NameFileManuscript
Title Pagelisten8e_ch100_1.html54d54123757a2e394f000000
DLAP questionslisten8e_ch100_1_dlap.xml54d54123757a2e394f000000
Streaming Music Creditslisten8e_ch101_1.html5491b4f8757a2e8c7a000003
DLAP questionslisten8e_ch101_1_dlap.xml5491b4f8757a2e8c7a000003
Dedicationlisten8e_ch101_2.html5491b4f8757a2e8c7a000003
DLAP questionslisten8e_ch101_2_dlap.xml5491b4f8757a2e8c7a000003
About the Authorslisten8e_ch101_3.html5491b4f8757a2e8c7a000003
DLAP questionslisten8e_ch101_3_dlap.xml5491b4f8757a2e8c7a000003
Preface--To the Instructorlisten8e_ch101_4.html5491b4f8757a2e8c7a000003
DLAP questionslisten8e_ch101_4_dlap.xml5491b4f8757a2e8c7a000003
Introduction Resourceslisten8e_ch103_1.html540751b5757a2ed54f000000
DLAP questionslisten8e_ch103_1_dlap.xml540751b5757a2ed54f000000
Concert Report Guidelineslisten8e_ch103_2.html540751b5757a2ed54f000000
DLAP questionslisten8e_ch103_2_dlap.xml540751b5757a2ed54f000000
Introductionlisten8e_ch103_3.html540751b5757a2ed54f000000
DLAP questionslisten8e_ch103_3_dlap.xml540751b5757a2ed54f000000
Introduction to Unit I, Fundamentalslisten8e_ch201_1.html54d54753757a2e3c4f000000
DLAP questionslisten8e_ch201_1_dlap.xml54d54753757a2e3c4f000000
Chapter 1 Resourceslisten8e_ch1_1.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_1_dlap.xml5407278d757a2e7442000000
Listening Quiz for Chapter 1listen8e_ch1_2.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_2_dlap.xml5407278d757a2e7442000000
Reading Quiz for Chapter 1listen8e_ch1_3.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_3_dlap.xml5407278d757a2e7442000000
Scott Joplin, “Maple Leaf Rag”listen8e_ch1_4.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_4_dlap.xml5407278d757a2e7442000000
Ludwig van Beethoven, “Joy Theme” from Symphony No. 9, IVlisten8e_ch1_5.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_5_dlap.xml5407278d757a2e7442000000
Franz Schubert, String Quartet in A Minor, No. 13, D.804, I (excerpt)listen8e_ch1_6.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_6_dlap.xml5407278d757a2e7442000000
Franz Schubert, Symphony No. 8 (“Unfinished”), I (excerpt)listen8e_ch1_7.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_7_dlap.xml5407278d757a2e7442000000
Benjamin Britten, The Young Person’s Guide to the Orchestra listen8e_ch1_8.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_8_dlap.xml5407278d757a2e7442000000
Ludwig van Beethoven, Piano Concerto No. 5 (“Emperor”), III (excerpt)listen8e_ch1_9.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_9_dlap.xml5407278d757a2e7442000000
Sergei Rachmaninov, Rhapsody on a Theme by Paganini (excerpt) listen8e_ch1_10.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_10_dlap.xml5407278d757a2e7442000000
Rhythm, Meter, and Tempolisten8e_ch1_11.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_11_dlap.xml5407278d757a2e7442000000
1 | Rhythmlisten8e_ch1_12.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_12_dlap.xml5407278d757a2e7442000000
Beat and Accentlisten8e_ch1_13.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_13_dlap.xml5407278d757a2e7442000000
2 | Meterlisten8e_ch1_14.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_14_dlap.xml5407278d757a2e7442000000
Rhythm and Meterlisten8e_ch1_15.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_15_dlap.xml5407278d757a2e7442000000
Syncopationlisten8e_ch1_16.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_16_dlap.xml5407278d757a2e7442000000
Listening Exercise 1 Rhythm, Meter, and Syncopationlisten8e_ch1_17.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_17_dlap.xml5407278d757a2e7442000000
3 | Tempolisten8e_ch1_18.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_18_dlap.xml5407278d757a2e7442000000
Listening Exercise 2 Rhythm, Meter, and Tempolisten8e_ch1_19.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_19_dlap.xml5407278d757a2e7442000000
Goals for Reviewlisten8e_ch1_20.html5407278d757a2e7442000000
DLAP questionslisten8e_ch1_20_dlap.xml5407278d757a2e7442000000
Chapter 2 Resourceslisten8e_ch2_1.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_1_dlap.xml54075a43757a2e8557000000
Listening Quiz for Chapter 2listen8e_ch2_2.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_2_dlap.xml54075a43757a2e8557000000
Reading Quiz for Chapter 2listen8e_ch2_3.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_3_dlap.xml54075a43757a2e8557000000
Franz Schubert, Symphony No. 8 (“Unfinished”), I (excerpt)listen8e_ch2_4.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_4_dlap.xml54075a43757a2e8557000000
Benjamin Britten, The Young Person’s Guide to the Orchestra listen8e_ch2_5.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_5_dlap.xml54075a43757a2e8557000000
Pitch, Dynamics, and Tone Colorlisten8e_ch2_6.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_6_dlap.xml54075a43757a2e8557000000
1 | Pitchlisten8e_ch2_7.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_7_dlap.xml54075a43757a2e8557000000
2 | Dynamicslisten8e_ch2_8.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_8_dlap.xml54075a43757a2e8557000000
Listening Exercise 3 Pitch and Dynamicslisten8e_ch2_9.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_9_dlap.xml54075a43757a2e8557000000
3 | Tone Colorlisten8e_ch2_10.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_10_dlap.xml54075a43757a2e8557000000
Musical Instrumentslisten8e_ch2_11.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_11_dlap.xml54075a43757a2e8557000000
Listening Exercise 4 The Orchestra in Actionlisten8e_ch2_12.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_12_dlap.xml54075a43757a2e8557000000
Goals for Reviewlisten8e_ch2_13.html54075a43757a2e8557000000
DLAP questionslisten8e_ch2_13_dlap.xml54075a43757a2e8557000000
Chapter 3 Resourceslisten8e_ch3_1.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_1_dlap.xml54075c25757a2e1055000000
Listening Quiz for Chapter 3listen8e_ch3_2.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_2_dlap.xml54075c25757a2e1055000000
Reading Quiz for Chapter 3listen8e_ch3_3.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_3_dlap.xml54075c25757a2e1055000000
George and Ira Gershwin, arranged by Nelson Riddle, “Who Cares?”listen8e_ch3_4.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_4_dlap.xml54075c25757a2e1055000000
Scales and Melodylisten8e_ch3_5.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_5_dlap.xml54075c25757a2e1055000000
1 | Scaleslisten8e_ch3_6.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_6_dlap.xml54075c25757a2e1055000000
The Octavelisten8e_ch3_7.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_7_dlap.xml54075c25757a2e1055000000
The Diatonic Scalelisten8e_ch3_8.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_8_dlap.xml54075c25757a2e1055000000
The Chromatic Scalelisten8e_ch3_9.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_9_dlap.xml54075c25757a2e1055000000
Half Steps and Whole Stepslisten8e_ch3_10.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_10_dlap.xml54075c25757a2e1055000000
2 | Melodylisten8e_ch3_11.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_11_dlap.xml54075c25757a2e1055000000
Tuneslisten8e_ch3_12.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_12_dlap.xml54075c25757a2e1055000000
Motives and Themeslisten8e_ch3_13.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_13_dlap.xml54075c25757a2e1055000000
Characteristics of Tuneslisten8e_ch3_14.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_14_dlap.xml54075c25757a2e1055000000
Listening Exercise 5 Melody and Tunelisten8e_ch3_15.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_15_dlap.xml54075c25757a2e1055000000
Goals for Reviewlisten8e_ch3_16.html54075c25757a2e1055000000
DLAP questionslisten8e_ch3_16_dlap.xml54075c25757a2e1055000000
Chapter 4 Resourceslisten8e_ch4_1.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_1_dlap.xml54075d58757a2e7b57000000
Listening Quiz for Chapter 4listen8e_ch4_2.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_2_dlap.xml54075d58757a2e7b57000000
Reading Quiz for Chapter 4listen8e_ch4_3.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_3_dlap.xml54075d58757a2e7b57000000
Ludwig van Beethoven, “Joy Theme” from Symphony No. 9, IVlisten8e_ch4_4.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_4_dlap.xml54075d58757a2e7b57000000
Igor Stravinsky, Symphony of Psalms, II (excerpt)listen8e_ch4_5.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_5_dlap.xml54075d58757a2e7b57000000
Franz Schubert, String Quartet in A Minor, No. 13, D.804, I (excerpt)listen8e_ch4_6.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_6_dlap.xml54075d58757a2e7b57000000
Ludwig van Beethoven, Piano Concerto No. 5 (“Emperor”), III (excerpt)listen8e_ch4_7.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_7_dlap.xml54075d58757a2e7b57000000
Harmony, Texture, Tonality, and Modelisten8e_ch4_8.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_8_dlap.xml54075d58757a2e7b57000000
1 | Harmonylisten8e_ch4_9.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_9_dlap.xml54075d58757a2e7b57000000
Consonance and Dissonancelisten8e_ch4_10.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_10_dlap.xml54075d58757a2e7b57000000
2 | Texturelisten8e_ch4_11.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_11_dlap.xml54075d58757a2e7b57000000
Monophonylisten8e_ch4_12.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_12_dlap.xml54075d58757a2e7b57000000
Homophony and Polyphonylisten8e_ch4_13.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_13_dlap.xml54075d58757a2e7b57000000
Imitationlisten8e_ch4_14.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_14_dlap.xml54075d58757a2e7b57000000
Listening Exercise 6 Texturelisten8e_ch4_15.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_15_dlap.xml54075d58757a2e7b57000000
3 | Tonality and Modelisten8e_ch4_16.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_16_dlap.xml54075d58757a2e7b57000000
Tonalitylisten8e_ch4_17.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_17_dlap.xml54075d58757a2e7b57000000
Major and Minor Modeslisten8e_ch4_18.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_18_dlap.xml54075d58757a2e7b57000000
Keyslisten8e_ch4_19.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_19_dlap.xml54075d58757a2e7b57000000
Listening for the Major and Minor Modeslisten8e_ch4_20.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_20_dlap.xml54075d58757a2e7b57000000
Listening for Keys and Modulationlisten8e_ch4_21.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_21_dlap.xml54075d58757a2e7b57000000
Listening Exercise 7 Mode and Keylisten8e_ch4_22.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_22_dlap.xml54075d58757a2e7b57000000
Goals for Reviewlisten8e_ch4_23.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_23_dlap.xml54075d58757a2e7b57000000
Chapter 5 Resourceslisten8e_ch5_1.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_1_dlap.xml540762de757a2ec957000000
Listening Quiz for Chapter 5listen8e_ch5_2.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_2_dlap.xml540762de757a2ec957000000
Reading Quiz for Chapter 5listen8e_ch5_3.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_3_dlap.xml540762de757a2ec957000000
Franz Schubert, String Quartet in A Minor, No. 13, D.804, I (excerpt)listen8e_ch5_4.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_4_dlap.xml540762de757a2ec957000000
Pyotr Ilyich Tchaikovsky, “Dance of the Sugar Plum Fairy” from The Nutcrackerlisten8e_ch5_5.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_5_dlap.xml540762de757a2ec957000000
Benjamin Britten, The Young Person’s Guide to the Orchestra listen8e_ch5_6.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_6_dlap.xml540762de757a2ec957000000
