Creating Plot and Character in Fiction | video_english_ch128_1.html | 5273fa24757a2e5222000000 |
DLAP questions | video_english_ch128_1_dlap.xml | 5273fa24757a2e5222000000 |
Wally Lamb, On Revising Fiction | video_english_ch41129_1.html | 5273fa59757a2e5222000001 |
DLAP questions | video_english_ch41129_1_dlap.xml | 5273fa59757a2e5222000001 |
Wally Lamb, On Storytelling | video_english_ch130_1.html | 5273fa90757a2e8722000000 |
DLAP questions | video_english_ch130_1_dlap.xml | 5273fa90757a2e8722000000 |
Why Proofreading Matters | video_english_ch131_1.html | 5273fac9757a2e9022000000 |
DLAP questions | video_english_ch131_1_dlap.xml | 5273fac9757a2e9022000000 |
Why Research Matters | video_english_ch132_1.html | 5273fb48757a2e7022000000 |
DLAP questions | video_english_ch132_1_dlap.xml | 5273fb48757a2e7022000000 |
Why Research Matters: Real-World Writers | video_english_ch133_1.html | 5273fb87757a2e8722000001 |
DLAP questions | video_english_ch133_1_dlap.xml | 5273fb87757a2e8722000001 |
Why Writing Matters: Real-World Writers | video_english_ch134_1.html | 5273fbc1757a2ea922000000 |
DLAP questions | video_english_ch134_1_dlap.xml | 5273fbc1757a2ea922000000 |
William Gibson, On Becoming a Science Fiction Writer | video_english_ch135_1.html | 5273fbf6757a2e7022000001 |
DLAP questions | video_english_ch135_1_dlap.xml | 5273fbf6757a2e7022000001 |
William Gibson, On Collaboration and Science Fiction | video_english_ch136_1.html | 5273fc38757a2e5c22000001 |
DLAP questions | video_english_ch136_1_dlap.xml | 5273fc38757a2e5c22000001 |
William Gibson, On Creating Characters and Plot | video_english_ch137_1.html | 5273fca5757a2ec322000000 |
DLAP questions | video_english_ch137_1_dlap.xml | 5273fca5757a2ec322000000 |
William Gibson, On Creating Tension in Science Fiction | video_english_ch138_1.html | 5273fce6757a2ebd22000000 |
DLAP questions | video_english_ch138_1_dlap.xml | 5273fce6757a2ebd22000000 |
William Gibson, On How He Writes a Novel | video_english_ch139_1.html | 5273fd25757a2e4a22000001 |
DLAP questions | video_english_ch139_1_dlap.xml | 5273fd25757a2e4a22000001 |
William Gibson, On Inventing the Word "Cyberspace" | video_english_ch140_1.html | 5273fd67757a2ec422000000 |
DLAP questions | video_english_ch140_1_dlap.xml | 5273fd67757a2ec422000000 |
William Gibson, On Inventing Words and His Early Science Fiction | video_english_ch141_1.html | 5273ff45757a2ea722000000 |
DLAP questions | video_english_ch141_1_dlap.xml | 5273ff45757a2ea722000000 |
William Gibson, On Research and Science Fiction | video_english_ch142_1.html | 5273ff8a757a2ee322000000 |
DLAP questions | video_english_ch142_1_dlap.xml | 5273ff8a757a2ee322000000 |
William Gibson, On Writing Narrative and Science Fiction | video_english_ch143_1.html | 5273ffda757a2eda22000000 |
DLAP questions | video_english_ch143_1_dlap.xml | 5273ffda757a2eda22000000 |
Word Choice: Real-World Writers | video_english_ch144_1.html | 52740013757a2e9022000003 |
DLAP questions | video_english_ch144_1_dlap.xml | 52740013757a2e9022000003 |
Writer's Block | video_english_ch145_1.html | 52740049757a2e4a22000002 |
DLAP questions | video_english_ch145_1_dlap.xml | 52740049757a2e4a22000002 |
Write Yourself or Be Written | video_english_ch146_1.html | 52740081757a2eda22000001 |
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Writing Beyond the English Classroom | video_english_ch147_1.html | 527400bd757a2e0823000000 |
DLAP questions | video_english_ch147_1_dlap.xml | 527400bd757a2e0823000000 |
Writing Doesn't Matter | video_english_ch148_1.html | 52740116757a2e0923000000 |
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Writing for a Deadline: Real-World Writers | video_english_ch41149_1.html | 52740151757a2e7922000001 |
DLAP questions | video_english_ch41149_1_dlap.xml | 52740151757a2e7922000001 |
Writing for an Essay Exam: Student Writers | video_english_ch151_1.html | 52740188757a2ef222000003 |
DLAP questions | video_english_ch151_1_dlap.xml | 52740188757a2ef222000003 |
Writing in the Disciplines | video_english_ch150_1.html | 5274023b757a2e0f23000000 |
DLAP questions | video_english_ch150_1_dlap.xml | 5274023b757a2e0f23000000 |
Writing to Explain: Academic Writers | video_english_ch152_1.html | 52740280757a2ec322000001 |
DLAP questions | video_english_ch152_1_dlap.xml | 52740280757a2ec322000001 |
Writing to Explain: Real-World Writers | video_english_ch153_1.html | 527402c8757a2ece22000000 |
DLAP questions | video_english_ch153_1_dlap.xml | 527402c8757a2ece22000000 |
Wally Lamb, On Revising Fiction | video_english_ch129_1.html | 5274081a757a2e0e23000000 |
DLAP questions | video_english_ch129_1_dlap.xml | 5274081a757a2e0e23000000 |
Writing for a Deadline: Real-World Writers | video_english_ch149_1.html | 527408a3757a2ef022000000 |
DLAP questions | video_english_ch149_1_dlap.xml | 527408a3757a2ef022000000 |