File | Title | Manuscript Id |
Understanding and Composing Multimodal Projects | writershelp2e_ch4_1.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_1_dlap.xml | 53d54093757a2eb779000003 |
Introduction to multimodal texts | writershelp2e_ch4_2.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_2_dlap.xml | 53d54093757a2eb779000003 |
What does it mean to âreadâ a text? | writershelp2e_ch4_3.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_3_dlap.xml | 53d54093757a2eb779000003 |
What is multimodal composing? | writershelp2e_ch4_4.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_4_dlap.xml | 53d54093757a2eb779000003 |
Composing hasnât changed
| writershelp2e_ch4_5.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_5_dlap.xml | 53d54093757a2eb779000003 |
Composing has changed
| writershelp2e_ch4_6.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_6_dlap.xml | 53d54093757a2eb779000003 |
Composing in college | writershelp2e_ch4_7.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_7_dlap.xml | 53d54093757a2eb779000003 |
Composing beyond college | writershelp2e_ch4_8.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_8_dlap.xml | 53d54093757a2eb779000003 |
A toolkit for analyzing and composing multimodal texts | writershelp2e_ch4_9.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_9_dlap.xml | 53d54093757a2eb779000003 |
Resources: Introduction to multimodal texts | writershelp2e_ch4_10.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_10_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (pop-up windows) | writershelp2e_ch4_11.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_11_dlap.xml | 53d54093757a2eb779000003 |
Drawing and poem on a Grecian urn | writershelp2e_ch4_12.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_12_dlap.xml | 53d54093757a2eb779000003 |
Ancient petroglyphs on cave walls | writershelp2e_ch4_13.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_13_dlap.xml | 53d54093757a2eb779000003 |
Medieval illuminated manuscript | writershelp2e_ch4_14.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_14_dlap.xml | 53d54093757a2eb779000003 |
A multimodal text from a math course | writershelp2e_ch4_15.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_15_dlap.xml | 53d54093757a2eb779000003 |
A multimodal text from a geology course | writershelp2e_ch4_16.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_16_dlap.xml | 53d54093757a2eb779000003 |
A multimodal text from an art history course | writershelp2e_ch4_17.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_17_dlap.xml | 53d54093757a2eb779000003 |
A multimodal public service ad | writershelp2e_ch4_18.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_18_dlap.xml | 53d54093757a2eb779000003 |
Analyzing written words | writershelp2e_ch4_19.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_19_dlap.xml | 53d54093757a2eb779000003 |
Genre: In what kind of document do the written words appear? | writershelp2e_ch4_20.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_20_dlap.xml | 53d54093757a2eb779000003 |
Features: What do the words look like? | writershelp2e_ch4_21.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_21_dlap.xml | 53d54093757a2eb779000003 |
Purpose and audience: Why and for whom are the words created? | writershelp2e_ch4_22.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_22_dlap.xml | 53d54093757a2eb779000003 |
Meaning: What effect do the words have on the reader? | writershelp2e_ch4_23.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_23_dlap.xml | 53d54093757a2eb779000003 |
Activities: Analyzing written words (DELETE) | writershelp2e_ch4_24.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_24_dlap.xml | 53d54093757a2eb779000003 |
Activity 1: Your understanding of written texts | writershelp2e_ch4_25.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_25_dlap.xml | 53d54093757a2eb779000003 |
Resources: Analyzing written words | writershelp2e_ch4_26.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_26_dlap.xml | 53d54093757a2eb779000003 |
Chart, models, and visuals | writershelp2e_ch4_27.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_27_dlap.xml | 53d54093757a2eb779000003 |
Analyzing written words | writershelp2e_ch4_28.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_28_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (pop-up windows) (DELETE) | writershelp2e_ch4_29.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_29_dlap.xml | 53d54093757a2eb779000003 |
Everyday multimodal texts (thumbnails) | writershelp2e_ch4_30.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_30_dlap.xml | 53d54093757a2eb779000003 |
Purpose and audience in a public letter | writershelp2e_ch4_31.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_31_dlap.xml | 53d54093757a2eb779000003 |
Analysis of a public letter | writershelp2e_ch4_32.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_32_dlap.xml | 53d54093757a2eb779000003 |
