Name | File | Manuscript |
ix: visualizing composition: Text | writerdesigner1ebim_ch1_1.html | 521f7016757a2ee524000000 |
DLAP questions | writerdesigner1ebim_ch1_1_dlap.xml | 521f7016757a2ee524000000 |
Process! Creative Commons, Wanna Work Together? | writerdesigner1ebim_ch1_2.html | 521f7016757a2ee524000000 |
DLAP questions | writerdesigner1ebim_ch1_2_dlap.xml | 521f7016757a2ee524000000 |
Process! Comparing Public Speakers | writerdesigner1ebim_ch1_3.html | 521f7016757a2ee524000000 |
DLAP questions | writerdesigner1ebim_ch1_3_dlap.xml | 521f7016757a2ee524000000 |
ix: visualizing composition: Audience | writerdesigner1ebim_ch2_1.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_1_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Purpose | writerdesigner1ebim_ch2_2.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_2_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Context | writerdesigner1ebim_ch2_3.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_3_dlap.xml | 521f9d78757a2e063e000003 |
Analyzing Design Choices: An Interactive Case Study | writerdesigner1ebim_ch2_4.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_4_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Emphasis | writerdesigner1ebim_ch2_5.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_5_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Contrast | writerdesigner1ebim_ch2_6.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_6_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Organization | writerdesigner1ebim_ch2_7.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_7_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Alignment | writerdesigner1ebim_ch2_8.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_8_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Proximity | writerdesigner1ebim_ch2_9.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_9_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Color | writerdesigner1ebim_ch2_10.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_10_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Element | writerdesigner1ebim_ch2_11.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_11_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Framing | writerdesigner1ebim_ch2_12.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_12_dlap.xml | 521f9d78757a2e063e000003 |
ix: visualizing composition: Sequence | writerdesigner1ebim_ch2_13.html | 521f9d78757a2e063e000003 |
DLAP questions | writerdesigner1ebim_ch2_13_dlap.xml | 521f9d78757a2e063e000003 |
Maria Andersen, âPlaying to Learn?â | writerdesigner1ebim_ch3_1.html | 521f9e6c757a2eb042000001 |
DLAP questions | writerdesigner1ebim_ch3_1_dlap.xml | 521f9e6c757a2eb042000001 |
Edmond Chang, âGaming Writing: Teaching (with) Video Gamesâ | writerdesigner1ebim_ch3_2.html | 521f9e6c757a2eb042000001 |
DLAP questions | writerdesigner1ebim_ch3_2_dlap.xml | 521f9e6c757a2eb042000001 |
William Maelia, âUsing Web-Based Games to Support 21st Century Learningâ | writerdesigner1ebim_ch3_3.html | 521f9e6c757a2eb042000001 |
DLAP questions | writerdesigner1ebim_ch3_3_dlap.xml | 521f9e6c757a2eb042000001 |
Matt Wendling, Pitch | writerdesigner1ebim_ch3_4.html | 521f9e6c757a2eb042000001 |
DLAP questions | writerdesigner1ebim_ch3_4_dlap.xml | 521f9e6c757a2eb042000001 |
Keith Aoki, James Boyle, and Jennifer Jenkins, Bound By Law? Tales from the Public Domain | writerdesigner1ebim_ch4_1.html | 521f9eea757a2e063e000007 |
DLAP questions | writerdesigner1ebim_ch4_1_dlap.xml | 521f9eea757a2e063e000007 |
