Name | File | Manuscript |
Introduction to Chapter 1 | theguide11e_ch1_1.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_1_dlap.xml | 5655e7db757a2ee952000000 |
Understanding the Rhetorical Situation
| theguide11e_ch1_2.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_2_dlap.xml | 5655e7db757a2ee952000000 |
Reflecting on Your Own Literacy
| theguide11e_ch1_3.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_3_dlap.xml | 5655e7db757a2ee952000000 |
Reading: Amy Tan, Excerpt from âMother Tongueâ
| theguide11e_ch1_4.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_4_dlap.xml | 5655e7db757a2ee952000000 |
Reading: William Gibson, Excerpt from âThe Art of Fiction, No. 211â
| theguide11e_ch1_5.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_5_dlap.xml | 5655e7db757a2ee952000000 |
Reading: Annie Dillard, Excerpt from "An American Childhood"
| theguide11e_ch1_6.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_6_dlap.xml | 5655e7db757a2ee952000000 |
Reading: Lynda Barry, Excerpt from âLost and Foundâ
| theguide11e_ch1_7.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_7_dlap.xml | 5655e7db757a2ee952000000 |
Reading: David Sedaris, âMe Talk Pretty One Dayâ
| theguide11e_ch1_8.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_8_dlap.xml | 5655e7db757a2ee952000000 |
Composing Your Own Literacy Narrative
| theguide11e_ch1_9.html | 5655e7db757a2ee952000000 |
DLAP questions | theguide11e_ch1_9_dlap.xml | 5655e7db757a2ee952000000 |
Introduction to Chapter 2 | theguide11e_ch2_1.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_1_dlap.xml | 564a0e01757a2e7426000001 |
Analyzing Remembered Event Essays
| theguide11e_ch2_2.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_2_dlap.xml | 564a0e01757a2e7426000001 |
Jean Brandt Calling Home
| theguide11e_ch2_3.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_3_dlap.xml | 564a0e01757a2e7426000001 |
Annie Dillard From An American Childhood
| theguide11e_ch2_4.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_4_dlap.xml | 564a0e01757a2e7426000001 |
Jenée Desmond-Harris Tupac and My Non-thug Life
| theguide11e_ch2_5.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_5_dlap.xml | 564a0e01757a2e7426000001 |
Peter Orner Writing about What Haunts Us
| theguide11e_ch2_6.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_6_dlap.xml | 564a0e01757a2e7426000001 |
REMIX: Remixing Your Remembered Event Essay | theguide11e_ch2_7.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_7_dlap.xml | 564a0e01757a2e7426000001 |
The Writing Assignment
| theguide11e_ch2_8.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_8_dlap.xml | 564a0e01757a2e7426000001 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch2_9.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_9_dlap.xml | 564a0e01757a2e7426000001 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch2_10.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_10_dlap.xml | 564a0e01757a2e7426000001 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch2_11.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_11_dlap.xml | 564a0e01757a2e7426000001 |
Developing Significance in Jean Brandtâs Remembered Event Essay
| theguide11e_ch2_12.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_12_dlap.xml | 564a0e01757a2e7426000001 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch2_13.html | 564a0e01757a2e7426000001 |
DLAP questions | theguide11e_ch2_13_dlap.xml | 564a0e01757a2e7426000001 |
Introduction to Chapter 3 | theguide11e_ch3_1.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_1_dlap.xml | 56563a0b757a2e0570000000 |
Analyzing Profiles
| theguide11e_ch3_2.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_2_dlap.xml | 56563a0b757a2e0570000000 |
Brian Cable The Last Stop
| theguide11e_ch3_3.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_3_dlap.xml | 56563a0b757a2e0570000000 |
Jon Ronson The Hunger Games
| theguide11e_ch3_4.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_4_dlap.xml | 56563a0b757a2e0570000000 |
Amanda Coyne Long Good-Bye: Motherâs Day in Federal Prison
| theguide11e_ch3_5.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_5_dlap.xml | 56563a0b757a2e0570000000 |
Gabriel Thompson A Gringo in the Lettuce Fields
| theguide11e_ch3_6.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_6_dlap.xml | 56563a0b757a2e0570000000 |
REMIX: Remixing Your Profile | theguide11e_ch3_7.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_7_dlap.xml | 56563a0b757a2e0570000000 |
The Writing Assignment
| theguide11e_ch3_8.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_8_dlap.xml | 56563a0b757a2e0570000000 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch3_9.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_9_dlap.xml | 56563a0b757a2e0570000000 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch3_10.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_10_dlap.xml | 56563a0b757a2e0570000000 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch3_11.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_11_dlap.xml | 56563a0b757a2e0570000000 |
Brian Cableâs Interview Notes and Write-Up
| theguide11e_ch3_12.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_12_dlap.xml | 56563a0b757a2e0570000000 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch3_13.html | 56563a0b757a2e0570000000 |
DLAP questions | theguide11e_ch3_13_dlap.xml | 56563a0b757a2e0570000000 |
Introduction to Chapter 4 | theguide11e_ch4_1.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_1_dlap.xml | 5659f2ae757a2e4b54000000 |
Analyzing Concept Explanations
| theguide11e_ch4_2.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_2_dlap.xml | 5659f2ae757a2e4b54000000 |
Jonathan Potthast Supervolcanoes: A Catastrophe of Ice and Fire
| theguide11e_ch4_3.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_3_dlap.xml | 5659f2ae757a2e4b54000000 |
Anastasia Toufexis Love: The Right Chemistry
| theguide11e_ch4_4.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_4_dlap.xml | 5659f2ae757a2e4b54000000 |
John Tierney Do You Suffer from Decision Fatigue?
| theguide11e_ch4_5.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_5_dlap.xml | 5659f2ae757a2e4b54000000 |
Susan Cain Shyness: Evolutionary Tactic?