Musical Form and Musical Stylelisten8e_ch5_7.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_7_dlap.xml540762de757a2ec957000000
1 | Form in Musiclisten8e_ch5_8.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_8_dlap.xml540762de757a2ec957000000
Form and Feelinglisten8e_ch5_9.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_9_dlap.xml540762de757a2ec957000000
Form and Formslisten8e_ch5_10.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_10_dlap.xml540762de757a2ec957000000
Listening Exercise 8 Musical Formlisten8e_ch5_11.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_11_dlap.xml540762de757a2ec957000000
Musical Genreslisten8e_ch5_12.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_12_dlap.xml540762de757a2ec957000000
2 | Musical Stylelisten8e_ch5_13.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_13_dlap.xml540762de757a2ec957000000
Musical Style and Lifestylelisten8e_ch5_14.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_14_dlap.xml540762de757a2ec957000000
Benjamin Britten (1913–1976), The Young Person’s Guide to the Orchestra (1946) listen8e_ch5_15.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_15_dlap.xml540762de757a2ec957000000
Listening Chart 1 Britten, The Young Person’s Guide to the Orchestra listen8e_ch5_16.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_16_dlap.xml540762de757a2ec957000000
Goals for Reviewlisten8e_ch5_17.html540762de757a2ec957000000
DLAP questionslisten8e_ch5_17_dlap.xml540762de757a2ec957000000
Introduction to Unit II, Early Music: An Overviewlisten8e_ch202_1.html54d5477a757a2ed151000000
DLAP questionslisten8e_ch202_1_dlap.xml54d5477a757a2ed151000000
Chapter 6 Resourceslisten8e_ch6_1.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_1_dlap.xml540768f8757a2e7d5a000000
Listening Quiz for Chapter 6listen8e_ch6_2.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_2_dlap.xml540768f8757a2e7d5a000000
Reading Quiz for Chapter 6listen8e_ch6_3.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_3_dlap.xml540768f8757a2e7d5a000000
Listening Quiz for Global Perspectives: Sacred Chantlisten8e_ch6_4.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_4_dlap.xml540768f8757a2e7d5a000000
Reading Quiz for Global Perspectives: Sacred Chantlisten8e_ch6_5.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_5_dlap.xml540768f8757a2e7d5a000000
Anonymous, “In paradisum”listen8e_ch6_6.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_6_dlap.xml540768f8757a2e7d5a000000
Hildegard of Bingen, “Columba aspexit”listen8e_ch6_7.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_7_dlap.xml540768f8757a2e7d5a000000
Bernart de Ventadorn, “La dousa votz”listen8e_ch6_8.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_8_dlap.xml540768f8757a2e7d5a000000
Pérotin, “Alleluia. Diffusa est gratia”listen8e_ch6_9.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_9_dlap.xml540768f8757a2e7d5a000000
Anonymous, “Sumer Is Icumen In”listen8e_ch6_10.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_10_dlap.xml540768f8757a2e7d5a000000
Machaut, “Dame, de qui toute ma joie vient”listen8e_ch6_11.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_11_dlap.xml540768f8757a2e7d5a000000
Qur’anic recitation, “Ya sin”listen8e_ch6_12.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_12_dlap.xml540768f8757a2e7d5a000000
Hawai’ian chant, mele pulelisten8e_ch6_13.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_13_dlap.xml540768f8757a2e7d5a000000
Navajo song, “K′adnikini′ya′”listen8e_ch6_14.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_14_dlap.xml540768f8757a2e7d5a000000
The Middle Ageslisten8e_ch6_15.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_15_dlap.xml540768f8757a2e7d5a000000
1 | Music and the Churchlisten8e_ch6_16.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_16_dlap.xml540768f8757a2e7d5a000000
Music and Church Services: Liturgylisten8e_ch6_17.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_17_dlap.xml540768f8757a2e7d5a000000
Plainchantlisten8e_ch6_18.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_18_dlap.xml540768f8757a2e7d5a000000
Characteristics of Plainchantlisten8e_ch6_19.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_19_dlap.xml540768f8757a2e7d5a000000
Gregorian Recitation and Gregorian Melodylisten8e_ch6_20.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_20_dlap.xml540768f8757a2e7d5a000000
Anonymous (c. ninth century), Plainchant antiphon, “In paradisum”listen8e_ch6_21.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_21_dlap.xml540768f8757a2e7d5a000000
Hildegard of Bingen (1098–1179), Plainchant sequence, “Columba aspexit”listen8e_ch6_22.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_22_dlap.xml540768f8757a2e7d5a000000
2 | Music at Courtlisten8e_ch6_23.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_23_dlap.xml540768f8757a2e7d5a000000
Troubadour and Trouvère Songslisten8e_ch6_24.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_24_dlap.xml540768f8757a2e7d5a000000
Bernart de Ventadorn (c. 1135–1194), Troubadour song, “La dousa votz”listen8e_ch6_25.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_25_dlap.xml540768f8757a2e7d5a000000
The Estampielisten8e_ch6_26.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_26_dlap.xml540768f8757a2e7d5a000000
How Did Early Music Sound?listen8e_ch6_27.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_27_dlap.xml540768f8757a2e7d5a000000
3 | The Evolution of Polyphonylisten8e_ch6_28.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_28_dlap.xml540768f8757a2e7d5a000000
Organumlisten8e_ch6_29.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_29_dlap.xml540768f8757a2e7d5a000000
Pérotin (c. 1200), Organum, “Alleluia. Diffusa est gratia”listen8e_ch6_30.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_30_dlap.xml540768f8757a2e7d5a000000
4 | Later Medieval Polyphonylisten8e_ch6_31.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_31_dlap.xml540768f8757a2e7d5a000000
Anonymous (late thirteenth century), Round, “Sumer Is Icumen In”listen8e_ch6_32.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_32_dlap.xml540768f8757a2e7d5a000000
Ars Novalisten8e_ch6_33.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_33_dlap.xml540768f8757a2e7d5a000000
Guillaume de Machaut (c. 1300–1377), Chanson, “Dame, de qui toute ma joie vient”listen8e_ch6_34.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_34_dlap.xml540768f8757a2e7d5a000000
Goals for Reviewlisten8e_ch6_35.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_35_dlap.xml540768f8757a2e7d5a000000
Global Perspectives: Sacred Chant listen8e_ch6_36.html540768f8757a2e7d5a000000
DLAP questionslisten8e_ch6_36_dlap.xml540768f8757a2e7d5a000000
Chapter 7 Resourceslisten8e_ch7_1.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_1_dlap.xml54076a47757a2e8d57000000
Listening Quiz for Chapter 7listen8e_ch7_2.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_2_dlap.xml54076a47757a2e8d57000000
Reading Quiz for Chapter 7listen8e_ch7_3.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_3_dlap.xml54076a47757a2e8d57000000
Listening Quiz for Global Perspectives: Music and Early European Colonialismlisten8e_ch7_4.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_4_dlap.xml54076a47757a2e8d57000000
Reading Quiz for Global Perspectives: Music and Early European Colonialismlisten8e_ch7_5.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_5_dlap.xml54076a47757a2e8d57000000
Dufay, “Ave maris stella”listen8e_ch7_6.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_6_dlap.xml54076a47757a2e8d57000000
Josquin, Pange lingua Mass, Kyrie; from the Gloria listen8e_ch7_7.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_7_dlap.xml54076a47757a2e8d57000000
Josquin, “Mille regrets”listen8e_ch7_8.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_8_dlap.xml54076a47757a2e8d57000000
Palestrina, Pope Marcellus Mass, from the Gloria listen8e_ch7_9.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_9_dlap.xml54076a47757a2e8d57000000
Weelkes, “As Vesta Was from Latmos Hill Descending”listen8e_ch7_10.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_10_dlap.xml54076a47757a2e8d57000000
Anonymous, “Daphne”listen8e_ch7_11.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_11_dlap.xml54076a47757a2e8d57000000
Anonymous, “Kemp’s Jig”listen8e_ch7_12.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_12_dlap.xml54076a47757a2e8d57000000
Inca processional music, “Hanaq pachap kusikuynin”listen8e_ch7_13.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_13_dlap.xml54076a47757a2e8d57000000
The Renaissancelisten8e_ch7_14.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_14_dlap.xml54076a47757a2e8d57000000
1 | New Attitudeslisten8e_ch7_15.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_15_dlap.xml54076a47757a2e8d57000000
Early Homophonylisten8e_ch7_16.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_16_dlap.xml54076a47757a2e8d57000000
Guillaume Dufay (c. 1400–1474), Harmonized hymn, “Ave maris stella”listen8e_ch7_17.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_17_dlap.xml54076a47757a2e8d57000000
The Masslisten8e_ch7_18.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_18_dlap.xml54076a47757a2e8d57000000
2 | The High Renaissance Stylelisten8e_ch7_19.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_19_dlap.xml54076a47757a2e8d57000000
Imitationlisten8e_ch7_20.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_20_dlap.xml54076a47757a2e8d57000000
Homophonylisten8e_ch7_21.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_21_dlap.xml54076a47757a2e8d57000000
Other Characteristicslisten8e_ch7_22.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_22_dlap.xml54076a47757a2e8d57000000
Josquin Desprez (c. 1450–1521), Pange lingua Mass (c. 1510)listen8e_ch7_23.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_23_dlap.xml54076a47757a2e8d57000000
3 | Music as Expressionlisten8e_ch7_24.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_24_dlap.xml54076a47757a2e8d57000000
Josquin Desprez, Chanson, “Mille regrets”listen8e_ch7_25.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_25_dlap.xml54076a47757a2e8d57000000
4 | Late Renaissance Musiclisten8e_ch7_26.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_26_dlap.xml54076a47757a2e8d57000000
Giovanni Pierluigi da Palestrina (c. 1525–1594), Pope Marcellus Mass (1557)listen8e_ch7_27.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_27_dlap.xml54076a47757a2e8d57000000
The Motetlisten8e_ch7_28.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_28_dlap.xml54076a47757a2e8d57000000
The Italian Madrigallisten8e_ch7_29.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_29_dlap.xml54076a47757a2e8d57000000
The English Madrigallisten8e_ch7_30.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_30_dlap.xml54076a47757a2e8d57000000
Thomas Weelkes (c. 1575–1623), Madrigal, “As Vesta Was from Latmos Hill Descending” (1601)listen8e_ch7_31.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_31_dlap.xml54076a47757a2e8d57000000
5 | Instrumental Music: Early Developmentslisten8e_ch7_32.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_32_dlap.xml54076a47757a2e8d57000000
Renaissance Danceslisten8e_ch7_33.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_33_dlap.xml54076a47757a2e8d57000000
Anonymous (sixteenth century), Galliard, “Daphne”listen8e_ch7_34.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_34_dlap.xml54076a47757a2e8d57000000
Anonymous (sixteenth century), “Kemp’s Jig”listen8e_ch7_35.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_35_dlap.xml54076a47757a2e8d57000000
Goals for Reviewlisten8e_ch7_36.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_36_dlap.xml54076a47757a2e8d57000000
Global Perspectives: Music and Early European Colonialism listen8e_ch7_37.html54076a47757a2e8d57000000
