Name | File | Manuscript |
Video with Questions | filmexperience4e_ch100_1.html | 53fa6ebd757a2ec777000006 |
DLAP questions | filmexperience4e_ch100_1_dlap.xml | 53fa6ebd757a2ec777000006 |
FILM IN FOCUS: The 400 Blows | filmexperience4e_ch100_2.html | 53fa6ebd757a2ec777000006 |
DLAP questions | filmexperience4e_ch100_2_dlap.xml | 53fa6ebd757a2ec777000006 |
FORM IN ACTION: Juno | filmexperience4e_ch100_3.html | 53fa6ebd757a2ec777000006 |
DLAP questions | filmexperience4e_ch100_3_dlap.xml | 53fa6ebd757a2ec777000006 |
Studying Film: Culture, Practice, Experience | filmexperience4e_ch100_4.html | 53fa6ebd757a2ec777000006 |
DLAP questions | filmexperience4e_ch100_4_dlap.xml | 53fa6ebd757a2ec777000006 |
Why Film Studies Matters | filmexperience4e_ch100_5.html | 53fa6ebd757a2ec777000006 |
DLAP questions | filmexperience4e_ch100_5_dlap.xml | 53fa6ebd757a2ec777000006 |
Film Spectators and Film Cultures | filmexperience4e_ch100_6.html | 53fa6ebd757a2ec777000006 |
DLAP questions | filmexperience4e_ch100_6_dlap.xml | 53fa6ebd757a2ec777000006 |
The Film Experience | filmexperience4e_ch100_7.html | 53fa6ebd757a2ec777000006 |
DLAP questions | filmexperience4e_ch100_7_dlap.xml | 53fa6ebd757a2ec777000006 |
Video with Questions | filmexperience4e_ch1_1.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_1_dlap.xml | 53fa68d3757a2e0050000004 |
VIEWING CUE: Man of Steel | filmexperience4e_ch1_2.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_2_dlap.xml | 53fa68d3757a2e0050000004 |
FILM IN FOCUS: Killer of Sheep | filmexperience4e_ch1_3.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_3_dlap.xml | 53fa68d3757a2e0050000004 |
FILM IN FOCUS: Citizen Kane | filmexperience4e_ch1_4.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_4_dlap.xml | 53fa68d3757a2e0050000004 |
FILM IN FOCUS: The Blair Witch Project | filmexperience4e_ch1_5.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_5_dlap.xml | 53fa68d3757a2e0050000004 |
FORM IN ACTION: Where the Wild Things Are | filmexperience4e_ch1_6.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_6_dlap.xml | 53fa68d3757a2e0050000004 |
Summary | filmexperience4e_ch1_7.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_7_dlap.xml | 53fa68d3757a2e0050000004 |
Production: How Films Are Made | filmexperience4e_ch1_8.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_8_dlap.xml | 53fa68d3757a2e0050000004 |
Distribution: What We Can See | filmexperience4e_ch1_9.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_9_dlap.xml | 53fa68d3757a2e0050000004 |
Marketing and Promotion: What We Want to See | filmexperience4e_ch1_10.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_10_dlap.xml | 53fa68d3757a2e0050000004 |
Movie Exhibition: The Where, When, and How of Movie Experiences | filmexperience4e_ch1_11.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_11_dlap.xml | 53fa68d3757a2e0050000004 |
Multiple Choice Questions | filmexperience4e_ch1_12.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_12_dlap.xml | 53fa68d3757a2e0050000004 |
Short Answer Questions | filmexperience4e_ch1_13.html | 53fa68d3757a2e0050000004 |
DLAP questions | filmexperience4e_ch1_13_dlap.xml | 53fa68d3757a2e0050000004 |
Video with Questions | filmexperience4e_ch2_1.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_1_dlap.xml | 540be378757a2efa08000000 |
VIEWING CUE: Life of Pi | filmexperience4e_ch2_2.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_2_dlap.xml | 540be378757a2efa08000000 |
FILM IN FOCUS: Do the Right Thing | filmexperience4e_ch2_3.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_3_dlap.xml | 540be378757a2efa08000000 |
FILM IN FOCUS: Bicycle Thieves | filmexperience4e_ch2_4.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_4_dlap.xml | 540be378757a2efa08000000 |
FORM IN ACTION: Fantastic Mr. Fox | filmexperience4e_ch2_5.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_5_dlap.xml | 540be378757a2efa08000000 |
Summary | filmexperience4e_ch2_6.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_6_dlap.xml | 540be378757a2efa08000000 |
A Short History of Mise-en-Scène | filmexperience4e_ch2_7.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_7_dlap.xml | 540be378757a2efa08000000 |
The Elements of Mise-en-Scène | filmexperience4e_ch2_8.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_8_dlap.xml | 540be378757a2efa08000000 |
