Reading Quiz for Chapter 19

Read Chapter 19 in your book and check your comprehension by answering the following questions. Then “submit” your work.

  1. Question

    vteFlFg0e0wSMF3U7xH7Eqdt8DHimOlkmE3n9JbpbfbyyDFpQfoDIXxcue0Ghp6wXLlgx7i2auWtifWY3yUNROAKNjAWqJhLU6Hcyk+wcSEJzqSaKZk+0O/0s1ydtItl+YwaJCH9z2qngxtu3NQSAeBMRI7LqeSL57XcB9F0W142FdGswvoz3oYKY4WDLXwk
    In the 1850s, European literature and art began to turn toward
    Correct.
    Incorrect. See Romanticism and Realism in Chapter 19.

  2. Question

    5Yvp3ZdYg7qtqqJq2LagyeasymThEVoJyMScWjGUgVPI1lzXgygfWSGZePT+QD8Aw03v5fU2etjNEAz+rRx2FNCpPe2Vc+r+tkwIL2KPppE+7mKfhbTwvrlAIEfvsWi4AIa0ER0rRttycvtGnI7f+nQlaJIGAXTKyW/vGLuzDeeBLM3//XXfjX1wwUqqSd1jxPSgwoaMuquA8BJJBK9kElwaKJT1WZNr6q4KPxnFNKfRsubTIb9GzkChkyv1ZniH
    Which composer popularized the symphonic poem and inspired other composers to use this new genre?
    Correct.
    Incorrect. See Late Romantic Program Music in Chapter 19.

  3. Question

    QRt4xoOPMArCadlaPuSuohlmSUy/O5MC92VFAWUfZQzCwclX/3uB3sLPOHZ8MGx1TfKNkAgOuVvtxy30a+iUfIPaSTdoefvP4UQ5PF4q6MevJNvbGPofJpCbVhylAKiVmhGjdMTjXM9++pDkPWYSI8KDQMactmsxQO4h/aniVy0cBw4+euSoXiNgemv6oChSM84I2bhI3Fl1I+oICKE3IgHcUXOJrsYjG26oiokBHItZ2xvg4Bw41Q9UMnI=
    Which term refers to an orchestral composition in one movement that has a program and a free musical form?
    Correct.
    Incorrect. See Late Romantic Program Music in Chapter 19.

  4. Question

    kiXCNXq2TwKXrTxe8EsJNNP6qhUwM4gp7z4Tb6Xyr2xKDtB57xBICDvZgqBjP/yKK7RH5prdzh9W1QAQI8Ep1qlznPL2lEPd2x5OcZ8/17wrCyhAa0OhxvaBchkjtteQIGf47ozj27bx7Z6GJ+dooT9Bkb5YlJCzCBg53hTy2+R//EYRLWgFDvEU2MnN5vYdUDzJOzhiY1C1LSderjyRz6YY1WMlnvctfrCJM2BE1MCcaX6BM/BlR8qGlewNzzEjaONL/Ni9Ww87PvFT8eUow5mdWJdNnP/TCLFazykC683plybuhQdCaQEgdUsN0F5IeMftKYfyUHc1xTX4
    Although Tchaikovsky called his Romeo and Juliet an “overture-fantasy,” it is an example of a
    Correct.
    Incorrect. See Pyotr Ilyich Tchaikovsky, Overture-Fantasy, Romeo and Juliet in Chapter 19.

  5. Question

    4KPqdf/sP5A+KQbumKhRikNT/QC8uDc53UsIxXRkECgMBeqXXtkXJf3sP2i1K6XYRsPMZS4zoCS2aOlTbT+Ld9iCmB1BC90qUEuUO4iwFRCPZFK4m3BHu3ZrZgztGrYwGMs8FXpJBDjbjsfkj3bjM8zgr2l8e/oZPeAGxPNPJ5LbdjJwGqCTe22CRRfofsNdMY1im8Lts3F2LqNd41zbHoRLc1VjXQcLEXc9Q2nV7GCrh9i4UXeJfyfVrGRdrmXnfxh8kSgcLjrJT7aolaTqZ+W3DLSF9cRZpZhwsQxuSp/jQhjH+lhKzBRA1/Sev6l8famNI9mJKlPFKnfrkyOiQn04r6wAR2N66cDBjY2Eqfh7azRoMKX6bcKWfxiU+kq0xnzYB/rP0VN+qqwJ2p2VXC804Tow8GWKjcUDc6J4oC+ksdumpgMGJ3F0YNE4rXExY79EtaOTn6oTYaBjYUvNqYRw64nOOs+JPZFd+zC01Gmt2JQTQmQcTHNVK1Cu5gI7
    Tchaikovsky’s way of musically following the Shakespearean play Romeo and Juliet was to
    Correct.
    Incorrect. See Pyotr Ilyich Tchaikovsky, Overture-Fantasy, Romeo and Juliet in Chapter 19.