DLAP questionslisten8e_ch7_37_dlap.xml54076a47757a2e8d57000000
Chapter 8 Resourceslisten8e_ch8_1.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_1_dlap.xml5407704c757a2e7a5f000000
Listening Quiz for Chapter 8listen8e_ch8_2.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_2_dlap.xml5407704c757a2e7a5f000000
Reading Quiz for Chapter 8listen8e_ch8_3.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_3_dlap.xml5407704c757a2e7a5f000000
Listening Quiz for Global Perspectives: African Ostinato Formslisten8e_ch8_4.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_4_dlap.xml5407704c757a2e7a5f000000
Reading Quiz for Global Perspectives: African Ostinato Formslisten8e_ch8_5.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_5_dlap.xml5407704c757a2e7a5f000000
Gabrieli, “O magnum mysterium”listen8e_ch8_6.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_6_dlap.xml5407704c757a2e7a5f000000
Monteverdi, The Coronation of Poppea, from Act I, “Tornerai?” and “Speranza, tu mi vai” listen8e_ch8_7.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_7_dlap.xml5407704c757a2e7a5f000000
Purcell, Dido and Aeneas, from Act III, “Thy Hand, Belinda,” “When I am laid,” and “With drooping wings” listen8e_ch8_8.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_8_dlap.xml5407704c757a2e7a5f000000
Frescobaldi, Canzona, Balletto, and Correntelisten8e_ch8_9.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_9_dlap.xml5407704c757a2e7a5f000000
Gambian minstrel song, “Laminba”listen8e_ch8_10.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_10_dlap.xml5407704c757a2e7a5f000000
Pygmy polyphony, Elephant-hung songlisten8e_ch8_11.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_11_dlap.xml5407704c757a2e7a5f000000
The Early Baroque Periodlisten8e_ch8_12.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_12_dlap.xml5407704c757a2e7a5f000000
1 | From Renaissance to Baroquelisten8e_ch8_13.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_13_dlap.xml5407704c757a2e7a5f000000
Music in Venicelisten8e_ch8_14.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_14_dlap.xml5407704c757a2e7a5f000000
Extravagance and Controllisten8e_ch8_15.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_15_dlap.xml5407704c757a2e7a5f000000
Giovanni Gabrieli, Motet, “O magnum mysterium” (c. 1610)listen8e_ch8_16.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_16_dlap.xml5407704c757a2e7a5f000000
2 | Style Features of Early Baroque Musiclisten8e_ch8_17.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_17_dlap.xml5407704c757a2e7a5f000000
Rhythm and Meterlisten8e_ch8_18.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_18_dlap.xml5407704c757a2e7a5f000000
Texture: Basso Continuolisten8e_ch8_19.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_19_dlap.xml5407704c757a2e7a5f000000
Functional Harmonylisten8e_ch8_20.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_20_dlap.xml5407704c757a2e7a5f000000
3 | Operalisten8e_ch8_21.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_21_dlap.xml5407704c757a2e7a5f000000
Recitative and Arialisten8e_ch8_22.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_22_dlap.xml5407704c757a2e7a5f000000
Claudio Monteverdi (1567–1643)listen8e_ch8_23.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_23_dlap.xml5407704c757a2e7a5f000000
Singing Italianlisten8e_ch8_24.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_24_dlap.xml5407704c757a2e7a5f000000
Claudio Monteverdi, The Coronation of Poppea (1642) listen8e_ch8_25.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_25_dlap.xml5407704c757a2e7a5f000000
Henry Purcell (1659–1695)listen8e_ch8_26.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_26_dlap.xml5407704c757a2e7a5f000000
Henry Purcell, Dido and Aeneas (1689) listen8e_ch8_27.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_27_dlap.xml5407704c757a2e7a5f000000
4 | The Rise of Instrumental Musiclisten8e_ch8_28.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_28_dlap.xml5407704c757a2e7a5f000000
Girolamo Frescobaldi (1583–1643)listen8e_ch8_29.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_29_dlap.xml5407704c757a2e7a5f000000
Girolamo Frescobaldi, Canzona, Balletto, and Corrente (1627–1637)listen8e_ch8_30.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_30_dlap.xml5407704c757a2e7a5f000000
Goals for Reviewlisten8e_ch8_31.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_31_dlap.xml5407704c757a2e7a5f000000
Global Perspectives: African Ostinato Forms listen8e_ch8_32.html5407704c757a2e7a5f000000
DLAP questionslisten8e_ch8_32_dlap.xml5407704c757a2e7a5f000000
Introduction to Unit III, The Eighteenth Centurylisten8e_ch203_1.html54d547a7757a2e394f000001
DLAP questionslisten8e_ch203_1_dlap.xml54d547a7757a2e394f000001
Chapter 9 Resourceslisten8e_ch9_1.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_1_dlap.xml54077167757a2e645a000000
Reading Quiz for Chapter 9listen8e_ch9_2.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_2_dlap.xml54077167757a2e645a000000
Prelude: The Late Baroque Periodlisten8e_ch9_3.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_3_dlap.xml54077167757a2e645a000000
1 | Absolutism and the Age of Sciencelisten8e_ch9_4.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_4_dlap.xml54077167757a2e645a000000
Art and Absolutismlisten8e_ch9_5.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_5_dlap.xml54077167757a2e645a000000
The Music of Absolutismlisten8e_ch9_6.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_6_dlap.xml54077167757a2e645a000000
Art and Theatricalitylisten8e_ch9_7.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_7_dlap.xml54077167757a2e645a000000
Science and the Artslisten8e_ch9_8.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_8_dlap.xml54077167757a2e645a000000
Science and Musiclisten8e_ch9_9.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_9_dlap.xml54077167757a2e645a000000
2 | Musical Life in the Early Eighteenth Centurylisten8e_ch9_10.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_10_dlap.xml54077167757a2e645a000000
3 | Style Features of Late Baroque Musiclisten8e_ch9_11.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_11_dlap.xml54077167757a2e645a000000
Rhythmlisten8e_ch9_12.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_12_dlap.xml54077167757a2e645a000000
Dynamicslisten8e_ch9_13.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_13_dlap.xml54077167757a2e645a000000
Tone Colorlisten8e_ch9_14.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_14_dlap.xml54077167757a2e645a000000
The Baroque Orchestralisten8e_ch9_15.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_15_dlap.xml54077167757a2e645a000000
Melodylisten8e_ch9_16.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_16_dlap.xml54077167757a2e645a000000
Ornamentationlisten8e_ch9_17.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_17_dlap.xml54077167757a2e645a000000
Texturelisten8e_ch9_18.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_18_dlap.xml54077167757a2e645a000000
The Continuolisten8e_ch9_19.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_19_dlap.xml54077167757a2e645a000000
Musical Formlisten8e_ch9_20.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_20_dlap.xml54077167757a2e645a000000
4 | The Emotional World of Baroque Musiclisten8e_ch9_21.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_21_dlap.xml54077167757a2e645a000000
Goals for Reviewlisten8e_ch9_22.html54077167757a2e645a000000
DLAP questionslisten8e_ch9_22_dlap.xml54077167757a2e645a000000
Chapter 10 Resourceslisten8e_ch10_1.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_1_dlap.xml540772d9757a2e3362000000
Listening Quiz for Chapter 10listen8e_ch10_2.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_2_dlap.xml540772d9757a2e3362000000
Reading Quiz for Chapter 10listen8e_ch10_3.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_3_dlap.xml540772d9757a2e3362000000
Vivaldi, Violin Concerto in G, La stravaganza, Op. 4, No. 12, I and II listen8e_ch10_4.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_4_dlap.xml540772d9757a2e3362000000
Vivaldi, Violin Concerto in E, Spring, Op. 8, No. 1, I listen8e_ch10_5.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_5_dlap.xml540772d9757a2e3362000000
Bach, Brandenburg Concerto No. 5, I listen8e_ch10_6.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_6_dlap.xml540772d9757a2e3362000000
Bach, Prelude 1 and Fugue 1 in C Major from The Well-Tempered Clavier listen8e_ch10_7.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_7_dlap.xml540772d9757a2e3362000000
Handel, Minuet from The Royal Fireworks Music listen8e_ch10_8.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_8_dlap.xml540772d9757a2e3362000000
Bach, Gigue from Cello Suite No. 2 in D Minorlisten8e_ch10_9.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_9_dlap.xml540772d9757a2e3362000000
Baroque Instrumental Musiclisten8e_ch10_10.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_10_dlap.xml540772d9757a2e3362000000
1 | Concerto and Concerto Grossolisten8e_ch10_11.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_11_dlap.xml540772d9757a2e3362000000
Movementslisten8e_ch10_12.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_12_dlap.xml540772d9757a2e3362000000
Ritornello Formlisten8e_ch10_13.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_13_dlap.xml540772d9757a2e3362000000
Antonio Vivaldi, Violin Concerto in G, La stravaganza, Op. 4, No. 12 (1712–1713)listen8e_ch10_14.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_14_dlap.xml540772d9757a2e3362000000
Listening Chart 2 Vivaldi, Violin Concerto in G, La stravaganza, first movement listen8e_ch10_15.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_15_dlap.xml540772d9757a2e3362000000
Biography: Antonio Vivaldi (1678–1741)listen8e_ch10_16.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_16_dlap.xml540772d9757a2e3362000000
Baroque Variation Form: The Ground Basslisten8e_ch10_17.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_17_dlap.xml540772d9757a2e3362000000
Antonio Vivaldi, Violin Concerto in G, La stravaganza, Op. 4, No. 12 (1712–1713)listen8e_ch10_18.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_18_dlap.xml540772d9757a2e3362000000
Listening Chart 3 Vivaldi, Violin Concerto in G, La stravaganza, second movement listen8e_ch10_19.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_19_dlap.xml540772d9757a2e3362000000
Vivaldi’s Greatest Hitslisten8e_ch10_20.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_20_dlap.xml540772d9757a2e3362000000
Antonio Vivaldi, Violin Concerto in E, Spring, Op. 8, No. 1 (before 1725) listen8e_ch10_21.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_21_dlap.xml540772d9757a2e3362000000
Listening Chart 4 Vivaldi, Violin Concerto in E, Spring, first movement (Allegro) listen8e_ch10_22.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_22_dlap.xml540772d9757a2e3362000000
Johann Sebastian Bach, Brandenburg Concerto No. 5, for Flute, Violin, Harpsichord, and Orchestra (before 1721) listen8e_ch10_23.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_23_dlap.xml540772d9757a2e3362000000
Listening Chart 5 Bach, Brandenburg Concerto No. 5, first movement listen8e_ch10_24.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_24_dlap.xml540772d9757a2e3362000000
Biography: Johann Sebastian Bach (1685–1750)listen8e_ch10_25.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_25_dlap.xml540772d9757a2e3362000000
2 | Fuguelisten8e_ch10_26.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_26_dlap.xml540772d9757a2e3362000000
Fugal Expositionlisten8e_ch10_27.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_27_dlap.xml540772d9757a2e3362000000
