Reading Quiz for Chapter 21

Read Chapter 21 in your book and check your comprehension by answering the following questions. Then “submit” your work.

  1. Question

    mwTI88gkORb3YzPo/mfF8fXKBeLXcPjvtKAecZC02509giHQoxP214HoEqmf1/SnIByzfD/aW36NTxz64VQepx+hnXqvyeLNmmeYMC98lduEqeZuxxk6hP8XhLR5/XLcRD7HYM1FCIiTqHXpmi0HKRmFCRFu5hgywQc95iFcKzt3Tw9+9OqJfROUlYBpZD7Ko7c3dBV5DToBWZ/tdc7s7ULmCZuECRBV/DA3lkgxxnuVlNxfjEe4xcVuWVEaNC0tAmq18lZfSbeYbVatAkYPEc2ol0dvd/b+fUPzVjWwqHQ6qqz2SuyJ9bbOj1LmJXMrlpo0O+hjNyWJWv8j9Q3UXECNkT1JWZws
    Debussy’s Three Nocturnes refer to
    Correct.
    Incorrect. See Claude Debussy, Clouds in Chapter 21.

  2. Question

    avDRblMY/zLRxChDI2HU24rGsAZ6TLPZLnj+XC+tdi7iQazlFtXthKFU1d+qwq+mH0+4gESQullUMa+Biv9REs1EXOmvtBK68LPjqCRGSYnhSZT6IXK1aezEVjIBidhJUouJWplhshoBOcFUafVo60/QqX9Rz9qkCIipilr11BeroSgyJj2QBKC5VGDylTsMVi5/uauhc+Gx94kQXfXw/rbMtzK34eNw9vPEuLaGIU9vqVGlevg8idavBLxD46FxQtYhe4ZshPRkSVy7ZfYQ3ism6+dyvUdK+NM6Er8iI4yJnDF8Ysd5EHECbXZ+ihBFpGwWCF7VFknAPggSRpBfwnLtAgISmGDkDGvPwTTDjPceaQY3W0Zp+rk/wWPrDsK/bgdLLloC0WoWqrj746+ozPnLGGt/jc4+VFkKIvLwu+VcGm3eZhypAH00xYPTLNkoAI2XXDEB0gc=
    Clouds makes use of two new scales that Debussy used frequently, the
    Correct.
    Incorrect. See Claude Debussy, Clouds in Chapter 21.

  3. Question

    McL0aJmWRwNHMZwYVhrt9apCSJsfhKnLwJ1UDPANyiuek442QFZs05jCBT7gX6xUCp5QelH/QRHOE2WO6k/4lAZ0HmbhHdo+3vCkw/0sXtgsDos4Q7bPEBnaP02vw5GaZNgrcG4gqWbaPJQQMVwT13dmdXGTMHPyAevrOQZ3Cifv61Dg/845Ly5pbKFHFjFj43FsFbvI1TWs65IT/28bZTZ6VMLEYYmmuuM6nd6gmqyuYi9WcUDfSF3aztoLiSF1I95CyTY4wMXG5A7P1fAYisSNaFegY6Zq0YMbf4fw/xmSpQCMYLXASQn6wQeuyS7cO7q/AcSMf2Nn4y9S8nidDCbsStADcCSedJJJryj2kvSS9F9oI/UvnduhSlYQ9U0wn79NwNzUeJlrNJjmPelds69Y1yKSw5cYJ46nEiRj+UJQ6RU0iE9MdVMBnRkNy84aa6HkRR3jsArBArkUQTDy22/8GtAM2OWg6jDo+w+9Vg4=
    Debussy’s musical style reflects the influence of
    Correct.
    Incorrect. See Claude Debussy in Chapter 21.

  4. Question

    RjlGRFg/Q3sUQHotbE/0zmL9WQOOA0iQ/08kwEUO4VziS/E7yMDO3AYYtl7qG1pOP8fKYC5aEfAHKRzdWpd+KEFa1GyOXzaWC18QL7QL/6lyN7pGleXPDfP0QnoVGWSa/WiCriJjG/N2wbejkYJtmYYwrYFql1ZyKR3HEr6TWYLFSHlIycv1kXkEGx7e35aA/9HklQFQ1v9MNiuIQlJR+rCoYvNvv43inaFrD/A9QUokLYppmc0hr4Om5ALO/+VwPD5vdQ==
    Stravinsky’s three ballets written for the Ballets Russes in Paris reveal his progressively abstract use of
    Correct.
    Incorrect. See Stravinsky: The Primacy of Rhythm in Chapter 21.