| theguide11e_ch4_6.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_6_dlap.xml | 5659f2ae757a2e4b54000000 |
REMIX: Remixing Your Concept Explanation | theguide11e_ch4_7.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_7_dlap.xml | 5659f2ae757a2e4b54000000 |
The Writing Assignment
| theguide11e_ch4_8.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_8_dlap.xml | 5659f2ae757a2e4b54000000 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch4_9.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_9_dlap.xml | 5659f2ae757a2e4b54000000 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch4_10.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_10_dlap.xml | 5659f2ae757a2e4b54000000 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch4_11.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_11_dlap.xml | 5659f2ae757a2e4b54000000 |
Jonathan Potthastâs Use of Sources
| theguide11e_ch4_12.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_12_dlap.xml | 5659f2ae757a2e4b54000000 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch4_13.html | 5659f2ae757a2e4b54000000 |
DLAP questions | theguide11e_ch4_13_dlap.xml | 5659f2ae757a2e4b54000000 |
Introduction to Chapter 5 | theguide11e_ch5_1.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_1_dlap.xml | 565dd402757a2eb25b000000 |
Analyzing Four Genres
| theguide11e_ch5_2.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_2_dlap.xml | 565dd402757a2eb25b000000 |
Maya Gomez Summary: âA Moral Marketâ
| theguide11e_ch5_3.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_3_dlap.xml | 565dd402757a2eb25b000000 |
Maya Gomez Annotated Bibliography: Compensating Kidney Donors
| theguide11e_ch5_4.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_4_dlap.xml | 565dd402757a2eb25b000000 |
Maya Gomez Report: Possible Solutions to the Kidney Shortage
| theguide11e_ch5_5.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_5_dlap.xml | 565dd402757a2eb25b000000 |
Maya Gomez Analysis: Satel vs. the National Kidney Foundation: Should Kidney Donors Be Compensated?
| theguide11e_ch5_6.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_6_dlap.xml | 565dd402757a2eb25b000000 |
REMIX: Remixing Information from Your Research | theguide11e_ch5_7.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_7_dlap.xml | 565dd402757a2eb25b000000 |
The Writing Assignment
| theguide11e_ch5_8.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_8_dlap.xml | 565dd402757a2eb25b000000 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch5_9.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_9_dlap.xml | 565dd402757a2eb25b000000 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch5_10.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_10_dlap.xml | 565dd402757a2eb25b000000 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch5_11.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_11_dlap.xml | 565dd402757a2eb25b000000 |
Analyzing Opposing Arguments.
| theguide11e_ch5_12.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_12_dlap.xml | 565dd402757a2eb25b000000 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch5_13.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_13_dlap.xml | 565dd402757a2eb25b000000 |
Introduction to the Casebook for Ch. 5 | theguide11e_ch5_14.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_14_dlap.xml | 565dd402757a2eb25b000000 |
National Kidney Foundation Financial Incentives for Organ Donation
| theguide11e_ch5_15.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_15_dlap.xml | 565dd402757a2eb25b000000 |
Gary S. BeckerJulio J. ElÃas Cash for Kidneys: The Case for a Market for Organs
| theguide11e_ch5_16.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_16_dlap.xml | 565dd402757a2eb25b000000 |
Sally Satel When Altruism Isnât Moral
| theguide11e_ch5_17.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_17_dlap.xml | 565dd402757a2eb25b000000 |
Eric Posner A Moral Market
| theguide11e_ch5_18.html | 565dd402757a2eb25b000000 |
DLAP questions | theguide11e_ch5_18_dlap.xml | 565dd402757a2eb25b000000 |
Introduction to Chapter 6 | theguide11e_ch6_1.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_1_dlap.xml | 565f20cf757a2e1e5a000000 |
Analyzing Position Arguments
| theguide11e_ch6_2.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_2_dlap.xml | 565f20cf757a2e1e5a000000 |
Jessica Statsky Children Need to Play, Not Compete
| theguide11e_ch6_3.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_3_dlap.xml | 565f20cf757a2e1e5a000000 |
Noam Bramson Child, Home, Neighborhood, Community, and Conscience
| theguide11e_ch6_4.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_4_dlap.xml | 565f20cf757a2e1e5a000000 |
Amitai Etzioni Working at McDonaldâs
| theguide11e_ch6_5.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_5_dlap.xml | 565f20cf757a2e1e5a000000 |
Daniel J. Solove Why Privacy Matters Even If You Have âNothing to Hideâ
| theguide11e_ch6_6.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_6_dlap.xml | 565f20cf757a2e1e5a000000 |
REMIX: Remixing Your Position Argument | theguide11e_ch6_7.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_7_dlap.xml | 565f20cf757a2e1e5a000000 |
The Writing Assignment
| theguide11e_ch6_8.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_8_dlap.xml | 565f20cf757a2e1e5a000000 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch6_9.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_9_dlap.xml | 565f20cf757a2e1e5a000000 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch6_10.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_10_dlap.xml | 565f20cf757a2e1e5a000000 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch6_11.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_11_dlap.xml | 565f20cf757a2e1e5a000000 |
Jessica Statskyâs Response to Opposing Positions
| theguide11e_ch6_12.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_12_dlap.xml | 565f20cf757a2e1e5a000000 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch6_13.html | 565f20cf757a2e1e5a000000 |
DLAP questions | theguide11e_ch6_13_dlap.xml | 565f20cf757a2e1e5a000000 |
Introduction to Chapter 7 | theguide11e_ch7_1.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_1_dlap.xml | 565f5590757a2e5976000000 |
Analyzing Proposals
| theguide11e_ch7_2.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_2_dlap.xml | 565f5590757a2e5976000000 |
Patrick OâMalley More Testing, More Learning
| theguide11e_ch7_3.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_3_dlap.xml | 565f5590757a2e5976000000 |
Naomi Rose Captivity Kills Orcas
| theguide11e_ch7_4.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_4_dlap.xml | 565f5590757a2e5976000000 |
Eric Posner A Moral Market
| theguide11e_ch7_5.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_5_dlap.xml | 565f5590757a2e5976000000 |
Kelly D. BrownellThomas R. Frieden Ounces of Prevention â The Public Policy Case for Taxes on Sugared Beverages
| theguide11e_ch7_6.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_6_dlap.xml | 565f5590757a2e5976000000 |
REMIX: Remixing Your Proposal | theguide11e_ch7_7.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_7_dlap.xml | 565f5590757a2e5976000000 |
The Writing Assignment
