File | Title | Manuscript Id |
Introduction | smg10e_ch3_1.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_1_dlap.xml | 5183d35cb11c0f896b000004 |
Practicing The Genre: Telling a Story | smg10e_ch3_2.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_2_dlap.xml | 5183d35cb11c0f896b000004 |
Guide to Reading | smg10e_ch3_3.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_3_dlap.xml | 5183d35cb11c0f896b000004 |
Analyzing Profiles | smg10e_ch3_4.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_4_dlap.xml | 5183d35cb11c0f896b000004 |
Determine the writerâs purpose and audience. | smg10e_ch3_5.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_5_dlap.xml | 5183d35cb11c0f896b000004 |
Assess the genreâs basic features. | smg10e_ch3_6.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_6_dlap.xml | 5183d35cb11c0f896b000004 |
Readings | smg10e_ch3_7.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_7_dlap.xml | 5183d35cb11c0f896b000004 |
Brian Cable, The Last Stop | smg10e_ch3_8.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_8_dlap.xml | 5183d35cb11c0f896b000004 |
John T. Edge, Iâm Not Leaving Until I Eat This Thing | smg10e_ch3_9.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_9_dlap.xml | 5183d35cb11c0f896b000004 |
[Reflect] Make connections: Aversion to new foods. | smg10e_ch3_10.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_10_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_11.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_11_dlap.xml | 5183d35cb11c0f896b000004 |
Detailed Information About the Subject: Describing the Place and People | smg10e_ch3_12.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_12_dlap.xml | 5183d35cb11c0f896b000004 |
A Clear, Logical Organization: Taking Readers On a Tour | smg10e_ch3_13.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_13_dlap.xml | 5183d35cb11c0f896b000004 |
The Writerâs Role: Acting As a Spectator | smg10e_ch3_14.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_14_dlap.xml | 5183d35cb11c0f896b000004 |
A Perspective On the Subject: Showing and Telling | smg10e_ch3_15.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_15_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Writing about a specialty restaurant, manufacturer, or store. | smg10e_ch3_16.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_16_dlap.xml | 5183d35cb11c0f896b000004 |
Amanda Coyne, The Long Good-Bye: Motherâs Day in Federal Prison | smg10e_ch3_17.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_17_dlap.xml | 5183d35cb11c0f896b000004 |
[Reflect] Make connections: Unfair punishment. | smg10e_ch3_18.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_18_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_19.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_19_dlap.xml | 5183d35cb11c0f896b000004 |
Detailed Information About the Subject: Using Anecdotes | smg10e_ch3_20.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_20_dlap.xml | 5183d35cb11c0f896b000004 |
A Clear, Logical Organization: Narrating a Day in the Life | smg10e_ch3_21.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_21_dlap.xml | 5183d35cb11c0f896b000004 |
The Writerâs Role: Alternating Participant and Spectator Roles | smg10e_ch3_22.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_22_dlap.xml | 5183d35cb11c0f896b000004 |
A Perspective On the Subject: Using Contrast and Juxtaposition | smg10e_ch3_23.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_23_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Profiling one instance of a recurring event. | smg10e_ch3_24.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_24_dlap.xml | 5183d35cb11c0f896b000004 |
Gabriel Thompson, A Gringo in the Lettuce Fields | smg10e_ch3_25.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_25_dlap.xml | 5183d35cb11c0f896b000004 |
[Reflect] Make connections: Switching perspectives. | smg10e_ch3_26.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_26_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_27.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_27_dlap.xml | 5183d35cb11c0f896b000004 |
Detailed Information About the Subject: Using Quotation, Paraphrase, and Summary | smg10e_ch3_28.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_28_dlap.xml | 5183d35cb11c0f896b000004 |
A Clear, Logical Organization: Narrating an Extended Period | smg10e_ch3_29.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_29_dlap.xml | 5183d35cb11c0f896b000004 |
The Writerâs Role: Participating in a Group | smg10e_ch3_30.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_30_dlap.xml | 5183d35cb11c0f896b000004 |
A Perspective On the Subject: Profiling a Controversial Subject | smg10e_ch3_31.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_31_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Immersing yourself. | smg10e_ch3_32.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_32_dlap.xml | 5183d35cb11c0f896b000004 |
Guide to Writing | smg10e_ch3_33.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_33_dlap.xml | 5183d35cb11c0f896b000004 |
The Writing Assignment | smg10e_ch3_34.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_34_dlap.xml | 5183d35cb11c0f896b000004 |
