Name | File | Manuscript |
Introduction | smg10e_ch4_1.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_1_dlap.xml | 5088584fb11c0f691e000000 |
Practicing The Genre: Explaining an Academic Concept | smg10e_ch4_2.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_2_dlap.xml | 5088584fb11c0f691e000000 |
Guide to Reading | smg10e_ch4_3.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_3_dlap.xml | 5088584fb11c0f691e000000 |
Analyzing Concept Explanations | smg10e_ch4_4.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_4_dlap.xml | 5088584fb11c0f691e000000 |
Determine the writerâs purpose and audience. | smg10e_ch4_5.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_5_dlap.xml | 5088584fb11c0f691e000000 |
Assess the genreâs basic features. | smg10e_ch4_6.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_6_dlap.xml | 5088584fb11c0f691e000000 |
Readings | smg10e_ch4_7.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_7_dlap.xml | 5088584fb11c0f691e000000 |
Patricia Lyu, Attachment: Someone to Watch over You | smg10e_ch4_8.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_8_dlap.xml | 5088584fb11c0f691e000000 |
Anastasia Toufexis: Love, The Right Chemistry | smg10e_ch4_9.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_9_dlap.xml | 5088584fb11c0f691e000000 |
[Reflect] Make connections: How love works. | smg10e_ch4_10.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_10_dlap.xml | 5088584fb11c0f691e000000 |
[Analyze] Use the basic features. | smg10e_ch4_11.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_11_dlap.xml | 5088584fb11c0f691e000000 |
A Focused Explanation: Excluding Other Topics | smg10e_ch4_12.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_12_dlap.xml | 5088584fb11c0f691e000000 |
A Clear, Logical Organization: Cueing the Reader | smg10e_ch4_13.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_13_dlap.xml | 5088584fb11c0f691e000000 |
Appropriate Explanatory Strategies: Using Visuals | smg10e_ch4_14.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_14_dlap.xml | 5088584fb11c0f691e000000 |
Smooth Integration of Sources: Establishing Credibility | smg10e_ch4_15.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_15_dlap.xml | 5088584fb11c0f691e000000 |
[Respond] Consider possible topics: Examining other aspects of love. | smg10e_ch4_16.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_16_dlap.xml | 5088584fb11c0f691e000000 |
Dan Hurley: Can You Make Yourself Smarter? | smg10e_ch4_17.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_17_dlap.xml | 5088584fb11c0f691e000000 |
[Reflect] Make connections: Brain training games. | smg10e_ch4_18.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_18_dlap.xml | 5088584fb11c0f691e000000 |
[Analyze] Use the basic features. | smg10e_ch4_19.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_19_dlap.xml | 5088584fb11c0f691e000000 |
A Focused Explanation: Using an Example | smg10e_ch4_20.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_20_dlap.xml | 5088584fb11c0f691e000000 |
A Clear, Logical Organization: Using Repetition to Create Cohesion | smg10e_ch4_21.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_21_dlap.xml | 5088584fb11c0f691e000000 |
Appropriate Explanatory Strategies: Using a Variety of Strategies | smg10e_ch4_22.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_22_dlap.xml | 5088584fb11c0f691e000000 |
Smooth Integration of Sources: Citing Sources for Academic Contexts | smg10e_ch4_23.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_23_dlap.xml | 5088584fb11c0f691e000000 |
[Respond] Consider possible topics: Examining other aspects of intelligence. | smg10e_ch4_24.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_24_dlap.xml | 5088584fb11c0f691e000000 |
Susan Cain, Shyness: Evolutionary Tactic? | smg10e_ch4_25.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_25_dlap.xml | 5088584fb11c0f691e000000 |
[Reflect] Make connections: Whatâs wrong with being quiet? | smg10e_ch4_26.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_26_dlap.xml | 5088584fb11c0f691e000000 |
[Analyze] Use the basic features. | smg10e_ch4_27.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_27_dlap.xml | 5088584fb11c0f691e000000 |
A Focused Explanation: Presenting Established Information and Your Own Ideas | smg10e_ch4_28.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_28_dlap.xml | 5088584fb11c0f691e000000 |
A Clear, Logical Organization: Creating Closure | smg10e_ch4_29.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_29_dlap.xml | 5088584fb11c0f691e000000 |
Appropriate Explanatory Strategies: Using Comparison-Contrast | smg10e_ch4_30.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_30_dlap.xml | 5088584fb11c0f691e000000 |
Smooth Integration of Sources: Using Evidence From a Source to Support a Claim | smg10e_ch4_31.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_31_dlap.xml | 5088584fb11c0f691e000000 |
[Respond] Consider possible topics: Correcting a misunderstood concept. | smg10e_ch4_32.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_32_dlap.xml | 5088584fb11c0f691e000000 |
