Name | File | Manuscript |
Interactive Modules: Drama | literature_full_ch04_1.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_1_dlap.xml | 553abae2757a2e6134000002 |
Interactive Module: Antigone by Sophocles
| literature_full_ch04_2.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_2_dlap.xml | 553abae2757a2e6134000002 |
Respond to a Reading: Antigone by Sophocles
| literature_full_ch04_3.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_3_dlap.xml | 553abae2757a2e6134000002 |
Draw Connections: Antigone and Seven Against Thebes
| literature_full_ch04_4.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_4_dlap.xml | 553abae2757a2e6134000002 |
Collaborate on a Reading: Antigone by Sophocles
| literature_full_ch04_5.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_5_dlap.xml | 553abae2757a2e6134000002 |
Interactive Module: Hamlet by William Shakespeare
| literature_full_ch04_6.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_6_dlap.xml | 553abae2757a2e6134000002 |
Respond to a Reading: Hamlet by William Shakespeare
| literature_full_ch04_7.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_7_dlap.xml | 553abae2757a2e6134000002 |
Draw Connections: Scenes from Hamlet, The Spanish Tragedy, and The Revengerâs Tragedy
| literature_full_ch04_8.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_8_dlap.xml | 553abae2757a2e6134000002 |
Collaborate on a Reading: Hamlet by William Shakespeare
| literature_full_ch04_9.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_9_dlap.xml | 553abae2757a2e6134000002 |
Interactive Module: Trifles by Susan Glaspell
| literature_full_ch04_10.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_10_dlap.xml | 553abae2757a2e6134000002 |
Respond to a Reading: Trifles by Susan Glaspell
| literature_full_ch04_11.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_11_dlap.xml | 553abae2757a2e6134000002 |
Draw Connections: Trifles by Susan Glaspell
| literature_full_ch04_12.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_12_dlap.xml | 553abae2757a2e6134000002 |
Collaborate on a Reading: Trifles by Susan Glaspell
| literature_full_ch04_13.html | 553abae2757a2e6134000002 |
DLAP questions | literature_full_ch04_13_dlap.xml | 553abae2757a2e6134000002 |
More Resources | literature_full_mr01_1.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_1_dlap.xml | 5542edf5757a2e955a000000 |
Reading Comprehension Quizzes | literature_full_mr01_2.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_2_dlap.xml | 5542edf5757a2e955a000000 |
Nonfiction | literature_full_mr01_3.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_3_dlap.xml | 5542edf5757a2e955a000000 |
Chris Abani, The Lottery
| literature_full_mr01_4.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_4_dlap.xml | 5542edf5757a2e955a000000 |
Diane Ackerman, Plato: The Perfect Union
| literature_full_mr01_5.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_5_dlap.xml | 5542edf5757a2e955a000000 |
Joan Acocella, A Few Too Many
| literature_full_mr01_6.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_6_dlap.xml | 5542edf5757a2e955a000000 |
Daniel Akst, What Meets the Eye
| literature_full_mr01_7.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_7_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, Superman and Me
| literature_full_mr01_8.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_8_dlap.xml | 5542edf5757a2e955a000000 |
Akhil Reed Amar, Second Thoughts
| literature_full_mr01_9.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_9_dlap.xml | 5542edf5757a2e955a000000 |
Maya Angelou, Graduation in Stamps
| literature_full_mr01_10.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_10_dlap.xml | 5542edf5757a2e955a000000 |
Marie Arana, Ghosts: Pishtacos
| literature_full_mr01_11.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_11_dlap.xml | 5542edf5757a2e955a000000 |
James Baldwin, Notes of a Native Son
| literature_full_mr01_12.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_12_dlap.xml | 5542edf5757a2e955a000000 |
Dave Barry, Beauty and the Beast
| literature_full_mr01_13.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_13_dlap.xml | 5542edf5757a2e955a000000 |
Lynda Barry, Todayâs Demon: Magic
| literature_full_mr01_14.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_14_dlap.xml | 5542edf5757a2e955a000000 |
Thomas Beller, The Problem with T-Shirts
| literature_full_mr01_15.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_15_dlap.xml | 5542edf5757a2e955a000000 |
Charles Bowden, Our Wall
| literature_full_mr01_16.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_16_dlap.xml | 5542edf5757a2e955a000000 |
David Brooks, People Like Us
| literature_full_mr01_17.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_17_dlap.xml | 5542edf5757a2e955a000000 |
Ken Burns, Our Best Selves
| literature_full_mr01_18.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_18_dlap.xml | 5542edf5757a2e955a000000 |
Augusten Burroughs, Absolutely Fabulous
| literature_full_mr01_19.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_19_dlap.xml | 5542edf5757a2e955a000000 |
Nicholas Carr, Is Google Making Us Stupid?
| literature_full_mr01_20.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_20_dlap.xml | 5542edf5757a2e955a000000 |
Rachel Carson, The Obligation to Endure
| literature_full_mr01_21.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_21_dlap.xml | 5542edf5757a2e955a000000 |
Stephen L. Carter, The Insufficiency of Honesty
| literature_full_mr01_22.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_22_dlap.xml | 5542edf5757a2e955a000000 |
Raymond Carver, My Fatherâs Life
| literature_full_mr01_23.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_23_dlap.xml | 5542edf5757a2e955a000000 |
Michael Chabon, Faking It
| literature_full_mr01_24.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_24_dlap.xml | 5542edf5757a2e955a000000 |
Susan Cheever, Drinking with Daddy
| literature_full_mr01_25.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_25_dlap.xml | 5542edf5757a2e955a000000 |
Jill Christman, The Sloth
| literature_full_mr01_26.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_26_dlap.xml | 5542edf5757a2e955a000000 |
Judith Ortiz Cofer, American History
| literature_full_mr01_27.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_27_dlap.xml | 5542edf5757a2e955a000000 |
Bernard Cooper, A Clack of Tiny Sparks: Remembrances of a Gay Boyhood
| literature_full_mr01_28.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_28_dlap.xml | 5542edf5757a2e955a000000 |
Amy Cunningham, Why Women Smile
| literature_full_mr01_29.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_29_dlap.xml | 5542edf5757a2e955a000000 |
Meghan Daum, Toy Children
| literature_full_mr01_30.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_30_dlap.xml | 5542edf5757a2e955a000000 |
Don DeLillo, In the Ruins of the Future
| literature_full_mr01_31.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_31_dlap.xml | 5542edf5757a2e955a000000 |
Jared Diamond, The Ends of the World as We Know Them
| literature_full_mr01_32.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_32_dlap.xml | 5542edf5757a2e955a000000 |
Joan Didion, On Morality
| literature_full_mr01_33.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_33_dlap.xml | 5542edf5757a2e955a000000 |
Annie Dillard, The Death of a Moth
| literature_full_mr01_34.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_34_dlap.xml | 5542edf5757a2e955a000000 |
Annie Dillard, The Deer at Providencia
| literature_full_mr01_35.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_35_dlap.xml | 5542edf5757a2e955a000000 |
E.L. Doctorow, Why We Are Infidels
| literature_full_mr01_36.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_36_dlap.xml | 5542edf5757a2e955a000000 |
John Donne, Meditation XVII, from Devotions upon Emergent Occasions
| literature_full_mr01_37.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_37_dlap.xml | 5542edf5757a2e955a000000 |
Frederick Douglass, Learning to Read and Write
| literature_full_mr01_38.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_38_dlap.xml | 5542edf5757a2e955a000000 |
Brian Doyle, Joyas Volardores
| literature_full_mr01_39.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_39_dlap.xml | 5542edf5757a2e955a000000 |
Brian Doyle, Pop Art
| literature_full_mr01_40.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_40_dlap.xml | 5542edf5757a2e955a000000 |
Brian Doyle, The Greatest Nature Essay Ever
| literature_full_mr01_41.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_41_dlap.xml | 5542edf5757a2e955a000000 |
Mark Edmundson, Dwelling in Possibilities
| literature_full_mr01_42.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_42_dlap.xml | 5542edf5757a2e955a000000 |
Barbara Ehrenreich, Will Women Still Need Men?
| literature_full_mr01_43.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_43_dlap.xml | 5542edf5757a2e955a000000 |
Lars Eighner, On Dumpster Diving
| literature_full_mr01_44.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_44_dlap.xml | 5542edf5757a2e955a000000 |
Nora Ephron, The Boston Photographs
| literature_full_mr01_45.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_45_dlap.xml | 5542edf5757a2e955a000000 |
Joseph Epstein, The Perpetual Adolescent
| literature_full_mr01_46.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_46_dlap.xml | 5542edf5757a2e955a000000 |
Kai Erikson, The Witches of Salem Village
| literature_full_mr01_47.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_47_dlap.xml | 5542edf5757a2e955a000000 |
Anne Fadiman, Under Water
| literature_full_mr01_48.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_48_dlap.xml | 5542edf5757a2e955a000000 |
James Fallows, Throwing Like a Girl
| literature_full_mr01_49.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_49_dlap.xml | 5542edf5757a2e955a000000 |
Jonathan Safran Foer, Let Them Eat Dog
| literature_full_mr01_50.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_50_dlap.xml | 5542edf5757a2e955a000000 |
Richard Ford, A City Beyond the Reach of Empathy
| literature_full_mr01_51.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_51_dlap.xml | 5542edf5757a2e955a000000 |
Anne Frank, from Diary of a Young Girl
| literature_full_mr01_52.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_52_dlap.xml | 5542edf5757a2e955a000000 |
Erich Fromm, Is Love an Art?
| literature_full_mr01_53.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_53_dlap.xml | 5542edf5757a2e955a000000 |
Henry Louis Gates Jr., In the Kitchen
| literature_full_mr01_54.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_54_dlap.xml | 5542edf5757a2e955a000000 |
John Taylor Gatto, Against School
| literature_full_mr01_55.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_55_dlap.xml | 5542edf5757a2e955a000000 |
Atul Gawande, Hellhole
| literature_full_mr01_56.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_56_dlap.xml | 5542edf5757a2e955a000000 |
Jon Gertner, The Futile Pursuit of Happiness
| literature_full_mr01_57.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_57_dlap.xml | 5542edf5757a2e955a000000 |
Daniel Gilbert, Next to Nothing
| literature_full_mr01_58.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_58_dlap.xml | 5542edf5757a2e955a000000 |
Malcolm Gladwell, Small Change: Why the Revolution Will Not Be Tweeted
| literature_full_mr01_59.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_59_dlap.xml | 5542edf5757a2e955a000000 |
Emma Goldman, Defense
| literature_full_mr01_60.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_60_dlap.xml | 5542edf5757a2e955a000000 |
Cynthia Gorney, The Urge to Merge
| literature_full_mr01_61.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_61_dlap.xml | 5542edf5757a2e955a000000 |
Stephen J. Gould, Sex, Drugs, Disasters, and the Extinction of Dinosaurs
| literature_full_mr01_62.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_62_dlap.xml | 5542edf5757a2e955a000000 |
Michihiko Hachiya, from Hiroshima Diary
| literature_full_mr01_63.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_63_dlap.xml | 5542edf5757a2e955a000000 |
Daniel Harris, Celebrity Bodies
| literature_full_mr01_64.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_64_dlap.xml | 5542edf5757a2e955a000000 |
Nathaniel Hawthorne, My Visit to Niagara
| literature_full_mr01_65.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_65_dlap.xml | 5542edf5757a2e955a000000 |
Vicki Hearne, Whatâs Wrong with Animal Rights
| literature_full_mr01_66.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_66_dlap.xml | 5542edf5757a2e955a000000 |
Christopher Hitchens, Believe Me, Itâs Torture
| literature_full_mr01_67.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_67_dlap.xml | 5542edf5757a2e955a000000 |
Edward Hoagland, On Stuttering
| literature_full_mr01_68.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_68_dlap.xml | 5542edf5757a2e955a000000 |
bell hooks, from Bone Black: Memories of Girlhood
| literature_full_mr01_69.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_69_dlap.xml | 5542edf5757a2e955a000000 |
bell hooks, Inspired Eccentricity
| literature_full_mr01_70.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_70_dlap.xml | 5542edf5757a2e955a000000 |
Langston Hughes, Salvation
| literature_full_mr01_71.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_71_dlap.xml | 5542edf5757a2e955a000000 |
Zora Neale Hurston, How It Feels to Be Colored Me
| literature_full_mr01_72.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_72_dlap.xml | 5542edf5757a2e955a000000 |
Siri Hustvedt, Eight Days in a Corset
| literature_full_mr01_73.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_73_dlap.xml | 5542edf5757a2e955a000000 |
Pico Iyer, The Inner Climate
| literature_full_mr01_74.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_74_dlap.xml | 5542edf5757a2e955a000000 |
Thomas Jefferson, The Declaration of Independence
| literature_full_mr01_75.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_75_dlap.xml | 5542edf5757a2e955a000000 |
Ha Jin, Arrival
| literature_full_mr01_76.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_76_dlap.xml | 5542edf5757a2e955a000000 |
Lacy M. Johnson, White Trash Primer
| literature_full_mr01_77.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_77_dlap.xml | 5542edf5757a2e955a000000 |
Jamaica Kincaid, On Seeing England for the First Time
| literature_full_mr01_78.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_78_dlap.xml | 5542edf5757a2e955a000000 |
Jamaica Kincaid, Girl
| literature_full_mr01_79.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_79_dlap.xml | 5542edf5757a2e955a000000 |
Martin Luther King Jr., I Have a Dream
| literature_full_mr01_80.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_80_dlap.xml | 5542edf5757a2e955a000000 |
Martin Luther King Jr., Letter from Birmingham Jail
| literature_full_mr01_81.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_81_dlap.xml | 5542edf5757a2e955a000000 |
Stephen King, Everything You Need to Know about Writing Successfullyâin Ten Minutes
| literature_full_mr01_82.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_82_dlap.xml | 5542edf5757a2e955a000000 |
Maxine Hong Kingston, No Name Woman
| literature_full_mr01_83.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_83_dlap.xml | 5542edf5757a2e955a000000 |
Caroline Knapp, Love
| literature_full_mr01_84.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_84_dlap.xml | 5542edf5757a2e955a000000 |
Laura Kipnis, Against Love
| literature_full_mr01_85.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_85_dlap.xml | 5542edf5757a2e955a000000 |
Geeta Kothari, If You Are What You Eat, Then What Am I?