Fugal Deviceslisten8e_ch10_28.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_28_dlap.xml540772d9757a2e3362000000
Johann Sebastian Bach, Prelude and Fugue in C Major, from The Well-Tempered Clavier, Book 1 (1722) listen8e_ch10_29.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_29_dlap.xml540772d9757a2e3362000000
Listening Chart 6 Bach, Fugue 1 in C Major, from The Well-Tempered Clavier listen8e_ch10_30.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_30_dlap.xml540772d9757a2e3362000000
Glenn Gould (1932–1982)listen8e_ch10_31.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_31_dlap.xml540772d9757a2e3362000000
3 | Baroque Danceslisten8e_ch10_32.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_32_dlap.xml540772d9757a2e3362000000
The Dance Suitelisten8e_ch10_33.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_33_dlap.xml540772d9757a2e3362000000
Baroque Dance Formlisten8e_ch10_34.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_34_dlap.xml540772d9757a2e3362000000
George Frideric Handel (1685–1759), Minuet from The Royal Fireworks Music (1749) listen8e_ch10_35.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_35_dlap.xml540772d9757a2e3362000000
Johann Sebastian Bach, Gigue from Cello Suite no. 2 in D Minor (c. 1720)listen8e_ch10_36.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_36_dlap.xml540772d9757a2e3362000000
Goals for Reviewlisten8e_ch10_37.html540772d9757a2e3362000000
DLAP questionslisten8e_ch10_37_dlap.xml540772d9757a2e3362000000
Chapter 11 Resourceslisten8e_ch11_1.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_1_dlap.xml54087d8d757a2e3f44000000
Listening Quiz for Chapter 11listen8e_ch11_2.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_2_dlap.xml54087d8d757a2e3f44000000
Reading Quiz for Chapter 11listen8e_ch11_3.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_3_dlap.xml54087d8d757a2e3f44000000
Handel, Julius Caesar, “La giustizia” listen8e_ch11_4.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_4_dlap.xml54087d8d757a2e3f44000000
Handel, Messiah, “There were shepherds,” “Glory to God,” and Hallelujah Chorus listen8e_ch11_5.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_5_dlap.xml54087d8d757a2e3f44000000
Bach, Cantata No. 4, “Christ lag in Todesbanden,” Stanzas 3, 4, and 7listen8e_ch11_6.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_6_dlap.xml54087d8d757a2e3f44000000
Baroque Vocal Musiclisten8e_ch11_7.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_7_dlap.xml54087d8d757a2e3f44000000
1 | Operalisten8e_ch11_8.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_8_dlap.xml54087d8d757a2e3f44000000
Italian Opera Serialisten8e_ch11_9.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_9_dlap.xml54087d8d757a2e3f44000000
Recitativelisten8e_ch11_10.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_10_dlap.xml54087d8d757a2e3f44000000
Arialisten8e_ch11_11.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_11_dlap.xml54087d8d757a2e3f44000000
The Castratolisten8e_ch11_12.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_12_dlap.xml54087d8d757a2e3f44000000
George Frideric Handel, Julius Caesar (1724) listen8e_ch11_13.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_13_dlap.xml54087d8d757a2e3f44000000
2 | Oratoriolisten8e_ch11_14.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_14_dlap.xml54087d8d757a2e3f44000000
Biography: George Frideric Handel (1685–1759)listen8e_ch11_15.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_15_dlap.xml54087d8d757a2e3f44000000
George Frideric Handel, Messiah (1742) listen8e_ch11_16.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_16_dlap.xml54087d8d757a2e3f44000000
Women in Musiclisten8e_ch11_17.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_17_dlap.xml54087d8d757a2e3f44000000
3 | The Church Cantatalisten8e_ch11_18.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_18_dlap.xml54087d8d757a2e3f44000000
The Lutheran Choralelisten8e_ch11_19.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_19_dlap.xml54087d8d757a2e3f44000000
Johann Sebastian Bach (1685–1750), Cantata No. 4, “Christ lag in Todesbanden” (1707)listen8e_ch11_20.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_20_dlap.xml54087d8d757a2e3f44000000
Goals for Reviewlisten8e_ch11_21.html54087d8d757a2e3f44000000
DLAP questionslisten8e_ch11_21_dlap.xml54087d8d757a2e3f44000000
Chapter 12 Resourceslisten8e_ch12_1.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_1_dlap.xml54087ed3757a2e4444000000
Reading Quiz for Chapter 12listen8e_ch12_2.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_2_dlap.xml54087ed3757a2e4444000000
Prelude: Music and the Enlightenmentlisten8e_ch12_3.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_3_dlap.xml54087ed3757a2e4444000000
1 | The Enlightenment and Musiclisten8e_ch12_4.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_4_dlap.xml54087ed3757a2e4444000000
“The Pursuit of Happiness”listen8e_ch12_5.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_5_dlap.xml54087ed3757a2e4444000000
Art and Entertainmentlisten8e_ch12_6.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_6_dlap.xml54087ed3757a2e4444000000
Jean-Jacques Rousseau and Operalisten8e_ch12_7.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_7_dlap.xml54087ed3757a2e4444000000
The Novellisten8e_ch12_8.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_8_dlap.xml54087ed3757a2e4444000000
2 | The Rise of Concertslisten8e_ch12_9.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_9_dlap.xml54087ed3757a2e4444000000
3 | Style Features of Classical Musiclisten8e_ch12_10.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_10_dlap.xml54087ed3757a2e4444000000
Rhythmlisten8e_ch12_11.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_11_dlap.xml54087ed3757a2e4444000000
Dynamicslisten8e_ch12_12.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_12_dlap.xml54087ed3757a2e4444000000
Tone Color: The Classical Orchestralisten8e_ch12_13.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_13_dlap.xml54087ed3757a2e4444000000
Melody: Tuneslisten8e_ch12_14.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_14_dlap.xml54087ed3757a2e4444000000
Texture: Homophonylisten8e_ch12_15.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_15_dlap.xml54087ed3757a2e4444000000
Classical Counterpointlisten8e_ch12_16.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_16_dlap.xml54087ed3757a2e4444000000
4 | Form in Classical Musiclisten8e_ch12_17.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_17_dlap.xml54087ed3757a2e4444000000
Repetitions and Cadenceslisten8e_ch12_18.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_18_dlap.xml54087ed3757a2e4444000000
Classical Formslisten8e_ch12_19.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_19_dlap.xml54087ed3757a2e4444000000
Goals for Reviewlisten8e_ch12_20.html54087ed3757a2e4444000000
DLAP questionslisten8e_ch12_20_dlap.xml54087ed3757a2e4444000000
Chapter 13 Resourceslisten8e_ch13_1.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_1_dlap.xml5408828b757a2e5344000000
Listening Quiz for Chapter 13listen8e_ch13_2.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_2_dlap.xml5408828b757a2e5344000000
Reading Quiz for Chapter 13listen8e_ch13_3.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_3_dlap.xml5408828b757a2e5344000000
Mozart, Symphony No. 40 in G Minor, K. 550, Ilisten8e_ch13_4.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_4_dlap.xml5408828b757a2e5344000000
Haydn, Symphony No. 94 in G (“The Surprise”), IIlisten8e_ch13_5.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_5_dlap.xml5408828b757a2e5344000000
Haydn, Symphony No. 99 in E-flat, IIIlisten8e_ch13_6.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_6_dlap.xml5408828b757a2e5344000000
Haydn, Symphony No. 101 in D (“The Clock”), IVlisten8e_ch13_7.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_7_dlap.xml5408828b757a2e5344000000
The Symphonylisten8e_ch13_8.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_8_dlap.xml5408828b757a2e5344000000
1 | The Movements of the Symphonylisten8e_ch13_9.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_9_dlap.xml5408828b757a2e5344000000
2 | Sonata Formlisten8e_ch13_10.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_10_dlap.xml5408828b757a2e5344000000
Exposition (A)listen8e_ch13_11.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_11_dlap.xml5408828b757a2e5344000000
Development (B)listen8e_ch13_12.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_12_dlap.xml5408828b757a2e5344000000
Recapitulation (A′)listen8e_ch13_13.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_13_dlap.xml5408828b757a2e5344000000
Wolfgang Amadeus Mozart, Symphony No. 40 in G Minor, K. 550* (1788)listen8e_ch13_14.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_14_dlap.xml5408828b757a2e5344000000
Listening Chart 7 Mozart, Symphony No. 40 in G Minor, first movement (Molto allegro)listen8e_ch13_15.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_15_dlap.xml5408828b757a2e5344000000
Biography: Wolfgang Amadeus Mozart (1756–1791)listen8e_ch13_16.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_16_dlap.xml5408828b757a2e5344000000
3 | Classical Variation Formlisten8e_ch13_17.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_17_dlap.xml5408828b757a2e5344000000
Symphonies of Haydnlisten8e_ch13_18.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_18_dlap.xml5408828b757a2e5344000000
Franz Joseph Haydn, Symphony No. 94 in G (“The Surprise,” 1791)listen8e_ch13_19.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_19_dlap.xml5408828b757a2e5344000000
Listening Chart 8 Haydn, Symphony No. 94 in G (“The Surprise”), second movement (Andante)listen8e_ch13_20.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_20_dlap.xml5408828b757a2e5344000000
Biography: Franz Joseph Haydn (1732–1809)listen8e_ch13_21.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_21_dlap.xml5408828b757a2e5344000000
4 | Minuet Form (Classical Dance Form)listen8e_ch13_22.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_22_dlap.xml5408828b757a2e5344000000
Baroque and Classical Dance Formlisten8e_ch13_23.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_23_dlap.xml5408828b757a2e5344000000
Franz Joseph Haydn, Symphony No. 99 in E-flat (1793)listen8e_ch13_24.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_24_dlap.xml5408828b757a2e5344000000
Listening Chart 9 Haydn, Symphony No. 99 in E-flat, third movement (Allegretto)listen8e_ch13_25.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_25_dlap.xml5408828b757a2e5344000000
5 | Rondo Formlisten8e_ch13_26.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_26_dlap.xml5408828b757a2e5344000000
Franz Joseph Haydn, Symphony No. 101 in D (“The Clock,” 1793–1794)listen8e_ch13_27.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_27_dlap.xml5408828b757a2e5344000000
Listening Chart 10 Haydn, Symphony No. 101 in D (“The Clock”), fourth movement (Finale. Vivace)listen8e_ch13_28.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_28_dlap.xml5408828b757a2e5344000000
Goals for Reviewlisten8e_ch13_29.html5408828b757a2e5344000000
DLAP questionslisten8e_ch13_29_dlap.xml5408828b757a2e5344000000
Chapter 14 Resourceslisten8e_ch14_1.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_1_dlap.xml540884d9757a2ec141000000
Listening Quiz for Chapter 14listen8e_ch14_2.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_2_dlap.xml540884d9757a2ec141000000
Reading Quiz for Chapter 14listen8e_ch14_3.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_3_dlap.xml540884d9757a2ec141000000
Listening Quiz for Global Perspectives: Musical Form: Two Case Studies from Asialisten8e_ch14_4.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_4_dlap.xml540884d9757a2ec141000000
