FileTitleManuscript Id
Chapter 7 Resourceslisten8e_ch7_1.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_1_dlap.xml54076a47757a2e8d57000000
Listening Quiz for Chapter 7listen8e_ch7_2.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_2_dlap.xml54076a47757a2e8d57000000
Reading Quiz for Chapter 7listen8e_ch7_3.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_3_dlap.xml54076a47757a2e8d57000000
Listening Quiz for Global Perspectives: Music and Early European Colonialismlisten8e_ch7_4.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_4_dlap.xml54076a47757a2e8d57000000
Reading Quiz for Global Perspectives: Music and Early European Colonialismlisten8e_ch7_5.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_5_dlap.xml54076a47757a2e8d57000000
Dufay, “Ave maris stella”listen8e_ch7_6.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_6_dlap.xml54076a47757a2e8d57000000
Josquin, Pange lingua Mass, Kyrie; from the Gloria listen8e_ch7_7.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_7_dlap.xml54076a47757a2e8d57000000
Josquin, “Mille regrets”listen8e_ch7_8.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_8_dlap.xml54076a47757a2e8d57000000
Palestrina, Pope Marcellus Mass, from the Gloria listen8e_ch7_9.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_9_dlap.xml54076a47757a2e8d57000000
Weelkes, “As Vesta Was from Latmos Hill Descending”listen8e_ch7_10.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_10_dlap.xml54076a47757a2e8d57000000
Anonymous, “Daphne”listen8e_ch7_11.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_11_dlap.xml54076a47757a2e8d57000000
Anonymous, “Kemp’s Jig”listen8e_ch7_12.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_12_dlap.xml54076a47757a2e8d57000000
Inca processional music, “Hanaq pachap kusikuynin”listen8e_ch7_13.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_13_dlap.xml54076a47757a2e8d57000000
The Renaissancelisten8e_ch7_14.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_14_dlap.xml54076a47757a2e8d57000000
1 | New Attitudeslisten8e_ch7_15.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_15_dlap.xml54076a47757a2e8d57000000
Early Homophonylisten8e_ch7_16.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_16_dlap.xml54076a47757a2e8d57000000
Guillaume Dufay (c. 1400–1474), Harmonized hymn, “Ave maris stella”listen8e_ch7_17.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_17_dlap.xml54076a47757a2e8d57000000
The Masslisten8e_ch7_18.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_18_dlap.xml54076a47757a2e8d57000000
2 | The High Renaissance Stylelisten8e_ch7_19.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_19_dlap.xml54076a47757a2e8d57000000
Imitationlisten8e_ch7_20.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_20_dlap.xml54076a47757a2e8d57000000
Homophonylisten8e_ch7_21.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_21_dlap.xml54076a47757a2e8d57000000
Other Characteristicslisten8e_ch7_22.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_22_dlap.xml54076a47757a2e8d57000000
Josquin Desprez (c. 1450–1521), Pange lingua Mass (c. 1510)listen8e_ch7_23.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_23_dlap.xml54076a47757a2e8d57000000
3 | Music as Expressionlisten8e_ch7_24.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_24_dlap.xml54076a47757a2e8d57000000
Josquin Desprez, Chanson, “Mille regrets”listen8e_ch7_25.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_25_dlap.xml54076a47757a2e8d57000000
4 | Late Renaissance Musiclisten8e_ch7_26.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_26_dlap.xml54076a47757a2e8d57000000
Giovanni Pierluigi da Palestrina (c. 1525–1594), Pope Marcellus Mass (1557)listen8e_ch7_27.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_27_dlap.xml54076a47757a2e8d57000000
The Motetlisten8e_ch7_28.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_28_dlap.xml54076a47757a2e8d57000000
The Italian Madrigallisten8e_ch7_29.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_29_dlap.xml54076a47757a2e8d57000000
The English Madrigallisten8e_ch7_30.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_30_dlap.xml54076a47757a2e8d57000000
Thomas Weelkes (c. 1575–1623), Madrigal, “As Vesta Was from Latmos Hill Descending” (1601)listen8e_ch7_31.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_31_dlap.xml54076a47757a2e8d57000000
5 | Instrumental Music: Early Developmentslisten8e_ch7_32.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_32_dlap.xml54076a47757a2e8d57000000
Renaissance Danceslisten8e_ch7_33.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_33_dlap.xml54076a47757a2e8d57000000
Anonymous (sixteenth century), Galliard, “Daphne”listen8e_ch7_34.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_34_dlap.xml54076a47757a2e8d57000000
Anonymous (sixteenth century), “Kemp’s Jig”listen8e_ch7_35.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_35_dlap.xml54076a47757a2e8d57000000
Goals for Reviewlisten8e_ch7_36.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_36_dlap.xml54076a47757a2e8d57000000
Global Perspectives: Music and Early European Colonialism listen8e_ch7_37.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_37_dlap.xml54076a47757a2e8d57000000