FileTitleManuscript Id
Introductionsmg10e_ch2_1.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_1_dlap.xml517eab57b11c0fb83d000000
Practicing The Genre: Telling a Storysmg10e_ch2_2.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_2_dlap.xml517eab57b11c0fb83d000000
Guide to Readingsmg10e_ch2_3.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_3_dlap.xml517eab57b11c0fb83d000000
Analyzing Remembered Event Essayssmg10e_ch2_4.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_4_dlap.xml517eab57b11c0fb83d000000
Determine the writer’s purpose and audience.smg10e_ch2_5.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_5_dlap.xml517eab57b11c0fb83d000000
Assess the genre’s basic features.smg10e_ch2_6.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_6_dlap.xml517eab57b11c0fb83d000000
Readingssmg10e_ch2_7.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_7_dlap.xml517eab57b11c0fb83d000000
Jean Brandt, Calling Homesmg10e_ch2_8.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_8_dlap.xml517eab57b11c0fb83d000000
Annie Dillard, An American Childhoodsmg10e_ch2_9.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_9_dlap.xml517eab57b11c0fb83d000000
[Reflect] Make connections: Acting fearlessly.smg10e_ch2_10.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_10_dlap.xml517eab57b11c0fb83d000000
[Analyze] Use the basic features.smg10e_ch2_11.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_11_dlap.xml517eab57b11c0fb83d000000
A Well-Told Story: Constructing an Action Sequencesmg10e_ch2_12.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_12_dlap.xml517eab57b11c0fb83d000000
Vivid Description of People and Places: Using Names and Detailssmg10e_ch2_13.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_13_dlap.xml517eab57b11c0fb83d000000
Autobiographical Significance: Showing and Tellingsmg10e_ch2_14.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_14_dlap.xml517eab57b11c0fb83d000000
[Respond] Consider possible topics: Remembering unexpected adult actions and reactions.smg10e_ch2_15.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_15_dlap.xml517eab57b11c0fb83d000000
Jenée Desmond-Harris, Tupac and My Non-Thug Lifesmg10e_ch2_16.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_16_dlap.xml517eab57b11c0fb83d000000
[Reflect] Make connections: Remembering idols.smg10e_ch2_17.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_17_dlap.xml517eab57b11c0fb83d000000
[Analyze] Use the basic features.smg10e_ch2_18.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_18_dlap.xml517eab57b11c0fb83d000000
A Well-Told Story: Using Dialoguesmg10e_ch2_19.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_19_dlap.xml517eab57b11c0fb83d000000
Vivid Description of People and Places: Using Visuals and Brand Namessmg10e_ch2_20.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_20_dlap.xml517eab57b11c0fb83d000000
Autobiographical Significance: Handling Complex Emotionssmg10e_ch2_21.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_21_dlap.xml517eab57b11c0fb83d000000
[Respond] Consider possible topics: Recognizing a public event as a turning point.smg10e_ch2_22.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_22_dlap.xml517eab57b11c0fb83d000000
Tom Ruprecht, In Too Deepsmg10e_ch2_23.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_23_dlap.xml517eab57b11c0fb83d000000
[Reflect] Make connections: Using humor.smg10e_ch2_24.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_24_dlap.xml517eab57b11c0fb83d000000
[Analyze] Use the basic features.smg10e_ch2_25.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_25_dlap.xml517eab57b11c0fb83d000000
A Well-Told Story: Understanding the Dramatic Organization of a Storysmg10e_ch2_26.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_26_dlap.xml517eab57b11c0fb83d000000
Vivid Description of People and Places: Using Figures of Speechsmg10e_ch2_27.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_27_dlap.xml517eab57b11c0fb83d000000
Autobiographical Significance: Coming Full Circlesmg10e_ch2_28.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_28_dlap.xml517eab57b11c0fb83d000000
[Respond] Consider possible topics: Being “In Too Deep.”smg10e_ch2_29.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_29_dlap.xml517eab57b11c0fb83d000000
Guide to Writingsmg10e_ch2_30.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_30_dlap.xml517eab57b11c0fb83d000000
The Writing Assignmentsmg10e_ch2_31.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_31_dlap.xml517eab57b11c0fb83d000000
Starting Points: Explaining a Conceptsmg10e_ch2_32.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_32_dlap.xml517eab57b11c0fb83d000000
Writing a Draft: Invention, Research, Planning, and Composingsmg10e_ch2_33.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_33_dlap.xml517eab57b11c0fb83d000000
Choose an event to write about.smg10e_ch2_34.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_34_dlap.xml517eab57b11c0fb83d000000
Shape your story.smg10e_ch2_35.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_35_dlap.xml517eab57b11c0fb83d000000