| literature_full_mr01_86.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_86_dlap.xml | 5542edf5757a2e955a000000 |
Chang-Rae Lee, Coming Home Again
| literature_full_mr01_87.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_87_dlap.xml | 5542edf5757a2e955a000000 |
Steven D. Levitt and Stephen J. Dubner, What Should You Worry About?
| literature_full_mr01_88.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_88_dlap.xml | 5542edf5757a2e955a000000 |
Michael Lewis, The Mansion: A Subprime Parable
| literature_full_mr01_89.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_89_dlap.xml | 5542edf5757a2e955a000000 |
Abraham Lincoln, Gettysburg Address
| literature_full_mr01_90.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_90_dlap.xml | 5542edf5757a2e955a000000 |
Stuart Lishan, Winter Count, 1964
| literature_full_mr01_91.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_91_dlap.xml | 5542edf5757a2e955a000000 |
Barry Lopez, Emancipation
| literature_full_mr01_92.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_92_dlap.xml | 5542edf5757a2e955a000000 |
Thomas Lynch, Into the Oblivion
| literature_full_mr01_93.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_93_dlap.xml | 5542edf5757a2e955a000000 |
Nancy Mairs, On Being a Cripple
| literature_full_mr01_94.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_94_dlap.xml | 5542edf5757a2e955a000000 |
Malcolm X, My First Conk
| literature_full_mr01_95.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_95_dlap.xml | 5542edf5757a2e955a000000 |
David Mamet, The Rake: A Few Scenes from My Childhood
| literature_full_mr01_96.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_96_dlap.xml | 5542edf5757a2e955a000000 |
Adam Mayblum, The Price We Pay
| literature_full_mr01_97.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_97_dlap.xml | 5542edf5757a2e955a000000 |
James McBride, Hip-Hop Planet
| literature_full_mr01_98.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_98_dlap.xml | 5542edf5757a2e955a000000 |
Charles McGrath, The Pleasures of the Text
| literature_full_mr01_99.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_99_dlap.xml | 5542edf5757a2e955a000000 |
Louis Menand, Name that Tone
| literature_full_mr01_100.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_100_dlap.xml | 5542edf5757a2e955a000000 |
Dinaw Mengestu, Home at Last
| literature_full_mr01_101.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_101_dlap.xml | 5542edf5757a2e955a000000 |
Walter Ben Michaels, The Trouble with Diversity
| literature_full_mr01_102.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_102_dlap.xml | 5542edf5757a2e955a000000 |
Arthur Miller, Tragedy and the Common Man
| literature_full_mr01_103.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_103_dlap.xml | 5542edf5757a2e955a000000 |
Jessica Mitford, The American Way of Death
| literature_full_mr01_104.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_104_dlap.xml | 5542edf5757a2e955a000000 |
N. Scott Momaday, The Way to Rainy Mountain
| literature_full_mr01_105.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_105_dlap.xml | 5542edf5757a2e955a000000 |
Errol Morris, Liar, Liar, Pants on Fire
| literature_full_mr01_106.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_106_dlap.xml | 5542edf5757a2e955a000000 |
Bharati Mukherjee, Two Ways to Belong in America
| literature_full_mr01_107.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_107_dlap.xml | 5542edf5757a2e955a000000 |
Azar Nafisi, Reading Lolita in Tehran
| literature_full_mr01_108.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_108_dlap.xml | 5542edf5757a2e955a000000 |
Martha Nussbaum, Veiled Threats
| literature_full_mr01_109.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_109_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, I, the Juror
| literature_full_mr01_110.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_110_dlap.xml | 5542edf5757a2e955a000000 |
Barack Obama, Grant Park Victory Speech
| literature_full_mr01_111.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_111_dlap.xml | 5542edf5757a2e955a000000 |
Barack Obama, Origins
| literature_full_mr01_112.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_112_dlap.xml | 5542edf5757a2e955a000000 |
Danielle Ofri, SAT
| literature_full_mr01_113.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_113_dlap.xml | 5542edf5757a2e955a000000 |
George Orwell, Politics and the English Language
| literature_full_mr01_114.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_114_dlap.xml | 5542edf5757a2e955a000000 |
George Orwell, Shooting an Elephant
| literature_full_mr01_115.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_115_dlap.xml | 5542edf5757a2e955a000000 |
Camille Paglia, The Pitfalls of Plastic Surgery
| literature_full_mr01_116.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_116_dlap.xml | 5542edf5757a2e955a000000 |
Paul, 1 Corinthians 13
| literature_full_mr01_117.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_117_dlap.xml | 5542edf5757a2e955a000000 |
Walker Percy, The Loss of the Creature
| literature_full_mr01_118.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_118_dlap.xml | 5542edf5757a2e955a000000 |
Michael Pollan, Whatâs Eating America
| literature_full_mr01_119.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_119_dlap.xml | 5542edf5757a2e955a000000 |
Katha Pollitt, Webstalker
| literature_full_mr01_120.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_120_dlap.xml | 5542edf5757a2e955a000000 |
Katha Pollitt, Why Boys Donât Play with Dolls
| literature_full_mr01_121.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_121_dlap.xml | 5542edf5757a2e955a000000 |
Richard Rodriguez, Aria: A Memoir of a Bilingual Childhood
| literature_full_mr01_122.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_122_dlap.xml | 5542edf5757a2e955a000000 |
Randall Robinson, Can a Black Family Be a Legal Nuisance?
| literature_full_mr01_123.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_123_dlap.xml | 5542edf5757a2e955a000000 |
Salman Rushdie, Imagine Thereâs No Heaven
| literature_full_mr01_124.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_124_dlap.xml | 5542edf5757a2e955a000000 |
William Safire, Changing Warming
| literature_full_mr01_125.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_125_dlap.xml | 5542edf5757a2e955a000000 |
Michael J. Sandel, Designer Babies
| literature_full_mr01_126.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_126_dlap.xml | 5542edf5757a2e955a000000 |
Scott Russell Sanders, The Men We Carry in Our Minds
| literature_full_mr01_127.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_127_dlap.xml | 5542edf5757a2e955a000000 |
Marjane Satrapi, My Speech at West Point
| literature_full_mr01_128.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_128_dlap.xml | 5542edf5757a2e955a000000 |
Marjane Satrapi, The Cigarette
| literature_full_mr01_129.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_129_dlap.xml | 5542edf5757a2e955a000000 |
Eric Schlosser, Why McDonaldâs Fries Taste So Good
| literature_full_mr01_130.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_130_dlap.xml | 5542edf5757a2e955a000000 |
David Sedaris, What I Learned and What I Said at Princeton
| literature_full_mr01_131.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_131_dlap.xml | 5542edf5757a2e955a000000 |
Rebecca Solnit, The Thoreau Problem
| literature_full_mr01_132.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_132_dlap.xml | 5542edf5757a2e955a000000 |
Art Spiegelman, from Maus
| literature_full_mr01_133.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_133_dlap.xml | 5542edf5757a2e955a000000 |
Jonathan Swift, A Modest Proposal
| literature_full_mr01_134.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_134_dlap.xml | 5542edf5757a2e955a000000 |
Grace Talusan, My Fatherâs Noose
| literature_full_mr01_135.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_135_dlap.xml | 5542edf5757a2e955a000000 |
Amy Tan, Two Kinds
| literature_full_mr01_136.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_136_dlap.xml | 5542edf5757a2e955a000000 |
Henry David Thoreau, Civil Disobedience
| literature_full_mr01_137.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_137_dlap.xml | 5542edf5757a2e955a000000 |
Mark Twain, The Story of the Good Little Boy
| literature_full_mr01_138.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_138_dlap.xml | 5542edf5757a2e955a000000 |
Jill Tweedie, The Experience
| literature_full_mr01_139.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_139_dlap.xml | 5542edf5757a2e955a000000 |
Melvin I. Urofsky, Two Scenes from a Hospital
| literature_full_mr01_140.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_140_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Wadler, Peter Rabbit Must Die
| literature_full_mr01_141.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_141_dlap.xml | 5542edf5757a2e955a000000 |
David Foster Wallace, Commencement Speech, Kenyon College
| literature_full_mr01_142.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_142_dlap.xml | 5542edf5757a2e955a000000 |
Will Wright, Dream Machines
| literature_full_mr01_143.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_143_dlap.xml | 5542edf5757a2e955a000000 |
Poetry | literature_full_mr01_144.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_144_dlap.xml | 5542edf5757a2e955a000000 |
Word Choice and Word Order | literature_full_mr01_145.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_145_dlap.xml | 5542edf5757a2e955a000000 |
Tone | literature_full_mr01_146.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_146_dlap.xml | 5542edf5757a2e955a000000 |
Images | literature_full_mr01_147.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_147_dlap.xml | 5542edf5757a2e955a000000 |
Figures of Speech | literature_full_mr01_148.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_148_dlap.xml | 5542edf5757a2e955a000000 |
Symbol and Allegory | literature_full_mr01_149.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_149_dlap.xml | 5542edf5757a2e955a000000 |
Irony | literature_full_mr01_150.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_150_dlap.xml | 5542edf5757a2e955a000000 |
Sounds | literature_full_mr01_151.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_151_dlap.xml | 5542edf5757a2e955a000000 |
Patterns of Rhythm | literature_full_mr01_152.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_152_dlap.xml | 5542edf5757a2e955a000000 |
Poetic Forms | literature_full_mr01_153.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_153_dlap.xml | 5542edf5757a2e955a000000 |
Fiction | literature_full_mr01_154.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_154_dlap.xml | 5542edf5757a2e955a000000 |
Chinua Achebe, Marriage Is a Private Affair
| literature_full_mr01_155.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_155_dlap.xml | 5542edf5757a2e955a000000 |
Kim Addonizio, Survivors
| literature_full_mr01_156.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_156_dlap.xml | 5542edf5757a2e955a000000 |
Chimamanda Ngozi Adichie, Birdsong
| literature_full_mr01_157.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_157_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, Somebody Kept Saying Powwow
| literature_full_mr01_158.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_158_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, The Lone Ranger and Tonto Fistfight in Heaven
| literature_full_mr01_159.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_159_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, This Is What It Means to Say Phoenix, Arizona
| literature_full_mr01_160.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_160_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, War Dances
| literature_full_mr01_161.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_161_dlap.xml | 5542edf5757a2e955a000000 |
Sherman Alexie, What You Pawn I Will Redeem
| literature_full_mr01_162.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_162_dlap.xml | 5542edf5757a2e955a000000 |
Monica Ali, Dinner with Dr. Azad
| literature_full_mr01_163.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_163_dlap.xml | 5542edf5757a2e955a000000 |
Isabel Allende, And of Clay Are We Created
| literature_full_mr01_164.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_164_dlap.xml | 5542edf5757a2e955a000000 |
