FileTitleManuscript Id
Chapter 9 America in the Modern World: 1913—1945cialit1e_ch09_1.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_1_dlap.xml53bde37c757a2ecd19000005
Ezra Pound, In a Station of the Metro (1913) cialit1e_ch09_2.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_2_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_3.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_3_dlap.xml53bde37c757a2ecd19000005
Ezra Pound, A Few Don’ts by an Imagiste (1913) cialit1e_ch09_4.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_4_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_5.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_5_dlap.xml53bde37c757a2ecd19000005
Robert Frost, Reluctance (1914) cialit1e_ch09_6.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_6_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_7.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_7_dlap.xml53bde37c757a2ecd19000005
Robert Frost, Mending Wall (1914) cialit1e_ch09_8.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_8_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_9.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_9_dlap.xml53bde37c757a2ecd19000005
Robert Frost, Fire and Ice (1920) cialit1e_ch09_10.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_10_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_11.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_11_dlap.xml53bde37c757a2ecd19000005
Marsden Hartley, Portrait of a German Officer (painting, 1914) cialit1e_ch09_12.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_12_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_13.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_13_dlap.xml53bde37c757a2ecd19000005
Wallace Stevens, Thirteen Ways of Looking at a Blackbird (1917) cialit1e_ch09_14.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_14_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_15.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_15_dlap.xml53bde37c757a2ecd19000005
TalkBack: Aaron A. Abeyta, Thirteen Ways of Looking at a Tortilla (2001) cialit1e_ch09_16.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_16_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_17.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_17_dlap.xml53bde37c757a2ecd19000005
Making Connectionscialit1e_ch09_18.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_18_dlap.xml53bde37c757a2ecd19000005
Edna St. Vincent Millay, First Fig (1918) cialit1e_ch09_19.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_19_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_20.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_20_dlap.xml53bde37c757a2ecd19000005
Marianne Moore, Poetry (1919) cialit1e_ch09_21.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_21_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_22.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_22_dlap.xml53bde37c757a2ecd19000005
Claude McKay, If We Must Die (1919) cialit1e_ch09_23.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_23_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_24.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_24_dlap.xml53bde37c757a2ecd19000005
Theodore Dreiser, A Certain Oil Refinery (1919) cialit1e_ch09_25.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_25_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_26.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_26_dlap.xml53bde37c757a2ecd19000005
E. E. Cummings, in Just- (1920) cialit1e_ch09_27.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_27_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_28.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_28_dlap.xml53bde37c757a2ecd19000005
Langston Hughes, The Negro Speaks of Rivers (1921) cialit1e_ch09_29.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_29_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_30.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_30_dlap.xml53bde37c757a2ecd19000005
Langston Hughes, The Negro Artist and the Racial Mountain (1926) cialit1e_ch09_31.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_31_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_32.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_32_dlap.xml53bde37c757a2ecd19000005
William Carlos Williams, The Great Figure (1921) cialit1e_ch09_33.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_33_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_34.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_34_dlap.xml53bde37c757a2ecd19000005
TalkBack: Charles Demuth, I Saw the Figure 5 in Gold (painting, 1928) cialit1e_ch09_35.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_35_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_36.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_36_dlap.xml53bde37c757a2ecd19000005
Making Connectionscialit1e_ch09_37.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_37_dlap.xml53bde37c757a2ecd19000005
William Carlos Williams, This Is Just to Say (1934) cialit1e_ch09_38.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_38_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_39.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_39_dlap.xml53bde37c757a2ecd19000005
TalkBack: Kenneth Koch, Variations on a Theme by William Carlos Williams (1962) cialit1e_ch09_40.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_40_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_41.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_41_dlap.xml53bde37c757a2ecd19000005
Making Connectionscialit1e_ch09_42.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_42_dlap.xml53bde37c757a2ecd19000005
T. S. Eliot, The Hollow Men (1925) cialit1e_ch09_43.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_43_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_44.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_44_dlap.xml53bde37c757a2ecd19000005
Zora Neale Hurston, How It Feels to Be Colored Me (1928) cialit1e_ch09_45.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_45_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_46.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_46_dlap.xml53bde37c757a2ecd19000005
Ernest Hemingway, A Clean, Well-Lighted Place (1933) cialit1e_ch09_47.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_47_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_48.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_48_dlap.xml53bde37c757a2ecd19000005
TalkBack: Yiyun Li, A Clean, Well-Lighted Place (2011) cialit1e_ch09_49.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_49_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_50.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_50_dlap.xml53bde37c757a2ecd19000005