Analyzing sound | writershelp2e_ch4_33.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_33_dlap.xml | 53d54093757a2eb779000003 |
Genre: What kind of sound is it? | writershelp2e_ch4_34.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_34_dlap.xml | 53d54093757a2eb779000003 |
Features: Pitch, pace, and volume | writershelp2e_ch4_35.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_35_dlap.xml | 53d54093757a2eb779000003 |
Purpose and audience: Why and for whom is the sound created? | writershelp2e_ch4_36.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_36_dlap.xml | 53d54093757a2eb779000003 |
Meaning: What effect does sound have on the listener? | writershelp2e_ch4_37.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_37_dlap.xml | 53d54093757a2eb779000003 |
Activities: Analyzing sound (DELETE) | writershelp2e_ch4_38.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_38_dlap.xml | 53d54093757a2eb779000003 |
Activity 2: Your understanding of sound in multimodal texts | writershelp2e_ch4_39.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_39_dlap.xml | 53d54093757a2eb779000003 |
Resources: Analyzing sound | writershelp2e_ch4_40.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_40_dlap.xml | 53d54093757a2eb779000003 |
Chart and models | writershelp2e_ch4_41.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_41_dlap.xml | 53d54093757a2eb779000003 |
Analyzing sound | writershelp2e_ch4_42.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_42_dlap.xml | 53d54093757a2eb779000003 |
Model (external site) (DELETE) | writershelp2e_ch4_43.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_43_dlap.xml | 53d54093757a2eb779000003 |
Podcast for student analysis: King Anyi Howell, âHustlers, Street Vendors, and Farmersâ | writershelp2e_ch4_44.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_44_dlap.xml | 53d54093757a2eb779000003 |
Sample student writing (pop-up windows) (DELETE) | writershelp2e_ch4_45.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_45_dlap.xml | 53d54093757a2eb779000003 |
Notes on an audio podcast | writershelp2e_ch4_46.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_46_dlap.xml | 53d54093757a2eb779000003 |
Analysis of sound in an audio podcast | writershelp2e_ch4_47.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_47_dlap.xml | 53d54093757a2eb779000003 |
Analyzing static images | writershelp2e_ch4_48.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_48_dlap.xml | 53d54093757a2eb779000003 |
Genre: What kind of image is it? | writershelp2e_ch4_49.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_49_dlap.xml | 53d54093757a2eb779000003 |
Features: Context, perspective, and elements | writershelp2e_ch4_50.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_50_dlap.xml | 53d54093757a2eb779000003 |
Purpose and audience: Why and for whom are the images created? | writershelp2e_ch4_51.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_51_dlap.xml | 53d54093757a2eb779000003 |
Meaning: What effect does the image have on the viewer? | writershelp2e_ch4_52.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_52_dlap.xml | 53d54093757a2eb779000003 |
Activities: Analyzing static images (DELETE) | writershelp2e_ch4_53.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_53_dlap.xml | 53d54093757a2eb779000003 |
Activity 3: Your understanding of static images | writershelp2e_ch4_54.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_54_dlap.xml | 53d54093757a2eb779000003 |
Resources: Analyzing static images | writershelp2e_ch4_55.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_55_dlap.xml | 53d54093757a2eb779000003 |
Charts and guidelines (pop-up windows) | writershelp2e_ch4_56.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_56_dlap.xml | 53d54093757a2eb779000003 |
Analyzing static images | writershelp2e_ch4_57.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_57_dlap.xml | 53d54093757a2eb779000003 |
What kind of image is it? | writershelp2e_ch4_58.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_58_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (pop-up windows) | writershelp2e_ch4_59.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_59_dlap.xml | 53d54093757a2eb779000003 |
Instructions: Sketch with generic features | writershelp2e_ch4_60.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_60_dlap.xml | 53d54093757a2eb779000003 |
Analysis of a set of instructions | writershelp2e_ch4_61.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_61_dlap.xml | 53d54093757a2eb779000003 |
Photograph showing an unusual perspective | writershelp2e_ch4_62.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_62_dlap.xml | 53d54093757a2eb779000003 |
Migrant Mother by Dorothea Lange (1936)
| writershelp2e_ch4_63.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_63_dlap.xml | 53d54093757a2eb779000003 |
Toppling of Saddam Hussein statue: Two views | writershelp2e_ch4_64.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_64_dlap.xml | 53d54093757a2eb779000003 |