| theguide11e_ch7_8.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_8_dlap.xml | 565f5590757a2e5976000000 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch7_9.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_9_dlap.xml | 565f5590757a2e5976000000 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch7_10.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_10_dlap.xml | 565f5590757a2e5976000000 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch7_11.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_11_dlap.xml | 565f5590757a2e5976000000 |
Patrick OâMalleyâs Revision Process
| theguide11e_ch7_12.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_12_dlap.xml | 565f5590757a2e5976000000 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch7_13.html | 565f5590757a2e5976000000 |
DLAP questions | theguide11e_ch7_13_dlap.xml | 565f5590757a2e5976000000 |
Introduction to Chapter 8 | theguide11e_ch8_1.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_1_dlap.xml | 5660d344757a2eba19000000 |
Analyzing Evaluations
| theguide11e_ch8_2.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_2_dlap.xml | 5660d344757a2eba19000000 |
William Akana Scott Pilgrim vs. the World: A Hell of a Ride
| theguide11e_ch8_3.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_3_dlap.xml | 5660d344757a2eba19000000 |
Emily Nussbaum The Aristocrats: The Graphic Arts of Game of Thrones
| theguide11e_ch8_4.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_4_dlap.xml | 5660d344757a2eba19000000 |
Malcolm Gladwell What College Rankings Really Tell Us
| theguide11e_ch8_5.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_5_dlap.xml | 5660d344757a2eba19000000 |
Sherry Turkle The Flight from Conversation
| theguide11e_ch8_6.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_6_dlap.xml | 5660d344757a2eba19000000 |
REMIX: Remixing Your Evaluation | theguide11e_ch8_7.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_7_dlap.xml | 5660d344757a2eba19000000 |
The Writing Assignment
| theguide11e_ch8_8.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_8_dlap.xml | 5660d344757a2eba19000000 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch8_9.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_9_dlap.xml | 5660d344757a2eba19000000 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch8_10.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_10_dlap.xml | 5660d344757a2eba19000000 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch8_11.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_11_dlap.xml | 5660d344757a2eba19000000 |
William Akanaâs Thesis and Response to Objections
| theguide11e_ch8_12.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_12_dlap.xml | 5660d344757a2eba19000000 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch8_13.html | 5660d344757a2eba19000000 |
DLAP questions | theguide11e_ch8_13_dlap.xml | 5660d344757a2eba19000000 |
Introduction to Chapter 9 | theguide11e_ch9_1.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_1_dlap.xml | 5661e10d757a2e0d06000001 |
Analyzing Causal Arguments
| theguide11e_ch9_2.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_2_dlap.xml | 5661e10d757a2e0d06000001 |
Clayton Pangelinan #socialnetworking: Why Itâs Really So Popular
| theguide11e_ch9_3.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_3_dlap.xml | 5661e10d757a2e0d06000001 |
Stephen King Why We Crave Horror Movies
| theguide11e_ch9_4.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_4_dlap.xml | 5661e10d757a2e0d06000001 |
Claudia Wallis The Multitasking Generation
| theguide11e_ch9_5.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_5_dlap.xml | 5661e10d757a2e0d06000001 |
Shankar Vedantam The Telescope Effect
| theguide11e_ch9_6.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_6_dlap.xml | 5661e10d757a2e0d06000001 |
REMIX: Remixing Your Causal Argument | theguide11e_ch9_7.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_7_dlap.xml | 5661e10d757a2e0d06000001 |
The Writing Assignment
| theguide11e_ch9_8.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_8_dlap.xml | 5661e10d757a2e0d06000001 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch9_9.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_9_dlap.xml | 5661e10d757a2e0d06000001 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch9_10.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_10_dlap.xml | 5661e10d757a2e0d06000001 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch9_11.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_11_dlap.xml | 5661e10d757a2e0d06000001 |
Clayton Pangelinanâs Analysis of Possible Causes
| theguide11e_ch9_12.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_12_dlap.xml | 5661e10d757a2e0d06000001 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch9_13.html | 5661e10d757a2e0d06000001 |
DLAP questions | theguide11e_ch9_13_dlap.xml | 5661e10d757a2e0d06000001 |
Introduction to Chapter 10 | theguide11e_ch10_1.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_1_dlap.xml | 56636d84757a2e3825000000 |
Analyzing Essays That Analyze Stories
| theguide11e_ch10_2.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_2_dlap.xml | 56636d84757a2e3825000000 |
Iris Lee Performing a Doctorâs Duty
| theguide11e_ch10_3.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_3_dlap.xml | 56636d84757a2e3825000000 |
Isabella Wright âFor Heavenâs Sake!â
| theguide11e_ch10_4.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_4_dlap.xml | 56636d84757a2e3825000000 |
REMIX: Remixing Your Literary Analysis | theguide11e_ch10_5.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_5_dlap.xml | 56636d84757a2e3825000000 |
The Writing Assignment
| theguide11e_ch10_6.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_6_dlap.xml | 56636d84757a2e3825000000 |
Writing a Draft: Invention, Research, Planning, and Composing
| theguide11e_ch10_7.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_7_dlap.xml | 56636d84757a2e3825000000 |
Evaluating the Draft: Using Peer Review
| theguide11e_ch10_8.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_8_dlap.xml | 56636d84757a2e3825000000 |
Improving the Draft: Revising, Editing, and Proofreading
| theguide11e_ch10_9.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_9_dlap.xml | 56636d84757a2e3825000000 |
Isabella Wrightâs Invention Work
| theguide11e_ch10_10.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_10_dlap.xml | 56636d84757a2e3825000000 |
Reflecting on What You Have Learned; Reflecting on the Genre
| theguide11e_ch10_11.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_11_dlap.xml | 56636d84757a2e3825000000 |
Introduction to the Anthology of Short Stories for Ch. 10 | theguide11e_ch10_12.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_12_dlap.xml | 56636d84757a2e3825000000 |
Kate Chopin The Story of an Hour
| theguide11e_ch10_13.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_13_dlap.xml | 56636d84757a2e3825000000 |
James Joyce Araby
| theguide11e_ch10_14.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_14_dlap.xml | 56636d84757a2e3825000000 |
William Carlos Williams The Use of Force
| theguide11e_ch10_15.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_15_dlap.xml | 56636d84757a2e3825000000 |
Jamaica Kincaid Girl
| theguide11e_ch10_16.html | 56636d84757a2e3825000000 |
DLAP questions | theguide11e_ch10_16_dlap.xml | 56636d84757a2e3825000000 |
Introduction to Chapter 11 | theguide11e_ch11_1.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_1_dlap.xml | 56673617757a2ea507000001 |
Mapping Strategies: An Overview
| theguide11e_ch11_2.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_2_dlap.xml | 56673617757a2ea507000001 |
Create a cluster diagram to reveal relationships among ideas.