Reading Quiz for Global Perspectives: Musical Form: Two Case Studies from Asialisten8e_ch14_5.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_5_dlap.xml540884d9757a2ec141000000
Mozart, Piano Concerto No. 23 in A, K. 488, Ilisten8e_ch14_6.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_6_dlap.xml540884d9757a2ec141000000
Mozart, Don Giovanni, from Act I, scene iii, “Ho capito,” “Alfin siam liberati,” and “Là ci darem la mano” listen8e_ch14_7.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_7_dlap.xml540884d9757a2ec141000000
Japanese gagaku, Etenraku listen8e_ch14_8.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_8_dlap.xml540884d9757a2ec141000000
Balinese gamelan, I Lotring, Bopong listen8e_ch14_9.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_9_dlap.xml540884d9757a2ec141000000
Other Classical Genreslisten8e_ch14_10.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_10_dlap.xml540884d9757a2ec141000000
1 | The Sonatalisten8e_ch14_11.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_11_dlap.xml540884d9757a2ec141000000
2 | The Classical Concertolisten8e_ch14_12.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_12_dlap.xml540884d9757a2ec141000000
Double-Exposition Formlisten8e_ch14_13.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_13_dlap.xml540884d9757a2ec141000000
Wolfgang Amadeus Mozart (1756–1791), Piano Concerto No. 23 in A, K. 488 (1786)listen8e_ch14_14.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_14_dlap.xml540884d9757a2ec141000000
Listening Chart 11 Mozart, Piano Concerto No. 23 in A, K. 488, first movement (Allegro)listen8e_ch14_15.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_15_dlap.xml540884d9757a2ec141000000
3 | The String Quartetlisten8e_ch14_16.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_16_dlap.xml540884d9757a2ec141000000
Chamber Musiclisten8e_ch14_17.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_17_dlap.xml540884d9757a2ec141000000
4 | Opera Buffalisten8e_ch14_18.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_18_dlap.xml540884d9757a2ec141000000
The Ensemblelisten8e_ch14_19.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_19_dlap.xml540884d9757a2ec141000000
Wolfgang Amadeus Mozart, Don Giovanni (1787)listen8e_ch14_20.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_20_dlap.xml540884d9757a2ec141000000
Goals for Reviewlisten8e_ch14_21.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_21_dlap.xml540884d9757a2ec141000000
Global Perspectives: Musical Form: Two Case Studies from Asia listen8e_ch14_22.html540884d9757a2ec141000000
DLAP questionslisten8e_ch14_22_dlap.xml540884d9757a2ec141000000
Introduction to Unit IV, The Nineteenth Centurylisten8e_ch204_1.html54d5489a757a2ebd46000000
DLAP questionslisten8e_ch204_1_dlap.xml54d5489a757a2ebd46000000
Chapter 15 Resourceslisten8e_ch15_1.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_1_dlap.xml540885d7757a2e4444000001
Listening Quiz for Chapter 15listen8e_ch15_2.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_2_dlap.xml540885d7757a2e4444000001
Reading Quiz for Chapter 15listen8e_ch15_3.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_3_dlap.xml540885d7757a2e4444000001
Beethoven, Symphony No. 5 in C Minor, Op. 67, I-IVlisten8e_ch15_4.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_4_dlap.xml540885d7757a2e4444000001
Beethoven, Piano Sonata in E, Op. 109, Ilisten8e_ch15_5.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_5_dlap.xml540885d7757a2e4444000001
Beethovenlisten8e_ch15_6.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_6_dlap.xml540885d7757a2e4444000001
1 | Between Classicism and Romanticismlisten8e_ch15_7.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_7_dlap.xml540885d7757a2e4444000001
The French Revolutionlisten8e_ch15_8.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_8_dlap.xml540885d7757a2e4444000001
2 | Beethoven and the Symphonylisten8e_ch15_9.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_9_dlap.xml540885d7757a2e4444000001
Biography: Ludwig van Beethoven (1770–1827)listen8e_ch15_10.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_10_dlap.xml540885d7757a2e4444000001
The Scherzolisten8e_ch15_11.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_11_dlap.xml540885d7757a2e4444000001
Ludwig van Beethoven, Symphony No. 5 in C Minor, Op. 67 (1808)listen8e_ch15_12.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_12_dlap.xml540885d7757a2e4444000001
Listening Chart 12 Beethoven, Symphony No. 5 in C Minor, first movementlisten8e_ch15_13.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_13_dlap.xml540885d7757a2e4444000001
Listening Chart 13 Beethoven, Symphony No. 5 in C Minor, complete worklisten8e_ch15_14.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_14_dlap.xml540885d7757a2e4444000001
3 | Beethoven’s “Third Period”listen8e_ch15_15.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_15_dlap.xml540885d7757a2e4444000001
Ludwig van Beethoven, Piano Sonata in E, Op. 109 (1820)listen8e_ch15_16.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_16_dlap.xml540885d7757a2e4444000001
Listening Chart 14 Beethoven, Piano Sonata in E, Op. 109, first movement (Vivace)listen8e_ch15_17.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_17_dlap.xml540885d7757a2e4444000001
Goals for Reviewlisten8e_ch15_18.html540885d7757a2e4444000001
DLAP questionslisten8e_ch15_18_dlap.xml540885d7757a2e4444000001
Chapter 16 Resourceslisten8e_ch16_1.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_1_dlap.xml54088706757a2e5244000000
Reading Quiz for Chapter 16listen8e_ch16_2.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_2_dlap.xml54088706757a2e5244000000
Prelude: Music after Beethoven: Romanticismlisten8e_ch16_3.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_3_dlap.xml54088706757a2e5244000000
1 | Romanticismlisten8e_ch16_4.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_4_dlap.xml54088706757a2e5244000000
The Cult of Individual Feelinglisten8e_ch16_5.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_5_dlap.xml54088706757a2e5244000000
Romanticism and Revoltlisten8e_ch16_6.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_6_dlap.xml54088706757a2e5244000000
Artistic Barrierslisten8e_ch16_7.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_7_dlap.xml54088706757a2e5244000000
Music and the Supernaturallisten8e_ch16_8.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_8_dlap.xml54088706757a2e5244000000
Music and the Other Artslisten8e_ch16_9.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_9_dlap.xml54088706757a2e5244000000
2 | Concert Life in the Nineteenth Centurylisten8e_ch16_10.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_10_dlap.xml54088706757a2e5244000000
The Artist and the Publiclisten8e_ch16_11.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_11_dlap.xml54088706757a2e5244000000
3 | Style Features of Romantic Musiclisten8e_ch16_12.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_12_dlap.xml54088706757a2e5244000000
Romantic Melodylisten8e_ch16_13.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_13_dlap.xml54088706757a2e5244000000
Romantic Harmonylisten8e_ch16_14.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_14_dlap.xml54088706757a2e5244000000
Rhythmic Freedom: Rubatolisten8e_ch16_15.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_15_dlap.xml54088706757a2e5244000000
The Expansion of Tone Colorlisten8e_ch16_16.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_16_dlap.xml54088706757a2e5244000000
4 | Program Musiclisten8e_ch16_17.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_17_dlap.xml54088706757a2e5244000000
5 | Form in Romantic Musiclisten8e_ch16_18.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_18_dlap.xml54088706757a2e5244000000
Miniature Compositionslisten8e_ch16_19.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_19_dlap.xml54088706757a2e5244000000
Grandiose Compositionslisten8e_ch16_20.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_20_dlap.xml54088706757a2e5244000000
The Principle of Thematic Unitylisten8e_ch16_21.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_21_dlap.xml54088706757a2e5244000000
Goals for Reviewlisten8e_ch16_22.html54088706757a2e5244000000
DLAP questionslisten8e_ch16_22_dlap.xml54088706757a2e5244000000
Chapter 17 Resourceslisten8e_ch17_1.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_1_dlap.xml540887e0757a2ec746000000
Listening Quiz for Chapter 17listen8e_ch17_2.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_2_dlap.xml540887e0757a2ec746000000
Reading Quiz for Chapter 17listen8e_ch17_3.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_3_dlap.xml540887e0757a2ec746000000
Schubert, “Erlkönig”listen8e_ch17_4.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_4_dlap.xml540887e0757a2ec746000000
R. Schumann, Dichterliebe, “Im wunderschönen Monat Mai” and “Die alten, bösen Lieder” listen8e_ch17_5.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_5_dlap.xml540887e0757a2ec746000000
C. Schumann, “Der Mond kommt still gegangen”listen8e_ch17_6.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_6_dlap.xml540887e0757a2ec746000000
Schubert, Moment Musical No. 2 in A-flatlisten8e_ch17_7.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_7_dlap.xml540887e0757a2ec746000000
R. Schumann, Carnaval, “Eusebius” and “Florestan” listen8e_ch17_8.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_8_dlap.xml540887e0757a2ec746000000
Chopin, Nocturne in F-sharp, Op. 15, No. 2listen8e_ch17_9.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_9_dlap.xml540887e0757a2ec746000000
Berlioz, Fantastic Symphony, V listen8e_ch17_10.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_10_dlap.xml540887e0757a2ec746000000
The Early Romanticslisten8e_ch17_11.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_11_dlap.xml540887e0757a2ec746000000
1 | The Liedlisten8e_ch17_12.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_12_dlap.xml540887e0757a2ec746000000
Franz Schubert, “Erlkönig” (The Erlking) (1815)listen8e_ch17_13.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_13_dlap.xml540887e0757a2ec746000000
Biography: Franz Schubert (1797–1828)listen8e_ch17_14.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_14_dlap.xml540887e0757a2ec746000000
The Song Cyclelisten8e_ch17_15.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_15_dlap.xml540887e0757a2ec746000000
Robert Schumann, Dichterliebe (A Poet’s Love) (1840)listen8e_ch17_16.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_16_dlap.xml540887e0757a2ec746000000
Biography: Robert Schumann (1810–1856)listen8e_ch17_17.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_17_dlap.xml540887e0757a2ec746000000
Clara Schumann, “Der Mond kommt still gegangen” (The moon has risen softly) (1843)listen8e_ch17_18.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_18_dlap.xml540887e0757a2ec746000000
Biography: Clara Wieck (Clara Schumann) (1819–1896)listen8e_ch17_19.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_19_dlap.xml540887e0757a2ec746000000
2 | The Character Piece for Pianolisten8e_ch17_20.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_20_dlap.xml540887e0757a2ec746000000
Franz Schubert, Moment Musical no. 2 in A-flat (1827?)listen8e_ch17_21.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_21_dlap.xml540887e0757a2ec746000000
Robert Schumann, Carnaval (1833–1835)listen8e_ch17_22.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_22_dlap.xml540887e0757a2ec746000000
Frédéric Chopin, Nocturne in F-sharp, Op. 15, no. 2 (1831)listen8e_ch17_23.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_23_dlap.xml540887e0757a2ec746000000
