Introduction to Chapter 9 | theguide11e_ch9_1.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_1_dlap.xml | 5661e10d757a2e0d06000001 |
Analyzing Causal Arguments
| theguide11e_ch9_2.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_2_dlap.xml | 5661e10d757a2e0d06000001 |
Clayton Pangelinan #socialnetworking: Why Itâs Really So Popular
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DLAP questions | theguide11e_ch9_3_dlap.xml | 5661e10d757a2e0d06000001 |
Stephen King Why We Crave Horror Movies
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DLAP questions | theguide11e_ch9_4_dlap.xml | 5661e10d757a2e0d06000001 |
Claudia Wallis The Multitasking Generation
| theguide11e_ch9_5.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_5_dlap.xml | 5661e10d757a2e0d06000001 |
Shankar Vedantam The Telescope Effect
| theguide11e_ch9_6.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_6_dlap.xml | 5661e10d757a2e0d06000001 |
REMIX: Remixing Your Causal Argument | theguide11e_ch9_7.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_7_dlap.xml | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_8_dlap.xml | 5661e10d757a2e0d06000001 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch9_9.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_9_dlap.xml | 5661e10d757a2e0d06000001 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch9_10.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_10_dlap.xml | 5661e10d757a2e0d06000001 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch9_11.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_11_dlap.xml | 5661e10d757a2e0d06000001 |
Clayton Pangelinanâs Analysis of Possible Causes
| theguide11e_ch9_12.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_12_dlap.xml | 5661e10d757a2e0d06000001 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch9_13.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_13_dlap.xml | 5661e10d757a2e0d06000001 |