FileTitleManuscript Id
Chapter 14 Resourceslisten8e_ch14_1.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_1_dlap.xml540884d9757a2ec141000000
Listening Quiz for Chapter 14listen8e_ch14_2.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_2_dlap.xml540884d9757a2ec141000000
Reading Quiz for Chapter 14listen8e_ch14_3.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_3_dlap.xml540884d9757a2ec141000000
Listening Quiz for Global Perspectives: Musical Form: Two Case Studies from Asialisten8e_ch14_4.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_4_dlap.xml540884d9757a2ec141000000
Reading Quiz for Global Perspectives: Musical Form: Two Case Studies from Asialisten8e_ch14_5.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_5_dlap.xml540884d9757a2ec141000000
Mozart, Piano Concerto No. 23 in A, K. 488, Ilisten8e_ch14_6.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_6_dlap.xml540884d9757a2ec141000000
Mozart, Don Giovanni, from Act I, scene iii, “Ho capito,” “Alfin siam liberati,” and “Là ci darem la mano” listen8e_ch14_7.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_7_dlap.xml540884d9757a2ec141000000
Japanese gagaku, Etenraku listen8e_ch14_8.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_8_dlap.xml540884d9757a2ec141000000
Balinese gamelan, I Lotring, Bopong listen8e_ch14_9.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_9_dlap.xml540884d9757a2ec141000000
Other Classical Genreslisten8e_ch14_10.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_10_dlap.xml540884d9757a2ec141000000
1 | The Sonatalisten8e_ch14_11.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_11_dlap.xml540884d9757a2ec141000000
2 | The Classical Concertolisten8e_ch14_12.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_12_dlap.xml540884d9757a2ec141000000
Double-Exposition Formlisten8e_ch14_13.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_13_dlap.xml540884d9757a2ec141000000
Wolfgang Amadeus Mozart (1756–1791), Piano Concerto No. 23 in A, K. 488 (1786)listen8e_ch14_14.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_14_dlap.xml540884d9757a2ec141000000
Listening Chart 11 Mozart, Piano Concerto No. 23 in A, K. 488, first movement (Allegro)listen8e_ch14_15.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_15_dlap.xml540884d9757a2ec141000000
3 | The String Quartetlisten8e_ch14_16.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_16_dlap.xml540884d9757a2ec141000000
Chamber Musiclisten8e_ch14_17.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_17_dlap.xml540884d9757a2ec141000000
4 | Opera Buffalisten8e_ch14_18.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_18_dlap.xml540884d9757a2ec141000000
The Ensemblelisten8e_ch14_19.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_19_dlap.xml540884d9757a2ec141000000
Wolfgang Amadeus Mozart, Don Giovanni (1787)listen8e_ch14_20.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_20_dlap.xml540884d9757a2ec141000000
Goals for Reviewlisten8e_ch14_21.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_21_dlap.xml540884d9757a2ec141000000
Global Perspectives: Musical Form: Two Case Studies from Asia listen8e_ch14_22.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_22_dlap.xml540884d9757a2ec141000000