Making Connectionscialit1e_ch09_51.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_51_dlap.xml53bde37c757a2ecd19000005
Edith Wharton, Roman Fever (1934) cialit1e_ch09_52.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_52_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_53.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_53_dlap.xml53bde37c757a2ecd19000005
Eleanor Roosevelt, What Libraries Mean to the Nation (1936) cialit1e_ch09_54.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_54_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_55.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_55_dlap.xml53bde37c757a2ecd19000005
Works Progress Administration, Bookmobile, Louisiana (photograph, c. 1938) cialit1e_ch09_56.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_56_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_57.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_57_dlap.xml53bde37c757a2ecd19000005
Franklin Delano Roosevelt, Second Inaugural Address: One-Third of a Nation (1937) cialit1e_ch09_58.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_58_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_59.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_59_dlap.xml53bde37c757a2ecd19000005
John Steinbeck, The Chrysanthemums (1937) cialit1e_ch09_60.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_60_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_61.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_61_dlap.xml53bde37c757a2ecd19000005
William Faulkner, Barn Burning (1939) cialit1e_ch09_62.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_62_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_63.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_63_dlap.xml53bde37c757a2ecd19000005
W. H. Auden, The Unknown Citizen (1939) cialit1e_ch09_64.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_64_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_65.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_65_dlap.xml53bde37c757a2ecd19000005
Richard Wright, The Man Who Was Almost a Man (1940, 1961) cialit1e_ch09_66.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_66_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_67.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_67_dlap.xml53bde37c757a2ecd19000005
Randall Jarrell, The Death of the Ball Turret Gunner (1945) cialit1e_ch09_68.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_68_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_69.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_69_dlap.xml53bde37c757a2ecd19000005
Harry S Truman, Statement by the President of the United States (1945) cialit1e_ch09_70.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_70_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_71.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_71_dlap.xml53bde37c757a2ecd19000005
TalkBack: Jonathan Schell, from The Fate of the Earth (1982) cialit1e_ch09_72.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_72_dlap.xml53bde37c757a2ecd19000005
Exploring the Textcialit1e_ch09_73.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_73_dlap.xml53bde37c757a2ecd19000005
Making Connectionscialit1e_ch09_74.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_74_dlap.xml53bde37c757a2ecd19000005
CONVERSATION The Influence of Jazzcialit1e_ch09_75.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_75_dlap.xml53bde37c757a2ecd19000005
Gerald Early, from Jazz and the African American Literary Tradition (2010) cialit1e_ch09_76.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_76_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_77.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_77_dlap.xml53bde37c757a2ecd19000005
Robert O’Meally, from Seeing Jazz (1997) cialit1e_ch09_78.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_78_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_79.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_79_dlap.xml53bde37c757a2ecd19000005
Langston Hughes, Jazzonia (1923) cialit1e_ch09_80.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_80_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_81.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_81_dlap.xml53bde37c757a2ecd19000005
Stuart Davis, Swing Landscape (1938) cialit1e_ch09_82.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_82_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_83.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_83_dlap.xml53bde37c757a2ecd19000005
William Henry Johnson, Jitterbugs VI (1941) cialit1e_ch09_84.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_84_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_85.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_85_dlap.xml53bde37c757a2ecd19000005
Ralph Ellison, from Invisible Man (1952) cialit1e_ch09_86.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_86_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_87.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_87_dlap.xml53bde37c757a2ecd19000005
Whitney Balliett, Daddy-O (1958) cialit1e_ch09_88.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_88_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_89.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_89_dlap.xml53bde37c757a2ecd19000005
Donald Barthelme, The King of Jazz (1958) cialit1e_ch09_90.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_90_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_91.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_91_dlap.xml53bde37c757a2ecd19000005
Jayne Cortez, Jazz Fan Looks Back (2002) cialit1e_ch09_92.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_92_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_93.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_93_dlap.xml53bde37c757a2ecd19000005
Michael Segell, from The Devil’s Horn (2005) cialit1e_ch09_94.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_94_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_95.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_95_dlap.xml53bde37c757a2ecd19000005
Evelyn Toynton, from Jackson Pollock (2012) cialit1e_ch09_96.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_96_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_97.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_97_dlap.xml53bde37c757a2ecd19000005
Making Connectionscialit1e_ch09_98.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_98_dlap.xml53bde37c757a2ecd19000005
Entering the Conversationcialit1e_ch09_99.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_99_dlap.xml53bde37c757a2ecd19000005