| theguide11e_ch11_3.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_3_dlap.xml | 56673617757a2ea507000001 |
Make a list to generate a plan quickly.
| theguide11e_ch11_4.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_4_dlap.xml | 56673617757a2ea507000001 |
Create an outline to invent and organize.
| theguide11e_ch11_5.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_5_dlap.xml | 56673617757a2ea507000001 |
Writing Strategies: An Overview
| theguide11e_ch11_6.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_6_dlap.xml | 56673617757a2ea507000001 |
Use cubing to explore a topic from six perspectives.
| theguide11e_ch11_7.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_7_dlap.xml | 56673617757a2ea507000001 |
Construct a dialogue to explore an experience or alternative view.
| theguide11e_ch11_8.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_8_dlap.xml | 56673617757a2ea507000001 |
Use dramatizing to analyze behavior.
| theguide11e_ch11_9.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_9_dlap.xml | 56673617757a2ea507000001 |
Freewrite to generate ideas freely and creatively.
| theguide11e_ch11_10.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_10_dlap.xml | 56673617757a2ea507000001 |
Use looping to explore aspects of a topic.
| theguide11e_ch11_11.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_11_dlap.xml | 56673617757a2ea507000001 |
Take notes in a journal.
| theguide11e_ch11_12.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_12_dlap.xml | 56673617757a2ea507000001 |
Ask questions to explore a subject systematically.
| theguide11e_ch11_13.html | 56673617757a2ea507000001 |
DLAP questions | theguide11e_ch11_13_dlap.xml | 56673617757a2ea507000001 |
Introduction to Chapter 12 | theguide11e_ch12_1.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_1_dlap.xml | 566756ff757a2ecc1a000000 |
Annotating
| theguide11e_ch12_2.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_2_dlap.xml | 566756ff757a2ecc1a000000 |
Martin Luther King Jr. An Annotated Sample from âLetter from Birmingham Jailâ
| theguide11e_ch12_3.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_3_dlap.xml | 566756ff757a2ecc1a000000 |
Taking Inventory
| theguide11e_ch12_4.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_4_dlap.xml | 566756ff757a2ecc1a000000 |
Outlining
| theguide11e_ch12_5.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_5_dlap.xml | 566756ff757a2ecc1a000000 |
Paraphrasing
| theguide11e_ch12_6.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_6_dlap.xml | 566756ff757a2ecc1a000000 |
Summarizing
| theguide11e_ch12_7.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_7_dlap.xml | 566756ff757a2ecc1a000000 |
Synthesizing
| theguide11e_ch12_8.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_8_dlap.xml | 566756ff757a2ecc1a000000 |
Contextualizing
| theguide11e_ch12_9.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_9_dlap.xml | 566756ff757a2ecc1a000000 |
Exploring the Significance of Figurative Language
| theguide11e_ch12_10.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_10_dlap.xml | 566756ff757a2ecc1a000000 |
Looking for Patterns of Opposition
| theguide11e_ch12_11.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_11_dlap.xml | 566756ff757a2ecc1a000000 |
Reflecting on Challenges to Your Beliefs and Values
| theguide11e_ch12_12.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_12_dlap.xml | 566756ff757a2ecc1a000000 |
Evaluating the Logic of an Argument
| theguide11e_ch12_13.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_13_dlap.xml | 566756ff757a2ecc1a000000 |
Recognizing Emotional Manipulation
| theguide11e_ch12_14.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_14_dlap.xml | 566756ff757a2ecc1a000000 |
Judging the Writerâs Credibility
| theguide11e_ch12_15.html | 566756ff757a2ecc1a000000 |
DLAP questions | theguide11e_ch12_15_dlap.xml | 566756ff757a2ecc1a000000 |
Introduction to Chapter 13 | theguide11e_ch13_1.html | 56684709757a2ed139000000 |
DLAP questions | theguide11e_ch13_1_dlap.xml | 56684709757a2ed139000000 |
Paragraphing
| theguide11e_ch13_2.html | 56684709757a2ed139000000 |
DLAP questions | theguide11e_ch13_2_dlap.xml | 56684709757a2ed139000000 |
Cohesive Devices
| theguide11e_ch13_3.html | 56684709757a2ed139000000 |
DLAP questions | theguide11e_ch13_3_dlap.xml | 56684709757a2ed139000000 |
Transitions
| theguide11e_ch13_4.html | 56684709757a2ed139000000 |
DLAP questions | theguide11e_ch13_4_dlap.xml | 56684709757a2ed139000000 |
Headings and Subheadings
| theguide11e_ch13_5.html | 56684709757a2ed139000000 |
DLAP questions | theguide11e_ch13_5_dlap.xml | 56684709757a2ed139000000 |
Introduction to Chapter 14 | theguide11e_ch14_1.html | 56685ece757a2e9173000001 |
DLAP questions | theguide11e_ch14_1_dlap.xml | 56685ece757a2e9173000001 |
Narrating a Process
| theguide11e_ch14_2.html | 56685ece757a2e9173000001 |
DLAP questions | theguide11e_ch14_2_dlap.xml | 56685ece757a2e9173000001 |
Sentence Strategies for Narration
| theguide11e_ch14_3.html | 56685ece757a2e9173000001 |
DLAP questions | theguide11e_ch14_3_dlap.xml | 56685ece757a2e9173000001 |
Introduction to Chapter 15 | theguide11e_ch15_1.html | 56686790757a2e1f06000000 |
DLAP questions | theguide11e_ch15_1_dlap.xml | 56686790757a2e1f06000000 |
Detailing