  5. Question

    2C3PFYip8IeIW81F//J5F/JHh3iYQnvqi95AXFz3e3XrpvO3eBuP86I0t/3wPtaLGa6bU5txBNzpgChz8ExGjoaBrasvhVRgym6cpbR7R6lkUGpr7653ZRmDxrplRhqsYq849HF0U3qOnFqDyt3QAvoL8onDZSuw+dpYhNqnIjlfWwGIQjIlu8Wc52rJ24wY7ArpwlSFCZF10If3P0nuwdaX4rny242zYi6R/h6Ja3izmzjztTf1TZy41HBj1G9YpuDf+WE7HJ3BP8KQpCGx6Y2a7S+3hvWL0Fhy+0sz5rRIbkDWi4CSZhVbxh04KH2T
    The first performance of The Rite of Spring
    Correct.
    Incorrect. See Igor Stravinsky, The Rite of Spring in Chapter 21.

  6. Question

    yxuoqOVNApTYZn1qlCnBbfTSyJ+OixbCic2l5YufBVJumstcWYstB8aRczV9buh769QZExSps8+t3NwmCKy0SnaKkdyqDce7f34iLXHqVSWxJjwg7q/wx94JbjqmAsVf+UTpN/bdWcPW+Q0yhWEtscXbJCt90k4uWX9RmzKmWUMqwdauWorBQ076yZV02EKiTmjsEJ3WT3KfkcPIZp6TuxLGDjNql2WeeznMfUj7rMNRXBGFYiHK1Nl35xmWnwlZm997opcFVbIZyZWQ2b/MIxcv0MzPk91h+8aEHCUwpbJJxcmC5h+r0z54C0H8lqPIwwFiHG3qALijoaeqdgStxkOJpXS07r0GBTXGHXAGNqc=
    After World War I, Stravinsky began to model his music on pre-Romantic composers such as Bach and Mozart in a style sometimes called
    Correct.
    Incorrect. See Igor Stravinsky in Chapter 21.

  7. Question

    WlES13UW2YZbGmOFTyq1YRgvllv1Cyg12hybDuH+eMGv6nD+j5OocNwDJwjgfQ9l0OrjAVv/EEQmo9nJBXXwlWJkoha1mH0OIgzvsC/KcjbsBhpUFKWN0tZ3wrp7w6Idb75FcmlLIzwD6zEu2oK17tr6LxXqwm6+rlJPsb5RF0rZN7noeMfj9ty7CNDTydEJG1NIcAvwX76rnfSGgXB7X3wWpwoarGZYqkTVLGMg38M=
    Who was the leading expressionist composer in the period before World War I?
    Correct.
    Incorrect. See Expressionism in Chapter 21.

  8. Question

    cgXQ+5lt2HL4Mhvz8GtjK947ysDchL+bW7yF1ou4XMGkxSDkcbiqVonOVI64KDTjZu6noYWX0mtrVDpVWcgDN0q9JbRLJEj4gOpXQv+AfnNw9XwoFTqHIP73BAOnKX1Ei139c7eGjLUxBc1Q/5jY/NriuoE95AlB6eZhGAbnsHMkYZeHjqhoRz/O0RIrZgdoFOGN/yF58PMjRyuzt/gtDCxLayLg1lTsaG8+Dghh7oaqH1YPeFGcCoNJolM5hzhKgwd2cGbHMs0vMlie+p38xLZDZ4+ArN/N8ZJVWK6ezC2+i6W6/LqtAhIhnIlnyBSSuqGwf0DglfnLRc7IC2qgUw==
    Which are emotional themes associated with expressionist music?
    Correct.
    Incorrect. See Expressionism in Chapter 21.

  9. Question

    DYYgtlAKP4wQILnXz4uMh8lV/8LdvghG4ETwRpI7SHX9Xq3DO0/Kv3tgFekmhRh1KN/+CjK9y7ModA/e3lseng2XTniXQtDHFlNOHaJJJh+eoB8HstI3g5t14eENt+DSpjhRALi9D7xvE8Tx7w5NI4icEbtJ1iQWHXAJaUb2LMkpQ3HqANW0xgIsdiyVF8gqu1JCqm9Wg0hcBy0/ZwSmqkpajw5S4FKDveIDz4NrqP9jxNagE7boIorTd/niXk2sLOpyPakkN0OiUYn3tvZA0BI2Ei8z8VQ6KAb7mr8QpTKsorNfS8hY6ZZnC9Y=
    The soprano in Pierrot lunaire performs in a style that is in between song and speech, an invention of Schoenberg’s called
    Correct.
    Incorrect. See Arnold Schoenberg, Pierrot lunaire in Chapter 21.