Analysis of two photos: Toppling of Saddam Hussein | writershelp2e_ch4_65.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_65_dlap.xml | 53d54093757a2eb779000003 |
Analyzing moving images | writershelp2e_ch4_66.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_66_dlap.xml | 53d54093757a2eb779000003 |
Genre: What kind of moving image is it? | writershelp2e_ch4_67.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_67_dlap.xml | 53d54093757a2eb779000003 |
Features: Perspective, composition, and editing | writershelp2e_ch4_68.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_68_dlap.xml | 53d54093757a2eb779000003 |
Purpose and audience: Why and for whom are the moving images created? | writershelp2e_ch4_69.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_69_dlap.xml | 53d54093757a2eb779000003 |
Meaning: What effect do the moving images have on the viewer? | writershelp2e_ch4_70.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_70_dlap.xml | 53d54093757a2eb779000003 |
Activities: Analyzing moving images (DELETE) | writershelp2e_ch4_71.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_71_dlap.xml | 53d54093757a2eb779000003 |
Activity 4: Your understanding of moving images (PSAs) | writershelp2e_ch4_72.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_72_dlap.xml | 53d54093757a2eb779000003 |
Activity 5: Your understanding of moving images (interactive ads) | writershelp2e_ch4_73.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_73_dlap.xml | 53d54093757a2eb779000003 |
Resources: Analyzing moving images | writershelp2e_ch4_74.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_74_dlap.xml | 53d54093757a2eb779000003 |
Charts and guidelines (pop-up windows) | writershelp2e_ch4_75.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_75_dlap.xml | 53d54093757a2eb779000003 |
Analyzing moving images | writershelp2e_ch4_76.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_76_dlap.xml | 53d54093757a2eb779000003 |
Common genres (types) of moving images | writershelp2e_ch4_77.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_77_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (pop-up windows) | writershelp2e_ch4_78.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_78_dlap.xml | 53d54093757a2eb779000003 |
Sequence of still images representing movement | writershelp2e_ch4_79.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_79_dlap.xml | 53d54093757a2eb779000003 |
Analysis of a moving image | writershelp2e_ch4_80.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_80_dlap.xml | 53d54093757a2eb779000003 |
Point of view perspective in the movie Cloverfield
| writershelp2e_ch4_81.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_81_dlap.xml | 53d54093757a2eb779000003 |
Analyzing multimodal texts | writershelp2e_ch4_82.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_82_dlap.xml | 53d54093757a2eb779000003 |
Genre: What kind of multimodal text is it? | writershelp2e_ch4_83.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_83_dlap.xml | 53d54093757a2eb779000003 |
Features: Which modes are represented? How do they function? | writershelp2e_ch4_84.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_84_dlap.xml | 53d54093757a2eb779000003 |
Purpose and audience: Why and for whom is the multimodal text created? | writershelp2e_ch4_85.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_85_dlap.xml | 53d54093757a2eb779000003 |
Meaning: What effect does the composition have on the viewer? | writershelp2e_ch4_86.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_86_dlap.xml | 53d54093757a2eb779000003 |
Activities: Analyzing multimodal texts (DELETE) | writershelp2e_ch4_87.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_87_dlap.xml | 53d54093757a2eb779000003 |
Activity 6: Your understanding of public service announcements | writershelp2e_ch4_88.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_88_dlap.xml | 53d54093757a2eb779000003 |
Resources: Analyzing multimodal texts | writershelp2e_ch4_89.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_89_dlap.xml | 53d54093757a2eb779000003 |
Charts and guidelines (pop-up windows) | writershelp2e_ch4_90.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_90_dlap.xml | 53d54093757a2eb779000003 |
Analyzing multimodal texts | writershelp2e_ch4_91.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_91_dlap.xml | 53d54093757a2eb779000003 |
Common genres of multimodal compositions | writershelp2e_ch4_92.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_92_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (pop-up windows) | writershelp2e_ch4_93.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_93_dlap.xml | 53d54093757a2eb779000003 |
Public service message (World Wildlife Fund) | writershelp2e_ch4_94.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_94_dlap.xml | 53d54093757a2eb779000003 |
Analysis of item collecting in video games | writershelp2e_ch4_95.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_95_dlap.xml | 53d54093757a2eb779000003 |