Biography: Frédéric Chopin (1810–1849)listen8e_ch17_24.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_24_dlap.xml540887e0757a2ec746000000
Biography: Franz Liszt (1811–1886)listen8e_ch17_25.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_25_dlap.xml540887e0757a2ec746000000
3 | Early Romantic Program Musiclisten8e_ch17_26.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_26_dlap.xml540887e0757a2ec746000000
The Concert Overture: Felix Mendelssohnlisten8e_ch17_27.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_27_dlap.xml540887e0757a2ec746000000
Biography: Felix Mendelssohn (1809–1847)listen8e_ch17_28.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_28_dlap.xml540887e0757a2ec746000000
Biography: Fanny Mendelssohn (1805–1847)listen8e_ch17_29.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_29_dlap.xml540887e0757a2ec746000000
The Program Symphony: Hector Berliozlisten8e_ch17_30.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_30_dlap.xml540887e0757a2ec746000000
Hector Berlioz, Fantastic Symphony: Episodes in the Life of an Artist (1830) listen8e_ch17_31.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_31_dlap.xml540887e0757a2ec746000000
Listening Chart 15 Berlioz, Fantastic Symphony, fifth movement listen8e_ch17_32.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_32_dlap.xml540887e0757a2ec746000000
Biography: Hector Berlioz (1803–1869)listen8e_ch17_33.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_33_dlap.xml540887e0757a2ec746000000
Goals for Reviewlisten8e_ch17_34.html540887e0757a2ec746000000
DLAP questionslisten8e_ch17_34_dlap.xml540887e0757a2ec746000000
Chapter 18 Resourceslisten8e_ch18_1.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_1_dlap.xml540888e2757a2e7311000000
Listening Quiz for Chapter 18listen8e_ch18_2.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_2_dlap.xml540888e2757a2e7311000000
Reading Quiz for Chapter 18listen8e_ch18_3.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_3_dlap.xml540888e2757a2e7311000000
Verdi, Rigoletto, from Act III, scene i, “La donna è mobile” and “Bella figlia dell’amore” listen8e_ch18_4.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_4_dlap.xml540888e2757a2e7311000000
Wagner, The Valkyrie, Act I, scene i listen8e_ch18_5.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_5_dlap.xml540888e2757a2e7311000000
Puccini, Madame Butterfly, from Act II, “Un bel dí” listen8e_ch18_6.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_6_dlap.xml540888e2757a2e7311000000
Romantic Operalisten8e_ch18_7.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_7_dlap.xml540888e2757a2e7311000000
1 | Verdi and Italian Operalisten8e_ch18_8.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_8_dlap.xml540888e2757a2e7311000000
Recitative and Aria: The Role of the Orchestralisten8e_ch18_9.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_9_dlap.xml540888e2757a2e7311000000
Early Romantic Operalisten8e_ch18_10.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_10_dlap.xml540888e2757a2e7311000000
Giuseppe Verdi, Rigoletto (1851)listen8e_ch18_11.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_11_dlap.xml540888e2757a2e7311000000
Biography: Giuseppe Verdi (1813–1901)listen8e_ch18_12.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_12_dlap.xml540888e2757a2e7311000000
2 | Wagner and Music Dramalisten8e_ch18_13.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_13_dlap.xml540888e2757a2e7311000000
Biography: Richard Wagner (1813–1883)listen8e_ch18_14.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_14_dlap.xml540888e2757a2e7311000000
The Total Work of Artlisten8e_ch18_15.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_15_dlap.xml540888e2757a2e7311000000
Wagner’s Tristan and Isolde (1859)listen8e_ch18_16.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_16_dlap.xml540888e2757a2e7311000000
Leitmotivslisten8e_ch18_17.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_17_dlap.xml540888e2757a2e7311000000
The Nibelung’s Ring (1848–1874) listen8e_ch18_18.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_18_dlap.xml540888e2757a2e7311000000
Richard Wagner, The Valkyrie (1851–1856)listen8e_ch18_19.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_19_dlap.xml540888e2757a2e7311000000
3 | Late Romantic Operalisten8e_ch18_20.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_20_dlap.xml540888e2757a2e7311000000
Giacomo Puccini (1858–1924)listen8e_ch18_21.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_21_dlap.xml540888e2757a2e7311000000
Giacomo Puccini, Madame Butterfly (1904) listen8e_ch18_22.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_22_dlap.xml540888e2757a2e7311000000
Goals for Reviewlisten8e_ch18_23.html540888e2757a2e7311000000
DLAP questionslisten8e_ch18_23_dlap.xml540888e2757a2e7311000000
Chapter 19 Resourceslisten8e_ch19_1.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_1_dlap.xml54088a11757a2e0647000000
Listening Quiz for Chapter 19listen8e_ch19_2.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_2_dlap.xml54088a11757a2e0647000000
Reading Quiz for Chapter 19listen8e_ch19_3.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_3_dlap.xml54088a11757a2e0647000000
Listening Quiz for Global Perspectives: Musical Drama Worldwidelisten8e_ch19_4.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_4_dlap.xml54088a11757a2e0647000000
Reading Quiz for Global Perspectives: Musical Drama Worldwidelisten8e_ch19_5.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_5_dlap.xml54088a11757a2e0647000000
Tchaikovsky, Overture-Fantasy, Romeo and Juliet listen8e_ch19_6.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_6_dlap.xml54088a11757a2e0647000000
Musorgsky, Pictures at an Exhibition listen8e_ch19_7.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_7_dlap.xml54088a11757a2e0647000000
Brahms, Violin Concerto in D, IIIlisten8e_ch19_8.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_8_dlap.xml54088a11757a2e0647000000
Mahler, Symphony No. 1, III, Funeral Marchlisten8e_ch19_9.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_9_dlap.xml54088a11757a2e0647000000
Beijing opera, The Prince Who Changed into a Cat listen8e_ch19_10.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_10_dlap.xml54088a11757a2e0647000000
The Late Romanticslisten8e_ch19_11.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_11_dlap.xml54088a11757a2e0647000000
Romanticism and Realismlisten8e_ch19_12.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_12_dlap.xml54088a11757a2e0647000000
1 | Late Romantic Program Musiclisten8e_ch19_13.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_13_dlap.xml54088a11757a2e0647000000
Pyotr Ilyich Tchaikovsky, Overture-Fantasy, Romeo and Juliet (1869, revised 1880)listen8e_ch19_14.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_14_dlap.xml54088a11757a2e0647000000
Listening Chart 16 Tchaikovsky, Overture-Fantasy, Romeo and Juliet listen8e_ch19_15.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_15_dlap.xml54088a11757a2e0647000000
Biography: Pyotr Ilyich Tchaikovsky (1840–1893)listen8e_ch19_16.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_16_dlap.xml54088a11757a2e0647000000
2 | Nationalismlisten8e_ch19_17.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_17_dlap.xml54088a11757a2e0647000000
Exoticismlisten8e_ch19_18.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_18_dlap.xml54088a11757a2e0647000000
The Russian Kuchkalisten8e_ch19_19.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_19_dlap.xml54088a11757a2e0647000000
Modest Musorgsky, Pictures at an Exhibition (1874)listen8e_ch19_20.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_20_dlap.xml54088a11757a2e0647000000
Biography: Modest Musorgsky (1839–1881)listen8e_ch19_21.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_21_dlap.xml54088a11757a2e0647000000
Other Nationalistslisten8e_ch19_22.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_22_dlap.xml54088a11757a2e0647000000
3 | Responses to Romanticismlisten8e_ch19_23.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_23_dlap.xml54088a11757a2e0647000000
The Renewal of Classicism: Brahmslisten8e_ch19_24.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_24_dlap.xml54088a11757a2e0647000000
Biography: Johannes Brahms (1833–1897)listen8e_ch19_25.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_25_dlap.xml54088a11757a2e0647000000
Johannes Brahms, Violin Concerto in D, Op. 77 (1878)listen8e_ch19_26.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_26_dlap.xml54088a11757a2e0647000000
Listening Chart 17 Brahms, Violin Concerto in D, third movementlisten8e_ch19_27.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_27_dlap.xml54088a11757a2e0647000000
Romantic Nostalgia: Mahlerlisten8e_ch19_28.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_28_dlap.xml54088a11757a2e0647000000
Biography: Gustav Mahler (1860–1911)listen8e_ch19_29.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_29_dlap.xml54088a11757a2e0647000000
Gustav Mahler, Symphony No. 1 (1888)listen8e_ch19_30.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_30_dlap.xml54088a11757a2e0647000000
Listening Chart 18 Mahler, Symphony No. 1, third movement, Funeral Marchlisten8e_ch19_31.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_31_dlap.xml54088a11757a2e0647000000
Goals for Reviewlisten8e_ch19_32.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_32_dlap.xml54088a11757a2e0647000000
Global Perspectives: Musical Drama Worldwide listen8e_ch19_33.html54088a11757a2e0647000000
DLAP questionslisten8e_ch19_33_dlap.xml54088a11757a2e0647000000
Introduction to Unit V, The Twentieth Century and Beyondlisten8e_ch205_1.html54d548ca757a2e695c000000
DLAP questionslisten8e_ch205_1_dlap.xml54d548ca757a2e695c000000
Chapter 20 Resourceslisten8e_ch20_1.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_1_dlap.xml54088ae9757a2e6749000000
Reading Quiz for Chapter 20listen8e_ch20_2.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_2_dlap.xml54088ae9757a2e6749000000
Prelude: Music and Modernismlisten8e_ch20_3.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_3_dlap.xml54088ae9757a2e6749000000
1 | Varieties of Modernismlisten8e_ch20_4.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_4_dlap.xml54088ae9757a2e6749000000
2 | Progress and Uncertaintylisten8e_ch20_5.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_5_dlap.xml54088ae9757a2e6749000000
3 | The Response of Modernismlisten8e_ch20_6.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_6_dlap.xml54088ae9757a2e6749000000
4 | Literature and Art before World War Ilisten8e_ch20_7.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_7_dlap.xml54088ae9757a2e6749000000
Impressionists and Symbolistslisten8e_ch20_8.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_8_dlap.xml54088ae9757a2e6749000000
Expressionists and Fauveslisten8e_ch20_9.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_9_dlap.xml54088ae9757a2e6749000000
5 | Modernist Music before World War Ilisten8e_ch20_10.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_10_dlap.xml54088ae9757a2e6749000000
Experiment and Transformation: Melodylisten8e_ch20_11.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_11_dlap.xml54088ae9757a2e6749000000
New Horizons, New Scaleslisten8e_ch20_12.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_12_dlap.xml54088ae9757a2e6749000000
“The Emancipation of Dissonance”listen8e_ch20_13.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_13_dlap.xml54088ae9757a2e6749000000
Goals for Reviewlisten8e_ch20_14.html54088ae9757a2e6749000000
DLAP questionslisten8e_ch20_14_dlap.xml54088ae9757a2e6749000000
Chapter 21 Resourceslisten8e_ch21_1.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_1_dlap.xml54089748757a2e934c000000
