FileTitleManuscript Id
Chapter 6 Resourceslisten8e_ch6_1.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_1_dlap.xml540768f8757a2e7d5a000000
Listening Quiz for Chapter 6listen8e_ch6_2.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_2_dlap.xml540768f8757a2e7d5a000000
Reading Quiz for Chapter 6listen8e_ch6_3.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_3_dlap.xml540768f8757a2e7d5a000000
Listening Quiz for Global Perspectives: Sacred Chantlisten8e_ch6_4.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_4_dlap.xml540768f8757a2e7d5a000000
Reading Quiz for Global Perspectives: Sacred Chantlisten8e_ch6_5.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_5_dlap.xml540768f8757a2e7d5a000000
Anonymous, “In paradisum”listen8e_ch6_6.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_6_dlap.xml540768f8757a2e7d5a000000
Hildegard of Bingen, “Columba aspexit”listen8e_ch6_7.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_7_dlap.xml540768f8757a2e7d5a000000
Bernart de Ventadorn, “La dousa votz”listen8e_ch6_8.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_8_dlap.xml540768f8757a2e7d5a000000
Pérotin, “Alleluia. Diffusa est gratia”listen8e_ch6_9.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_9_dlap.xml540768f8757a2e7d5a000000
Anonymous, “Sumer Is Icumen In”listen8e_ch6_10.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_10_dlap.xml540768f8757a2e7d5a000000
Machaut, “Dame, de qui toute ma joie vient”listen8e_ch6_11.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_11_dlap.xml540768f8757a2e7d5a000000
Qur’anic recitation, “Ya sin”listen8e_ch6_12.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_12_dlap.xml540768f8757a2e7d5a000000
Hawai’ian chant, mele pulelisten8e_ch6_13.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_13_dlap.xml540768f8757a2e7d5a000000
Navajo song, “K′adnikini′ya′”listen8e_ch6_14.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_14_dlap.xml540768f8757a2e7d5a000000
The Middle Ageslisten8e_ch6_15.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_15_dlap.xml540768f8757a2e7d5a000000
1 | Music and the Churchlisten8e_ch6_16.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_16_dlap.xml540768f8757a2e7d5a000000
Music and Church Services: Liturgylisten8e_ch6_17.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_17_dlap.xml540768f8757a2e7d5a000000
Plainchantlisten8e_ch6_18.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_18_dlap.xml540768f8757a2e7d5a000000
Characteristics of Plainchantlisten8e_ch6_19.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_19_dlap.xml540768f8757a2e7d5a000000
Gregorian Recitation and Gregorian Melodylisten8e_ch6_20.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_20_dlap.xml540768f8757a2e7d5a000000
Anonymous (c. ninth century), Plainchant antiphon, “In paradisum”listen8e_ch6_21.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_21_dlap.xml540768f8757a2e7d5a000000
Hildegard of Bingen (1098–1179), Plainchant sequence, “Columba aspexit”listen8e_ch6_22.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_22_dlap.xml540768f8757a2e7d5a000000
2 | Music at Courtlisten8e_ch6_23.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_23_dlap.xml540768f8757a2e7d5a000000
Troubadour and Trouvère Songslisten8e_ch6_24.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_24_dlap.xml540768f8757a2e7d5a000000
Bernart de Ventadorn (c. 1135–1194), Troubadour song, “La dousa votz”listen8e_ch6_25.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_25_dlap.xml540768f8757a2e7d5a000000
The Estampielisten8e_ch6_26.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_26_dlap.xml540768f8757a2e7d5a000000
How Did Early Music Sound?listen8e_ch6_27.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_27_dlap.xml540768f8757a2e7d5a000000
3 | The Evolution of Polyphonylisten8e_ch6_28.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_28_dlap.xml540768f8757a2e7d5a000000
Organumlisten8e_ch6_29.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_29_dlap.xml540768f8757a2e7d5a000000
Pérotin (c. 1200), Organum, “Alleluia. Diffusa est gratia”listen8e_ch6_30.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_30_dlap.xml540768f8757a2e7d5a000000
4 | Later Medieval Polyphonylisten8e_ch6_31.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_31_dlap.xml540768f8757a2e7d5a000000
Anonymous (late thirteenth century), Round, “Sumer Is Icumen In”listen8e_ch6_32.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_32_dlap.xml540768f8757a2e7d5a000000
Ars Novalisten8e_ch6_33.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_33_dlap.xml540768f8757a2e7d5a000000
Guillaume de Machaut (c. 1300–1377), Chanson, “Dame, de qui toute ma joie vient”listen8e_ch6_34.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_34_dlap.xml540768f8757a2e7d5a000000
Goals for Reviewlisten8e_ch6_35.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_35_dlap.xml540768f8757a2e7d5a000000
Global Perspectives: Sacred Chant listen8e_ch6_36.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_36_dlap.xml540768f8757a2e7d5a000000