Isabel Allende, The Judgeâs Wife
| literature_full_mr01_165.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_165_dlap.xml | 5542edf5757a2e955a000000 |
Dorothy Allison, Jason Who Will Be Famous
| literature_full_mr01_166.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_166_dlap.xml | 5542edf5757a2e955a000000 |
Julia Alvarez, Daughter of Invention
| literature_full_mr01_167.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_167_dlap.xml | 5542edf5757a2e955a000000 |
Martin Amis, The Last Days of Muhammad Atta
| literature_full_mr01_168.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_168_dlap.xml | 5542edf5757a2e955a000000 |
Sherwood Anderson, Hands
| literature_full_mr01_169.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_169_dlap.xml | 5542edf5757a2e955a000000 |
Margaret Atwood, Death by Landscape
| literature_full_mr01_170.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_170_dlap.xml | 5542edf5757a2e955a000000 |
Margaret Atwood, Happy Endings
| literature_full_mr01_171.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_171_dlap.xml | 5542edf5757a2e955a000000 |
Margaret Atwood, There Was Once
| literature_full_mr01_172.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_172_dlap.xml | 5542edf5757a2e955a000000 |
Alison Baker, Better Be Ready âBout Half Past Eight
| literature_full_mr01_173.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_173_dlap.xml | 5542edf5757a2e955a000000 |
James Baldwin, Sonnyâs Blues
| literature_full_mr01_174.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_174_dlap.xml | 5542edf5757a2e955a000000 |
Toni Cade Bambara, The Lesson
| literature_full_mr01_175.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_175_dlap.xml | 5542edf5757a2e955a000000 |
Melissa Bank, The Wonder Spot
| literature_full_mr01_176.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_176_dlap.xml | 5542edf5757a2e955a000000 |
Rick Bass, Her First Elk
| literature_full_mr01_177.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_177_dlap.xml | 5542edf5757a2e955a000000 |
Ann Beattie, The Four-Night Fight
| literature_full_mr01_178.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_178_dlap.xml | 5542edf5757a2e955a000000 |
Ann Beattie, Snow
| literature_full_mr01_179.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_179_dlap.xml | 5542edf5757a2e955a000000 |
Aimee Bender, Tiger Mender
| literature_full_mr01_180.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_180_dlap.xml | 5542edf5757a2e955a000000 |
Ambrose Bierce, An Occurrence at Owl Creek Bridge
| literature_full_mr01_181.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_181_dlap.xml | 5542edf5757a2e955a000000 |
Amy Bloom, By-and-by
| literature_full_mr01_182.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_182_dlap.xml | 5542edf5757a2e955a000000 |
Amy Bloom, Hold Tight
| literature_full_mr01_183.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_183_dlap.xml | 5542edf5757a2e955a000000 |
Roberto Bolaño, Jim
| literature_full_mr01_184.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_184_dlap.xml | 5542edf5757a2e955a000000 |
Tadeusz Borowski, This Way for the Gas, Ladies and Gentlemen
| literature_full_mr01_185.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_185_dlap.xml | 5542edf5757a2e955a000000 |
George Bowering, A Short Story
| literature_full_mr01_186.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_186_dlap.xml | 5542edf5757a2e955a000000 |
T. Coraghessan Boyle, Admiral
| literature_full_mr01_187.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_187_dlap.xml | 5542edf5757a2e955a000000 |
T. Coraghessan Boyle, Balto
| literature_full_mr01_188.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_188_dlap.xml | 5542edf5757a2e955a000000 |
T. Coraghessan Boyle, Carnal Knowledge
| literature_full_mr01_189.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_189_dlap.xml | 5542edf5757a2e955a000000 |
Ray Bradbury, Mars Is Heaven!
| literature_full_mr01_190.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_190_dlap.xml | 5542edf5757a2e955a000000 |
Laura Brodie, Spiderman Summer
| literature_full_mr01_191.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_191_dlap.xml | 5542edf5757a2e955a000000 |
Rebecca Brown, The Gift of Sweat
| literature_full_mr01_192.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_192_dlap.xml | 5542edf5757a2e955a000000 |
Mark Budman, Diary of a Salaryman
| literature_full_mr01_193.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_193_dlap.xml | 5542edf5757a2e955a000000 |
José Antonio Burciaga, La Puerta
| literature_full_mr01_194.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_194_dlap.xml | 5542edf5757a2e955a000000 |
Edgar Rice Burroughs, from Tarzan of the Apes
| literature_full_mr01_195.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_195_dlap.xml | 5542edf5757a2e955a000000 |
Robert Olen Butler, Christmas 1910
| literature_full_mr01_196.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_196_dlap.xml | 5542edf5757a2e955a000000 |
Robert Olen Butler, Jealous Husband Returns in Form of Parrot
| literature_full_mr01_197.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_197_dlap.xml | 5542edf5757a2e955a000000 |
A.S. Byatt, Baglady
| literature_full_mr01_198.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_198_dlap.xml | 5542edf5757a2e955a000000 |
Ron Carlson, Max
| literature_full_mr01_199.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_199_dlap.xml | 5542edf5757a2e955a000000 |
Angela Carter, A Souvenir of Japan
| literature_full_mr01_200.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_200_dlap.xml | 5542edf5757a2e955a000000 |
Angela Carter, The Company of Wolves
| literature_full_mr01_201.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_201_dlap.xml | 5542edf5757a2e955a000000 |
Raymond Carver, Cathedral
| literature_full_mr01_202.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_202_dlap.xml | 5542edf5757a2e955a000000 |
Raymond Carver, Popular Mechanics
| literature_full_mr01_203.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_203_dlap.xml | 5542edf5757a2e955a000000 |
Raymond Carver, What We Talk About When We Talk About Love
| literature_full_mr01_204.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_204_dlap.xml | 5542edf5757a2e955a000000 |
Willa Cather, Paulâs Case
| literature_full_mr01_205.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_205_dlap.xml | 5542edf5757a2e955a000000 |
Michael Chabon, Along the Frontage Road
| literature_full_mr01_206.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_206_dlap.xml | 5542edf5757a2e955a000000 |
May-lee Chai, Saving Sourdi
| literature_full_mr01_207.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_207_dlap.xml | 5542edf5757a2e955a000000 |
Anton Chekhov, A Blunder
| literature_full_mr01_208.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_208_dlap.xml | 5542edf5757a2e955a000000 |
Anton Chekhov, The Lady with the Pet Dog
| literature_full_mr01_209.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_209_dlap.xml | 5542edf5757a2e955a000000 |
Kate Chopin, Désiréeâs Baby
| literature_full_mr01_210.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_210_dlap.xml | 5542edf5757a2e955a000000 |
Kate Chopin, The Story of an Hour
| literature_full_mr01_211.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_211_dlap.xml | 5542edf5757a2e955a000000 |
Sandra Cisneros, Eleven
| literature_full_mr01_212.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_212_dlap.xml | 5542edf5757a2e955a000000 |
Sandra Cisneros, The House on Mango Street
| literature_full_mr01_213.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_213_dlap.xml | 5542edf5757a2e955a000000 |
Sandra Cisneros, Woman Hollering Creek
| literature_full_mr01_214.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_214_dlap.xml | 5542edf5757a2e955a000000 |
Judith Ortiz Cofer, Nada
| literature_full_mr01_215.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_215_dlap.xml | 5542edf5757a2e955a000000 |
Sidonie-Gabrielle Colette, The Hand
| literature_full_mr01_216.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_216_dlap.xml | 5542edf5757a2e955a000000 |
Joseph Conrad, An Outpost of Progress
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DLAP questions | literature_full_mr01_217_dlap.xml | 5542edf5757a2e955a000000 |
Stephen Crane, The Open Boat
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DLAP questions | literature_full_mr01_218_dlap.xml | 5542edf5757a2e955a000000 |
Stephen Crane, The Bride Comes to Yellow Sky
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DLAP questions | literature_full_mr01_219_dlap.xml | 5542edf5757a2e955a000000 |
Edwidge Danticat, New York Day Women
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DLAP questions | literature_full_mr01_220_dlap.xml | 5542edf5757a2e955a000000 |
Lydia Davis, Blind Date
| literature_full_mr01_221.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_221_dlap.xml | 5542edf5757a2e955a000000 |
Lydia Davis, Letter to a Funeral Parlor
| literature_full_mr01_222.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_222_dlap.xml | 5542edf5757a2e955a000000 |
Lydia Davis, What She Knew
| literature_full_mr01_223.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_223_dlap.xml | 5542edf5757a2e955a000000 |
Don DeLillo, Videotape
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DLAP questions | literature_full_mr01_224_dlap.xml | 5542edf5757a2e955a000000 |
Junot DÃaz, Drown
| literature_full_mr01_225.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_225_dlap.xml | 5542edf5757a2e955a000000 |
Junot DÃaz, Fiesta, 1980
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DLAP questions | literature_full_mr01_226_dlap.xml | 5542edf5757a2e955a000000 |
Junot DÃaz, How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie
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DLAP questions | literature_full_mr01_227_dlap.xml | 5542edf5757a2e955a000000 |
Charles Dickens, from Hard Times
| literature_full_mr01_228.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_228_dlap.xml | 5542edf5757a2e955a000000 |
Linh Dinh, â!â
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DLAP questions | literature_full_mr01_229_dlap.xml | 5542edf5757a2e955a000000 |
Chitra Banerjee Divakaruni, Clothes
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Andre Dubus, Killings
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Dave Eggers, Accident
| literature_full_mr01_232.html | 5542edf5757a2e955a000000 |
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Ralph Ellison, Battle Royal
| literature_full_mr01_233.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_233_dlap.xml | 5542edf5757a2e955a000000 |
Harlan Ellison, âRepent, Harlequin!â Said the Ticktockman
| literature_full_mr01_234.html | 5542edf5757a2e955a000000 |
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Nathan Englander, Free Fruit For Young Widows
| literature_full_mr01_235.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_235_dlap.xml | 5542edf5757a2e955a000000 |
Louise Erdrich, Fleur
| literature_full_mr01_236.html | 5542edf5757a2e955a000000 |
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Louise Erdrich, The Red Convertible
| literature_full_mr01_237.html | 5542edf5757a2e955a000000 |
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William Faulkner, Barn Burning
| literature_full_mr01_238.html | 5542edf5757a2e955a000000 |
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William Faulkner, A Rose for Emily
| literature_full_mr01_239.html | 5542edf5757a2e955a000000 |
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F. Scott Fitzgerald, Winter Dreams
| literature_full_mr01_240.html | 5542edf5757a2e955a000000 |
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Rivka Galchen, Wild Berry Blue
| literature_full_mr01_241.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_241_dlap.xml | 5542edf5757a2e955a000000 |
Gabriel GarcÃa Márquez, The Handsomest Drowned Man in the World
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Gabriel GarcÃa Márquez, One of These Days
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DLAP questions | literature_full_mr01_243_dlap.xml | 5542edf5757a2e955a000000 |
Gabriel GarcÃa Márquez, A Very Old Man with Enormous Wings
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Dagoberto Gilb, Love in L.A.
