Reading Quiz for Chapter 13

Read Chapter 13 in your book and check your comprehension by answering the following questions. Then “submit” your work.

  1. Question

    IDXw2mxqLH4A7CrCy5qwa7xMRhbK6WKloKIxznOTFnTfN2pnfaYX+DMHZ1EnfYpSNbCO28phtOiQhA+snjqzvCMFlrC64zZQlDovNkDXsOFLolFt25Jyi+pU4pZ/9Wqq7Nsx/t2tsTRIKpWacpqbwKesDwQkS925Ju2gsuGYjk87+9h8pbiWpjy/FiidPZaNoLDCUrtn7JgmUnKiUwz6h/6Nmp2H5YOWcpWKgA0JB9z9IaqVbj+wjS0/bod6SMyLrLaN5b5lC0NA0ybcMdqL5WM/h8GKjGL0qAid0pdA5B4YlgV5T2QQaXdN1Qw+F3TrFDx7CD6ACT3vpcENHL3HYy+6jgOBusSpF4yCA6Tx/F0w4+4sIybFSUw5pvPUwHpPVPFrAHixqSFHuMA1fPqk9Zzrz3E+hejD7+L83gTaolfywjZnSq3+lQ==
    What technical development in music was spurred by the prominence of the symphony in the Classical era?
    Correct.
    Incorrect. See the opening of Chapter 13.

  2. Question

    V8WJYq/xzWfvBotdhwtjsLvuCcPepBD/LtU7garL2H3D2BwZ6rGZtyRBqh7WiWPfMhbzmr15QSHOzjAC3H6G6XGWGcfhmqYBuyenCEJUSt6/vMeAQLTSAVIvXdY5mfoKd6zvh1r0MAeeKYYSDmw6Z89cn2cyszG7pcI5bIXULBJ5RBiTXOJov3gR4tNnCs+rb4eaToSPwoMN5VoKO99RaGLHoPB2hjPVL1N64zvoDmbo0zEGyP0e+9wVFSWgHMFLOYjE4HHSiOZPOYeq/dZ5n3ZkzQIkg/26Y6Ry5zYKHWsuUwn66+grhK+4y8vJZr3aS8fq5Q==
    The first movement of a typical Classical symphony is usually written in
    Correct.
    Incorrect. See The Movements of the Symphony in Chapter 13.

  3. Question

    rUGKfdgoaPBfQnJhFZQj6y70ZiZV26z7QZlB+nHIdx2lSC2Qa24ysYKu0wol3St95zkXPG0rL7/yfYg+Fu10WDtheDE4ENZ4Brz/syPu5bHxMSLMNjT7FRviatL+3zqqc78O7JZ9oo75jrvxUQrBrQ2Kul9rX8BQYxDSGCdRLECkJQjdUO4wM6wVQrwZcpMesiY0Yycof5yEZ1G6Y0F0ix4cyNki+l7es33gifyoqsnOZ8S3Qot6p6Y8jX2vSmvFtMHOtmI89B+q9DftbubF49HlLGhiC4prOWZ36iTKcHq28NCokoTZTwfWcsuMeMcyJ0IxXcZq7O+aJyGzK2guW7xQHa6k6+Fb9zx/MbHMzEzQoWql
    The second movement of a typical Classical symphony usually gives the listener a period of contrast due to its
    Correct.
    Incorrect. See The Movements of the Symphony in Chapter 13.

  4. Question

    Hb4UhR49FekDB66hSlgqlc3NtaXXnuCVM74Jx2R30pIR+I1mNzC+t2UseFl2wU281l0/MPVGmYT6IP3DTbG/bRuj1fPhzv55XAYysNy2XozkEOqLI+SUbw/rM5YNDH57Irt21WNQ+ggHq7lwtJOPPA5l00/1qH39bAA5AN7byVAJSqsruKYybDwSPz7X4KSPgNHcvdq4brwpnJkMkT0pCHQFl2gflZxs0dzfbxUTPiOf/YjNv2Du+JdeV9+yiAhls4AnbIlaW/llKVv7YOuEgh0AcnUBcHHT6iTxNEVUDgdrOMXzs8mFl/JbtzRBfCT5DtEGZX/GNm2wDalvEoPQg3j/iqj6k5s3OG04imdLDh+KT7DO
    The third movement of a typical Classical symphony is usually written in
    Correct.
    Incorrect. See The Movements of the Symphony in Chapter 13.