| theguide11e_ch15_2.html | 56686790757a2e1f06000000 |
DLAP questions | theguide11e_ch15_2_dlap.xml | 56686790757a2e1f06000000 |
Comparing
| theguide11e_ch15_3.html | 56686790757a2e1f06000000 |
DLAP questions | theguide11e_ch15_3_dlap.xml | 56686790757a2e1f06000000 |
Using Sensory Description
| theguide11e_ch15_4.html | 56686790757a2e1f06000000 |
DLAP questions | theguide11e_ch15_4_dlap.xml | 56686790757a2e1f06000000 |
Creating a Dominant Impression
| theguide11e_ch15_5.html | 56686790757a2e1f06000000 |
DLAP questions | theguide11e_ch15_5_dlap.xml | 56686790757a2e1f06000000 |
Sentence Strategies for Description
| theguide11e_ch15_6.html | 56686790757a2e1f06000000 |
DLAP questions | theguide11e_ch15_6_dlap.xml | 56686790757a2e1f06000000 |
Introduction to Chapter 16 | theguide11e_ch16_1.html | 56687126757a2ef908000000 |
DLAP questions | theguide11e_ch16_1_dlap.xml | 56687126757a2ef908000000 |
Sentence Definitions
| theguide11e_ch16_2.html | 56687126757a2ef908000000 |
DLAP questions | theguide11e_ch16_2_dlap.xml | 56687126757a2ef908000000 |
Extended Definitions
| theguide11e_ch16_3.html | 56687126757a2ef908000000 |
DLAP questions | theguide11e_ch16_3_dlap.xml | 56687126757a2ef908000000 |
Historical Definitions
| theguide11e_ch16_4.html | 56687126757a2ef908000000 |
DLAP questions | theguide11e_ch16_4_dlap.xml | 56687126757a2ef908000000 |
Stipulative Definitions
| theguide11e_ch16_5.html | 56687126757a2ef908000000 |
DLAP questions | theguide11e_ch16_5_dlap.xml | 56687126757a2ef908000000 |
Sentence Strategies for Definition
| theguide11e_ch16_6.html | 56687126757a2ef908000000 |
DLAP questions | theguide11e_ch16_6_dlap.xml | 56687126757a2ef908000000 |
Introduction to Chapter 17 | theguide11e_ch17_1.html | 566875ea757a2e260f000000 |
DLAP questions | theguide11e_ch17_1_dlap.xml | 566875ea757a2e260f000000 |
Illustrating Classification
| theguide11e_ch17_2.html | 566875ea757a2e260f000000 |
DLAP questions | theguide11e_ch17_2_dlap.xml | 566875ea757a2e260f000000 |
Maintaining Clarity and Coherence
| theguide11e_ch17_3.html | 566875ea757a2e260f000000 |
DLAP questions | theguide11e_ch17_3_dlap.xml | 566875ea757a2e260f000000 |
Sentence Strategies for Classification
| theguide11e_ch17_4.html | 566875ea757a2e260f000000 |
DLAP questions | theguide11e_ch17_4_dlap.xml | 566875ea757a2e260f000000 |
Introduction to Chapter 18 | theguide11e_ch18_1.html | 5668828c757a2e5715000000 |
DLAP questions | theguide11e_ch18_1_dlap.xml | 5668828c757a2e5715000000 |
Using Analogy to Compare
| theguide11e_ch18_2.html | 5668828c757a2e5715000000 |
DLAP questions | theguide11e_ch18_2_dlap.xml | 5668828c757a2e5715000000 |
Sentence Strategies for Comparison and Contrast
| theguide11e_ch18_3.html | 5668828c757a2e5715000000 |
DLAP questions | theguide11e_ch18_3_dlap.xml | 5668828c757a2e5715000000 |
Introduction to Chapter 19 | theguide11e_ch19_1.html | 56688835757a2ec415000000 |
DLAP questions | theguide11e_ch19_1_dlap.xml | 56688835757a2ec415000000 |
Giving Reasons and Support
| theguide11e_ch19_2.html | 56688835757a2ec415000000 |
DLAP questions | theguide11e_ch19_2_dlap.xml | 56688835757a2ec415000000 |
Responding to Objections and Alternatives
| theguide11e_ch19_3.html | 56688835757a2ec415000000 |
DLAP questions | theguide11e_ch19_3_dlap.xml | 56688835757a2ec415000000 |
Logical Fallacies
| theguide11e_ch19_4.html | 56688835757a2ec415000000 |
DLAP questions | theguide11e_ch19_4_dlap.xml | 56688835757a2ec415000000 |
Sentence Strategies for Argument
| theguide11e_ch19_5.html | 56688835757a2ec415000000 |
DLAP questions | theguide11e_ch19_5_dlap.xml | 56688835757a2ec415000000 |
Introduction to Chapter 20 | theguide11e_ch20_1.html | 56689c31757a2e7a1e000001 |
DLAP questions | theguide11e_ch20_1_dlap.xml | 56689c31757a2e7a1e000001 |
Analyzing Your Rhetorical Situation and Setting a Schedule
| theguide11e_ch20_2.html | 56689c31757a2e7a1e000001 |
DLAP questions | theguide11e_ch20_2_dlap.xml | 56689c31757a2e7a1e000001 |
Choosing a Topic and Getting an Overview
| theguide11e_ch20_3.html | 56689c31757a2e7a1e000001 |
DLAP questions | theguide11e_ch20_3_dlap.xml | 56689c31757a2e7a1e000001 |
Focusing Your Topic and Drafting Research Questions
| theguide11e_ch20_4.html | 56689c31757a2e7a1e000001 |
DLAP questions | theguide11e_ch20_4_dlap.xml | 56689c31757a2e7a1e000001 |
Establishing a Research Log
| theguide11e_ch20_5.html | 56689c31757a2e7a1e000001 |
DLAP questions | theguide11e_ch20_5_dlap.xml | 56689c31757a2e7a1e000001 |
Creating a Working Bibliography
| theguide11e_ch20_6.html | 56689c31757a2e7a1e000001 |
DLAP questions | theguide11e_ch20_6_dlap.xml | 56689c31757a2e7a1e000001 |
Annotating Your Working Bibliography
| theguide11e_ch20_7.html | 56689c31757a2e7a1e000001 |
DLAP questions | theguide11e_ch20_7_dlap.xml | 56689c31757a2e7a1e000001 |
Taking Notes on Your Sources
| theguide11e_ch20_8.html | 56689c31757a2e7a1e000001 |
DLAP questions | theguide11e_ch20_8_dlap.xml | 56689c31757a2e7a1e000001 |
Introduction to Chapter 21 | theguide11e_ch21_1.html | 5669a1ce757a2ee203000000 |
DLAP questions | theguide11e_ch21_1_dlap.xml | 5669a1ce757a2ee203000000 |
Searching Library Catalogs and Databases
| theguide11e_ch21_2.html | 5669a1ce757a2ee203000000 |
DLAP questions | theguide11e_ch21_2_dlap.xml | 5669a1ce757a2ee203000000 |
Find books (and other sources).