Starting your own multimodal project | writershelp2e_ch4_96.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_96_dlap.xml | 53d54093757a2eb779000003 |
Getting direction from the assignment | writershelp2e_ch4_97.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_97_dlap.xml | 53d54093757a2eb779000003 |
Considering the âSo what?â question | writershelp2e_ch4_98.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_98_dlap.xml | 53d54093757a2eb779000003 |
Understanding expectations and managing your time | writershelp2e_ch4_99.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_99_dlap.xml | 53d54093757a2eb779000003 |
Activities: Starting your own multimodal project (DELETE) | writershelp2e_ch4_100.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_100_dlap.xml | 53d54093757a2eb779000003 |
Activity 7: Your understanding of two multimodal projects | writershelp2e_ch4_101.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_101_dlap.xml | 53d54093757a2eb779000003 |
Activity 8: Transforming a monomodal to a multimodal project | writershelp2e_ch4_102.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_102_dlap.xml | 53d54093757a2eb779000003 |
Resources: Starting your own multimodal project | writershelp2e_ch4_103.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_103_dlap.xml | 53d54093757a2eb779000003 |
Model (pop-up window) (DELETE) | writershelp2e_ch4_104.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_104_dlap.xml | 53d54093757a2eb779000003 |
Sample student notes: deciding on a topic | writershelp2e_ch4_105.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_105_dlap.xml | 53d54093757a2eb779000003 |
Considering your purpose and audience for a multimodal project | writershelp2e_ch4_106.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_106_dlap.xml | 53d54093757a2eb779000003 |
Prewriting with your purpose in mind | writershelp2e_ch4_107.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_107_dlap.xml | 53d54093757a2eb779000003 |
Identifying your audienceâs needs and perspectives | writershelp2e_ch4_108.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_108_dlap.xml | 53d54093757a2eb779000003 |
Connecting with your audience | writershelp2e_ch4_109.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_109_dlap.xml | 53d54093757a2eb779000003 |
Recognizing an unintended audience | writershelp2e_ch4_110.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_110_dlap.xml | 53d54093757a2eb779000003 |
Activities: Considering your purpose and audience for a multimodal project (DELETE) | writershelp2e_ch4_111.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_111_dlap.xml | 53d54093757a2eb779000003 |
Activity 9: Your understanding of purpose | writershelp2e_ch4_112.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_112_dlap.xml | 53d54093757a2eb779000003 |
Activity 10: Your understanding of audience | writershelp2e_ch4_113.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_113_dlap.xml | 53d54093757a2eb779000003 |
Activity 11: Analyzing audience in your own project | writershelp2e_ch4_114.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_114_dlap.xml | 53d54093757a2eb779000003 |
Resources: Considering your purpose and audience for a multimodal project | writershelp2e_ch4_115.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_115_dlap.xml | 53d54093757a2eb779000003 |
Chart and model | writershelp2e_ch4_116.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_116_dlap.xml | 53d54093757a2eb779000003 |
Creating user profiles | writershelp2e_ch4_117.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_117_dlap.xml | 53d54093757a2eb779000003 |
Model (external link) (DELETE) | writershelp2e_ch4_118.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_118_dlap.xml | 53d54093757a2eb779000003 |
Notes on a website project (external link) | writershelp2e_ch4_119.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_119_dlap.xml | 53d54093757a2eb779000003 |
Planning your multimodal project | writershelp2e_ch4_120.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_120_dlap.xml | 53d54093757a2eb779000003 |
Understanding your own composing process | writershelp2e_ch4_121.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_121_dlap.xml | 53d54093757a2eb779000003 |
Collaborating effectively with others | writershelp2e_ch4_122.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_122_dlap.xml | 53d54093757a2eb779000003 |
Deciding on a main idea | writershelp2e_ch4_123.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_123_dlap.xml | 53d54093757a2eb779000003 |
Planning support for your main idea | writershelp2e_ch4_124.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_124_dlap.xml | 53d54093757a2eb779000003 |
Choosing a genre; deciding on a delivery method | writershelp2e_ch4_125.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_125_dlap.xml | 53d54093757a2eb779000003 |