Organize your story to enhance the drama.smg10e_ch2_36.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_36_dlap.xml517eab57b11c0fb83d000000
Choose your tense and plan time cues.smg10e_ch2_37.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_37_dlap.xml517eab57b11c0fb83d000000
Use dialogue to tell your story.smg10e_ch2_38.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_38_dlap.xml517eab57b11c0fb83d000000
Develop and refine your descriptions.smg10e_ch2_39.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_39_dlap.xml517eab57b11c0fb83d000000
Incorporate descriptive details throughout your story.smg10e_ch2_40.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_40_dlap.xml517eab57b11c0fb83d000000
Consider ways to convey your event’s autobiographical significance.smg10e_ch2_41.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_41_dlap.xml517eab57b11c0fb83d000000
Write the opening sentences.smg10e_ch2_42.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_42_dlap.xml517eab57b11c0fb83d000000
Draft your story.smg10e_ch2_43.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_43_dlap.xml517eab57b11c0fb83d000000
Evaluating the Draft: Getting a Critical Readingsmg10e_ch2_44.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_44_dlap.xml517eab57b11c0fb83d000000
A Critical Reading Guidesmg10e_ch2_45.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_45_dlap.xml517eab57b11c0fb83d000000
Improving the Draft: Revising, Formatting, Editing, and Proofreadingsmg10e_ch2_46.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_46_dlap.xml517eab57b11c0fb83d000000
Revise your draft.smg10e_ch2_47.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_47_dlap.xml517eab57b11c0fb83d000000
A Troubleshooting Guidesmg10e_ch2_48.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_48_dlap.xml517eab57b11c0fb83d000000
Think about design.smg10e_ch2_49.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_49_dlap.xml517eab57b11c0fb83d000000
Edit and proofread your draft.smg10e_ch2_50.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_50_dlap.xml517eab57b11c0fb83d000000
A Writer at Worksmg10e_ch2_51.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_51_dlap.xml517eab57b11c0fb83d000000
Jean Brandt’s Essaysmg10e_ch2_52.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_52_dlap.xml517eab57b11c0fb83d000000
The First Draftsmg10e_ch2_53.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_53_dlap.xml517eab57b11c0fb83d000000
Critical Reading and Revisionsmg10e_ch2_54.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_54_dlap.xml517eab57b11c0fb83d000000
Thinking Criticallysmg10e_ch2_55.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_55_dlap.xml517eab57b11c0fb83d000000
Reflecting on What You Have Learnedsmg10e_ch2_56.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_56_dlap.xml517eab57b11c0fb83d000000
Reflecting on the Genresmg10e_ch2_57.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_57_dlap.xml517eab57b11c0fb83d000000
Shannon Lewis: We Were Heresmg10e_ch2_58.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_58_dlap.xml517eab57b11c0fb83d000000
Juliane Koepcke: How I Survived a Plane Crashsmg10e_ch2_59.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_59_dlap.xml517eab57b11c0fb83d000000
Sally Williams: Sole Survivor: The Woman Who Fell to Earthsmg10e_ch2_60.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_60_dlap.xml517eab57b11c0fb83d000000
[Analyze] Use the basic features.smg10e_ch2_61.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_61_dlap.xml517eab57b11c0fb83d000000
A Well-Told Story: Seeing an Event From Different Perspectivessmg10e_ch2_62.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_62_dlap.xml517eab57b11c0fb83d000000
[Respond] Consider possible topics: Exploring unexpected events.smg10e_ch2_63.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_63_dlap.xml517eab57b11c0fb83d000000
Andrew Lam: Waterloosmg10e_ch2_64.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_64_dlap.xml517eab57b11c0fb83d000000
[Analyze] Use the basic features.smg10e_ch2_65.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_65_dlap.xml517eab57b11c0fb83d000000
Autobiographical Significance: Pairing Description and Reflectionsmg10e_ch2_66.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_66_dlap.xml517eab57b11c0fb83d000000
[Respond] Consider possible topics: Remembering a turning point.smg10e_ch2_67.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_67_dlap.xml517eab57b11c0fb83d000000
Playing With Genre: Remembering an Event in a Graphic Memoirsmg10e_ch2_68.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_68_dlap.xml517eab57b11c0fb83d000000
[Reflect] Make connections: Revisiting your younger self.smg10e_ch2_69.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_69_dlap.xml517eab57b11c0fb83d000000
[Analyze] Use the basic features.smg10e_ch2_70.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_70_dlap.xml517eab57b11c0fb83d000000
A Well-Told Story: Using Cartoons to Share an Experiencesmg10e_ch2_71.html517eab57b11c0fb83d000000
DLAP questionssmg10e_ch2_71_dlap.xml517eab57b11c0fb83d000000