Listening Quiz for Chapter 21listen8e_ch21_2.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_2_dlap.xml54089748757a2e934c000000
Reading Quiz for Chapter 21listen8e_ch21_3.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_3_dlap.xml54089748757a2e934c000000
Debussy, Clouds, from Three Nocturnes listen8e_ch21_4.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_4_dlap.xml54089748757a2e934c000000
Stravinsky, The Rite of Spring, from Part I, “The Adoration of the Earth” listen8e_ch21_5.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_5_dlap.xml54089748757a2e934c000000
Schoenberg, Pierrot lunaire, No. 8, “Night” and No. 18, “The Moonfleck” listen8e_ch21_6.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_6_dlap.xml54089748757a2e934c000000
Berg, Wozzeck, Act III, scenes iii and iv listen8e_ch21_7.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_7_dlap.xml54089748757a2e934c000000
Ives, Second Orchestral Set, II, “The Rockstrewn Hills Join in the People’s Outdoor Meeting”listen8e_ch21_8.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_8_dlap.xml54089748757a2e934c000000
Early Modernismlisten8e_ch21_9.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_9_dlap.xml54089748757a2e934c000000
1 | Debussy and Impressionismlisten8e_ch21_10.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_10_dlap.xml54089748757a2e934c000000
Claude Debussy, Clouds, from Three Nocturnes (1899)listen8e_ch21_11.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_11_dlap.xml54089748757a2e934c000000
Listening Chart 19 Debussy, Clouds, from Three Nocturnes listen8e_ch21_12.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_12_dlap.xml54089748757a2e934c000000
Biography: Claude Debussy (1862–1918)listen8e_ch21_13.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_13_dlap.xml54089748757a2e934c000000
2 | Stravinsky: The Primacy of Rhythmlisten8e_ch21_14.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_14_dlap.xml54089748757a2e934c000000
Igor Stravinsky, The Rite of Spring, Part I, “The Adoration of the Earth” (1913) listen8e_ch21_15.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_15_dlap.xml54089748757a2e934c000000
Listening Chart 20 Stravinsky, The Rite of Spring, from Part I, “The Adoration of the Earth” listen8e_ch21_16.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_16_dlap.xml54089748757a2e934c000000
Biography: Igor Stravinsky (1882–1971)listen8e_ch21_17.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_17_dlap.xml54089748757a2e934c000000
3 | Expressionismlisten8e_ch21_18.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_18_dlap.xml54089748757a2e934c000000
Arnold Schoenberg, Pierrot lunaire (Moonstruck Pierrot) (1912) listen8e_ch21_19.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_19_dlap.xml54089748757a2e934c000000
Biography: Arnold Schoenberg (1874–1951)listen8e_ch21_20.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_20_dlap.xml54089748757a2e934c000000
Alban Berg (1885–1935), Wozzeck (1923) listen8e_ch21_21.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_21_dlap.xml54089748757a2e934c000000
Schoenberg and Serialismlisten8e_ch21_22.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_22_dlap.xml54089748757a2e934c000000
4 | The First American Modernist: Iveslisten8e_ch21_23.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_23_dlap.xml54089748757a2e934c000000
Biography: Charles Ives (1874–1954)listen8e_ch21_24.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_24_dlap.xml54089748757a2e934c000000
Charles Ives, Second Orchestral Set, second movement, “The Rockstrewn Hills Join in the People’s Outdoor Meeting” (1909)listen8e_ch21_25.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_25_dlap.xml54089748757a2e934c000000
Listening Chart 21 Ives, Second Orchestral Set, “The Rockstrewn Hills”listen8e_ch21_26.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_26_dlap.xml54089748757a2e934c000000
Charles Ives, The Unanswered Question (1906) listen8e_ch21_27.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_27_dlap.xml54089748757a2e934c000000
Goals for Reviewlisten8e_ch21_28.html54089748757a2e934c000000
DLAP questionslisten8e_ch21_28_dlap.xml54089748757a2e934c000000
Chapter 22 Resourceslisten8e_ch22_1.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_1_dlap.xml54089872757a2e974c000000
Listening Quiz for Chapter 22listen8e_ch22_2.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_2_dlap.xml54089872757a2e974c000000
Reading Quiz for Chapter 22listen8e_ch22_3.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_3_dlap.xml54089872757a2e974c000000
Ravel, Piano Concerto in G, Ilisten8e_ch22_4.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_4_dlap.xml54089872757a2e974c000000
Bartók, Music for Strings, Percussion, and Celesta, IIlisten8e_ch22_5.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_5_dlap.xml54089872757a2e974c000000
Crawford, Prelude for Piano No. 6listen8e_ch22_6.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_6_dlap.xml54089872757a2e974c000000
Still, Afro-American Symphony, IV listen8e_ch22_7.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_7_dlap.xml54089872757a2e974c000000
Copland, Appalachian Spring, Sections 1, 2, 5, and 6 listen8e_ch22_8.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_8_dlap.xml54089872757a2e974c000000
Prokofiev, “The Battle on Ice,” from Alexander Nevsky Cantata listen8e_ch22_9.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_9_dlap.xml54089872757a2e974c000000
Modernism between the Warslisten8e_ch22_10.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_10_dlap.xml54089872757a2e974c000000
1 | Mixing Classical Form and Jazz: Maurice Ravellisten8e_ch22_11.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_11_dlap.xml54089872757a2e974c000000
Maurice Ravel, Piano Concerto in G (1931)listen8e_ch22_12.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_12_dlap.xml54089872757a2e974c000000
Listening Chart 22 Ravel, Piano Concerto in G, first movementlisten8e_ch22_13.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_13_dlap.xml54089872757a2e974c000000
Biography: Maurice Ravel (1875–1937)listen8e_ch22_14.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_14_dlap.xml54089872757a2e974c000000
2 | Folk Music, Nationalism, and Modernism: Béla Bartóklisten8e_ch22_15.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_15_dlap.xml54089872757a2e974c000000
Biography: Béla Bartók (1881–1945)listen8e_ch22_16.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_16_dlap.xml54089872757a2e974c000000
Béla Bartók, Music for Strings, Percussion, and Celesta (1936)listen8e_ch22_17.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_17_dlap.xml54089872757a2e974c000000
Listening Chart 23 Bartók, Music for Strings, Percussion, and Celesta, second movement (Allegro)listen8e_ch22_18.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_18_dlap.xml54089872757a2e974c000000
3 | Varieties of American Modernismlisten8e_ch22_19.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_19_dlap.xml54089872757a2e974c000000
Ruth Crawfordlisten8e_ch22_20.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_20_dlap.xml54089872757a2e974c000000
Ruth Crawford, Prelude for Piano no. 6 (Andante Mystico; 1928)listen8e_ch22_21.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_21_dlap.xml54089872757a2e974c000000
Listening Chart 24 Crawford, Prelude for Piano No. 6listen8e_ch22_22.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_22_dlap.xml54089872757a2e974c000000
Biography: Ruth Crawford (1901–1953)listen8e_ch22_23.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_23_dlap.xml54089872757a2e974c000000
William Grant Stilllisten8e_ch22_24.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_24_dlap.xml54089872757a2e974c000000
Biography: William Grant Still (1895–1978)listen8e_ch22_25.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_25_dlap.xml54089872757a2e974c000000
William Grant Still, Afro-American Symphony (1930) listen8e_ch22_26.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_26_dlap.xml54089872757a2e974c000000
Listening Chart 25 Still, Afro-American Symphony, fourth movement (Lento, con risoluzione) listen8e_ch22_27.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_27_dlap.xml54089872757a2e974c000000
Aaron Coplandlisten8e_ch22_28.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_28_dlap.xml54089872757a2e974c000000
Aaron Copland, Appalachian Spring (1945)listen8e_ch22_29.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_29_dlap.xml54089872757a2e974c000000
Biography: Aaron Copland (1900–1990)listen8e_ch22_30.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_30_dlap.xml54089872757a2e974c000000
4 | The Rise of Film Musiclisten8e_ch22_31.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_31_dlap.xml54089872757a2e974c000000
Composers for Filmlisten8e_ch22_32.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_32_dlap.xml54089872757a2e974c000000
Sergei Prokofiev, Alexander Nevsky Cantata (1938) listen8e_ch22_33.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_33_dlap.xml54089872757a2e974c000000
Listening Chart 26 Prokofiev, “The Battle on Ice” from Alexander Nevsky Cantata listen8e_ch22_34.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_34_dlap.xml54089872757a2e974c000000
Biography: Sergei Prokofiev (1891–1953)listen8e_ch22_35.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_35_dlap.xml54089872757a2e974c000000
Music and Totalitarianismlisten8e_ch22_36.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_36_dlap.xml54089872757a2e974c000000
Goals for Reviewlisten8e_ch22_37.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_37_dlap.xml54089872757a2e974c000000
Chapter 23 Resourceslisten8e_ch23_1.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_1_dlap.xml5408997f757a2ea24c000000
Listening Quiz for Chapter 23listen8e_ch23_2.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_2_dlap.xml5408997f757a2ea24c000000
Reading Quiz for Chapter 23listen8e_ch23_3.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_3_dlap.xml5408997f757a2ea24c000000
Webern, Five Orchestral Pieces, IVlisten8e_ch23_4.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_4_dlap.xml5408997f757a2ea24c000000
Varèse, Poème électronique (excerpt) listen8e_ch23_5.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_5_dlap.xml5408997f757a2ea24c000000
Ligeti, Lux aeterna listen8e_ch23_6.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_6_dlap.xml5408997f757a2ea24c000000
Reich, Music for 18 Musicians, opening listen8e_ch23_7.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_7_dlap.xml5408997f757a2ea24c000000
Crumb, Voices from a Forgotten World (American Songbook, Volume 5), “House of the Rising Sun” and “Hallelujah, I'm a Bum!” listen8e_ch23_8.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_8_dlap.xml5408997f757a2ea24c000000
León, Indígenalisten8e_ch23_9.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_9_dlap.xml5408997f757a2ea24c000000
The Late Twentieth Centurylisten8e_ch23_10.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_10_dlap.xml5408997f757a2ea24c000000
1 | The Postwar Avant-Gardelisten8e_ch23_11.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_11_dlap.xml5408997f757a2ea24c000000
New Sound Materialslisten8e_ch23_12.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_12_dlap.xml5408997f757a2ea24c000000
Electronic Musiclisten8e_ch23_13.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_13_dlap.xml5408997f757a2ea24c000000
On the Boundaries of Timelisten8e_ch23_14.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_14_dlap.xml5408997f757a2ea24c000000
Anton Webern (1883–1945), Five Orchestral Pieces (1913)listen8e_ch23_15.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_15_dlap.xml5408997f757a2ea24c000000