| theguide11e_ch21_3.html | 5669a1ce757a2ee203000000 |
DLAP questions | theguide11e_ch21_3_dlap.xml | 5669a1ce757a2ee203000000 |
Find articles in periodicals.
| theguide11e_ch21_4.html | 5669a1ce757a2ee203000000 |
DLAP questions | theguide11e_ch21_4_dlap.xml | 5669a1ce757a2ee203000000 |
Find government documents and statistical information.
| theguide11e_ch21_5.html | 5669a1ce757a2ee203000000 |
DLAP questions | theguide11e_ch21_5_dlap.xml | 5669a1ce757a2ee203000000 |
Find Web sites and interactive sources.
| theguide11e_ch21_6.html | 5669a1ce757a2ee203000000 |
DLAP questions | theguide11e_ch21_6_dlap.xml | 5669a1ce757a2ee203000000 |
Conducting Field Research
| theguide11e_ch21_7.html | 5669a1ce757a2ee203000000 |
DLAP questions | theguide11e_ch21_7_dlap.xml | 5669a1ce757a2ee203000000 |
Introduction to Chapter 22 | theguide11e_ch22_1.html | 5669acae757a2e9109000000 |
DLAP questions | theguide11e_ch22_1_dlap.xml | 5669acae757a2e9109000000 |
Choosing Relevant Sources
| theguide11e_ch22_2.html | 5669acae757a2e9109000000 |
DLAP questions | theguide11e_ch22_2_dlap.xml | 5669acae757a2e9109000000 |
Choosing Reliable Sources
| theguide11e_ch22_3.html | 5669acae757a2e9109000000 |
DLAP questions | theguide11e_ch22_3_dlap.xml | 5669acae757a2e9109000000 |
Introduction to Chapter 23 | theguide11e_ch23_1.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_1_dlap.xml | 5669b379757a2e8409000000 |
Acknowledging Sources and Avoiding Plagiarism
| theguide11e_ch23_2.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_2_dlap.xml | 5669b379757a2e8409000000 |
Using Information from Sources to Support Your Claims
| theguide11e_ch23_3.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_3_dlap.xml | 5669b379757a2e8409000000 |
Decide whether to quote, paraphrase, or summarize.
| theguide11e_ch23_4.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_4_dlap.xml | 5669b379757a2e8409000000 |
Copy quotations exactly, or use italics, ellipses, and brackets to indicate changes.
| theguide11e_ch23_5.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_5_dlap.xml | 5669b379757a2e8409000000 |
Use in-text or block quotations.
| theguide11e_ch23_6.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_6_dlap.xml | 5669b379757a2e8409000000 |
Use punctuation to integrate quotations into your writing.
| theguide11e_ch23_7.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_7_dlap.xml | 5669b379757a2e8409000000 |
Paraphrase sources carefully.
| theguide11e_ch23_8.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_8_dlap.xml | 5669b379757a2e8409000000 |
Write summaries that present the sourceâs main ideas in a balanced and readable way.
| theguide11e_ch23_9.html | 5669b379757a2e8409000000 |
DLAP questions | theguide11e_ch23_9_dlap.xml | 5669b379757a2e8409000000 |
Introduction to Chapter 24 | theguide11e_ch24_1.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_1_dlap.xml | 5669d819757a2e671f000002 |
Directory to In-Text-Citation Models
| theguide11e_ch24_2.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_2_dlap.xml | 5669d819757a2e671f000002 |
Directory to Works-Cited-List Models
| theguide11e_ch24_3.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_3_dlap.xml | 5669d819757a2e671f000002 |
Author Listings
| theguide11e_ch24_4.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_4_dlap.xml | 5669d819757a2e671f000002 |
Books (Print, Electronic, Database)
| theguide11e_ch24_5.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_5_dlap.xml | 5669d819757a2e671f000002 |
Articles (Print, Online, Database)
| theguide11e_ch24_6.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_6_dlap.xml | 5669d819757a2e671f000002 |
Multimedia Sources (Live, Print, Electronic, Database)
| theguide11e_ch24_7.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_7_dlap.xml | 5669d819757a2e671f000002 |
Other Electronic Sources
| theguide11e_ch24_8.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_8_dlap.xml | 5669d819757a2e671f000002 |
Student Research Project in MLA Style
| theguide11e_ch24_9.html | 5669d819757a2e671f000002 |
DLAP questions | theguide11e_ch24_9_dlap.xml | 5669d819757a2e671f000002 |
Introduction to Chapter 25 | theguide11e_ch25_1.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_1_dlap.xml | 566b2b7b757a2e4829000001 |
Directory to In-Text-Citation Models
| theguide11e_ch25_2.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_2_dlap.xml | 566b2b7b757a2e4829000001 |
Directory to Reference-List Models
| theguide11e_ch25_3.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_3_dlap.xml | 566b2b7b757a2e4829000001 |
Author Listings
| theguide11e_ch25_4.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_4_dlap.xml | 566b2b7b757a2e4829000001 |
Books (Print, Electronic)
| theguide11e_ch25_5.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_5_dlap.xml | 566b2b7b757a2e4829000001 |
Articles (Print, Electronic)
| theguide11e_ch25_6.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_6_dlap.xml | 566b2b7b757a2e4829000001 |
Multimedia Sources (Print or Electronic)
| theguide11e_ch25_7.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_7_dlap.xml | 566b2b7b757a2e4829000001 |
Other Electronic Sources
| theguide11e_ch25_8.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_8_dlap.xml | 566b2b7b757a2e4829000001 |
A Sample Reference List
| theguide11e_ch25_9.html | 566b2b7b757a2e4829000001 |
DLAP questions | theguide11e_ch25_9_dlap.xml | 566b2b7b757a2e4829000001 |
Introduction to Chapter 26 | theguide11e_ch26_1.html | 566ef95a757a2e2208000000 |
DLAP questions | theguide11e_ch26_1_dlap.xml | 566ef95a757a2e2208000000 |
Preparing for an Exam
| theguide11e_ch26_2.html | 566ef95a757a2e2208000000 |