Starting Points: Writing a Profile | smg10e_ch3_35.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_35_dlap.xml | 5183d35cb11c0f896b000004 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch3_36.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_36_dlap.xml | 5183d35cb11c0f896b000004 |
Choose a subject to profile. | smg10e_ch3_37.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_37_dlap.xml | 5183d35cb11c0f896b000004 |
Conduct your field research. | smg10e_ch3_38.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_38_dlap.xml | 5183d35cb11c0f896b000004 |
Integrate quotations from your interviews. | smg10e_ch3_39.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_39_dlap.xml | 5183d35cb11c0f896b000004 |
Create an outline that will organize your profile effectively for your readers. | smg10e_ch3_40.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_40_dlap.xml | 5183d35cb11c0f896b000004 |
Consider document design. | smg10e_ch3_41.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_41_dlap.xml | 5183d35cb11c0f896b000004 |
Determine your role in the profile. | smg10e_ch3_42.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_42_dlap.xml | 5183d35cb11c0f896b000004 |
Develop your perspective on the subject. | smg10e_ch3_43.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_43_dlap.xml | 5183d35cb11c0f896b000004 |
Write the opening sentences. | smg10e_ch3_44.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_44_dlap.xml | 5183d35cb11c0f896b000004 |
Draft your profile. | smg10e_ch3_45.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_45_dlap.xml | 5183d35cb11c0f896b000004 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch3_46.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_46_dlap.xml | 5183d35cb11c0f896b000004 |
A Critical Reading Guide | smg10e_ch3_47.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_47_dlap.xml | 5183d35cb11c0f896b000004 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch3_48.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_48_dlap.xml | 5183d35cb11c0f896b000004 |
Revise your draft. | smg10e_ch3_49.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_49_dlap.xml | 5183d35cb11c0f896b000004 |
A Troubleshooting Guide | smg10e_ch3_50.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_50_dlap.xml | 5183d35cb11c0f896b000004 |
Think about design. | smg10e_ch3_51.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_51_dlap.xml | 5183d35cb11c0f896b000004 |
Edit and proofread your draft. | smg10e_ch3_52.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_52_dlap.xml | 5183d35cb11c0f896b000004 |
A Writer at Work | smg10e_ch3_53.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_53_dlap.xml | 5183d35cb11c0f896b000004 |
Brian Cableâs Interview Notes and Write-Up | smg10e_ch3_54.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_54_dlap.xml | 5183d35cb11c0f896b000004 |
Thinking Critically | smg10e_ch3_55.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_55_dlap.xml | 5183d35cb11c0f896b000004 |
Reflecting on What You Have Learned | smg10e_ch3_56.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_56_dlap.xml | 5183d35cb11c0f896b000004 |
Reflecting on the Genre | smg10e_ch3_57.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_57_dlap.xml | 5183d35cb11c0f896b000004 |
Brianne OâLeary: Fattyâs Custom Tattooz and Body Piercing | smg10e_ch3_58.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_58_dlap.xml | 5183d35cb11c0f896b000004 |
Sam Dillon: 4,100 Students Prove âSmall Is Betterâ Rule Wrong | smg10e_ch3_59.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_59_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_60.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_60_dlap.xml | 5183d35cb11c0f896b000004 |
Detailed Information About the Subject: Bringing Together Text and Visuals | smg10e_ch3_61.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_61_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Profiling a place. | smg10e_ch3_62.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_62_dlap.xml | 5183d35cb11c0f896b000004 |
Veronica Chambers: The Secret Latina | smg10e_ch3_63.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_63_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_64.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_64_dlap.xml | 5183d35cb11c0f896b000004 |
A Perspective On the Subject: Transcending the Familiar | smg10e_ch3_65.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_65_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Widening the perspective on someone close to you. | smg10e_ch3_66.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_66_dlap.xml | 5183d35cb11c0f896b000004 |
Playing With Genre: Profiles in the Media | smg10e_ch3_67.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_67_dlap.xml | 5183d35cb11c0f896b000004 |
[Reflect] Make connections: Sharing work stories. | smg10e_ch3_68.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_68_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_69.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_69_dlap.xml | 5183d35cb11c0f896b000004 |
A Clear, Logical Organization: Examining the Structure of Videos | smg10e_ch3_70.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_70_dlap.xml | 5183d35cb11c0f896b000004 |