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Dagoberto Gilb, Romeroâs Shirt
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Dagoberto Gilb, Shout
| literature_full_mr01_247.html | 5542edf5757a2e955a000000 |
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Dagoberto Gilb, Uncle Rock
| literature_full_mr01_248.html | 5542edf5757a2e955a000000 |
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Charlotte Perkins Gilman, The Yellow Wallpaper
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Susan Glaspell, A Jury of Her Peers
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Gail Godwin, A Sorrowful Woman
| literature_full_mr01_251.html | 5542edf5757a2e955a000000 |
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Ray Gonzalez, The Jalapeño Contest
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Alasdair Gray, Pillow Talk
| literature_full_mr01_253.html | 5542edf5757a2e955a000000 |
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Jakob and Wilhelm Grimm, Little Red Cap
| literature_full_mr01_254.html | 5542edf5757a2e955a000000 |
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Mark Halliday, Young Man on Sixth Avenue
| literature_full_mr01_255.html | 5542edf5757a2e955a000000 |
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Ron Hansen, My Kidâs Dog
| literature_full_mr01_256.html | 5542edf5757a2e955a000000 |
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Ron Hansen, Nebraska
| literature_full_mr01_257.html | 5542edf5757a2e955a000000 |
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Nathaniel Hawthorne, The Birthmark
| literature_full_mr01_258.html | 5542edf5757a2e955a000000 |
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Nathaniel Hawthorne, Lady Eleanoreâs Mantle
| literature_full_mr01_259.html | 5542edf5757a2e955a000000 |
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Nathaniel Hawthorne, The Ministerâs Black Veil
| literature_full_mr01_260.html | 5542edf5757a2e955a000000 |
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Nathaniel Hawthorne, Young Goodman Brown
| literature_full_mr01_261.html | 5542edf5757a2e955a000000 |
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Bessie Head, Looking for a Rain God
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Bessie Head, The Prisoner Who Wore Glasses
| literature_full_mr01_263.html | 5542edf5757a2e955a000000 |
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Ernest Hemingway, A Clean, Well-Lighted Place
| literature_full_mr01_264.html | 5542edf5757a2e955a000000 |
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Ernest Hemingway, Hills Like White Elephants
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Pam Houston, How to Talk to a Hunter
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Langston Hughes, On the Road
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Langston Hughes, Thank You, Mâam
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Zora Neale Hurston, Spunk
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Zora Neale Hurston, Sweat
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Shirley Jackson, The Lottery
| literature_full_mr01_271.html | 5542edf5757a2e955a000000 |
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Gish Jen, Whoâs Irish?
| literature_full_mr01_272.html | 5542edf5757a2e955a000000 |
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Sarah Orne Jewett, A White Heron
| literature_full_mr01_273.html | 5542edf5757a2e955a000000 |
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Ha Jin, Love in the Air
| literature_full_mr01_274.html | 5542edf5757a2e955a000000 |
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Ha Jin, Saboteur
| literature_full_mr01_275.html | 5542edf5757a2e955a000000 |
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Ha Jin, The Bridegroom
| literature_full_mr01_276.html | 5542edf5757a2e955a000000 |
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Edward P. Jones, Bad Neighbors
| literature_full_mr01_277.html | 5542edf5757a2e955a000000 |
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June Jordan, Many Rivers to Cross
| literature_full_mr01_278.html | 5542edf5757a2e955a000000 |
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James Joyce, Araby
| literature_full_mr01_279.html | 5542edf5757a2e955a000000 |
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James Joyce, Counterparts
| literature_full_mr01_280.html | 5542edf5757a2e955a000000 |
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James Joyce, Eveline
| literature_full_mr01_281.html | 5542edf5757a2e955a000000 |
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Franz Kafka, A Hunger Artist
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Franz Kafka, The Metamorphosis
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Bel Kaufman, Sunday in the Park
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Yasunari Kawabata, The Grasshopper and the Bell Cricket
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Stephen King, All That You Love Will Be Carried Away
| literature_full_mr01_286.html | 5542edf5757a2e955a000000 |
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Hari Kunzru, Raj, Bohemian
| literature_full_mr01_287.html | 5542edf5757a2e955a000000 |
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Jhumpa Lahiri, Going Ashore
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Jhumpa Lahiri, Hell-Heaven
| literature_full_mr01_289.html | 5542edf5757a2e955a000000 |
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Jhumpa Lahiri, Interpreter of Maladies
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Jhumpa Lahiri, A Temporary Matter
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DLAP questions | literature_full_mr01_291_dlap.xml | 5542edf5757a2e955a000000 |
Jhumpa Lahiri, When Mr. Pirzada Came to Dine
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D. H. Lawrence, The Horse Dealerâs Daughter
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DLAP questions | literature_full_mr01_293_dlap.xml | 5542edf5757a2e955a000000 |
D. H. Lawrence, The Rocking-Horse Winner
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Andrea Lee, Anthropology
| literature_full_mr01_295.html | 5542edf5757a2e955a000000 |
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Ursula K. Le Guin, The Ones Who Walk Away from Omelas
| literature_full_mr01_296.html | 5542edf5757a2e955a000000 |
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Dennis Lehane, Until Gwen
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Jonathan Lethem, Super Goat Man
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Yiyun Li, The Princess of Nebraska
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Yiyun Li, The Science of Flight
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Paul Lisicky, What Might Life Be Like in the 21st Century?
| literature_full_mr01_301.html | 5542edf5757a2e955a000000 |
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Jack London, To Build a Fire
| literature_full_mr01_302.html | 5542edf5757a2e955a000000 |
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Barry Holstun Lopez, Winter Count 1973: Geese, They Flew Over in a Storm
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Naguib Mahfouz, Half a Day
| literature_full_mr01_304.html | 5542edf5757a2e955a000000 |
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Naguib Mahfouz, The Answer Is No
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Naguib Mahfouz, Zaabalawi
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Rebecca Makkai, The Briefcase
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Bernard Malamud, Idiots First
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Katherine Mansfield, Miss Brill
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Katherine Mansfield, The Fly
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Katherine Mansfield, The Garden Party
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Hayashi Mariko, Wine
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Guy de Maupassant, The Necklace
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Alice McDermott, Enough
| literature_full_mr01_314.html | 5542edf5757a2e955a000000 |
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Ian McEwan, The Use of Poetry
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Richard McGuire, Here
| literature_full_mr01_316.html | 5542edf5757a2e955a000000 |
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James Alan McPherson, A Loaf of Bread
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David Means, The Secret Goldfish
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Peter Meinke, The Cranes
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Herman Melville, Bartleby the Scrivener
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Ana Menéndez, Her Motherâs House
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Lydia Millet, Girl and Giraffe
| literature_full_mr01_322.html | 5542edf5757a2e955a000000 |
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Katherine Min, Courting a Monk
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Susan Minot, Lust
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Maggie Mitchell, It Would Be Different If
| literature_full_mr01_325.html | 5542edf5757a2e955a000000 |
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Rick Moody, Boys
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Lorrie Moore, How to Become a Writer
| literature_full_mr01_327.html | 5542edf5757a2e955a000000 |
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Rosario Morales, The Day It Happened
| literature_full_mr01_328.html | 5542edf5757a2e955a000000 |
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Toni Morrison, Recitatif
| literature_full_mr01_329.html | 5542edf5757a2e955a000000 |
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Bharati Mukherjee, The Management of Grief
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Bharati Mukherjee, Orbiting
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Herta Müller, Workday
| literature_full_mr01_332.html | 5542edf5757a2e955a000000 |
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Alice Munro, An Ounce of Cure
| literature_full_mr01_333.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_333_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, Childâs Play
| literature_full_mr01_334.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_334_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, How I Met My Husband
| literature_full_mr01_335.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_335_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, Miles City, Montana
| literature_full_mr01_336.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_336_dlap.xml | 5542edf5757a2e955a000000 |
Alice Munro, Prue
| literature_full_mr01_337.html | 5542edf5757a2e955a000000 |
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Alice Munro, Wild Swans
| literature_full_mr01_338.html | 5542edf5757a2e955a000000 |
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Haruki Murakami, Birthday Girl
| literature_full_mr01_339.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_339_dlap.xml | 5542edf5757a2e955a000000 |
R. K. Narayan, An Astrologerâs Day
| literature_full_mr01_340.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_340_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, Hi Howya Doin
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DLAP questions | literature_full_mr01_341_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, The Lady with the Pet Dog
| literature_full_mr01_342.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_342_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, The Night Nurse
| literature_full_mr01_343.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_343_dlap.xml | 5542edf5757a2e955a000000 |
Joyce Carol Oates, Three Girls
| literature_full_mr01_344.html | 5542edf5757a2e955a000000 |
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Joyce Carol Oates, Where Are You Going, Where Have You Been?
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Achy Obejas, We Came All the Way from Cuba So You Could Dress Like This?
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Téa Obreht, Blue Water Djinn
| literature_full_mr01_347.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_347_dlap.xml | 5542edf5757a2e955a000000 |
Tim OâBrien, How to Tell a True War Story
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DLAP questions | literature_full_mr01_348_dlap.xml | 5542edf5757a2e955a000000 |
Tim OâBrien, The Things They Carried
| literature_full_mr01_349.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_349_dlap.xml | 5542edf5757a2e955a000000 |
Flannery OâConnor, Good Country People
| literature_full_mr01_350.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_350_dlap.xml | 5542edf5757a2e955a000000 |
Flannery OâConnor, A Good Man Is Hard to Find
| literature_full_mr01_351.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_351_dlap.xml | 5542edf5757a2e955a000000 |
Flannery OâConnor, Parkerâs Back
| literature_full_mr01_352.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_352_dlap.xml | 5542edf5757a2e955a000000 |
Flannery OâConnor, Revelation
| literature_full_mr01_353.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_353_dlap.xml | 5542edf5757a2e955a000000 |
Frank OâConnor, My Oedipus Complex
| literature_full_mr01_354.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_354_dlap.xml | 5542edf5757a2e955a000000 |
Olaf Olafsson, On the Lake
| literature_full_mr01_355.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_355_dlap.xml | 5542edf5757a2e955a000000 |
Tillie Olsen, I Stand Here Ironing
| literature_full_mr01_356.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_356_dlap.xml | 5542edf5757a2e955a000000 |
Michael Oppenheimer, The Paring Knife
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DLAP questions | literature_full_mr01_357_dlap.xml | 5542edf5757a2e955a000000 |
Daniel Orozco, Orientation
| literature_full_mr01_358.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_358_dlap.xml | 5542edf5757a2e955a000000 |