DLAP questions | theguide11e_ch26_2_dlap.xml | 566ef95a757a2e2208000000 |
Taking the Exam
| theguide11e_ch26_3.html | 566ef95a757a2e2208000000 |
DLAP questions | theguide11e_ch26_3_dlap.xml | 566ef95a757a2e2208000000 |
Introduction to Chapter 27 | theguide11e_ch27_1.html | 566f079b757a2ec510000000 |
DLAP questions | theguide11e_ch27_1_dlap.xml | 566f079b757a2ec510000000 |
Assembling a Portfolio for Your Composition Course
| theguide11e_ch27_2.html | 566f079b757a2ec510000000 |
DLAP questions | theguide11e_ch27_2_dlap.xml | 566f079b757a2ec510000000 |
Introduction to Chapter 28 | theguide11e_ch28_1.html | 566f0d4a757a2e9912000000 |
DLAP questions | theguide11e_ch28_1_dlap.xml | 566f0d4a757a2e9912000000 |
Criteria for Analyzing Visuals
| theguide11e_ch28_2.html | 566f0d4a757a2e9912000000 |
DLAP questions | theguide11e_ch28_2_dlap.xml | 566f0d4a757a2e9912000000 |
A Sample Analysis
| theguide11e_ch28_3.html | 566f0d4a757a2e9912000000 |
DLAP questions | theguide11e_ch28_3_dlap.xml | 566f0d4a757a2e9912000000 |
Introduction to Chapter 29 | theguide11e_ch29_1.html | 566f2260757a2e8c1d000000 |
DLAP questions | theguide11e_ch29_1_dlap.xml | 566f2260757a2e8c1d000000 |
Business Letters
| theguide11e_ch29_2.html | 566f2260757a2e8c1d000000 |
DLAP questions | theguide11e_ch29_2_dlap.xml | 566f2260757a2e8c1d000000 |
E-mail
| theguide11e_ch29_3.html | 566f2260757a2e8c1d000000 |
DLAP questions | theguide11e_ch29_3_dlap.xml | 566f2260757a2e8c1d000000 |
Résumés
| theguide11e_ch29_4.html | 566f2260757a2e8c1d000000 |
DLAP questions | theguide11e_ch29_4_dlap.xml | 566f2260757a2e8c1d000000 |
Job-Application Letters
| theguide11e_ch29_5.html | 566f2260757a2e8c1d000000 |
DLAP questions | theguide11e_ch29_5_dlap.xml | 566f2260757a2e8c1d000000 |
Web Pages
| theguide11e_ch29_6.html | 566f2260757a2e8c1d000000 |
DLAP questions | theguide11e_ch29_6_dlap.xml | 566f2260757a2e8c1d000000 |
Lab Reports
| theguide11e_ch29_7.html | 566f2260757a2e8c1d000000 |
DLAP questions | theguide11e_ch29_7_dlap.xml | 566f2260757a2e8c1d000000 |
Introduction to Chapter 30 | theguide11e_ch30_1.html | 566f288d757a2e411e000000 |
DLAP questions | theguide11e_ch30_1_dlap.xml | 566f288d757a2e411e000000 |
Writing about Your Service Experience
| theguide11e_ch30_2.html | 566f288d757a2e411e000000 |
DLAP questions | theguide11e_ch30_2_dlap.xml | 566f288d757a2e411e000000 |
Writing for Your Service Organization
| theguide11e_ch30_3.html | 566f288d757a2e411e000000 |
DLAP questions | theguide11e_ch30_3_dlap.xml | 566f288d757a2e411e000000 |
Introduction to Chapter 31 | theguide11e_ch31_1.html | 566f2b58757a2e0d21000000 |
DLAP questions | theguide11e_ch31_1_dlap.xml | 566f2b58757a2e0d21000000 |
Working with Others on Your Individual Writing Projects
| theguide11e_ch31_2.html | 566f2b58757a2e0d21000000 |
DLAP questions | theguide11e_ch31_2_dlap.xml | 566f2b58757a2e0d21000000 |
Collaborating on Joint Writing Projects
| theguide11e_ch31_3.html | 566f2b58757a2e0d21000000 |
DLAP questions | theguide11e_ch31_3_dlap.xml | 566f2b58757a2e0d21000000 |
Introduction to Chapter 32 | theguide11e_ch32_1.html | 566f33c4757a2e3424000000 |
DLAP questions | theguide11e_ch32_1_dlap.xml | 566f33c4757a2e3424000000 |
The Impact of Design
| theguide11e_ch32_2.html | 566f33c4757a2e3424000000 |
DLAP questions | theguide11e_ch32_2_dlap.xml | 566f33c4757a2e3424000000 |
Considering Purpose, Audience, Context, and Medium
| theguide11e_ch32_3.html | 566f33c4757a2e3424000000 |
DLAP questions | theguide11e_ch32_3_dlap.xml | 566f33c4757a2e3424000000 |
Elements of Design
| theguide11e_ch32_4.html | 566f33c4757a2e3424000000 |
DLAP questions | theguide11e_ch32_4_dlap.xml | 566f33c4757a2e3424000000 |
Adding Visuals
| theguide11e_ch32_5.html | 566f33c4757a2e3424000000 |
DLAP questions | theguide11e_ch32_5_dlap.xml | 566f33c4757a2e3424000000 |
Introduction to Chapter 33 | theguide11e_ch33_1.html | 566f4a3f757a2ec22c000000 |
DLAP questions | theguide11e_ch33_1_dlap.xml | 566f4a3f757a2ec22c000000 |
Delivering Your Presentation
| theguide11e_ch33_2.html | 566f4a3f757a2ec22c000000 |
DLAP questions | theguide11e_ch33_2_dlap.xml | 566f4a3f757a2ec22c000000 |
How to Use This Handbook
| theguide11e_bm1_1.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_1_dlap.xml | 5670431e757a2eaa10000000 |
Keeping a Record of Your Own Errors
| theguide11e_bm1_2.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_2_dlap.xml | 5670431e757a2eaa10000000 |
S1 Comma Splices
| theguide11e_bm1_3.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_3_dlap.xml | 5670431e757a2eaa10000000 |
S2 Fused Sentences
| theguide11e_bm1_4.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_4_dlap.xml | 5670431e757a2eaa10000000 |
S3 Sentence Fragments
| theguide11e_bm1_5.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_5_dlap.xml | 5670431e757a2eaa10000000 |
G1 Pronoun Reference
| theguide11e_bm1_6.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_6_dlap.xml | 5670431e757a2eaa10000000 |
G2 Pronoun Agreement
| theguide11e_bm1_7.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_7_dlap.xml | 5670431e757a2eaa10000000 |
G3 Relative Pronouns
| theguide11e_bm1_8.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_8_dlap.xml | 5670431e757a2eaa10000000 |
G4 Pronoun Case
| theguide11e_bm1_9.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_9_dlap.xml | 5670431e757a2eaa10000000 |
G5 Verbs
| theguide11e_bm1_10.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_10_dlap.xml | 5670431e757a2eaa10000000 |
G6 Subject-Verb Agreement
| theguide11e_bm1_11.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_11_dlap.xml | 5670431e757a2eaa10000000 |
G7 Adjectives and Adverbs