Activities: Planning your multimodal project (DELETE) | writershelp2e_ch4_126.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_126_dlap.xml | 53d54093757a2eb779000003 |
Activity 12: Your understanding of collaboration | writershelp2e_ch4_127.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_127_dlap.xml | 53d54093757a2eb779000003 |
Activity 13: Your understanding of narrowing a subject | writershelp2e_ch4_128.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_128_dlap.xml | 53d54093757a2eb779000003 |
Activity 14: Planning support for your main idea | writershelp2e_ch4_129.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_129_dlap.xml | 53d54093757a2eb779000003 |
Resources: Planning your multimodal project | writershelp2e_ch4_130.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_130_dlap.xml | 53d54093757a2eb779000003 |
Chart (pop-up window) | writershelp2e_ch4_131.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_131_dlap.xml | 53d54093757a2eb779000003 |
Assessing your strengths as a collaborator | writershelp2e_ch4_132.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_132_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (pop-up windows) | writershelp2e_ch4_133.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_133_dlap.xml | 53d54093757a2eb779000003 |
Linear representation of a composing process | writershelp2e_ch4_134.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_134_dlap.xml | 53d54093757a2eb779000003 |
Realistic representation of a composing process | writershelp2e_ch4_135.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_135_dlap.xml | 53d54093757a2eb779000003 |
Sample student notes: deciding on a delivery method | writershelp2e_ch4_136.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_136_dlap.xml | 53d54093757a2eb779000003 |
Managing your multimodal project | writershelp2e_ch4_137.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_137_dlap.xml | 53d54093757a2eb779000003 |
Saving all your files in one place | writershelp2e_ch4_138.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_138_dlap.xml | 53d54093757a2eb779000003 |
Keeping track of all your files | writershelp2e_ch4_139.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_139_dlap.xml | 53d54093757a2eb779000003 |
Using clear, descriptive file names | writershelp2e_ch4_140.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_140_dlap.xml | 53d54093757a2eb779000003 |
Keeping track of versions | writershelp2e_ch4_141.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_141_dlap.xml | 53d54093757a2eb779000003 |
Activities: Managing your multimodal project (DELETE) | writershelp2e_ch4_142.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_142_dlap.xml | 53d54093757a2eb779000003 |
Activity 15: Your understanding of online file management tools | writershelp2e_ch4_143.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_143_dlap.xml | 53d54093757a2eb779000003 |
Activity 16: Using file management for your own project | writershelp2e_ch4_144.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_144_dlap.xml | 53d54093757a2eb779000003 |
Resources: Managing your multimodal project | writershelp2e_ch4_145.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_145_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (pop-up windows) | writershelp2e_ch4_146.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_146_dlap.xml | 53d54093757a2eb779000003 |
Folder for storage of multimodal project | writershelp2e_ch4_147.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_147_dlap.xml | 53d54093757a2eb779000003 |
Folder with subfolders for music, video clips, and audio clips | writershelp2e_ch4_148.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_148_dlap.xml | 53d54093757a2eb779000003 |
Video clips subfolder | writershelp2e_ch4_149.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_149_dlap.xml | 53d54093757a2eb779000003 |
Sources and notes for a video assignment | writershelp2e_ch4_150.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_150_dlap.xml | 53d54093757a2eb779000003 |
Organizing your multimodal project | writershelp2e_ch4_151.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_151_dlap.xml | 53d54093757a2eb779000003 |
Deciding what type of project you want to create | writershelp2e_ch4_152.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_152_dlap.xml | 53d54093757a2eb779000003 |
Using outlines, wireframes, and storyboards | writershelp2e_ch4_153.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_153_dlap.xml | 53d54093757a2eb779000003 |
Drafting to support your main idea | writershelp2e_ch4_154.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_154_dlap.xml | 53d54093757a2eb779000003 |
Activities: Organizing your multimodal project (DELETE) | writershelp2e_ch4_155.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_155_dlap.xml | 53d54093757a2eb779000003 |
Activity 17: Understanding how to create an outline, a wireframe, or a storyboard | writershelp2e_ch4_156.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_156_dlap.xml | 53d54093757a2eb779000003 |