Chance Musiclisten8e_ch23_16.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_16_dlap.xml5408997f757a2ea24c000000
2 | The New Generationlisten8e_ch23_17.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_17_dlap.xml5408997f757a2ea24c000000
Edgard Varèse (1883–1965)listen8e_ch23_18.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_18_dlap.xml5408997f757a2ea24c000000
Edgard Varèse, Poème électronique (1958) listen8e_ch23_19.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_19_dlap.xml5408997f757a2ea24c000000
György Ligeti (1923–2006)listen8e_ch23_20.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_20_dlap.xml5408997f757a2ea24c000000
György Ligeti, Lux aeterna (1966) listen8e_ch23_21.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_21_dlap.xml5408997f757a2ea24c000000
Listening Chart 27 Ligeti, Lux aeterna listen8e_ch23_22.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_22_dlap.xml5408997f757a2ea24c000000
John Cage (1912–1992)listen8e_ch23_23.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_23_dlap.xml5408997f757a2ea24c000000
John Cage, 4′ 33″ (1952) listen8e_ch23_24.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_24_dlap.xml5408997f757a2ea24c000000
3 | Music at the End of the Millenniumlisten8e_ch23_25.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_25_dlap.xml5408997f757a2ea24c000000
Steve Reich (b. 1936) and Minimalismlisten8e_ch23_26.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_26_dlap.xml5408997f757a2ea24c000000
Steve Reich, Music for 18 Musicians (1974–1976) listen8e_ch23_27.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_27_dlap.xml5408997f757a2ea24c000000
Listening Chart 28 Reich, Music for 18 Musicians, opening listen8e_ch23_28.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_28_dlap.xml5408997f757a2ea24c000000
New Expressionism and Connecting to the Pastlisten8e_ch23_29.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_29_dlap.xml5408997f757a2ea24c000000
George Crumb (b. 1929)listen8e_ch23_30.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_30_dlap.xml5408997f757a2ea24c000000
George Crumb, Voices from a Forgotten World (American Songbook, Volume 5) (2006) listen8e_ch23_31.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_31_dlap.xml5408997f757a2ea24c000000
Tania León (b. 1943)listen8e_ch23_32.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_32_dlap.xml5408997f757a2ea24c000000
Tania León, Indígena (1991) listen8e_ch23_33.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_33_dlap.xml5408997f757a2ea24c000000
Listening Chart 29 Tania León, Indígena listen8e_ch23_34.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_34_dlap.xml5408997f757a2ea24c000000
John Adams (b. 1947)listen8e_ch23_35.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_35_dlap.xml5408997f757a2ea24c000000
John Adams, Doctor Atomic (2005) listen8e_ch23_36.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_36_dlap.xml5408997f757a2ea24c000000
Goals for Reviewlisten8e_ch23_37.html5408997f757a2ea24c000000
DLAP questionslisten8e_ch23_37_dlap.xml5408997f757a2ea24c000000
Chapter 24 Resourceslisten8e_ch24_1.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_1_dlap.xml54089c3b757a2e244f000000
Listening Quiz for Chapter 24listen8e_ch24_2.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_2_dlap.xml54089c3b757a2e244f000000
Reading Quiz for Chapter 24listen8e_ch24_3.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_3_dlap.xml54089c3b757a2e244f000000
Listening Quiz for Global Perspectives: African Drumminglisten8e_ch24_4.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_4_dlap.xml54089c3b757a2e244f000000
Reading Quiz for Global Perspectives: African Drumminglisten8e_ch24_5.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_5_dlap.xml54089c3b757a2e244f000000
Listening Quiz for Global Perspectives: Global Musiclisten8e_ch24_6.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_6_dlap.xml54089c3b757a2e244f000000
Reading Quiz for Global Perspectives: Global Musiclisten8e_ch24_7.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_7_dlap.xml54089c3b757a2e244f000000
Thomas, “If You Ever Been Down” Blueslisten8e_ch24_8.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_8_dlap.xml54089c3b757a2e244f000000
Ellington/Tizol, “Conga Brava”listen8e_ch24_9.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_9_dlap.xml54089c3b757a2e244f000000
Parker/Davis, “Out of Nowhere”listen8e_ch24_10.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_10_dlap.xml54089c3b757a2e244f000000
Davis, Bitches Brew (excerpt) listen8e_ch24_11.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_11_dlap.xml54089c3b757a2e244f000000
Bernstein, West Side Story, Dance at Gym: Meeting Scene and “Cool” listen8e_ch24_12.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_12_dlap.xml54089c3b757a2e244f000000
Yoruba drumming, “Ako”listen8e_ch24_13.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_13_dlap.xml54089c3b757a2e244f000000
South African popular song, “Anoku Gonda”listen8e_ch24_14.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_14_dlap.xml54089c3b757a2e244f000000
Music in America: Jazz and Beyondlisten8e_ch24_15.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_15_dlap.xml54089c3b757a2e244f000000
1 | Early American Music: An Overviewlisten8e_ch24_16.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_16_dlap.xml54089c3b757a2e244f000000
The Cultivated Traditionlisten8e_ch24_17.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_17_dlap.xml54089c3b757a2e244f000000
Music in the Vernacularlisten8e_ch24_18.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_18_dlap.xml54089c3b757a2e244f000000
African American Musiclisten8e_ch24_19.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_19_dlap.xml54089c3b757a2e244f000000
2 | Jazz: The First Fifty Yearslisten8e_ch24_20.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_20_dlap.xml54089c3b757a2e244f000000
Ragtime: Scott Joplin (1868–1917)listen8e_ch24_21.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_21_dlap.xml54089c3b757a2e244f000000
The Blueslisten8e_ch24_22.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_22_dlap.xml54089c3b757a2e244f000000
Sippie Wallace (1898–1986), “If You Ever Been Down” Blues (1927) (Composed by G. W. Thomas)listen8e_ch24_23.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_23_dlap.xml54089c3b757a2e244f000000
New Orleans Jazzlisten8e_ch24_24.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_24_dlap.xml54089c3b757a2e244f000000
Biography: Louis Armstrong (1901–1971)listen8e_ch24_25.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_25_dlap.xml54089c3b757a2e244f000000
Big-Band Jazz: Swinglisten8e_ch24_26.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_26_dlap.xml54089c3b757a2e244f000000
Duke Ellington, “Conga Brava” (1940)listen8e_ch24_27.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_27_dlap.xml54089c3b757a2e244f000000
Biography: Duke Ellington (1899–1974)listen8e_ch24_28.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_28_dlap.xml54089c3b757a2e244f000000
Popular Songlisten8e_ch24_29.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_29_dlap.xml54089c3b757a2e244f000000
3 | Later Jazzlisten8e_ch24_30.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_30_dlap.xml54089c3b757a2e244f000000
Beboplisten8e_ch24_31.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_31_dlap.xml54089c3b757a2e244f000000
Charlie Parker (1920–1955) and Miles Davis (1926–1991), “Out of Nowhere” (1948)listen8e_ch24_32.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_32_dlap.xml54089c3b757a2e244f000000
Jazz after Beboplisten8e_ch24_33.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_33_dlap.xml54089c3b757a2e244f000000
Miles Davis (1926–1991), Bitches Brew (1969) listen8e_ch24_34.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_34_dlap.xml54089c3b757a2e244f000000
Global Perspectives: African Drumming listen8e_ch24_35.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_35_dlap.xml54089c3b757a2e244f000000
4 | The American Musicallisten8e_ch24_36.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_36_dlap.xml54089c3b757a2e244f000000
Musical Comedylisten8e_ch24_37.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_37_dlap.xml54089c3b757a2e244f000000
The Musical after 1940listen8e_ch24_38.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_38_dlap.xml54089c3b757a2e244f000000
Leonard Bernstein (1918–1990), West Side Story (1957) listen8e_ch24_39.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_39_dlap.xml54089c3b757a2e244f000000
The Later Musicallisten8e_ch24_40.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_40_dlap.xml54089c3b757a2e244f000000
5 | Rocklisten8e_ch24_41.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_41_dlap.xml54089c3b757a2e244f000000
Early Rock’n’Rolllisten8e_ch24_42.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_42_dlap.xml54089c3b757a2e244f000000
The 1960s: Rock Comes of Agelisten8e_ch24_43.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_43_dlap.xml54089c3b757a2e244f000000
Motown, Soul, and Funklisten8e_ch24_44.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_44_dlap.xml54089c3b757a2e244f000000
The British Invasionlisten8e_ch24_45.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_45_dlap.xml54089c3b757a2e244f000000
American Counteroffensiveslisten8e_ch24_46.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_46_dlap.xml54089c3b757a2e244f000000
After the 1960slisten8e_ch24_47.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_47_dlap.xml54089c3b757a2e244f000000
Trends 1980–2000: Punk, Rap, and Post-Rocklisten8e_ch24_48.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_48_dlap.xml54089c3b757a2e244f000000
Global Perspectives: Global Music listen8e_ch24_49.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_49_dlap.xml54089c3b757a2e244f000000
6 | Conclusionlisten8e_ch24_50.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_50_dlap.xml54089c3b757a2e244f000000
Goals for Reviewlisten8e_ch24_51.html54089c3b757a2e244f000000
DLAP questionslisten8e_ch24_51_dlap.xml54089c3b757a2e244f000000
APPENDIX A: Time Lineslisten8e_ch300_1.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_1_dlap.xml54d55084757a2e6b5c000000
The Middle Ageslisten8e_ch300_2.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_2_dlap.xml54d55084757a2e6b5c000000
The Renaissance and Early Baroquelisten8e_ch300_3.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_3_dlap.xml54d55084757a2e6b5c000000
The Eighteenth Centurylisten8e_ch300_4.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_4_dlap.xml54d55084757a2e6b5c000000
The Nineteenth Centurylisten8e_ch300_5.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_5_dlap.xml54d55084757a2e6b5c000000
The Twentieth Century and Beyondlisten8e_ch300_6.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_6_dlap.xml54d55084757a2e6b5c000000
APPENDIX B: Musical Notationlisten8e_ch300_7.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_7_dlap.xml54d55084757a2e6b5c000000
Musical Notationlisten8e_ch300_8.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_8_dlap.xml54d55084757a2e6b5c000000
Notes and Restslisten8e_ch300_9.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_9_dlap.xml54d55084757a2e6b5c000000
Rhythmic Notationlisten8e_ch300_10.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_10_dlap.xml54d55084757a2e6b5c000000
Pitch Notationlisten8e_ch300_11.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_11_dlap.xml54d55084757a2e6b5c000000
Scoreslisten8e_ch300_12.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_12_dlap.xml54d55084757a2e6b5c000000
Glossary of Musical Termslisten8e_ch300_13.html54d55084757a2e6b5c000000
DLAP questionslisten8e_ch300_13_dlap.xml54d55084757a2e6b5c000000