  5. Question

    oWs+8gzEwn5Iojuba+rXVLlLXut1LHD8+h0AGL7/JVj5it5MmYX3ydf+MNEDGJjPFnw1XcJ66Cy9eGFoOkAJJBRgjFinBs269Dd9Jb4LsFikAOxcoCx5TofXoIqnqy/8yMemPSIeaUrO8aKs5RXGpNoWLNG8e+2pa5BEpiqNvcsE8RGgMZXXxSFTrn8fSa+e4QZKfPMhjtR+FdgE9WN9Phfdag+KD8sjX83YFQiAtspHqld6WtSKkw==
    The fastest movement in a typical Classical symphony is usually
    Correct.
    Incorrect. See The Movements of the Symphony in Chapter 13.

  6. Question

    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
    Sonata form can be seen as a very large-scale A B A′ form, with each letter standing for the following terms:
    Correct.
    Incorrect. See Sonata Form in Chapter 13.

  7. Question

    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
    What happens in the development section of a sonata-form movement?
    Correct.
    Incorrect. See Development (B) in Chapter 13.

  8. Question

    +mIu5BJA4hHxENklZpMmhGkVVc/2ehN6zZAl0EhNc+ds9ceD1zeo/m00rqAMMR1ZCMfWNnm2pTW/1qU3rK9XLVoK2iS8kYPkkCCVqeKrRN/JvZ8zUDS6f8solXivfdcoHibMxzy/MmI/gbpLvQmf84kJeOCLqxyL6rqYS46EWymlTpwcNPL2q2cDtNhvNJ4H1zABpuhQ9VVrwgerfbrQy0O82jRtWMT8QEVp7l3wtqG0nsOtVbmryIcxW63IrE+DrBVexcLSxSQ=
    The first movement of Mozart’s Symphony No. 40 in G minor is a fine example of what form?
    Correct.
    Incorrect. See Wolfgang Amadeus Mozart, Symphony No. 40 in G Minor, K. 550 in Chapter 13.

  9. Question

    XQ5WexrvNXZP0mWgviBWut1zbriMMly2s2qy8geVMxpk/8hwTGmjiocrhqgE6u/hINcOoRlhqw9F5CdnayLYzmql4KwcOWATcx48doV4hFnm3RL0fx9NUsOR3L0hmm96kGMnEHh3g5U1s7DCSA1B54bYfs8pTuH2zg5TqbvcdvRNZ3Gf7DCzqtzg+DxW752msyaBOGVadCzUVyGRwjQcV5CkSzLjrsi0gP1V6N6Wt4E=
    The Classical variation form contains
    Correct.
    Incorrect. See Classical Variation Form in Chapter 13.

  10. Question

    yYj7t073fafaFDPjEunFYveNyHWUdETD3fACyTvj0lmZbBg8NYA3WSnfKsC1A29ZW1/whrVs1H8yulUcfDcmGaUgJE9buqDFCoP+C7BZx7bibB8zxnCwixeGQHqun3LsPgok9kiC2Z8D2bj164zGOXWr0dYT2NFZZLCXrbMP8xhhtRloRsVPiBi637VY1SuuvT4hAyDq74A0g2DuSMfFj9e6huPQ5QdvGPIIBQ4rFlVRVuX0SI3CEgTt9jJiF7fF3BLw54aLZhOEW1AVOi3nDa2Yd0Gb4nRy6ENcvv7ix3ALrKOxWW7a0CtaBbpyd5vIoXJAkuqSuvUgQVY2aeXIfYmlevjBR1OtWG10eGHhMBI/ju/H
    Included in the more than one hundred symphonies Franz Joseph Haydn wrote are the last twelve, known as
    Correct.
    Incorrect. See Symphonies of Haydn in Chapter 13.