Activity 18: Using an outline, a wireframe, or a storyboard for your own project | writershelp2e_ch4_157.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_157_dlap.xml | 53d54093757a2eb779000003 |
Resources: Organizing your multimodal project | writershelp2e_ch4_158.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_158_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (pop-up windows) | writershelp2e_ch4_159.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_159_dlap.xml | 53d54093757a2eb779000003 |
The first two slides from a slide show presentation | writershelp2e_ch4_160.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_160_dlap.xml | 53d54093757a2eb779000003 |
Wireframe for a website | writershelp2e_ch4_161.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_161_dlap.xml | 53d54093757a2eb779000003 |
Storyboard for a multimodal project | writershelp2e_ch4_162.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_162_dlap.xml | 53d54093757a2eb779000003 |
Emphasizing important information in your multimodal project | writershelp2e_ch4_163.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_163_dlap.xml | 53d54093757a2eb779000003 |
Determining what needs emphasis | writershelp2e_ch4_164.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_164_dlap.xml | 53d54093757a2eb779000003 |
Choosing a strategy for creating emphasis | writershelp2e_ch4_165.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_165_dlap.xml | 53d54093757a2eb779000003 |
Activities: Emphasizing important information in your multimodal project (DELETE) | writershelp2e_ch4_166.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_166_dlap.xml | 53d54093757a2eb779000003 |
Activity 19: Your understanding of emphasis on websites | writershelp2e_ch4_167.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_167_dlap.xml | 53d54093757a2eb779000003 |
Activity 20: Using emphasis in your own project | writershelp2e_ch4_168.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_168_dlap.xml | 53d54093757a2eb779000003 |
Resources: Emphasizing important information in your multimodal project | writershelp2e_ch4_169.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_169_dlap.xml | 53d54093757a2eb779000003 |
Models and visuals (PDF; pop-up windows) | writershelp2e_ch4_170.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_170_dlap.xml | 53d54093757a2eb779000003 |
Sample résumé (Smith) | writershelp2e_ch4_171.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_171_dlap.xml | 53d54093757a2eb779000003 |
Sample brochure | writershelp2e_ch4_172.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_172_dlap.xml | 53d54093757a2eb779000003 |
Print documents, showing different ways to create emphasis | writershelp2e_ch4_173.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_173_dlap.xml | 53d54093757a2eb779000003 |
First page of a website | writershelp2e_ch4_174.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_174_dlap.xml | 53d54093757a2eb779000003 |
Revising and editing your multimodal project | writershelp2e_ch4_175.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_175_dlap.xml | 53d54093757a2eb779000003 |
Seeking and using feedback | writershelp2e_ch4_176.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_176_dlap.xml | 53d54093757a2eb779000003 |
Revising and remixing a multimodal composition | writershelp2e_ch4_177.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_177_dlap.xml | 53d54093757a2eb779000003 |
Editing a multimodal composition | writershelp2e_ch4_178.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_178_dlap.xml | 53d54093757a2eb779000003 |
Activities: Revising and editing your multimodal project (DELETE) | writershelp2e_ch4_179.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_179_dlap.xml | 53d54093757a2eb779000003 |
Activity 21: Understanding remixing in multimodal compositions | writershelp2e_ch4_180.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_180_dlap.xml | 53d54093757a2eb779000003 |
Activity 22: Getting feedback for your own project | writershelp2e_ch4_181.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_181_dlap.xml | 53d54093757a2eb779000003 |
Resources: Revising and editing your multimodal project | writershelp2e_ch4_182.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_182_dlap.xml | 53d54093757a2eb779000003 |
Chart and model | writershelp2e_ch4_183.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_183_dlap.xml | 53d54093757a2eb779000003 |
Editing multimodal compositions | writershelp2e_ch4_184.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_184_dlap.xml | 53d54093757a2eb779000003 |
Model (pop-up window) (DELETE) | writershelp2e_ch4_185.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_185_dlap.xml | 53d54093757a2eb779000003 |
Draft of student project: an informative website | writershelp2e_ch4_186.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_186_dlap.xml | 53d54093757a2eb779000003 |