  6. Question

    nVV6jh/9lrZfZOlRkwaL87RPr0a5SKsEP7wx4b0lLK1368Y3KpYdRzaOj4JrJei+/5JHCxmn4Td+b4pvg/XB5N0d2SjccxHxLo4oODtBEeCc5YohIL/73EwjmOUiWWvQbA6coxdyrgut+0dDC5UbA9Nq0z90ikWwCbH4zAKu4SMzEnFB5iLe9RV8k4nU77GM811VMJhdFgj19hpyT9Bf/dVr/aUmCU3JAFRED5AaCov+ou+hy5K9OcgbUzg1X2I1VuaniatoSduTV1d2TmkSDvi8O+7UqPNOW61WXM2V+nOEYPG3v1gu+1P3mkmeJdS0dEOiXTy8YhaK9Xoknuo+xhAPOwxIkXATncX+maehToN6XFTS+2IxA0SnmWwdUrOXf4hHXn0ST64/9IyxTdm4vQ==
    During his career as a composer, Tchaikovsky
    Correct.
    Incorrect. See Pyotr Ilyich Tchaikovsky in Chapter 19.

  7. Question

    oGE5ltl46gPMoKeybSqm+aBdxKVN5Hc97x3Wm/9PCmkuYRu9Mf7SA8K2GPAqhzNqEDE7zCmgLpezUU7pQdi7thDISLWU17PIXWX8VJSVKGS8ctUnHtMNm078+fy8wcjlVdGPsEdJrBtjmDAxF5vqWW2rU/ix9cIhbaJjPb+p/I5iwn1s9k8D2upUBzn9yhtfH72IJi8C9O2bKPOQPRzaBggTyP4z7Gtbsf4S1PMYr/D11YaLNG7W+20Nkx9rW0hKAGz33hczLtbmVWA0IXEH9ayizZ27zzUZXwtc55v6j20C2OdVGB7O17MG2Lf9CWUjusSljPL1+LjfEm7iOvpQkRAbF/p3E/eBrbt9MQxrYImeE/LDTiZdYVdsRTnyV3wDehjaFCS/7NlESelnGsRiX+4IL67PmO3e9TP4h/4qOwoY66a6t5oyVzbkYnbPlF2cL9XSUzl9szuW/f7DIbJosEn01YCwd6WiyM9MCMaPw3bhos3SmFsXnX/6E22xXEMhPw51vN4rCSJjgdw1POVo1PFxR3urg/qnleF4a2WoeBbv/D7W9JgDjXVYVMg=
    What is nationalism in music?
    Correct.
    Incorrect. See Nationalism in Chapter 19.

  8. Question

    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
    What is exoticism in music?
    Correct.
    Incorrect. See Exoticism in Chapter 19.

  9. Question

    NdFq2tYxDtYZp7bu+s+JqNSK9zhYD61A80lP3aWVZVdqEOBoABLyFo9Fa8t3QnAvzUWZWzjcKjk6UhtUdOc/nHxAITnGmi9z1A5DapH1g6xMlUp0bsMxDFdHEwUrgMpkUbiUS6ibiOxHTwVt/qe3xeLgy54q1FkhU1+zxrFcrqysDabypbHJ3xEEHcR5W9CsXyBda6WUPZvV1fYM9EKsy7VLvoJ6VZ1230XAFCzAItBHsbGS4FFu7mwbSLuICCKnmYj/6DUC8VDGf5dFOTWpguuUln38peBcZU2S9AgNu2xgjj8POSyc6pOLpQNKuD9lCflT2cdecQXGAVI9twdKWGXC29kITUAsz/C/midMHixw0Fn/B8QL7CfPCVqYAZr3bccYmFx3+wypGNDwA8FIf1TWphGJOx+xZ1q7neSYencaa3eJpZCSH73yPRKZlji2AtX1rw==
    Modest Musorgsky and Nikolai Rimsky-Korsakov were both part of the kuchka, which was
    Correct.
    Incorrect. See The Russian Kuchka in Chapter 19.

  10. Question

    D9AR+VFf/RaEaBe9xw1WYYDKEFKdo6zjDrcTHXGr/fhVom9jTqzWuwkCIMyM8jrTRBStwi9TbTsXc0JT5qagKSY5yYETR51cYysaUa/Zbot8CRk5qP7keEtt1A+ncZIWm4iJPkFTBWozpVlptEMHhTvHRZ5h2M3YFUICcErHhOkHQ+Itgya+lqlz2U55YCUNPXqCPtqUFp4cgQmtjMkeMt/O1w/1eSYdxjBQNyJLSgf9K3S7Iq7pOT0Tmykh+vSomOcpAi/MKV7rgnwU/ClBSNL6tmeQ/NXodKa6zqThZm4uCuNC2+F5ThZ/TMIXmMA8EF88jVc4YfjdrqXdX0rKNA==
    What is depicted in the first number, “Promenade,” from Musorgsky’s Pictures at an Exhibition?
    Correct.
    Incorrect. See Modest Musorgsky, Pictures at an Exhibition in Chapter 19.