Making Sense of Mise-en-Scène | filmexperience4e_ch2_9.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_9_dlap.xml | 540be378757a2efa08000000 |
Multiple Choice Questions | filmexperience4e_ch2_10.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_10_dlap.xml | 540be378757a2efa08000000 |
Short Answer Questions | filmexperience4e_ch2_11.html | 540be378757a2efa08000000 |
DLAP questions | filmexperience4e_ch2_11_dlap.xml | 540be378757a2efa08000000 |
Video with Questions | filmexperience4e_ch3_1.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_1_dlap.xml | 540bf162757a2ef708000000 |
VIEWING CUE: Touch of Evil | filmexperience4e_ch3_2.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_2_dlap.xml | 540bf162757a2ef708000000 |
VIEWING CUE: Rear Window | filmexperience4e_ch3_3.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_3_dlap.xml | 540bf162757a2ef708000000 |
VIEWING CUE: The Battle of Algiers | filmexperience4e_ch3_4.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_4_dlap.xml | 540bf162757a2ef708000000 |
FILM IN FOCUS: Vertigo | filmexperience4e_ch3_5.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_5_dlap.xml | 540bf162757a2ef708000000 |
FILM IN FOCUS: M | filmexperience4e_ch3_6.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_6_dlap.xml | 540bf162757a2ef708000000 |
FORM IN ACTION: The Master | filmexperience4e_ch3_7.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_7_dlap.xml | 540bf162757a2ef708000000 |
Summary | filmexperience4e_ch3_8.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_8_dlap.xml | 540bf162757a2ef708000000 |
A Short History of the Cinematic Image | filmexperience4e_ch3_9.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_9_dlap.xml | 540bf162757a2ef708000000 |
The Elements of Cinematography | filmexperience4e_ch3_10.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_10_dlap.xml | 540bf162757a2ef708000000 |
Making Sense of the Film Image | filmexperience4e_ch3_11.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_11_dlap.xml | 540bf162757a2ef708000000 |
Multiple Choice Questions | filmexperience4e_ch3_12.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_12_dlap.xml | 540bf162757a2ef708000000 |
Short Answer Questions | filmexperience4e_ch3_13.html | 540bf162757a2ef708000000 |
DLAP questions | filmexperience4e_ch3_13_dlap.xml | 540bf162757a2ef708000000 |
Video with Questions | filmexperience4e_ch4_1.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_1_dlap.xml | 540c072e757a2ee060000000 |
VIEWING CUE: Chinatown | filmexperience4e_ch4_2.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_2_dlap.xml | 540c072e757a2ee060000000 |
VIEWING CUE: The General | filmexperience4e_ch4_3.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_3_dlap.xml | 540c072e757a2ee060000000 |
FORM IN ACTION: Moulin Rouge! | filmexperience4e_ch4_4.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_4_dlap.xml | 540c072e757a2ee060000000 |
FILM IN FOCUS: Bonnie and Clyde | filmexperience4e_ch4_5.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_5_dlap.xml | 540c072e757a2ee060000000 |
FILM IN FOCUS: Battleship Potemkin | filmexperience4e_ch4_6.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_6_dlap.xml | 540c072e757a2ee060000000 |
Chapter Summary | filmexperience4e_ch4_7.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_7_dlap.xml | 540c072e757a2ee060000000 |
A Short History of Film Editing | filmexperience4e_ch4_8.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_8_dlap.xml | 540c072e757a2ee060000000 |
The Elements of Editing | filmexperience4e_ch4_9.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_9_dlap.xml | 540c072e757a2ee060000000 |
Making Sense of Film Editing | filmexperience4e_ch4_10.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_10_dlap.xml | 540c072e757a2ee060000000 |
Multiple Choice Questions | filmexperience4e_ch4_11.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_11_dlap.xml | 540c072e757a2ee060000000 |
Short Answer Questions | filmexperience4e_ch4_12.html | 540c072e757a2ee060000000 |
DLAP questions | filmexperience4e_ch4_12_dlap.xml | 540c072e757a2ee060000000 |
Video with Questions | filmexperience4e_ch5_1.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_1_dlap.xml | 540c8e10757a2e2e28000000 |
VIEWING CUE: Winter’s Bone | filmexperience4e_ch5_2.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_2_dlap.xml | 540c8e10757a2e2e28000000 |