Cynthia Ozick, The Shawl
| literature_full_mr01_359.html | 5542edf5757a2e955a000000 |
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Z. Z. Packer, Brownies
| literature_full_mr01_360.html | 5542edf5757a2e955a000000 |
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Z. Z. Packer, Geese
| literature_full_mr01_361.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_361_dlap.xml | 5542edf5757a2e955a000000 |
Grace Paley, A Conversation with My Father
| literature_full_mr01_362.html | 5542edf5757a2e955a000000 |
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Grace Paley, Samuel
| literature_full_mr01_363.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_363_dlap.xml | 5542edf5757a2e955a000000 |
Karen Palmer, Virtuoso Mio
| literature_full_mr01_364.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_364_dlap.xml | 5542edf5757a2e955a000000 |
Charles Perrault, Little Red Riding Hood
| literature_full_mr01_365.html | 5542edf5757a2e955a000000 |
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Ann Petry, Like a Winding Sheet
| literature_full_mr01_366.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_366_dlap.xml | 5542edf5757a2e955a000000 |
Jayne Anne Phillips, Cheers
| literature_full_mr01_367.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_367_dlap.xml | 5542edf5757a2e955a000000 |
Luigi Pirandello, War
| literature_full_mr01_368.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_368_dlap.xml | 5542edf5757a2e955a000000 |
Edgar Allan Poe, The Cask of Amontillado
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DLAP questions | literature_full_mr01_369_dlap.xml | 5542edf5757a2e955a000000 |
Edgar Allan Poe, The Fall of the House of Usher
| literature_full_mr01_370.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_370_dlap.xml | 5542edf5757a2e955a000000 |
Katherine Anne Porter, The Jilting of Granny Weatherall
| literature_full_mr01_371.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_371_dlap.xml | 5542edf5757a2e955a000000 |
Katherine Anne Porter, The Witness
| literature_full_mr01_372.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_372_dlap.xml | 5542edf5757a2e955a000000 |
E. Annie Proulx, 55 Miles to the Gas Pump
| literature_full_mr01_373.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_373_dlap.xml | 5542edf5757a2e955a000000 |
Nahid Rachlin, Departures
| literature_full_mr01_374.html | 5542edf5757a2e955a000000 |
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Alberto Ãlvaro RÃos, The Secret Lion
| literature_full_mr01_375.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_375_dlap.xml | 5542edf5757a2e955a000000 |
Salman Rushdie, The Free Radio
| literature_full_mr01_376.html | 5542edf5757a2e955a000000 |
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Salman Rushdie, The Prophetâs Hair
| literature_full_mr01_377.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_377_dlap.xml | 5542edf5757a2e955a000000 |
Karen Russell, Vampires in the Lemon Grove
| literature_full_mr01_378.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_378_dlap.xml | 5542edf5757a2e955a000000 |
Richard Russo, The Whoreâs Child
| literature_full_mr01_379.html | 5542edf5757a2e955a000000 |
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Scott Russell Sanders, Doing Time in the Thirteenth Chair
| literature_full_mr01_380.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_380_dlap.xml | 5542edf5757a2e955a000000 |
Marjane Satrapi, The Veil
| literature_full_mr01_381.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_381_dlap.xml | 5542edf5757a2e955a000000 |
George Saunders, The End of FIRPO in the World
| literature_full_mr01_382.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_382_dlap.xml | 5542edf5757a2e955a000000 |
Irwin Shaw, The Girls in Their Summer Dresses
| literature_full_mr01_383.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_383_dlap.xml | 5542edf5757a2e955a000000 |
Ira Sher, The Man in the Well
| literature_full_mr01_384.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_384_dlap.xml | 5542edf5757a2e955a000000 |
Leslie Marmon Silko, The Man to Send Rain Clouds
| literature_full_mr01_385.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_385_dlap.xml | 5542edf5757a2e955a000000 |
Leslie Marmon Silko, Yellow Woman
| literature_full_mr01_386.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_386_dlap.xml | 5542edf5757a2e955a000000 |
Lee Smith, The Happy Memories Club
| literature_full_mr01_387.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_387_dlap.xml | 5542edf5757a2e955a000000 |
Zadie Smith, The Girl with Bangs
| literature_full_mr01_388.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_388_dlap.xml | 5542edf5757a2e955a000000 |
Muriel Spark, The First Year of My Life
| literature_full_mr01_389.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_389_dlap.xml | 5542edf5757a2e955a000000 |
June Spence, Missing Women
| literature_full_mr01_390.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_390_dlap.xml | 5542edf5757a2e955a000000 |
John Steinbeck, The Chrysanthemums
| literature_full_mr01_391.html | 5542edf5757a2e955a000000 |
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Susan Straight, Mines
| literature_full_mr01_392.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_392_dlap.xml | 5542edf5757a2e955a000000 |
James Thurber, Fables
| literature_full_mr01_393.html | 5542edf5757a2e955a000000 |
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James Thurber, The Greatest Man in the World
| literature_full_mr01_394.html | 5542edf5757a2e955a000000 |
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Terry L. Tilton, That Settles That
| literature_full_mr01_395.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_395_dlap.xml | 5542edf5757a2e955a000000 |
Tatyana Tolstaya, See the Other Side
| literature_full_mr01_396.html | 5542edf5757a2e955a000000 |
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Leo Tolstoy, The Death of Iván Ilých
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David Updike, Summer
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John Updike, A & P
| literature_full_mr01_399.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_399_dlap.xml | 5542edf5757a2e955a000000 |
John Updike, Outage
| literature_full_mr01_400.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_400_dlap.xml | 5542edf5757a2e955a000000 |
Karen van der Zee, from A Secret Sorrow
| literature_full_mr01_401.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_401_dlap.xml | 5542edf5757a2e955a000000 |
Helena MarÃa Viramontes, The Moths
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DLAP questions | literature_full_mr01_402_dlap.xml | 5542edf5757a2e955a000000 |
Kurt Vonnegut Jr., Harrison Bergeron
| literature_full_mr01_403.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_403_dlap.xml | 5542edf5757a2e955a000000 |
Alice Walker, Everyday Use
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DLAP questions | literature_full_mr01_404_dlap.xml | 5542edf5757a2e955a000000 |
Alice Walker, The Flowers
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Alice Walker, Roselily
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DLAP questions | literature_full_mr01_406_dlap.xml | 5542edf5757a2e955a000000 |
Daly Walker, I Am the Grass
| literature_full_mr01_407.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_407_dlap.xml | 5542edf5757a2e955a000000 |
David Foster Wallace, Good People
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David Foster Wallace, Incarnations of Burned Children
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DLAP questions | literature_full_mr01_409_dlap.xml | 5542edf5757a2e955a000000 |
Bruce Weigl, Spike
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DLAP questions | literature_full_mr01_410_dlap.xml | 5542edf5757a2e955a000000 |
Fay Weldon, IND AFF, or Out of Love in Sarajevo
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Eudora Welty, A Worn Path
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DLAP questions | literature_full_mr01_412_dlap.xml | 5542edf5757a2e955a000000 |
John Edgar Wideman, Newborn Thrown in Trash and Dies
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DLAP questions | literature_full_mr01_413_dlap.xml | 5542edf5757a2e955a000000 |
Punyakante Wijenaike, Anoma
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DLAP questions | literature_full_mr01_414_dlap.xml | 5542edf5757a2e955a000000 |
William Carlos Williams, The Use of Force
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DLAP questions | literature_full_mr01_415_dlap.xml | 5542edf5757a2e955a000000 |
Bill Willingham, The Christmas Pies
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DLAP questions | literature_full_mr01_416_dlap.xml | 5542edf5757a2e955a000000 |
Tobias Wolff, Bullet in the Brain
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Tobias Wolff, Say Yes
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Tobias Wolff, That Room
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Richard Wright, The Man Who Was Almost a Man
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DLAP questions | literature_full_mr01_420_dlap.xml | 5542edf5757a2e955a000000 |
Geoff Wyss, Child Of God
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DLAP questions | literature_full_mr01_421_dlap.xml | 5542edf5757a2e955a000000 |
Xu Xi, Famine
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DLAP questions | literature_full_mr01_422_dlap.xml | 5542edf5757a2e955a000000 |
Drama | literature_full_mr01_423.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_423_dlap.xml | 5542edf5757a2e955a000000 |
Joan Ackermann, Quiet Torrential Sound
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Woody Allen, Death Knocks
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Woody Allen, Old Saybrook
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Jane Anderson, The Reprimand
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Jon Robin Baitz, Other Desert Cities
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DLAP questions | literature_full_mr01_428_dlap.xml | 5542edf5757a2e955a000000 |
Samuel Beckett, Endgame
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DLAP questions | literature_full_mr01_429_dlap.xml | 5542edf5757a2e955a000000 |
Samuel Beckett, Krappâs Last Tape
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DLAP questions | literature_full_mr01_430_dlap.xml | 5542edf5757a2e955a000000 |
Andrew Biss, Whatâs The Meta?
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Sharon E. Cooper, Mistaken Identity
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DLAP questions | literature_full_mr01_432_dlap.xml | 5542edf5757a2e955a000000 |
Cusi Cram, West of Stupid
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DLAP questions | literature_full_mr01_433_dlap.xml | 5542edf5757a2e955a000000 |
Larry David, from âThe Pitch,â a Seinfeld episode
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Christopher Durang, Wandaâs Visit
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Harvey Fierstein, On Tidy Endings
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DLAP questions | literature_full_mr01_436_dlap.xml | 5542edf5757a2e955a000000 |
Athol Fugard, âMASTER HAROLDâ . . . and the boys
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Susan Glaspell, Trifles
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Lorraine Hansberry, A Raisin in the Sun
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Václav Havel, Unveiling
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Josefina Lopez, Real Women Have Curves
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Eduardo Machado, Crossing the Border
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David Mamet, Oleanna
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Jane Martin, Rodeo
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Arthur Miller, Death of a Salesman
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Don Nigro, Letters from Quebec to Providence in the Rain
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Joyce Carol Oates, When I Was a Little Girl and My Mother Didnât Want Me
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Marco Ramirez, I Am Not Batman
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Edwin Sanchez, Pops
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Milcha Sanchez-Scott, The Cuban Swimmer
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William Shakespeare, Hamlet, Prince of Denmark
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William Shakespeare, A Midsummer Nightâs Dream
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William Shakespeare, Othello
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Diana Son, Stop Kiss
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August Wilson, The Piano Lesson
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Kate Chopin, The Story of an Hour | literature_full_mr01_485.html | 5542edf5757a2e955a000000 |
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Frederick Douglass, Learning to Read and Write | literature_full_mr01_490.html | 5542edf5757a2e955a000000 |
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Zora Neale Hurston, How It Feels to Be Colored Me | literature_full_mr01_491.html | 5542edf5757a2e955a000000 |
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Sojourner Truth, Ainât I a Woman? | literature_full_mr01_492.html | 5542edf5757a2e955a000000 |
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Aphra Behn, On Her Loving Two Equally | literature_full_mr01_494.html | 5542edf5757a2e955a000000 |
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William Blake, The Tyger | literature_full_mr01_497.html | 5542edf5757a2e955a000000 |
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Anne Bradstreet, To My Dear and Loving Husband | literature_full_mr01_498.html | 5542edf5757a2e955a000000 |
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Elizabeth Barrett Browning, How do I love thee? Let me count the ways | literature_full_mr01_500.html | 5542edf5757a2e955a000000 |
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Robert Burns, A Red, Red Rose | literature_full_mr01_503.html | 5542edf5757a2e955a000000 |