  10. Question

    eyva/RTU+3bdB2TM5kjJ8fp+5FYSJeJrjd/6f3tugy5PJ/1/b/19dWHsawp1s0vD0tBzSmJkLkeTB2VyHZWTlp0TTh0zdwYfHe85MY3DX7o1XJWnH/Enb99K/LrEHGntDADX/iIFafPEBRQYNdsSXkVepYrhbsTZShxnEvY9GfMK2LZZr7QFLufp+YFpfBPBGXZ9h5qgo7iLrVEKlf89U4YyYjeSCfiFPcLb9NCf0mIKNJf9Xx29UXghrFmdKPaEoPT1/yHEV9rQSosSVuP86XeK9zDDRsWhJFYPAWNn4MztfBmTUfzqWqPeI6tc5YwFEFsljQ==
    What did Schoenberg use for the text of Pierrot lunaire?
    Correct.
    Incorrect. See Arnold Schoenberg, Pierrot lunaire in Chapter 21.

  11. Question

    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
    The method of composition known as serialism relies on what?
    Correct.
    Incorrect. See Schoenberg and Serialism in Chapter 21.

  12. Question

    uov8pD+X3i+WCi/+HBAW30CRpfi3CDrpnX2WcOMoMlccoDeNiRVKTFCuXvk6yUZ64KqYoXzI2tyNW0sdTrnC0jnnPQFNB1L3mhav0+8vf1tNS4Pifnh8zemSd0P88MxbxPH/6wMXJJMIWGAjSRVbq2huzM7+ql6/DxGlN9raxF8epdXNe7XGJD8NW9MDIJVfr1CzsrMtlIj5MkTYYre97MhjCHR+P2/9edIn6l4jEtUocsj2y5+d4+DESE5RTPjt6Jbq1pnV3prIMfnf5TvWz8tgE0EWnCi2lT/XybiuF+8Fp0E4Df+9HTO4gVchqt6PSMJJLf7a7Q6Au7hfwKqMmyuiOoYt67TkuvXhxcTmjT7miqO1TAk46whrheo=
    The Second Viennese School was made up of Schoenberg and the two composers who were quickest to adopt his serialism,
    Correct.
    Incorrect. See Schoenberg and Serialism in Chapter 21.

  13. Question

    fX1o2Whd/9JJOV3OEt03A7mEw8iwDMa5wjTqMLcSk3FwUTcYAr6Ia2zmTIboJCJMRx5Fv+91O8861rrbieJhtir/Yah6N6R9gcR1HsOYgbhLvJuDsNPCPZe041bKV/oH6eZLe+ec/pf0Ii09YhMHrae449W63UtjKK7QNb/rOuFN8gjgMRONjcGln6Tgq+6pJYaXSHPCASPCcpk+BoHabUtQn19WLatlheA6EJO/8T2JfZJLJwp5CDJjr9esrWEVV721y5zcHHhDeQOetKcRZUjZf9qwCt61w4IUZZoGx03L8YvpHhlC2aXhtnTHWXtH84odrVQ/0OrJQRqO
    Berg’s opera Wozzeck is based on
    Correct.
    Incorrect. See Alban Berg, Wozzeck in Chapter 21.

  14. Question

    lFHUHCBMqLC0RBv+midLwmj+VNoX5iomI87X4CjmSIiMn9twOHxFtVzJ3VBnwyHIfFz+pndiAwuV9h3PVfJmNNAzk/ZtG7T7fQQziGf6dtiThVWPoZhsYJ3rDvzTQJ71MB1xfz2oVGLMPg3RPvGfpxO+0XFJDtAPXiemUnL66Ccl25QredbSuQggi+wpT2FyMSLCByp4Qy7Bz33Z9BmBhheTQUS11IRvI9vyZdpE418=
    Instead of making his living as a composer, Charles Ives had a job
    Correct.
    Incorrect. See Charles Ives in Chapter 21.

  15. Question

    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
    Why is Charles Ives’s emergence as a major modernist composer in America surprising?
    Correct.
    Incorrect. See The First American Modernist: Charles Ives in Chapter 21.