  11. Question

    G2VBoZMI+NO8livom8LB5JvQQcyKqR2+hcUZ2b7T2N0VhtAioW6bj6PI+t/mJ44O6Hnz6MAGcIp1SykKk2FE/Hg83ArLSDvR1DHa0r++HpBKZosHt61KgdXMliBVqujCo9urKBXfk0sUB+ZFHsOlxePUvyPm6hFyzYd7I8HzBYvnJ3IHHNEDtfPdlXLQJj80pc3nzCbyTClFtcPq7QJBW/EORFPJEGhoa7otcLACUuVFQgEbAXsqfUbXKtWviNIwCn+B3yJFZFOePmzXDiTusAP/upf7QX2DGWfRCk2vCyIgAZwqXYdzZOcZGdSEm+CiUyRQ08p1MCiorSovuhwAMPW/OxMOnWw69/xXcCD8La8TYORDwTpowEg+2R/a6oPycrq1jAP7FPPDtAll
    In the second movement of Symphony No. 94 in G (“The Surprise”), how did Haydn deviate from the typical variation form?
    Correct.
    Incorrect. See Franz Joseph Haydn, Symphony No. 94 in G (“The Surprise”) in Chapter 13.

  12. Question

    vjvdI3EDnzNeGtxLPtKoRw0XlmErQf5chAo3ewZkqlTGJRhLXJNaU7lqhlef15U8MkFvvpGTqyODZ5ho0fi+TlNjWFMP0nHgrPKSPctf8zbREjD4GKBqDyjrPN2jfLWgb858Q+J0n7djMdchzPASiqmobLxWqUqM8Q/WXDyLq6kw4JaJC0PU3drsq03Eqg7gfgwzecxRowJ38jqRkMAa8DQdq0G5kWBvwGKkoA==
    Which dance type from the Baroque suite was incorporated into Classical genres such as the symphony?
    Correct.
    Incorrect. See Minuet Form (Classical Dance Form) in Chapter 13.

  13. Question

    K7AdMvB6DmrIyJum5elQZisQM4ZLA9p4pRTer7XZRsV5SEja5P06C+nfoQ7SygAIc0dr+iDLyVliOFWUGzIJaLGhmbVd44anNbXD96mhxZ7gEPlPYn4dnAuC9USAFCbgS2RVyiOuj6wKdsu8Wq6Rbco8lKxSXBsNgzMovaisL46AeD9thb67Gk+AA280FKxbd7b/O+Eky8ggYY3iewteOGH9LwV5PgXmbNdrEsI4iyk=
    What is the trio?
    Correct.
    Incorrect. See Baroque and Classical Dance Form in Chapter 13.

  14. Question

    l8e4KlUnZpLSsfigfrMmdoyUUaOfajzoYWfEQzu4MpU2/NJ5qYQ0veypeE1EX4sjLsBGPgSs51JmD46XeijZLsu/FnEHplnt2Lz2+Tj3FZiclDRJCwIgqgYF6WU6ejeSqyZxIj7IUfiIM1V3xH0JxRRqeyC5u5T2YT5dIWS8Gj1XfNqjFE3LiBbRrkv84/cUbRFVYfDQopSvxsUurui3rmg+OsU/rl2a+332UjjDCon1ADMh07uuvkISXNKc7de5J2ABnNghdDhsGw++x3TlPc7EmdwlMn6MYpHJRpriB3Gvf52XQaRD7VrZZpOrfeyZNDaG5LP48ZvA7oYiFBurPTcZq33CAzbhs670Uw7MtHKP0uiFBwM3jBVvGi8ca49rCVdpaDEe72Ng/ZikLZkjRUhfNwXisMc1sliO8YFtuNmj2g7YaJ9jv6ocUXHjU9uzqsDlFJsMO8TgoQIP8pInyXhbDKHv39kmTrQaFQ==
    What is the critical feature of the rondo form?
    Correct.
    Incorrect. See Rondo Form in Chapter 13.

  15. Question

    zomVRRtwakgWQTjUL9hpQRmo8XDoqGOfB5zdbqsdRuuJ4T9DLYYHY4Zt6+E5y9o00ne996F7wfkDkRRxCKUoqgxDCFOcZe+ZmL5KEXilcH+CUcRA3p3zBhPfuVURXb5WdZHzVvIh12wPJ/KC/1/KodtYqMeXdZso3tw4smPF1FRKwjtTBEnhKjTNExHF2HyntYD6YHF8rVoXr+A8hiy/zU4/56rtRRLdBS9Pgw==
    In the Classical era, rondo form was usually used for
    Correct.
    Incorrect. See Rondo Form in Chapter 13.