Sample student writing (PDF) (DELETE) | writershelp2e_ch4_187.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_187_dlap.xml | 53d54093757a2eb779000003 |
Website project: D'Amato, âLoose Leaf Teasâ | writershelp2e_ch4_188.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_188_dlap.xml | 53d54093757a2eb779000003 |
Video essay project: Williamson, âTo the Children of Americaâ | writershelp2e_ch4_189.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_189_dlap.xml | 53d54093757a2eb779000003 |
Integrating and documenting sources in your multimodal project | writershelp2e_ch4_190.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_190_dlap.xml | 53d54093757a2eb779000003 |
Understanding why documenting sources is important | writershelp2e_ch4_191.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_191_dlap.xml | 53d54093757a2eb779000003 |
Knowing when a citation is needed | writershelp2e_ch4_192.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_192_dlap.xml | 53d54093757a2eb779000003 |
Determining how to integrate sources in a multimodal composition | writershelp2e_ch4_193.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_193_dlap.xml | 53d54093757a2eb779000003 |
Figuring out how to document sources in a multimodal composition | writershelp2e_ch4_194.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_194_dlap.xml | 53d54093757a2eb779000003 |
Activities: Integrating and documenting sources in your multimodal project (DELETE) | writershelp2e_ch4_195.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_195_dlap.xml | 53d54093757a2eb779000003 |
Activity 23: Understanding documentation in different genres | writershelp2e_ch4_196.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_196_dlap.xml | 53d54093757a2eb779000003 |
Activity 24: Keeping a working bibliography for your project | writershelp2e_ch4_197.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_197_dlap.xml | 53d54093757a2eb779000003 |
Resources: Integrating and documenting sources in your multimodal project | writershelp2e_ch4_198.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_198_dlap.xml | 53d54093757a2eb779000003 |
Chart and models | writershelp2e_ch4_199.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_199_dlap.xml | 53d54093757a2eb779000003 |
Documentation conventions for different genres | writershelp2e_ch4_200.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_200_dlap.xml | 53d54093757a2eb779000003 |
Models (pop-up window) (DELETE) | writershelp2e_ch4_201.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_201_dlap.xml | 53d54093757a2eb779000003 |
Web page showing works cited and links | writershelp2e_ch4_202.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_202_dlap.xml | 53d54093757a2eb779000003 |
Presenting or publishing your multimodal project | writershelp2e_ch4_203.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_203_dlap.xml | 53d54093757a2eb779000003 |
Options for presenting and publishing multimodal works | writershelp2e_ch4_204.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_204_dlap.xml | 53d54093757a2eb779000003 |
Pros and cons of presentation and publication spaces | writershelp2e_ch4_205.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_205_dlap.xml | 53d54093757a2eb779000003 |
Making your project accessible and usable | writershelp2e_ch4_206.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_206_dlap.xml | 53d54093757a2eb779000003 |
Activities: Presenting or publishing your multimodal project (DELETE) | writershelp2e_ch4_207.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_207_dlap.xml | 53d54093757a2eb779000003 |
Activity 25: Understanding accessibility and usability | writershelp2e_ch4_208.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_208_dlap.xml | 53d54093757a2eb779000003 |
Activity 26: Considering accessibility and usability in your own project | writershelp2e_ch4_209.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_209_dlap.xml | 53d54093757a2eb779000003 |
Resources: Presenting or publishing your multimodal project | writershelp2e_ch4_210.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_210_dlap.xml | 53d54093757a2eb779000003 |
Charts and guidelines (pop-up windows) | writershelp2e_ch4_211.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_211_dlap.xml | 53d54093757a2eb779000003 |
Presentation spaces for multimodal projects | writershelp2e_ch4_212.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_212_dlap.xml | 53d54093757a2eb779000003 |
Composing projects that are accessible and usable | writershelp2e_ch4_213.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_213_dlap.xml | 53d54093757a2eb779000003 |
Directory to activities for multimodal projects | writershelp2e_ch4_214.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_214_dlap.xml | 53d54093757a2eb779000003 |
Source integrated in a student paper | writershelp2e_ch4_215.html | 53d54093757a2eb779000003 |
DLAP questions | writershelp2e_ch4_215_dlap.xml | 53d54093757a2eb779000003 |