FileTitleManuscript Id
Chapter 8 Resourceslisten8e_ch8_1.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_1_dlap.xml5407704c757a2e7a5f000000
Listening Quiz for Chapter 8listen8e_ch8_2.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_2_dlap.xml5407704c757a2e7a5f000000
Reading Quiz for Chapter 8listen8e_ch8_3.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_3_dlap.xml5407704c757a2e7a5f000000
Listening Quiz for Global Perspectives: African Ostinato Formslisten8e_ch8_4.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_4_dlap.xml5407704c757a2e7a5f000000
Reading Quiz for Global Perspectives: African Ostinato Formslisten8e_ch8_5.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_5_dlap.xml5407704c757a2e7a5f000000
Gabrieli, “O magnum mysterium”listen8e_ch8_6.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_6_dlap.xml5407704c757a2e7a5f000000
Monteverdi, The Coronation of Poppea, from Act I, “Tornerai?” and “Speranza, tu mi vai” listen8e_ch8_7.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_7_dlap.xml5407704c757a2e7a5f000000
Purcell, Dido and Aeneas, from Act III, “Thy Hand, Belinda,” “When I am laid,” and “With drooping wings” listen8e_ch8_8.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_8_dlap.xml5407704c757a2e7a5f000000
Frescobaldi, Canzona, Balletto, and Correntelisten8e_ch8_9.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_9_dlap.xml5407704c757a2e7a5f000000
Gambian minstrel song, “Laminba”listen8e_ch8_10.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_10_dlap.xml5407704c757a2e7a5f000000
Pygmy polyphony, Elephant-hung songlisten8e_ch8_11.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_11_dlap.xml5407704c757a2e7a5f000000
The Early Baroque Periodlisten8e_ch8_12.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_12_dlap.xml5407704c757a2e7a5f000000
1 | From Renaissance to Baroquelisten8e_ch8_13.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_13_dlap.xml5407704c757a2e7a5f000000
Music in Venicelisten8e_ch8_14.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_14_dlap.xml5407704c757a2e7a5f000000
Extravagance and Controllisten8e_ch8_15.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_15_dlap.xml5407704c757a2e7a5f000000
Giovanni Gabrieli, Motet, “O magnum mysterium” (c. 1610)listen8e_ch8_16.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_16_dlap.xml5407704c757a2e7a5f000000
2 | Style Features of Early Baroque Musiclisten8e_ch8_17.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_17_dlap.xml5407704c757a2e7a5f000000
Rhythm and Meterlisten8e_ch8_18.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_18_dlap.xml5407704c757a2e7a5f000000
Texture: Basso Continuolisten8e_ch8_19.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_19_dlap.xml5407704c757a2e7a5f000000
Functional Harmonylisten8e_ch8_20.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_20_dlap.xml5407704c757a2e7a5f000000
3 | Operalisten8e_ch8_21.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_21_dlap.xml5407704c757a2e7a5f000000
Recitative and Arialisten8e_ch8_22.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_22_dlap.xml5407704c757a2e7a5f000000
Claudio Monteverdi (1567–1643)listen8e_ch8_23.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_23_dlap.xml5407704c757a2e7a5f000000
Singing Italianlisten8e_ch8_24.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_24_dlap.xml5407704c757a2e7a5f000000
Claudio Monteverdi, The Coronation of Poppea (1642) listen8e_ch8_25.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_25_dlap.xml5407704c757a2e7a5f000000
Henry Purcell (1659–1695)listen8e_ch8_26.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_26_dlap.xml5407704c757a2e7a5f000000
Henry Purcell, Dido and Aeneas (1689) listen8e_ch8_27.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_27_dlap.xml5407704c757a2e7a5f000000
4 | The Rise of Instrumental Musiclisten8e_ch8_28.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_28_dlap.xml5407704c757a2e7a5f000000
Girolamo Frescobaldi (1583–1643)listen8e_ch8_29.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_29_dlap.xml5407704c757a2e7a5f000000
Girolamo Frescobaldi, Canzona, Balletto, and Corrente (1627–1637)listen8e_ch8_30.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_30_dlap.xml5407704c757a2e7a5f000000
Goals for Reviewlisten8e_ch8_31.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_31_dlap.xml5407704c757a2e7a5f000000
Global Perspectives: African Ostinato Forms listen8e_ch8_32.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_32_dlap.xml5407704c757a2e7a5f000000