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Lord George Gordon Byron, She walks in beauty | literature_full_mr01_504.html | 5542edf5757a2e955a000000 |
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John Donne, A Valediction: Forbidding Mourning | literature_full_mr01_507.html | 5542edf5757a2e955a000000 |
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T. S. Eliot, Preludes | literature_full_mr01_511.html | 5542edf5757a2e955a000000 |
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Thomas Gray, Elegy Written in a Country Churchyard | literature_full_mr01_517.html | 5542edf5757a2e955a000000 |
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Thomas Hardy, The Convergence of the Twain | literature_full_mr01_518.html | 5542edf5757a2e955a000000 |
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Browning, Robert. Meeting at Night | literature_full_mr01_553.html | 5542edf5757a2e955a000000 |
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Burroughs, Edgar Rice. from Tarzan of the Apes | literature_full_mr01_556.html | 5542edf5757a2e955a000000 |
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Dickinson, Emily. A Description of Herself | literature_full_mr01_563.html | 5542edf5757a2e955a000000 |
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Dickinson, Emily. The Bustle in a House | literature_full_mr01_571.html | 5542edf5757a2e955a000000 |
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Donne, John. Death Be Not Proud | literature_full_mr01_576.html | 5542edf5757a2e955a000000 |
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Donne, John. The Apparition | literature_full_mr01_578.html | 5542edf5757a2e955a000000 |
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Farries, Helen. Magic of Love | literature_full_mr01_582.html | 5542edf5757a2e955a000000 |
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Frost, Robert. An Old Man's Winter Night | literature_full_mr01_583.html | 5542edf5757a2e955a000000 |
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Frost, Robert. Home Burial | literature_full_mr01_584.html | 5542edf5757a2e955a000000 |
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Frost, Robert. âIn Whiteâ: An Early Version of âDesignâ | literature_full_mr01_585.html | 5542edf5757a2e955a000000 |
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Frost, Robert. My November Guest | literature_full_mr01_588.html | 5542edf5757a2e955a000000 |
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Frost, Robert. âOut, Outââ | literature_full_mr01_589.html | 5542edf5757a2e955a000000 |
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Frost, Robert. The Pasture | literature_full_mr01_592.html | 5542edf5757a2e955a000000 |
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Frost, Robert. The Wood-Pile | literature_full_mr01_593.html | 5542edf5757a2e955a000000 |
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Gilman, Charlotte Perkins. Queer People | literature_full_mr01_594.html | 5542edf5757a2e955a000000 |
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Hardy, Thomas. Hap | literature_full_mr01_595.html | 5542edf5757a2e955a000000 |
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Hardy, Thomas. In Time of âThe Breaking of Nationsâ | literature_full_mr01_596.html | 5542edf5757a2e955a000000 |
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Harper, Frances E. W. Learning to Read | literature_full_mr01_597.html | 5542edf5757a2e955a000000 |
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Harte, Bret. The Luck of Roaring Camp | literature_full_mr01_598.html | 5542edf5757a2e955a000000 |
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Hawthorne, Nathaniel. The Birthmark | literature_full_mr01_599.html | 5542edf5757a2e955a000000 |
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Hawthorne, Nathaniel. The Minister's Black Veil | literature_full_mr01_600.html | 5542edf5757a2e955a000000 |
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Hawthorne, Nathaniel. Young Goodman Brown | literature_full_mr01_601.html | 5542edf5757a2e955a000000 |
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Herbert, George. The Collar | literature_full_mr01_602.html | 5542edf5757a2e955a000000 |
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Herrick, Robert. Delight in Disorder | literature_full_mr01_603.html | 5542edf5757a2e955a000000 |
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Herrick, Robert. Upon Julia's Clothes | literature_full_mr01_604.html | 5542edf5757a2e955a000000 |
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Hopkins, Gerard Manley. Hurrahing in Harvest | literature_full_mr01_605.html | 5542edf5757a2e955a000000 |
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Hopkins, Gerard Manley. Pied Beauty | literature_full_mr01_606.html | 5542edf5757a2e955a000000 |
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Hopkins, Gerard Manley. The Windhover | literature_full_mr01_607.html | 5542edf5757a2e955a000000 |
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Housman, A.E. Is my team ploughing | literature_full_mr01_608.html | 5542edf5757a2e955a000000 |
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Housman, A.E. Loveliest of trees, the cherry now | literature_full_mr01_609.html | 5542edf5757a2e955a000000 |
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Housman, A.E. When I was one-and-twenty | literature_full_mr01_610.html | 5542edf5757a2e955a000000 |
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Howe, Julia Ward. Battle-Hymn of the Republic | literature_full_mr01_611.html | 5542edf5757a2e955a000000 |
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Hurston, Zora Neale. Spunk | literature_full_mr01_612.html | 5542edf5757a2e955a000000 |
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James, Henry. The Jolly Corner | literature_full_mr01_613.html | 5542edf5757a2e955a000000 |
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James, Henry. The Real Thing | literature_full_mr01_614.html | 5542edf5757a2e955a000000 |
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Jonson, Ben. Still to Be Neat | literature_full_mr01_615.html | 5542edf5757a2e955a000000 |
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Jonson, Ben. To Celia | literature_full_mr01_616.html | 5542edf5757a2e955a000000 |
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Joyce, James. Eveline | literature_full_mr01_617.html | 5542edf5757a2e955a000000 |
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Keats, John. La Belle Dame sans Merci | literature_full_mr01_618.html | 5542edf5757a2e955a000000 |
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Keats, John. Ode on a Grecian Urn | literature_full_mr01_619.html | 5542edf5757a2e955a000000 |
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Keats, John. Ode to a Nightingale | literature_full_mr01_620.html | 5542edf5757a2e955a000000 |
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Keats, John. On First Looking into Chapmanâs Homer | literature_full_mr01_621.html | 5542edf5757a2e955a000000 |
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Keats, John. To one who has been long in city pent | literature_full_mr01_622.html | 5542edf5757a2e955a000000 |
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Keats, John. When I have fears that I may cease to be | literature_full_mr01_623.html | 5542edf5757a2e955a000000 |
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Keats, John. Written in Disgust of Vulgar Superstition | literature_full_mr01_624.html | 5542edf5757a2e955a000000 |
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Lawrence, D. H. The Horse Dealer's Daughter | literature_full_mr01_625.html | 5542edf5757a2e955a000000 |
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Lazarus, Emma. The New Colossus | literature_full_mr01_626.html | 5542edf5757a2e955a000000 |
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London, Jack. The Law of Life | literature_full_mr01_627.html | 5542edf5757a2e955a000000 |
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London, Jack. To Build a Fire | literature_full_mr01_628.html | 5542edf5757a2e955a000000 |
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Longfellow, Henry Wadsworth. Snow-Flakes | literature_full_mr01_629.html | 5542edf5757a2e955a000000 |
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Lowell, Amy. The Pond | literature_full_mr01_630.html | 5542edf5757a2e955a000000 |
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Mansfield, Katherine. Miss Brill | literature_full_mr01_631.html | 5542edf5757a2e955a000000 |
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Mansfield, Katherine. The Fly | literature_full_mr01_632.html | 5542edf5757a2e955a000000 |
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Marlowe, Christopher. The Passionate Shepherd to His Love | literature_full_mr01_633.html | 5542edf5757a2e955a000000 |
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Marvell, Andrew. To His Coy Mistress | literature_full_mr01_634.html | 5542edf5757a2e955a000000 |
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Mayor of London, Objections to the Elizabethan Theater 1597 | literature_full_mr01_635.html | 5542edf5757a2e955a000000 |
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Melville, Herman. Bartleby, the Scrivener | literature_full_mr01_636.html | 5542edf5757a2e955a000000 |
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Millay, Edna St. Vincent. First Fig | literature_full_mr01_637.html | 5542edf5757a2e955a000000 |
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Millay, Edna St. Vincent. Recuerdo | literature_full_mr01_638.html | 5542edf5757a2e955a000000 |
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Milton, John. On the Late Massacre in Piedmont | literature_full_mr01_639.html | 5542edf5757a2e955a000000 |
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Milton, John. When I consider how my light is spent | literature_full_mr01_640.html | 5542edf5757a2e955a000000 |
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Poe, Edgar Allan. The Haunted Palace | literature_full_mr01_641.html | 5542edf5757a2e955a000000 |
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Pope, Alexander. from An Essay on Criticism | literature_full_mr01_642.html | 5542edf5757a2e955a000000 |
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Raleigh, Sir Walter. The Nymph's Reply to the Shepherd | literature_full_mr01_643.html | 5542edf5757a2e955a000000 |
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Robinson, Mary. London's Summer Morning | literature_full_mr01_644.html | 5542edf5757a2e955a000000 |
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Robinson, Edwin Arlington. Richard Cory | literature_full_mr01_645.html | 5542edf5757a2e955a000000 |
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Rossetti, Christina Georgina. In Progress | literature_full_mr01_646.html | 5542edf5757a2e955a000000 |
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Rossetti, Christina Georgina. Promises Like Pie-Crust | literature_full_mr01_647.html | 5542edf5757a2e955a000000 |
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Rossetti, Christina Georgina. Some Ladies Dress in Muslin Full and White | literature_full_mr01_648.html | 5542edf5757a2e955a000000 |
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Rossetti, Christina Georgina. The World | literature_full_mr01_649.html | 5542edf5757a2e955a000000 |
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Sandburg, Carl. Buttons | literature_full_mr01_650.html | 5542edf5757a2e955a000000 |
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Sandburg, Carl. Chicago | literature_full_mr01_651.html | 5542edf5757a2e955a000000 |
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Sappho. Beautiful-throned, Immortal Aphrodite | literature_full_mr01_652.html | 5542edf5757a2e955a000000 |
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Sassoon, Siegfried. âTheyâ | literature_full_mr01_654.html | 5542edf5757a2e955a000000 |
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Shakespeare, William. Not marble, nor the gilded monuments | literature_full_mr01_655.html | 5542edf5757a2e955a000000 |
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Shakespeare, William. When forty winters shall besiege thy brow | literature_full_mr01_656.html | 5542edf5757a2e955a000000 |
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Shakespeare, William. When, in disgrace with Fortune and menâs eyes | literature_full_mr01_657.html | 5542edf5757a2e955a000000 |
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Shelley, Percy Bysshe. Ode to the West Wind | literature_full_mr01_658.html | 5542edf5757a2e955a000000 |
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Sidney, Sir Phillip. Loving in Truth, and Fain in Verse My Love to Show | literature_full_mr01_659.html | 5542edf5757a2e955a000000 |
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Sigourney, Lydia Huntley. Indian Names | literature_full_mr01_660.html | 5542edf5757a2e955a000000 |
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Southey, Robert. from âThe Cataract of Lodoreâ | literature_full_mr01_661.html | 5542edf5757a2e955a000000 |
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Tennyson, Lord Alfred. Break, Break, Break | literature_full_mr01_663.html | 5542edf5757a2e955a000000 |
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Tennyson, Lord Alfred. The Charge of the Light Brigade | literature_full_mr01_664.html | 5542edf5757a2e955a000000 |
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Tennyson, Lord Alfred. Ulysses | literature_full_mr01_667.html | 5542edf5757a2e955a000000 |
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Twain, Mark. The Story of the Good Little Boy | literature_full_mr01_668.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_668_dlap.xml | 5542edf5757a2e955a000000 |
Wharton, Edith. The Quicksand | literature_full_mr01_669.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_669_dlap.xml | 5542edf5757a2e955a000000 |
