FileTitleManuscript Id
Chapter 24 Resourceslisten8e_ch24_1.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_1_dlap.xml54089c3b757a2e244f000000
Listening Quiz for Chapter 24listen8e_ch24_2.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_2_dlap.xml54089c3b757a2e244f000000
Reading Quiz for Chapter 24listen8e_ch24_3.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_3_dlap.xml54089c3b757a2e244f000000
Listening Quiz for Global Perspectives: African Drumminglisten8e_ch24_4.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_4_dlap.xml54089c3b757a2e244f000000
Reading Quiz for Global Perspectives: African Drumminglisten8e_ch24_5.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_5_dlap.xml54089c3b757a2e244f000000
Listening Quiz for Global Perspectives: Global Musiclisten8e_ch24_6.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_6_dlap.xml54089c3b757a2e244f000000
Reading Quiz for Global Perspectives: Global Musiclisten8e_ch24_7.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_7_dlap.xml54089c3b757a2e244f000000
Thomas, “If You Ever Been Down” Blueslisten8e_ch24_8.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_8_dlap.xml54089c3b757a2e244f000000
Ellington/Tizol, “Conga Brava”listen8e_ch24_9.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_9_dlap.xml54089c3b757a2e244f000000
Parker/Davis, “Out of Nowhere”listen8e_ch24_10.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_10_dlap.xml54089c3b757a2e244f000000
Davis, Bitches Brew (excerpt) listen8e_ch24_11.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_11_dlap.xml54089c3b757a2e244f000000
Bernstein, West Side Story, Dance at Gym: Meeting Scene and “Cool” listen8e_ch24_12.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_12_dlap.xml54089c3b757a2e244f000000
Yoruba drumming, “Ako”listen8e_ch24_13.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_13_dlap.xml54089c3b757a2e244f000000
South African popular song, “Anoku Gonda”listen8e_ch24_14.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_14_dlap.xml54089c3b757a2e244f000000
Music in America: Jazz and Beyondlisten8e_ch24_15.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_15_dlap.xml54089c3b757a2e244f000000
1 | Early American Music: An Overviewlisten8e_ch24_16.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_16_dlap.xml54089c3b757a2e244f000000
The Cultivated Traditionlisten8e_ch24_17.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_17_dlap.xml54089c3b757a2e244f000000
Music in the Vernacularlisten8e_ch24_18.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_18_dlap.xml54089c3b757a2e244f000000
African American Musiclisten8e_ch24_19.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_19_dlap.xml54089c3b757a2e244f000000
2 | Jazz: The First Fifty Yearslisten8e_ch24_20.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_20_dlap.xml54089c3b757a2e244f000000
Ragtime: Scott Joplin (1868–1917)listen8e_ch24_21.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_21_dlap.xml54089c3b757a2e244f000000
The Blueslisten8e_ch24_22.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_22_dlap.xml54089c3b757a2e244f000000
Sippie Wallace (1898–1986), “If You Ever Been Down” Blues (1927) (Composed by G. W. Thomas)listen8e_ch24_23.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_23_dlap.xml54089c3b757a2e244f000000
New Orleans Jazzlisten8e_ch24_24.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_24_dlap.xml54089c3b757a2e244f000000
Biography: Louis Armstrong (1901–1971)listen8e_ch24_25.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_25_dlap.xml54089c3b757a2e244f000000
Big-Band Jazz: Swinglisten8e_ch24_26.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_26_dlap.xml54089c3b757a2e244f000000
Duke Ellington, “Conga Brava” (1940)listen8e_ch24_27.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_27_dlap.xml54089c3b757a2e244f000000
Biography: Duke Ellington (1899–1974)listen8e_ch24_28.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_28_dlap.xml54089c3b757a2e244f000000
Popular Songlisten8e_ch24_29.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_29_dlap.xml54089c3b757a2e244f000000
3 | Later Jazzlisten8e_ch24_30.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_30_dlap.xml54089c3b757a2e244f000000
Beboplisten8e_ch24_31.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_31_dlap.xml54089c3b757a2e244f000000
Charlie Parker (1920–1955) and Miles Davis (1926–1991), “Out of Nowhere” (1948)listen8e_ch24_32.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_32_dlap.xml54089c3b757a2e244f000000
Jazz after Beboplisten8e_ch24_33.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_33_dlap.xml54089c3b757a2e244f000000
Miles Davis (1926–1991), Bitches Brew (1969) listen8e_ch24_34.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_34_dlap.xml54089c3b757a2e244f000000
Global Perspectives: African Drumming listen8e_ch24_35.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_35_dlap.xml54089c3b757a2e244f000000
4 | The American Musicallisten8e_ch24_36.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_36_dlap.xml54089c3b757a2e244f000000
Musical Comedylisten8e_ch24_37.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_37_dlap.xml54089c3b757a2e244f000000
The Musical after 1940listen8e_ch24_38.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_38_dlap.xml54089c3b757a2e244f000000
Leonard Bernstein (1918–1990), West Side Story (1957) listen8e_ch24_39.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_39_dlap.xml54089c3b757a2e244f000000
The Later Musicallisten8e_ch24_40.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_40_dlap.xml54089c3b757a2e244f000000
5 | Rocklisten8e_ch24_41.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_41_dlap.xml54089c3b757a2e244f000000
Early Rock’n’Rolllisten8e_ch24_42.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_42_dlap.xml54089c3b757a2e244f000000
The 1960s: Rock Comes of Agelisten8e_ch24_43.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_43_dlap.xml54089c3b757a2e244f000000
Motown, Soul, and Funklisten8e_ch24_44.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_44_dlap.xml54089c3b757a2e244f000000
The British Invasionlisten8e_ch24_45.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_45_dlap.xml54089c3b757a2e244f000000
American Counteroffensiveslisten8e_ch24_46.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_46_dlap.xml54089c3b757a2e244f000000
After the 1960slisten8e_ch24_47.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_47_dlap.xml54089c3b757a2e244f000000
Trends 1980–2000: Punk, Rap, and Post-Rocklisten8e_ch24_48.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_48_dlap.xml54089c3b757a2e244f000000
Global Perspectives: Global Music listen8e_ch24_49.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_49_dlap.xml54089c3b757a2e244f000000
6 | Conclusionlisten8e_ch24_50.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_50_dlap.xml54089c3b757a2e244f000000
Goals for Reviewlisten8e_ch24_51.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_51_dlap.xml54089c3b757a2e244f000000