| theguide11e_bm1_12.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_12_dlap.xml | 5670431e757a2eaa10000000 |
E1 Missing Words
| theguide11e_bm1_13.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_13_dlap.xml | 5670431e757a2eaa10000000 |
E2 Shifts
| theguide11e_bm1_14.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_14_dlap.xml | 5670431e757a2eaa10000000 |
E3 Noun Agreement
| theguide11e_bm1_15.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_15_dlap.xml | 5670431e757a2eaa10000000 |
E4 Modifiers
| theguide11e_bm1_16.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_16_dlap.xml | 5670431e757a2eaa10000000 |
E5 Mixed Constructions
| theguide11e_bm1_17.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_17_dlap.xml | 5670431e757a2eaa10000000 |
E6 Integrated Quotations, Questions, and Thoughts
| theguide11e_bm1_18.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_18_dlap.xml | 5670431e757a2eaa10000000 |
E7 Parallelism
| theguide11e_bm1_19.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_19_dlap.xml | 5670431e757a2eaa10000000 |
E8 Coordination and Subordination
| theguide11e_bm1_20.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_20_dlap.xml | 5670431e757a2eaa10000000 |
W1 Concise Sentences
| theguide11e_bm1_21.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_21_dlap.xml | 5670431e757a2eaa10000000 |
W2 Exact Words
| theguide11e_bm1_22.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_22_dlap.xml | 5670431e757a2eaa10000000 |
W3 Appropriate Words
| theguide11e_bm1_23.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_23_dlap.xml | 5670431e757a2eaa10000000 |
P1 Commas
| theguide11e_bm1_24.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_24_dlap.xml | 5670431e757a2eaa10000000 |
P2 Unnecessary Commas
| theguide11e_bm1_25.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_25_dlap.xml | 5670431e757a2eaa10000000 |
P3 Semicolons
| theguide11e_bm1_26.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_26_dlap.xml | 5670431e757a2eaa10000000 |
P4 Colons
| theguide11e_bm1_27.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_27_dlap.xml | 5670431e757a2eaa10000000 |
P5 Dashes
| theguide11e_bm1_28.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_28_dlap.xml | 5670431e757a2eaa10000000 |
P6 Quotation Marks
| theguide11e_bm1_29.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_29_dlap.xml | 5670431e757a2eaa10000000 |
P7 Apostrophes
| theguide11e_bm1_30.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_30_dlap.xml | 5670431e757a2eaa10000000 |
P8 Parentheses
| theguide11e_bm1_31.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_31_dlap.xml | 5670431e757a2eaa10000000 |
P9 Brackets
| theguide11e_bm1_32.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_32_dlap.xml | 5670431e757a2eaa10000000 |
P12 Periods
| theguide11e_bm1_33.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_33_dlap.xml | 5670431e757a2eaa10000000 |
M1 Hyphens
| theguide11e_bm1_34.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_34_dlap.xml | 5670431e757a2eaa10000000 |
M2 Capitalization
| theguide11e_bm1_35.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_35_dlap.xml | 5670431e757a2eaa10000000 |
M3 Spacing
| theguide11e_bm1_36.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_36_dlap.xml | 5670431e757a2eaa10000000 |
M4 Numbers
| theguide11e_bm1_37.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_37_dlap.xml | 5670431e757a2eaa10000000 |
M5 Italics
| theguide11e_bm1_38.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_38_dlap.xml | 5670431e757a2eaa10000000 |
M6 Abbreviations
| theguide11e_bm1_39.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_39_dlap.xml | 5670431e757a2eaa10000000 |
M7 Spelling
| theguide11e_bm1_40.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_40_dlap.xml | 5670431e757a2eaa10000000 |
T1 Articles
| theguide11e_bm1_41.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_41_dlap.xml | 5670431e757a2eaa10000000 |
T2 Verbs
| theguide11e_bm1_42.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_42_dlap.xml | 5670431e757a2eaa10000000 |
T3 Prepositions
| theguide11e_bm1_43.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_43_dlap.xml | 5670431e757a2eaa10000000 |
T4 Omitted or Repeated Words
| theguide11e_bm1_44.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_44_dlap.xml | 5670431e757a2eaa10000000 |
T5 Adjective Order
| theguide11e_bm1_45.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_45_dlap.xml | 5670431e757a2eaa10000000 |
T6 Participles
| theguide11e_bm1_46.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_46_dlap.xml | 5670431e757a2eaa10000000 |
R1 Basic Sentence Structure
| theguide11e_bm1_47.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_47_dlap.xml | 5670431e757a2eaa10000000 |
R2 Basic Sentence Elements
| theguide11e_bm1_48.html | 5670431e757a2eaa10000000 |
DLAP questions | theguide11e_bm1_48_dlap.xml | 5670431e757a2eaa10000000 |
GL Glossary of Frequently Misused Words
| theguide11e_bm2_1.html | 567347ab757a2e514e000000 |
DLAP questions | theguide11e_bm2_1_dlap.xml | 567347ab757a2e514e000000 |
Acknowledgments | theguide11e_bm3_1.html | 5682cd41757a2e4626000000 |
DLAP questions | theguide11e_bm3_1_dlap.xml | 5682cd41757a2e4626000000 |
Welcome to the LaunchPad for The St. Martinâs Guide to Writing, 11th Edition
| theguide11e_fm1_1.html | 56d704f9757a2ef342000000 |
DLAP questions | theguide11e_fm1_1_dlap.xml | 56d704f9757a2ef342000000 |
Help your students get the most out of their textbook with LaunchPad for The St. Martinâs Guide to Writing
| theguide11e_fm2_1.html | 56d70643757a2e252f000000 |
DLAP questions | theguide11e_fm2_1_dlap.xml | 56d70643757a2e252f000000 |