Whitman, Walt. Cavalry Crossing a Ford | literature_full_mr01_670.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_670_dlap.xml | 5542edf5757a2e955a000000 |
Whitman, Walt. from âI Sing the Body Electricâ | literature_full_mr01_671.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_671_dlap.xml | 5542edf5757a2e955a000000 |
Whitman, Walt. from Song of Myself | literature_full_mr01_672.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_672_dlap.xml | 5542edf5757a2e955a000000 |
Whitman, Walt. I Heard You Solemn-Sweet Pipes of the Organ | literature_full_mr01_673.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_673_dlap.xml | 5542edf5757a2e955a000000 |
Whitman, Walt. One's-Self I Sing | literature_full_mr01_674.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_674_dlap.xml | 5542edf5757a2e955a000000 |
Whitman, Walt. When I Heard the Learnâd Astronomer | literature_full_mr01_675.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_675_dlap.xml | 5542edf5757a2e955a000000 |
Williams, William Carlos. To Waken an Old Lady | literature_full_mr01_676.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_676_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. A Slumber Did My Spirit Seal | literature_full_mr01_677.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_677_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. I Wandered Lonely as a Cloud | literature_full_mr01_678.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_678_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. It Is a Beauteous Evening, Calm and Free | literature_full_mr01_679.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_679_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. London, 1802 | literature_full_mr01_680.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_680_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. Mutability | literature_full_mr01_681.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_681_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. My Heart Leaps Up | literature_full_mr01_682.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_682_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. The Solitary Reaper | literature_full_mr01_683.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_683_dlap.xml | 5542edf5757a2e955a000000 |
Wordsworth, William. The World Is Too Much With Us | literature_full_mr01_684.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_684_dlap.xml | 5542edf5757a2e955a000000 |
Zitkala-Sa. The School Days of an Indian Girl | literature_full_mr01_685.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_685_dlap.xml | 5542edf5757a2e955a000000 |
Additional Selections (Winter Videos 2015) | literature_full_mr01_686.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_686_dlap.xml | 5542edf5757a2e955a000000 |
Thinking (Aloud) About Literature | literature_full_mr01_687.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_687_dlap.xml | 5542edf5757a2e955a000000 |
Think Aloud: Student Chelsea Dickson | literature_full_mr01_688.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_688_dlap.xml | 5542edf5757a2e955a000000 |
Think Aloud: Student Laura Paik | literature_full_mr01_689.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_689_dlap.xml | 5542edf5757a2e955a000000 |
Think Aloud: Student Stephen Epples | literature_full_mr01_690.html | 5542edf5757a2e955a000000 |
DLAP questions | literature_full_mr01_690_dlap.xml | 5542edf5757a2e955a000000 |
Interactive Modules: Poetry | literature_full_ch05_1.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_1_dlap.xml | 55477936757a2e334a000001 |
Interactive Module: âThe Author to Her Bookâ by Anne Bradstreet | literature_full_ch05_2.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_2_dlap.xml | 55477936757a2e334a000001 |
Respond to a Reading: âThe Author to Her Bookâ by Anne Bradstreet | literature_full_ch05_3.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_3_dlap.xml | 55477936757a2e334a000001 |
Draw Connections: âThe Author to Her Bookâ and âBefore the Birth of One of Her Childrenâ | literature_full_ch05_4.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_4_dlap.xml | 55477936757a2e334a000001 |
Collaborate on a Reading: âThe Author to Her Bookâ by Anne Bradstreet | literature_full_ch05_5.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_5_dlap.xml | 55477936757a2e334a000001 |
Interactive Module: âMending Wallâ by Robert Frost | literature_full_ch05_6.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_6_dlap.xml | 55477936757a2e334a000001 |
Respond to a Reading: âMending Wallâ by Robert Frost | literature_full_ch05_7.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_7_dlap.xml | 55477936757a2e334a000001 |
Draw Connections: âMending Wallâ and âThe Wood-Pileâ | literature_full_ch05_8.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_8_dlap.xml | 55477936757a2e334a000001 |
Collaborate on a Reading: âMending Wallâ by Robert Frost | literature_full_ch05_9.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_9_dlap.xml | 55477936757a2e334a000001 |
Interactive Module: âThe Negro Speaks of Riversâ by Langston Hughes | literature_full_ch05_10.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_10_dlap.xml | 55477936757a2e334a000001 |
Respond to a Reading: âThe Negro Speaks of Riversâ by Langston Hughes | literature_full_ch05_11.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_11_dlap.xml | 55477936757a2e334a000001 |
Draw Connections: âThe Negro Speaks of Riversâ and âStarting from Paumanokâ | literature_full_ch05_12.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_12_dlap.xml | 55477936757a2e334a000001 |
Collaborate on a Reading: âThe Negro Speaks of Riversâ by Langston Hughes | literature_full_ch05_13.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_13_dlap.xml | 55477936757a2e334a000001 |
Interactive Module: âTo His Coy Mistressâ by Andrew Marvell | literature_full_ch05_14.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_14_dlap.xml | 55477936757a2e334a000001 |
Respond to a Reading: âTo His Coy Mistressâ by Andrew Marvell | literature_full_ch05_15.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_15_dlap.xml | 55477936757a2e334a000001 |
Draw Connections: âTo His Coy Mistressâ and âThe Fleaâ | literature_full_ch05_16.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_16_dlap.xml | 55477936757a2e334a000001 |
Collaborate on a Reading: âTo His Coy Mistressâ by Andrew Marvell | literature_full_ch05_17.html | 55477936757a2e334a000001 |
DLAP questions | literature_full_ch05_17_dlap.xml | 55477936757a2e334a000001 |
Interactive Modules: Fiction | literature_full_ch06_1.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_1_dlap.xml | 5548e846757a2e2f11000001 |
Interactive Module: âThe Story of an Hourâ by Kate Chopin | literature_full_ch06_2.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_2_dlap.xml | 5548e846757a2e2f11000001 |
Respond to a Reading: âThe Story of an Hourâ by Kate Chopin | literature_full_ch06_3.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_3_dlap.xml | 5548e846757a2e2f11000001 |
Draw Connections: âThe Story of an Hour,â âThe Storm,â and âDeclaration of Sentiments and Resolutionsâ | literature_full_ch06_4.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_4_dlap.xml | 5548e846757a2e2f11000001 |
Collaborate on a Reading: âThe Story of an Hourâ by Kate Chopin | literature_full_ch06_5.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_5_dlap.xml | 5548e846757a2e2f11000001 |
Interactive Module: âYoung Goodman Brownâ by Nathaniel Hawthorne | literature_full_ch06_6.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_6_dlap.xml | 5548e846757a2e2f11000001 |
Respond to a Reading: âYoung Goodman Brownâ by Nathaniel Hawthorne | literature_full_ch06_7.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_7_dlap.xml | 5548e846757a2e2f11000001 |
Draw Connections: âYoung Goodman Brown,â âThe Ministerâs Black Veilâ and Salem Witch Trial documents | literature_full_ch06_8.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_8_dlap.xml | 5548e846757a2e2f11000001 |
Collaborate on a Reading: âYoung Goodman Brownâ by Nathaniel Hawthorne | literature_full_ch06_9.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_9_dlap.xml | 5548e846757a2e2f11000001 |
Interactive Module: âThe Cask of Amontilladoâ by Edgar Allan Poe | literature_full_ch06_10.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_10_dlap.xml | 5548e846757a2e2f11000001 |
Respond to a Reading: âThe Cask of Amontilladoâ by Edgar Allan Poe | literature_full_ch06_11.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_11_dlap.xml | 5548e846757a2e2f11000001 |
Draw Connections: âThe Cask of Amontilladoâ and âThe Tell-Tale Heartâ | literature_full_ch06_12.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_12_dlap.xml | 5548e846757a2e2f11000001 |
Collaborate on a Reading: âThe Cask of Amontilladoâ by Edgar Allan Poe | literature_full_ch06_13.html | 5548e846757a2e2f11000001 |
DLAP questions | literature_full_ch06_13_dlap.xml | 5548e846757a2e2f11000001 |
Help your students get the most out of their textbook with LaunchPad Solo for Literature | literature_full_welc_1.html | 554c323c757a2e6a5b000000 |
DLAP questions | literature_full_welc_1_dlap.xml | 554c323c757a2e6a5b000000 |
Help your students get the most out of their textbook with LaunchPad Solo for Literature | literature_full_welc_2.html | 554c323c757a2e6a5b000000 |
DLAP questions | literature_full_welc_2_dlap.xml | 554c323c757a2e6a5b000000 |
Welcome to the LaunchPad Solo for Literature | literature_full_welc1_1.html | 554cb445757a2e1469000004 |
DLAP questions | literature_full_welc1_1_dlap.xml | 554cb445757a2e1469000004 |
Welcome to the LaunchPad Solo for Literature | literature_full_welc1_2.html | 554cb445757a2e1469000004 |
DLAP questions | literature_full_welc1_2_dlap.xml | 554cb445757a2e1469000004 |
Using Bedfordâs Video Tools | literature_full_welc2_1.html | 554cd50f757a2e3518000004 |
DLAP questions | literature_full_welc2_1_dlap.xml | 554cd50f757a2e3518000004 |
Guide to the Additional Resources | literature_full_welc3_1.html | 55b12b4f757a2e7a2a000000 |
DLAP questions | literature_full_welc3_1_dlap.xml | 55b12b4f757a2e7a2a000000 |
Exercises on the Formal Elements of Fiction | literature_full_fict01_1.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_1_dlap.xml | 56a6782f757a2eaa39000000 |
The Formal Elements of Fiction | literature_full_fict01_2.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_2_dlap.xml | 56a6782f757a2eaa39000000 |
Character | literature_full_fict01_3.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_3_dlap.xml | 56a6782f757a2eaa39000000 |
Plot | literature_full_fict01_4.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_4_dlap.xml | 56a6782f757a2eaa39000000 |
Point of View | literature_full_fict01_5.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_5_dlap.xml | 56a6782f757a2eaa39000000 |
Setting | literature_full_fict01_6.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_6_dlap.xml | 56a6782f757a2eaa39000000 |
Style | literature_full_fict01_7.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_7_dlap.xml | 56a6782f757a2eaa39000000 |
Symbolism | literature_full_fict01_8.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_8_dlap.xml | 56a6782f757a2eaa39000000 |
Theme | literature_full_fict01_9.html | 56a6782f757a2eaa39000000 |
DLAP questions | literature_full_fict01_9_dlap.xml | 56a6782f757a2eaa39000000 |
Exercises on the Elements of Poetry | literature_full_poet01_1.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_1_dlap.xml | 56aa53f0757a2e0850000000 |
The Formal Elements of Poetry | literature_full_poet01_2.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_2_dlap.xml | 56aa53f0757a2e0850000000 |
Assonance | literature_full_poet01_3.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_3_dlap.xml | 56aa53f0757a2e0850000000 |
Denotation and Connotation | literature_full_poet01_4.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_4_dlap.xml | 56aa53f0757a2e0850000000 |
Diction | literature_full_poet01_5.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_5_dlap.xml | 56aa53f0757a2e0850000000 |
Image | literature_full_poet01_6.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_6_dlap.xml | 56aa53f0757a2e0850000000 |
Irony | literature_full_poet01_7.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_7_dlap.xml | 56aa53f0757a2e0850000000 |
Meter | literature_full_poet01_8.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_8_dlap.xml | 56aa53f0757a2e0850000000 |
Rhyme | literature_full_poet01_9.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_9_dlap.xml | 56aa53f0757a2e0850000000 |
Tone | literature_full_poet01_10.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_10_dlap.xml | 56aa53f0757a2e0850000000 |
Word Order | literature_full_poet01_11.html | 56aa53f0757a2e0850000000 |
DLAP questions | literature_full_poet01_11_dlap.xml | 56aa53f0757a2e0850000000 |
Exercises on the Elements of Drama | literature_full_drama01_1.html | 56afa1a8757a2e1a51000000 |
DLAP questions | literature_full_drama01_1_dlap.xml | 56afa1a8757a2e1a51000000 |
The Formal Elements of Drama | literature_full_drama01_2.html | 56afa1a8757a2e1a51000000 |
DLAP questions | literature_full_drama01_2_dlap.xml | 56afa1a8757a2e1a51000000 |
Character | literature_full_drama01_3.html | 56afa1a8757a2e1a51000000 |
DLAP questions | literature_full_drama01_3_dlap.xml | 56afa1a8757a2e1a51000000 |
Dialogue | literature_full_drama01_4.html | 56afa1a8757a2e1a51000000 |
DLAP questions | literature_full_drama01_4_dlap.xml | 56afa1a8757a2e1a51000000 |
Performance | literature_full_drama01_5.html | 56afa1a8757a2e1a51000000 |
DLAP questions | literature_full_drama01_5_dlap.xml | 56afa1a8757a2e1a51000000 |
Plot | literature_full_drama01_6.html | 56afa1a8757a2e1a51000000 |
DLAP questions | literature_full_drama01_6_dlap.xml | 56afa1a8757a2e1a51000000 |
Setting and Staging | literature_full_drama01_7.html | 56afa1a8757a2e1a51000000 |
DLAP questions | literature_full_drama01_7_dlap.xml | 56afa1a8757a2e1a51000000 |
Theme | literature_full_drama01_8.html | 56afa1a8757a2e1a51000000 |
DLAP questions | literature_full_drama01_8_dlap.xml | 56afa1a8757a2e1a51000000 |