VIEWING CUE: The Thin Red Line | filmexperience4e_ch5_3.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_3_dlap.xml | 540c8e10757a2e2e28000000 |
FILM IN FOCUS: Singin' in the Rain | filmexperience4e_ch5_4.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_4_dlap.xml | 540c8e10757a2e2e28000000 |
FILM IN FOCUS: The Conversation | filmexperience4e_ch5_5.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_5_dlap.xml | 540c8e10757a2e2e28000000 |
FORM IN ACTION: Saturday Night Fever | filmexperience4e_ch5_6.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_6_dlap.xml | 540c8e10757a2e2e28000000 |
Chapter Summary | filmexperience4e_ch5_7.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_7_dlap.xml | 540c8e10757a2e2e28000000 |
A Short History of Film Sound | filmexperience4e_ch5_8.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_8_dlap.xml | 540c8e10757a2e2e28000000 |
The Elements of Film Sound | filmexperience4e_ch5_9.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_9_dlap.xml | 540c8e10757a2e2e28000000 |
Making Sense of Film Sound | filmexperience4e_ch5_10.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_10_dlap.xml | 540c8e10757a2e2e28000000 |
Multiple Choice Questions | filmexperience4e_ch5_11.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_11_dlap.xml | 540c8e10757a2e2e28000000 |
Short Answer Questions | filmexperience4e_ch5_12.html | 540c8e10757a2e2e28000000 |
DLAP questions | filmexperience4e_ch5_12_dlap.xml | 540c8e10757a2e2e28000000 |
Video with Questions | filmexperience4e_ch6_1.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_1_dlap.xml | 540c9e01757a2e0a30000000 |
VIEWING CUE: The Royal Tenenbaums | filmexperience4e_ch6_2.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_2_dlap.xml | 540c9e01757a2e0a30000000 |
VIEWING CUE: Shutter Island | filmexperience4e_ch6_3.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_3_dlap.xml | 540c9e01757a2e0a30000000 |
FILM IN FOCUS: Apocalypse Now | filmexperience4e_ch6_4.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_4_dlap.xml | 540c9e01757a2e0a30000000 |
FILM IN FOCUS: Mildred Pierce and Daughters of the Dust | filmexperience4e_ch6_5.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_5_dlap.xml | 540c9e01757a2e0a30000000 |
FORM IN ACTION: Ferris Bueller's Day Off | filmexperience4e_ch6_6.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_6_dlap.xml | 540c9e01757a2e0a30000000 |
Chapter Summary | filmexperience4e_ch6_7.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_7_dlap.xml | 540c9e01757a2e0a30000000 |
A Short History of Narrative Film | filmexperience4e_ch6_8.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_8_dlap.xml | 540c9e01757a2e0a30000000 |
The Elements of Narrative Film | filmexperience4e_ch6_9.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_9_dlap.xml | 540c9e01757a2e0a30000000 |
Making Sense of Film Narrative | filmexperience4e_ch6_10.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_10_dlap.xml | 540c9e01757a2e0a30000000 |
Multiple Choice Questions | filmexperience4e_ch6_11.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_11_dlap.xml | 540c9e01757a2e0a30000000 |
Short Answer Questions | filmexperience4e_ch6_12.html | 540c9e01757a2e0a30000000 |
DLAP questions | filmexperience4e_ch6_12_dlap.xml | 540c9e01757a2e0a30000000 |
Video with Questions | filmexperience4e_ch7_1.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_1_dlap.xml | 540c9fa4757a2e3230000000 |
VIEWING CUE: The Cove | filmexperience4e_ch7_2.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_2_dlap.xml | 540c9fa4757a2e3230000000 |
FILM IN FOCUS: Man of Aran | filmexperience4e_ch7_3.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_3_dlap.xml | 540c9fa4757a2e3230000000 |
FORM IN ACTION: Exit Through the Gift Shop | filmexperience4e_ch7_4.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_4_dlap.xml | 540c9fa4757a2e3230000000 |
FILM IN FOCUS: Stories We Tell | filmexperience4e_ch7_5.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_5_dlap.xml | 540c9fa4757a2e3230000000 |
Chapter Summary | filmexperience4e_ch7_6.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_6_dlap.xml | 540c9fa4757a2e3230000000 |
A Short History of Documentary Cinema | filmexperience4e_ch7_7.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_7_dlap.xml | 540c9fa4757a2e3230000000 |