Download a Consent Form | writerdesigner1ebim_ch4_2.html | 521f9eea757a2e063e000007 |
DLAP questions | writerdesigner1ebim_ch4_2_dlap.xml | 521f9eea757a2e063e000007 |
Process! Choose a Creative Commons License | writerdesigner1ebim_ch4_3.html | 521f9eea757a2e063e000007 |
DLAP questions | writerdesigner1ebim_ch4_3_dlap.xml | 521f9eea757a2e063e000007 |
Martine Courant Rife, âHow to Cite a Cereal Box in MLA 2009â | writerdesigner1ebim_ch4_4.html | 521f9eea757a2e063e000007 |
DLAP questions | writerdesigner1ebim_ch4_4_dlap.xml | 521f9eea757a2e063e000007 |
Process! Movie Credits: Rock Rock Rock | writerdesigner1ebim_ch4_5.html | 521f9eea757a2e063e000007 |
DLAP questions | writerdesigner1ebim_ch4_5_dlap.xml | 521f9eea757a2e063e000007 |
Ariel Popp, Life-Based Web Comics: A Multimodal Analysis | writerdesigner1ebim_ch5_1.html | 521f9f69757a2e023e000000 |
DLAP questions | writerdesigner1ebim_ch5_1_dlap.xml | 521f9f69757a2e023e000000 |
Source, âHow We Made Snow Fall: A Q&A with the New York Times Teamâ | writerdesigner1ebim_ch6_1.html | 521f9f90757a2ed142000000 |
DLAP questions | writerdesigner1ebim_ch6_1_dlap.xml | 521f9f90757a2ed142000000 |
Cheryl Ball and Shawn Apostel, Feedback on a Prezi | writerdesigner1ebim_ch7_1.html | 521f9fd2757a2ea842000001 |
DLAP questions | writerdesigner1ebim_ch7_1_dlap.xml | 521f9fd2757a2ea842000001 |
Karl Stolley, âLo-Fi Manifestoâ | writerdesigner1ebim_ch8_1.html | 521fa00f757a2ed142000004 |
DLAP questions | writerdesigner1ebim_ch8_1_dlap.xml | 521fa00f757a2ed142000004 |
Phillip Johnson, âScholarship Remixedâ Final Report | writerdesigner1ebim_ch8_2.html | 521fa00f757a2ed142000004 |
DLAP questions | writerdesigner1ebim_ch8_2_dlap.xml | 521fa00f757a2ed142000004 |
Andrew Wasowicz, Video Reflection | writerdesigner1ebim_ch8_3.html | 521fa00f757a2ed142000004 |
DLAP questions | writerdesigner1ebim_ch8_3_dlap.xml | 521fa00f757a2ed142000004 |
Alignment | writerdesigner1ebim_bm1_1.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_1_dlap.xml | 5743873c757a2eab1d000001 |
Audience | writerdesigner1ebim_bm1_2.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_2_dlap.xml | 5743873c757a2eab1d000001 |
Color | writerdesigner1ebim_bm1_3.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_3_dlap.xml | 5743873c757a2eab1d000001 |
Context | writerdesigner1ebim_bm1_4.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_4_dlap.xml | 5743873c757a2eab1d000001 |
Contrast | writerdesigner1ebim_bm1_5.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_5_dlap.xml | 5743873c757a2eab1d000001 |
Element | writerdesigner1ebim_bm1_6.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_6_dlap.xml | 5743873c757a2eab1d000001 |
Emphasis | writerdesigner1ebim_bm1_7.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_7_dlap.xml | 5743873c757a2eab1d000001 |
Framing | writerdesigner1ebim_bm1_8.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_8_dlap.xml | 5743873c757a2eab1d000001 |
Organization | writerdesigner1ebim_bm1_9.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_9_dlap.xml | 5743873c757a2eab1d000001 |
Proximity | writerdesigner1ebim_bm1_10.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_10_dlap.xml | 5743873c757a2eab1d000001 |
Purpose | writerdesigner1ebim_bm1_11.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_11_dlap.xml | 5743873c757a2eab1d000001 |
Sequence | writerdesigner1ebim_bm1_12.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_12_dlap.xml | 5743873c757a2eab1d000001 |
Text | writerdesigner1ebim_bm1_13.html | 5743873c757a2eab1d000001 |
DLAP questions | writerdesigner1ebim_bm1_13_dlap.xml | 5743873c757a2eab1d000001 |