Exercises on Figurative Language and Other Elements | literature_full_figur01_1.html | 56afd023757a2e4f65000000 |
DLAP questions | literature_full_figur01_1_dlap.xml | 56afd023757a2e4f65000000 |
Allegory | literature_full_figur01_2.html | 56afd023757a2e4f65000000 |
DLAP questions | literature_full_figur01_2_dlap.xml | 56afd023757a2e4f65000000 |
Alliteration | literature_full_figur01_3.html | 56afd023757a2e4f65000000 |
DLAP questions | literature_full_figur01_3_dlap.xml | 56afd023757a2e4f65000000 |
Metaphor | literature_full_figur01_4.html | 56afd023757a2e4f65000000 |
DLAP questions | literature_full_figur01_4_dlap.xml | 56afd023757a2e4f65000000 |
Simile | literature_full_figur01_5.html | 56afd023757a2e4f65000000 |
DLAP questions | literature_full_figur01_5_dlap.xml | 56afd023757a2e4f65000000 |
Symbol | literature_full_figur01_6.html | 56afd023757a2e4f65000000 |
DLAP questions | literature_full_figur01_6_dlap.xml | 56afd023757a2e4f65000000 |
Critical Approaches to Literature | literature_full_crit01_1.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_1_dlap.xml | 56b12704757a2e4e6c000000 |
Critical Approaches to Literature | literature_full_crit01_2.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_2_dlap.xml | 56b12704757a2e4e6c000000 |
Deconstruction | literature_full_crit01_3.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_3_dlap.xml | 56b12704757a2e4e6c000000 |
Feminist Criticism | literature_full_crit01_4.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_4_dlap.xml | 56b12704757a2e4e6c000000 |
Formalism | literature_full_crit01_5.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_5_dlap.xml | 56b12704757a2e4e6c000000 |
Marxist Criticism | literature_full_crit01_6.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_6_dlap.xml | 56b12704757a2e4e6c000000 |
Postcolonial Criticism | literature_full_crit01_7.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_7_dlap.xml | 56b12704757a2e4e6c000000 |
Psychoanalytic Criticism | literature_full_crit01_8.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_8_dlap.xml | 56b12704757a2e4e6c000000 |
Reader-Response Criticism | literature_full_crit01_9.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_9_dlap.xml | 56b12704757a2e4e6c000000 |
Structuralism | literature_full_crit01_10.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_10_dlap.xml | 56b12704757a2e4e6c000000 |
The New Criticism | literature_full_crit01_11.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_11_dlap.xml | 56b12704757a2e4e6c000000 |
The New Historicism | literature_full_crit01_12.html | 56b12704757a2e4e6c000000 |
DLAP questions | literature_full_crit01_12_dlap.xml | 56b12704757a2e4e6c000000 |
A Glossary of Literary Terms | literature_full_gls01_1.html | 56b12ce3757a2e506c000000 |
DLAP questions | literature_full_gls01_1_dlap.xml | 56b12ce3757a2e506c000000 |
A Glossary of Literary Terms | literature_full_gls01_2.html | 56b12ce3757a2e506c000000 |
DLAP questions | literature_full_gls01_2_dlap.xml | 56b12ce3757a2e506c000000 |
Gwendolyn Brooks, We Real Cool | literature_full_summer01_1.html | 56fab180757a2ed170000000 |
DLAP questions | literature_full_summer01_1_dlap.xml | 56fab180757a2ed170000000 |
Respond to a Reading: âWe Real Coolâ by Gwendolyn Brooks | literature_full_summer01_2.html | 56fab180757a2ed170000000 |
DLAP questions | literature_full_summer01_2_dlap.xml | 56fab180757a2ed170000000 |
Draw Connections: âWe Real Coolâ by Gwendolyn Brooks | literature_full_summer01_3.html | 56fab180757a2ed170000000 |
DLAP questions | literature_full_summer01_3_dlap.xml | 56fab180757a2ed170000000 |
Collaborate on a Reading: âWe Real Coolâ by Gwendolyn Brooks | literature_full_summer01_4.html | 56fab180757a2ed170000000 |
DLAP questions | literature_full_summer01_4_dlap.xml | 56fab180757a2ed170000000 |
Listen to a Reading: âWe Real Coolâ by Gwendolyn Brooks | literature_full_summer01_5.html | 56fab180757a2ed170000000 |
DLAP questions | literature_full_summer01_5_dlap.xml | 56fab180757a2ed170000000 |
Emily Dickinson: I heard a Fly buzz | literature_full_summer02_1.html | 57032974757a2ee332000001 |
DLAP questions | literature_full_summer02_1_dlap.xml | 57032974757a2ee332000001 |
Respond to a Reading: âI heard a Fly buzzâ by Emily Dickinson | literature_full_summer02_2.html | 57032974757a2ee332000001 |
DLAP questions | literature_full_summer02_2_dlap.xml | 57032974757a2ee332000001 |
Draw Connections: âI heard a Fly buzzâ by Emily Dickinson | literature_full_summer02_3.html | 57032974757a2ee332000001 |
DLAP questions | literature_full_summer02_3_dlap.xml | 57032974757a2ee332000001 |
Collaborate on a Reading: âI heard a Fly buzzâ by Emily Dickinson | literature_full_summer02_4.html | 57032974757a2ee332000001 |
DLAP questions | literature_full_summer02_4_dlap.xml | 57032974757a2ee332000001 |
Listen to a Reading: âI heard a Fly buzzâ by Emily Dickinson | literature_full_summer02_5.html | 57032974757a2ee332000001 |
DLAP questions | literature_full_summer02_5_dlap.xml | 57032974757a2ee332000001 |
Ernest Hemingway, Hills Like White Elephants | literature_full_summer03_1.html | 5703e46b757a2e2478000000 |
DLAP questions | literature_full_summer03_1_dlap.xml | 5703e46b757a2e2478000000 |
Respond to a Reading: âHills Like White Elephantsâ by Ernest Hemingway | literature_full_summer03_2.html | 5703e46b757a2e2478000000 |
DLAP questions | literature_full_summer03_2_dlap.xml | 5703e46b757a2e2478000000 |
Draw Connections: âHills Like White Elephantsâ by Ernest Hemingway | literature_full_summer03_3.html | 5703e46b757a2e2478000000 |
DLAP questions | literature_full_summer03_3_dlap.xml | 5703e46b757a2e2478000000 |
Collaborate on a Reading: âHills Like White Elephantsâ by Ernest Hemingway | literature_full_summer03_4.html | 5703e46b757a2e2478000000 |
DLAP questions | literature_full_summer03_4_dlap.xml | 5703e46b757a2e2478000000 |
Listen to a Reading: âHills Like White Elephantsâ by Ernest Hemingway | literature_full_summer03_5.html | 5703e46b757a2e2478000000 |
DLAP questions | literature_full_summer03_5_dlap.xml | 5703e46b757a2e2478000000 |
Jamaica Kincaid, Girl | literature_full_summer04_1.html | 5703f01c757a2ea701000000 |
DLAP questions | literature_full_summer04_1_dlap.xml | 5703f01c757a2ea701000000 |
Respond to a Reading: âGirlâ by Jamaica Kincaid | literature_full_summer04_2.html | 5703f01c757a2ea701000000 |
DLAP questions | literature_full_summer04_2_dlap.xml | 5703f01c757a2ea701000000 |
Draw Connections: âGirlâ by Jamaica Kincaid | literature_full_summer04_3.html | 5703f01c757a2ea701000000 |
DLAP questions | literature_full_summer04_3_dlap.xml | 5703f01c757a2ea701000000 |
Collaborate on a Reading: âGirlâ by Jamaica Kincaid | literature_full_summer04_4.html | 5703f01c757a2ea701000000 |
DLAP questions | literature_full_summer04_4_dlap.xml | 5703f01c757a2ea701000000 |
Listen to a Reading: âGirlâ by Jamaica Kincaid | literature_full_summer04_5.html | 5703f01c757a2ea701000000 |
DLAP questions | literature_full_summer04_5_dlap.xml | 5703f01c757a2ea701000000 |
Henrik Ibsen, A Dollâs House | literature_full_summer05_1.html | 57040338757a2e1e0b000000 |
DLAP questions | literature_full_summer05_1_dlap.xml | 57040338757a2e1e0b000000 |
Respond to a Reading: A Dollâs House by Henrik Ibsen | literature_full_summer05_2.html | 57040338757a2e1e0b000000 |
DLAP questions | literature_full_summer05_2_dlap.xml | 57040338757a2e1e0b000000 |
Draw Connections: A Dollâs House by Henrik Ibsen | literature_full_summer05_3.html | 57040338757a2e1e0b000000 |
DLAP questions | literature_full_summer05_3_dlap.xml | 57040338757a2e1e0b000000 |
Collaborate on a Reading: A Dollâs House by Henrik Ibsen | literature_full_summer05_4.html | 57040338757a2e1e0b000000 |
DLAP questions | literature_full_summer05_4_dlap.xml | 57040338757a2e1e0b000000 |
William Shakespeare: A Midsummer Nightâs Dream | literature_full_summer06_1.html | 57041382757a2ee10e000001 |
DLAP questions | literature_full_summer06_1_dlap.xml | 57041382757a2ee10e000001 |
Respond to a Reading: A Midsummer Nightâs Dream by William Shakespeare | literature_full_summer06_2.html | 57041382757a2ee10e000001 |
DLAP questions | literature_full_summer06_2_dlap.xml | 57041382757a2ee10e000001 |
Draw Connections: A Midsummer Nightâs Dream by William Shakespeare | literature_full_summer06_3.html | 57041382757a2ee10e000001 |
DLAP questions | literature_full_summer06_3_dlap.xml | 57041382757a2ee10e000001 |
Collaborate on a Reading: A Midsummer Nightâs Dream by William Shakespeare | literature_full_summer06_4.html | 57041382757a2ee10e000001 |
DLAP questions | literature_full_summer06_4_dlap.xml | 57041382757a2ee10e000001 |
Listen to a Reading: A Midsummer Nightâs Dream by William Shakespeare | literature_full_summer06_5.html | 57041382757a2ee10e000001 |
DLAP questions | literature_full_summer06_5_dlap.xml | 57041382757a2ee10e000001 |
Dylan Thomas: Do not go gentle into that good night | literature_full_summer07_1.html | 57041f4b757a2e5818000001 |
DLAP questions | literature_full_summer07_1_dlap.xml | 57041f4b757a2e5818000001 |
Respond to a Reading: âDo not go gentle into that good nightâ by Dylan Thomas | literature_full_summer07_2.html | 57041f4b757a2e5818000001 |
DLAP questions | literature_full_summer07_2_dlap.xml | 57041f4b757a2e5818000001 |
Draw Connections: âDo not go gentle into that good nightâ by Dylan Thomas | literature_full_summer07_3.html | 57041f4b757a2e5818000001 |
DLAP questions | literature_full_summer07_3_dlap.xml | 57041f4b757a2e5818000001 |
Collaborate on a Reading: âDo not go gentle into that good nightâ by Dylan Thomas | literature_full_summer07_4.html | 57041f4b757a2e5818000001 |
DLAP questions | literature_full_summer07_4_dlap.xml | 57041f4b757a2e5818000001 |
Listen to a Reading: âDo not go gentle into that good nightâ by Dylan Thomas | literature_full_summer07_5.html | 57041f4b757a2e5818000001 |
DLAP questions | literature_full_summer07_5_dlap.xml | 57041f4b757a2e5818000001 |
John Updike: A&P | literature_full_summer08_1.html | 5707b7c8757a2ee504000000 |
DLAP questions | literature_full_summer08_1_dlap.xml | 5707b7c8757a2ee504000000 |
Respond to a Reading: âA&Pâ by John Updike | literature_full_summer08_2.html | 5707b7c8757a2ee504000000 |
DLAP questions | literature_full_summer08_2_dlap.xml | 5707b7c8757a2ee504000000 |
Draw Connections: âA&Pâ by John Updike | literature_full_summer08_3.html | 5707b7c8757a2ee504000000 |
DLAP questions | literature_full_summer08_3_dlap.xml | 5707b7c8757a2ee504000000 |
Collaborate on a Reading: âA&Pâ by John Updike | literature_full_summer08_4.html | 5707b7c8757a2ee504000000 |
DLAP questions | literature_full_summer08_4_dlap.xml | 5707b7c8757a2ee504000000 |
Listen to a Reading: âA&Pâ by John Updike | literature_full_summer08_5.html | 5707b7c8757a2ee504000000 |
DLAP questions | literature_full_summer08_5_dlap.xml | 5707b7c8757a2ee504000000 |
Oscar Wilde: The Importance of Being Earnest | literature_full_summer09_1.html | 5707ba6d757a2ea53f000005 |
DLAP questions | literature_full_summer09_1_dlap.xml | 5707ba6d757a2ea53f000005 |
Respond to a Reading: The Importance of Being Earnest by Oscar Wilde | literature_full_summer09_2.html | 5707ba6d757a2ea53f000005 |
DLAP questions | literature_full_summer09_2_dlap.xml | 5707ba6d757a2ea53f000005 |
Draw Connections: The Importance of Being Earnest by Oscar Wilde | literature_full_summer09_3.html | 5707ba6d757a2ea53f000005 |
DLAP questions | literature_full_summer09_3_dlap.xml | 5707ba6d757a2ea53f000005 |
Collaborate on a Reading: The Importance of Being Earnest by Oscar Wilde | literature_full_summer09_4.html | 5707ba6d757a2ea53f000005 |
DLAP questions | literature_full_summer09_4_dlap.xml | 5707ba6d757a2ea53f000005 |
William Carlos Williams: The Red Wheelbarrow | literature_full_summer10_1.html | 5707bc23757a2e3c42000003 |
DLAP questions | literature_full_summer10_1_dlap.xml | 5707bc23757a2e3c42000003 |
Respond to a Reading: âThe Red Wheelbarrowâ by William Carlos Williams | literature_full_summer10_2.html | 5707bc23757a2e3c42000003 |
DLAP questions | literature_full_summer10_2_dlap.xml | 5707bc23757a2e3c42000003 |
Draw Connections: âThe Red Wheelbarrowâ by William Carlos Williams | literature_full_summer10_3.html | 5707bc23757a2e3c42000003 |
DLAP questions | literature_full_summer10_3_dlap.xml | 5707bc23757a2e3c42000003 |
Collaborate on a Reading: âThe Red Wheelbarrowâ by William Carlos Williams | literature_full_summer10_4.html | 5707bc23757a2e3c42000003 |
DLAP questions | literature_full_summer10_4_dlap.xml | 5707bc23757a2e3c42000003 |
Listen to a Reading: âThe Red Wheelbarrowâ by William Carlos Williams | literature_full_summer10_5.html | 5707bc23757a2e3c42000003 |
DLAP questions | literature_full_summer10_5_dlap.xml | 5707bc23757a2e3c42000003 |
Whatâs in LaunchPad Solo for Literature?
| literature_full_update2018_1.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_1_dlap.xml | 5ad640207894d2663c000000 |
Setting Up and Customizing Your LaunchPad Course
| literature_full_update2018_2.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_2_dlap.xml | 5ad640207894d2663c000000 |
Types of Assessment Available in LaunchPad Solo for Literature
| literature_full_update2018_3.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_3_dlap.xml | 5ad640207894d2663c000000 |
Creating and Using Video Assignments
| literature_full_update2018_4.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_4_dlap.xml | 5ad640207894d2663c000000 |
Creating and Using Other LaunchPad Assignment Types
| literature_full_update2018_5.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_5_dlap.xml | 5ad640207894d2663c000000 |
Contents by Author
| literature_full_update2018_6.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_6_dlap.xml | 5ad640207894d2663c000000 |
Contents by Genre
| literature_full_update2018_7.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_7_dlap.xml | 5ad640207894d2663c000000 |
Videos by Author
| literature_full_update2018_8.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_8_dlap.xml | 5ad640207894d2663c000000 |
Getting Started with LaunchPad
| literature_full_update2018_9.html | 5ad640207894d2663c000000 |
DLAP questions | literature_full_update2018_9_dlap.xml | 5ad640207894d2663c000000 |