The Elements of Documentary Films | filmexperience4e_ch7_8.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_8_dlap.xml | 540c9fa4757a2e3230000000 |
Making Sense of Documentary Films | filmexperience4e_ch7_9.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_9_dlap.xml | 540c9fa4757a2e3230000000 |
Multiple Choice Questions | filmexperience4e_ch7_10.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_10_dlap.xml | 540c9fa4757a2e3230000000 |
Short Answer Questions | filmexperience4e_ch7_11.html | 540c9fa4757a2e3230000000 |
DLAP questions | filmexperience4e_ch7_11_dlap.xml | 540c9fa4757a2e3230000000 |
Video with Questions | filmexperience4e_ch8_1.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_1_dlap.xml | 540ca83e757a2ee032000000 |
VIEWING CUE: Gently Down the Stream | filmexperience4e_ch8_2.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_2_dlap.xml | 540ca83e757a2ee032000000 |
FILM IN FOCUS: Ballet Mécanique | filmexperience4e_ch8_3.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_3_dlap.xml | 540ca83e757a2ee032000000 |
FILM IN FOCUS: Meshes of the Afternoon | filmexperience4e_ch8_4.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_4_dlap.xml | 540ca83e757a2ee032000000 |
FORM IN ACTION: Bridges-Go-Round | filmexperience4e_ch8_5.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_5_dlap.xml | 540ca83e757a2ee032000000 |
Chapter Summary | filmexperience4e_ch8_6.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_6_dlap.xml | 540ca83e757a2ee032000000 |
A Short History of Experimental Film and Media Practices | filmexperience4e_ch8_7.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_7_dlap.xml | 540ca83e757a2ee032000000 |
Variations of Experimental Media | filmexperience4e_ch8_8.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_8_dlap.xml | 540ca83e757a2ee032000000 |
Making Sense of Experimental Media | filmexperience4e_ch8_9.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_9_dlap.xml | 540ca83e757a2ee032000000 |
Multiple Choice Questions | filmexperience4e_ch8_10.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_10_dlap.xml | 540ca83e757a2ee032000000 |
Short Answer Questions | filmexperience4e_ch8_11.html | 540ca83e757a2ee032000000 |
DLAP questions | filmexperience4e_ch8_11_dlap.xml | 540ca83e757a2ee032000000 |
Video with Questions | filmexperience4e_ch9_1.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_1_dlap.xml | 540d02cb757a2e4a58000000 |
VIEWING CUE: The Searchers | filmexperience4e_ch9_2.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_2_dlap.xml | 540d02cb757a2e4a58000000 |
FILM IN FOCUS: Chinatown | filmexperience4e_ch9_3.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_3_dlap.xml | 540d02cb757a2e4a58000000 |
FILM IN FOCUS: Vagabond | filmexperience4e_ch9_4.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_4_dlap.xml | 540d02cb757a2e4a58000000 |
FORM IN ACTION: True Grit | filmexperience4e_ch9_5.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_5_dlap.xml | 540d02cb757a2e4a58000000 |
Chapter Summary | filmexperience4e_ch9_6.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_6_dlap.xml | 540d02cb757a2e4a58000000 |
A Short History of Film Genre | filmexperience4e_ch9_7.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_7_dlap.xml | 540d02cb757a2e4a58000000 |
The Elements of Film Genre | filmexperience4e_ch9_8.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_8_dlap.xml | 540d02cb757a2e4a58000000 |
Making Sense of Film Genres | filmexperience4e_ch9_9.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_9_dlap.xml | 540d02cb757a2e4a58000000 |
Multiple Choice Questions | filmexperience4e_ch9_10.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_10_dlap.xml | 540d02cb757a2e4a58000000 |
Short Answer Questions | filmexperience4e_ch9_11.html | 540d02cb757a2e4a58000000 |
DLAP questions | filmexperience4e_ch9_11_dlap.xml | 540d02cb757a2e4a58000000 |
Video with Questions | filmexperience4e_ch10_1.html | 540d05bf757a2e145a000000 |
DLAP questions | filmexperience4e_ch10_1_dlap.xml | 540d05bf757a2e145a000000 |
VIEWING CUE: Gilda and Rome Open City | filmexperience4e_ch10_2.html | 540d05bf757a2e145a000000 |
DLAP questions | filmexperience4e_ch10_2_dlap.xml | 540d05bf757a2e145a000000 |
FILM IN FOCUS: Taxi Driver | filmexperience4e_ch10_3.html | 540d05bf757a2e145a000000 |
DLAP questions | filmexperience4e_ch10_3_dlap.xml | 540d05bf757a2e145a000000 |
FILM IN FOCUS: Within Our Gates | filmexperience4e_ch10_4.html | 540d05bf757a2e145a000000 |
