FileTitleManuscript Id
Introductionsmg10e_ch10_1.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_1_dlap.xml51992525b11c0fe247000000
Practicing the Genre: Analyzing a Story Collaborativelysmg10e_ch10_2.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_2_dlap.xml51992525b11c0fe247000000
Guide to Readingsmg10e_ch10_3.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_3_dlap.xml51992525b11c0fe247000000
Analyzing Essays That Analyze Storiessmg10e_ch10_4.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_4_dlap.xml51992525b11c0fe247000000
Determine the writer’s purpose and audience.smg10e_ch10_5.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_5_dlap.xml51992525b11c0fe247000000
Assess the genre’s basic features.smg10e_ch10_6.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_6_dlap.xml51992525b11c0fe247000000
Readingssmg10e_ch10_7.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_7_dlap.xml51992525b11c0fe247000000
Iris Lee, Performing a Doctor’s Dutysmg10e_ch10_8.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_8_dlap.xml51992525b11c0fe247000000
Isabella Wright, “For Heaven’s Sake!”smg10e_ch10_9.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_9_dlap.xml51992525b11c0fe247000000
[Analyze] Use the basic features.smg10e_ch10_10.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_10_dlap.xml51992525b11c0fe247000000
A Clear, Arguable Thesis: Getting Beneath the Surfacesmg10e_ch10_11.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_11_dlap.xml51992525b11c0fe247000000
A Well-Supported Argument: Pairing Textual Evidence with Analysissmg10e_ch10_12.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_12_dlap.xml51992525b11c0fe247000000
A Clear, Logical Organization: Coordinating Key Words and Topic Sentencessmg10e_ch10_13.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_13_dlap.xml51992525b11c0fe247000000
Guide to Writingsmg10e_ch10_14.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_14_dlap.xml51992525b11c0fe247000000
The Writing Assignmentsmg10e_ch10_15.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_15_dlap.xml51992525b11c0fe247000000
Starting Points: Analyzing Storiessmg10e_ch10_16.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_16_dlap.xml51992525b11c0fe247000000
Writing a Draft: Invention, Research, Planning, and Composingsmg10e_ch10_17.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_17_dlap.xml51992525b11c0fe247000000
Find a story to write about.smg10e_ch10_18.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_18_dlap.xml51992525b11c0fe247000000
Analyze the story.smg10e_ch10_19.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_19_dlap.xml51992525b11c0fe247000000
Formulate a working thesis.smg10e_ch10_20.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_20_dlap.xml51992525b11c0fe247000000
Provide support for your argument.smg10e_ch10_21.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_21_dlap.xml51992525b11c0fe247000000
To build on your support, consider doing outside research.smg10e_ch10_22.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_22_dlap.xml51992525b11c0fe247000000
Create an outline that will organize your argument effectively.smg10e_ch10_23.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_23_dlap.xml51992525b11c0fe247000000
Write the opening sentences.smg10e_ch10_24.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_24_dlap.xml51992525b11c0fe247000000
Draft your analysis.smg10e_ch10_25.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_25_dlap.xml51992525b11c0fe247000000
Evaluating the Draft: Getting a Critical Readingsmg10e_ch10_26.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_26_dlap.xml51992525b11c0fe247000000
A Critical Reading Guidesmg10e_ch10_27.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_27_dlap.xml51992525b11c0fe247000000
Improving the Draft: Revising, Formatting, Editing, and Proofreadingsmg10e_ch10_28.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_28_dlap.xml51992525b11c0fe247000000
Revise your draft.smg10e_ch10_29.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_29_dlap.xml51992525b11c0fe247000000
A Troubleshooting Guidesmg10e_ch10_30.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_30_dlap.xml51992525b11c0fe247000000
Think about design.smg10e_ch10_31.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_31_dlap.xml51992525b11c0fe247000000
Edit and proofread your draft.smg10e_ch10_32.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_32_dlap.xml51992525b11c0fe247000000
A Writer at Worksmg10e_ch10_33.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_33_dlap.xml51992525b11c0fe247000000
Isabella Wright’s Invention Worksmg10e_ch10_34.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_34_dlap.xml51992525b11c0fe247000000
Thinking Criticallysmg10e_ch10_35.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_35_dlap.xml51992525b11c0fe247000000
Reflecting on What You Have Learnedsmg10e_ch10_36.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_36_dlap.xml51992525b11c0fe247000000
Reflecting on the Genresmg10e_ch10_37.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_37_dlap.xml51992525b11c0fe247000000
An Anthology of Short Storiessmg10e_ch10_38.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_38_dlap.xml51992525b11c0fe247000000
Kate Chopin, The Story of an Hoursmg10e_ch10_39.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_39_dlap.xml51992525b11c0fe247000000
James Joyce, Arabysmg10e_ch10_40.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_40_dlap.xml51992525b11c0fe247000000
William Carlos Williams, The Use of Forcesmg10e_ch10_41.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_41_dlap.xml51992525b11c0fe247000000
Sally Crane: Gazing into the Darknesssmg10e_ch10_42.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_42_dlap.xml51992525b11c0fe247000000
David Ratinov: From Innocence to Insight: “Araby” as an Initiation Storysmg10e_ch10_43.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_43_dlap.xml51992525b11c0fe247000000
Adrian Tomine: Mandarin Accentsmg10e_ch10_44.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_44_dlap.xml51992525b11c0fe247000000
[Analyze] Use the basic features.smg10e_ch10_45.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_45_dlap.xml51992525b11c0fe247000000
A Well-Supported Argument: Examining Assertions in Graphic Fictionsmg10e_ch10_46.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_46_dlap.xml51992525b11c0fe247000000
[Respond] Consider possible topics: Analyzing other works of graphic fiction.smg10e_ch10_47.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_47_dlap.xml51992525b11c0fe247000000
Sandra Tsing Loh: My Father’s Chinese Wivessmg10e_ch10_48.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_48_dlap.xml51992525b11c0fe247000000
[Analyze] Use the basic features.smg10e_ch10_49.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_49_dlap.xml51992525b11c0fe247000000
A Well-Supported Argument: Examining Dialogue in Storiessmg10e_ch10_50.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_50_dlap.xml51992525b11c0fe247000000
[Respond] Consider possible topics: Analyzing other short stories about parents.smg10e_ch10_51.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_51_dlap.xml51992525b11c0fe247000000
Playing With Genre: Adaptations, Sequels, and Parodiessmg10e_ch10_52.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_52_dlap.xml51992525b11c0fe247000000
[Reflect] Make connections: Comparing books and movies.smg10e_ch10_53.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_53_dlap.xml51992525b11c0fe247000000
[Analyze] Use the basic features.smg10e_ch10_54.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_54_dlap.xml51992525b11c0fe247000000
A Well-Supported Argument: Transforming Fiction Into Filmsmg10e_ch10_55.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_55_dlap.xml51992525b11c0fe247000000
Jamaica Kincaid: Girlsmg10e_ch10_56.html51992525b11c0fe247000000
DLAP questionssmg10e_ch10_56_dlap.xml51992525b11c0fe247000000