  11. Question

    MdUGfcORizrguQmmLtAlJR/z/pvp09NI7rkL+oamhRgaWX8y8xN9KFLGUew8fHkfylbNhoWa8PYnc/uuU7ywdBa4O0KHQ+5hjcxdQp91z1i8dOOV9zv4+sph5bzE+yOV3sbX5NFSXinauosbI7pmrKag6JQwAp82/7ciqbwNjpbyGSOhBvZ5SsjQ5BWBPdlMTOLRC+bjonCE6/paJQF3KURQ6QHJh22C9/llYnK9TklEJDQT+XQqUTLQ/l4qJ5b5wcpzrswZcmLods3hGmJZSP3d10YBQmOGi/6VItYxVq3xb/DglfA1Az/i/pSKgxGEAWZgyqXf2UJIdthynzKqSQ==
    The major works of Johannes Brahms tend toward
    Correct.
    Incorrect. See The Renewal of Classicism: Brahms in Chapter 19.

  12. Question

    SoGVuNkBpgVUxG4JkabGt0Ad7z/nhRfP3HjlDkAKfxxWsub3j/SwB1VwW80q8hXWBaIGFV3hAG3PSliU91EBViyM3vpYKA391lU8ckEIIobp9Lq/WqqpRzENzYaXeR+BtZB4SSUwGr5Ibr8vXktc8EwoRsSv5aK+6OxAZYGMYoRiMwnjbCx1IpWPPcl82EywB6BYLf2PVF8jwpk4mHr5HlsLv4h4/5echWZ2Yg==
    The third movement of Brahms’s Violin Concerto in D is written in
    Correct.
    Incorrect. See Johannes Brahms, Violin Concerto in D in Chapter 19.

  13. Question

    OPeJQvxE7CRAtwBBWKgT6ErE315fzoLxDJ/vVgoIyxz6HKQcBOB/igWL+yZ2khuYnlWFDoJdGFsJLwT9oeOkyy2QPshShXD27O1jjH6Pjs9lZ2i1ntvAImS5rSqAZ5kcoabgqfomSyS7VIAEdKflvSSXaw3mi4D3YetiXi2myEcFEtIcqN7H/abdaD6jWoux5RvqzWB6lHDXDy2eRgYUD5726RCKj2BDFFOytTtD22XtcCMOSAzwmA==
    As a young man, Brahms became a close friend and protégé of
    Correct.
    Incorrect. See Johannes Brahms in Chapter 19.

  14. Question

    bWA4p2bZsdU9rox3yT05HoCM9eqrbKNw8hgcjttrZn5HcGJHYOX3EbQ+S4N6IG0vClJr2XmkD8oMtO9kvw2mVEVPTurOa4o1MYoBCxgbzlTRWCHuPbNwCpnzXjIuXf3BZYXIAGNFNj7eYax69rwzwaBpMBtUTV7ziWYMzic84OtRQitQGxHlwWiXHLOCJOPEfV0xToT94d1UxIgMpEvb9U5YQbquFsv3O2A0qS4367nAv1j6AO9y4zboUEJWrYgUSRpGB6/ebEAVO//iSZmreQ3ky0+/FAT7NXETdUecewRtrpYmUSB/OQ79JrY=
    Mahler’s ambivalence toward the Romantic tradition is often expressed in his music through
    Correct.
    Incorrect. See Romantic Nostalgia: Mahler in Chapter 19.

  15. Question

    B2H5TDOEdgpx9iOsioYIFyRowrwoXFA8sujE+ZDna4i0UvZhCua6OouGT45y/DLVVK6Flsv5hyH3eDRilEE68lyG3ZAIo3J6diP+SfPNzRNaZhqYyMSA/yDeEa9Pcm/JqU1Yy3oZDF/EdvjNs005972ADwK/jx4ChL0cBtLlh0qBa/1TJ985/Gvu8diJEV/g5kmoPHQC2A6sbhRS9GpkSea69nyjyq9w2Abr5y6wI+sCGV61d2YZzybjY9zbGYzIy7xwJsRPlPb++LUIvLFxkhehhxlu2cLYE/TubCU7q0htCcEfkLdth6gU6wM=
    The third movement of Mahler’s Symphony No. 1 is
    Correct.
    Incorrect. See Gustav Mahler, Symphony No. 1 in Chapter 19.