DLAP questions | filmexperience4e_ch10_4_dlap.xml | 540d05bf757a2e145a000000 |
Chapter Summary | filmexperience4e_ch10_5.html | 540d05bf757a2e145a000000 |
DLAP questions | filmexperience4e_ch10_5_dlap.xml | 540d05bf757a2e145a000000 |
Early Cinema | filmexperience4e_ch10_6.html | 540d05bf757a2e145a000000 |
DLAP questions | filmexperience4e_ch10_6_dlap.xml | 540d05bf757a2e145a000000 |
Cinema between the Wars | filmexperience4e_ch10_7.html | 540d05bf757a2e145a000000 |
DLAP questions | filmexperience4e_ch10_7_dlap.xml | 540d05bf757a2e145a000000 |
Postwar Cinemas | filmexperience4e_ch10_8.html | 540d05bf757a2e145a000000 |
DLAP questions | filmexperience4e_ch10_8_dlap.xml | 540d05bf757a2e145a000000 |
Contemporary Film Cultures | filmexperience4e_ch10_9.html | 540d05bf757a2e145a000000 |
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The Lost and Found of Film History | filmexperience4e_ch10_10.html | 540d05bf757a2e145a000000 |
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Excavating Film History | filmexperience4e_ch10_11.html | 540d05bf757a2e145a000000 |
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Multiple Choice Questions | filmexperience4e_ch10_12.html | 540d05bf757a2e145a000000 |
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Short Answer Questions | filmexperience4e_ch10_13.html | 540d05bf757a2e145a000000 |
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VIEWING CUE: The Wizard of Oz | filmexperience4e_ch11_2.html | 540d08f9757a2e055a000000 |
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FILM IN FOCUS: Persepolis | filmexperience4e_ch11_3.html | 540d08f9757a2e055a000000 |
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FILM IN FOCUS: Clueless | filmexperience4e_ch11_4.html | 540d08f9757a2e055a000000 |
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Chapter Summary | filmexperience4e_ch11_5.html | 540d08f9757a2e055a000000 |
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The Evolution of Film Theory | filmexperience4e_ch11_6.html | 540d08f9757a2e055a000000 |
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Early and Classical Film Theory | filmexperience4e_ch11_7.html | 540d08f9757a2e055a000000 |
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Postwar Film Culture and Criticism | filmexperience4e_ch11_8.html | 540d08f9757a2e055a000000 |
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Contemporary Film Theory | filmexperience4e_ch11_9.html | 540d08f9757a2e055a000000 |
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Multiple Choice Questions | filmexperience4e_ch11_10.html | 540d08f9757a2e055a000000 |
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Short Answer Questions | filmexperience4e_ch11_11.html | 540d08f9757a2e055a000000 |
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Video with Questions | filmexperience4e_ch12_1.html | 540d0bad757a2e1a5d000000 |
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VIEWING CUE: Moonrise Kingdom | filmexperience4e_ch12_2.html | 540d0bad757a2e1a5d000000 |
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FILM IN FOCUS: Rashomon | filmexperience4e_ch12_3.html | 540d0bad757a2e1a5d000000 |
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FILM IN FOCUS: The Cabinet of Dr. Caligari | filmexperience4e_ch12_4.html | 540d0bad757a2e1a5d000000 |
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FILM IN FOCUS: Minority Report | filmexperience4e_ch12_5.html | 540d0bad757a2e1a5d000000 |
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Chapter Summary | filmexperience4e_ch12_6.html | 540d0bad757a2e1a5d000000 |
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Writing an Analytical Film Essay | filmexperience4e_ch12_7.html | 540d0bad757a2e1a5d000000 |
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Preparing to Write about a Film | filmexperience4e_ch12_8.html | 540d0bad757a2e1a5d000000 |
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Elements of a Film Essay | filmexperience4e_ch12_9.html | 540d0bad757a2e1a5d000000 |
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Revision, Formatting, and Proofreading | filmexperience4e_ch12_10.html | 540d0bad757a2e1a5d000000 |
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Researching the Movies | filmexperience4e_ch12_11.html | 540d0bad757a2e1a5d000000 |
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