File | Title | Manuscript Id |
Introduction | mediaculture9eupdate_ch4_1.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_1_dlap.xml | 53965ef8757a2e5354000002 |
The Development of Sound Recording | mediaculture9eupdate_ch4_2.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_2_dlap.xml | 53965ef8757a2e5354000002 |
From Cylinders to Disks: Sound Recording Becomes a Mass Medium | mediaculture9eupdate_ch4_3.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_3_dlap.xml | 53965ef8757a2e5354000002 |
From Phonographs to CDs: Analog Goes Digital | mediaculture9eupdate_ch4_4.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_4_dlap.xml | 53965ef8757a2e5354000002 |
The Rocky Relationship between Records and Radio | mediaculture9eupdate_ch4_5.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_5_dlap.xml | 53965ef8757a2e5354000002 |
Convergence: Sound Recording in the Internet Age | mediaculture9eupdate_ch4_6.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_6_dlap.xml | 53965ef8757a2e5354000002 |
U.S. Popular Music and the Formation of Rock | mediaculture9eupdate_ch4_7.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_7_dlap.xml | 53965ef8757a2e5354000002 |
The Rise of Pop Music | mediaculture9eupdate_ch4_8.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_8_dlap.xml | 53965ef8757a2e5354000002 |
Rock and Roll Is Here to Stay | mediaculture9eupdate_ch4_9.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_9_dlap.xml | 53965ef8757a2e5354000002 |
Rock Muddies the Waters | mediaculture9eupdate_ch4_10.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_10_dlap.xml | 53965ef8757a2e5354000002 |
Battles in Rock and Roll | mediaculture9eupdate_ch4_11.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_11_dlap.xml | 53965ef8757a2e5354000002 |
A Changing Industry: Reformations in Popular Music | mediaculture9eupdate_ch4_12.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_12_dlap.xml | 53965ef8757a2e5354000002 |
The British Are Coming! | mediaculture9eupdate_ch4_13.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_13_dlap.xml | 53965ef8757a2e5354000002 |
Motor City Music: Detroit Gives America Soul | mediaculture9eupdate_ch4_14.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_14_dlap.xml | 53965ef8757a2e5354000002 |
Folk and Psychedelic Music Reflect the Times | mediaculture9eupdate_ch4_15.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_15_dlap.xml | 53965ef8757a2e5354000002 |
Media Literacy | mediaculture9eupdate_ch4_16.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_16_dlap.xml | 53965ef8757a2e5354000002 |
Punk, Grunge, and Alternative Respond to Mainstream Rock | mediaculture9eupdate_ch4_17.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_17_dlap.xml | 53965ef8757a2e5354000002 |
Hip-Hop Redraws Musical Lines | mediaculture9eupdate_ch4_18.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_18_dlap.xml | 53965ef8757a2e5354000002 |
The Reemergence of Pop | mediaculture9eupdate_ch4_19.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_19_dlap.xml | 53965ef8757a2e5354000002 |
The Business of Sound Recording | mediaculture9eupdate_ch4_20.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_20_dlap.xml | 53965ef8757a2e5354000002 |
Music Labels Influence the Industry | mediaculture9eupdate_ch4_21.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_21_dlap.xml | 53965ef8757a2e5354000002 |
Tracking Technology | mediaculture9eupdate_ch4_22.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_22_dlap.xml | 53965ef8757a2e5354000002 |
Making, Selling, and Profiting from Music | mediaculture9eupdate_ch4_23.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_23_dlap.xml | 53965ef8757a2e5354000002 |
Case Study | mediaculture9eupdate_ch4_24.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_24_dlap.xml | 53965ef8757a2e5354000002 |
Alternative Voices | mediaculture9eupdate_ch4_25.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_25_dlap.xml | 53965ef8757a2e5354000002 |
Sound Recording, Free Expression, and Democracy | mediaculture9eupdate_ch4_26.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_26_dlap.xml | 53965ef8757a2e5354000002 |
Chapter Review | mediaculture9eupdate_ch4_27.html | 53965ef8757a2e5354000002 |
DLAP questions | mediaculture9eupdate_ch4_27_dlap.xml | 53965ef8757a2e5354000002 |