CONVERSATION Japanese Internment and Reparations: Making It Right?cialit1e_ch09_100.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_100_dlap.xml53bde37c757a2ecd19000005
Franklin Delano Roosevelt, Executive Order No. 9066 (1942) cialit1e_ch09_101.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_101_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_102.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_102_dlap.xml53bde37c757a2ecd19000005
Western Defense Command, Evacuation Order (1942) cialit1e_ch09_103.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_103_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_104.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_104_dlap.xml53bde37c757a2ecd19000005
Dorothea Lange, I Am an American (1942) cialit1e_ch09_105.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_105_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_106.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_106_dlap.xml53bde37c757a2ecd19000005
Julie Otsuka, from When the Emperor Was Divine (2002) cialit1e_ch09_107.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_107_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_108.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_108_dlap.xml53bde37c757a2ecd19000005
George H. W. Bush, Letter of Apology (1991) cialit1e_ch09_109.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_109_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_110.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_110_dlap.xml53bde37c757a2ecd19000005
Eric K. Yamamoto, from Racial Reparations: Japanese American Redress and African American Claims (1998) cialit1e_ch09_111.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_111_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_112.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_112_dlap.xml53bde37c757a2ecd19000005
Brent Staples, The Slave Reparations Movement Adopts the Rhetoric of Victimhood (2001) cialit1e_ch09_113.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_113_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_114.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_114_dlap.xml53bde37c757a2ecd19000005
Charles Ogletree Jr., Litigating the Legacy of Slavery (2002) cialit1e_ch09_115.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_115_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_116.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_116_dlap.xml53bde37c757a2ecd19000005
Henry Louis Gates Jr., Ending the Slavery Blame-Game (2010) cialit1e_ch09_117.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_117_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_118.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_118_dlap.xml53bde37c757a2ecd19000005
Making Connectionscialit1e_ch09_119.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_119_dlap.xml53bde37c757a2ecd19000005
Entering the Conversationcialit1e_ch09_120.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_120_dlap.xml53bde37c757a2ecd19000005
CONVERSATION What Is American Literature?cialit1e_ch09_121.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_121_dlap.xml53bde37c757a2ecd19000005
Walt Whitman, from Letter to Ralph Waldo Emerson (1856) cialit1e_ch09_122.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_122_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_123.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_123_dlap.xml53bde37c757a2ecd19000005
Emma Lazarus, American Literature (1881) cialit1e_ch09_124.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_124_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_125.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_125_dlap.xml53bde37c757a2ecd19000005
John Macy, from The Spirit of American Literature (1913) cialit1e_ch09_126.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_126_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_127.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_127_dlap.xml53bde37c757a2ecd19000005
Sherwood Anderson, from An Apology for Crudity (1917) cialit1e_ch09_128.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_128_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_129.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_129_dlap.xml53bde37c757a2ecd19000005
Amy Lowell, from On “New Poetry” (1917) cialit1e_ch09_130.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_130_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_131.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_131_dlap.xml53bde37c757a2ecd19000005
Bliss Perry, from The American Spirit in Literature (1920) cialit1e_ch09_132.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_132_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_133.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_133_dlap.xml53bde37c757a2ecd19000005
D. H. Lawrence, from The Spirit of Place (1923) cialit1e_ch09_134.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_134_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_135.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_135_dlap.xml53bde37c757a2ecd19000005
Tom Wolfe, from Why They Aren’t Writing the Great American Novel Anymore (1972) cialit1e_ch09_136.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_136_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_137.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_137_dlap.xml53bde37c757a2ecd19000005
Margaret Atwood, Hello, Martians. Let Moby-Dick Explain (2012) cialit1e_ch09_138.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_138_dlap.xml53bde37c757a2ecd19000005
Questionscialit1e_ch09_139.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_139_dlap.xml53bde37c757a2ecd19000005
Making Connectionscialit1e_ch09_140.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_140_dlap.xml53bde37c757a2ecd19000005
Entering the Conversationcialit1e_ch09_141.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_141_dlap.xml53bde37c757a2ecd19000005
GRAMMAR AS RHETORIC AND STYLE Direct, Precise, and Active Verbscialit1e_ch09_142.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_142_dlap.xml53bde37c757a2ecd19000005
Exercise 1cialit1e_ch09_143.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_143_dlap.xml53bde37c757a2ecd19000005
Exercise 2cialit1e_ch09_144.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_144_dlap.xml53bde37c757a2ecd19000005
Exercise 3cialit1e_ch09_145.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_145_dlap.xml53bde37c757a2ecd19000005
Exercise 4cialit1e_ch09_146.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_146_dlap.xml53bde37c757a2ecd19000005
SUGGESTIONS FOR WRITING America in the Modern Worldcialit1e_ch09_147.html53bde37c757a2ecd19000005
DLAP questionscialit1e_ch09_147_dlap.xml53bde37c757a2ecd19000005