Playing With Genre: Infographics and other Concept Explanations online | smg10e_ch4_33.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_33_dlap.xml | 5088584fb11c0f691e000000 |
Guide to Writing | smg10e_ch4_34.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_34_dlap.xml | 5088584fb11c0f691e000000 |
The Writing Assignment | smg10e_ch4_35.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_35_dlap.xml | 5088584fb11c0f691e000000 |
Starting Points: Explaining a Concept | smg10e_ch4_36.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_36_dlap.xml | 5088584fb11c0f691e000000 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch4_37.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_37_dlap.xml | 5088584fb11c0f691e000000 |
Choose a concept to write about. | smg10e_ch4_38.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_38_dlap.xml | 5088584fb11c0f691e000000 |
Conduct initial research on the concept. | smg10e_ch4_39.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_39_dlap.xml | 5088584fb11c0f691e000000 |
Ways In: What do you already know? | smg10e_ch4_40.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_40_dlap.xml | 5088584fb11c0f691e000000 |
Focus your explanation of the concept. | smg10e_ch4_41.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_41_dlap.xml | 5088584fb11c0f691e000000 |
Ways In: What Makes the Concept Interesting to Me and My Readers? | smg10e_ch4_42.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_42_dlap.xml | 5088584fb11c0f691e000000 |
Conduct further research on your focused concept. | smg10e_ch4_43.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_43_dlap.xml | 5088584fb11c0f691e000000 |
Draft your working thesis. | smg10e_ch4_44.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_44_dlap.xml | 5088584fb11c0f691e000000 |
Organize your concept explanation effectively for your readers. | smg10e_ch4_45.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_45_dlap.xml | 5088584fb11c0f691e000000 |
Design your writing project. | smg10e_ch4_46.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_46_dlap.xml | 5088584fb11c0f691e000000 |
Consider the explanatory strategies you should use. | smg10e_ch4_47.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_47_dlap.xml | 5088584fb11c0f691e000000 |
Ways In: What Writing Strategies Can I Use to Explain My Focused Concept? | smg10e_ch4_48.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_48_dlap.xml | 5088584fb11c0f691e000000 |
Use summaries, paraphrases, and quotations from sources to support your points. | smg10e_ch4_49.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_49_dlap.xml | 5088584fb11c0f691e000000 |
Use visuals or multimedia illustrations to enhance your explanation. | smg10e_ch4_50.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_50_dlap.xml | 5088584fb11c0f691e000000 |
Use appositives to integrate sources. | smg10e_ch4_51.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_51_dlap.xml | 5088584fb11c0f691e000000 |
Use descriptive verbs in signal phrases to introduce information from sources. | smg10e_ch4_52.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_52_dlap.xml | 5088584fb11c0f691e000000 |
Write the opening sentences. | smg10e_ch4_53.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_53_dlap.xml | 5088584fb11c0f691e000000 |
Draft your explanation. | smg10e_ch4_54.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_54_dlap.xml | 5088584fb11c0f691e000000 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch4_55.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_55_dlap.xml | 5088584fb11c0f691e000000 |
A Critical Reading Guide | smg10e_ch4_56.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_56_dlap.xml | 5088584fb11c0f691e000000 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch4_57.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_57_dlap.xml | 5088584fb11c0f691e000000 |
Revise your draft. | smg10e_ch4_58.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_58_dlap.xml | 5088584fb11c0f691e000000 |
A Troubleshooting Guide | smg10e_ch4_59.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_59_dlap.xml | 5088584fb11c0f691e000000 |
Think about design. | smg10e_ch4_60.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_60_dlap.xml | 5088584fb11c0f691e000000 |
Edit and proofread your draft. | smg10e_ch4_61.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_61_dlap.xml | 5088584fb11c0f691e000000 |
A Writer at Work | smg10e_ch4_62.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_62_dlap.xml | 5088584fb11c0f691e000000 |
Patricia Lyuâs Use of Sources | smg10e_ch4_63.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_63_dlap.xml | 5088584fb11c0f691e000000 |
Thinking Critically | smg10e_ch4_64.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_64_dlap.xml | 5088584fb11c0f691e000000 |
Reflecting on What You Have Learned | smg10e_ch4_65.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_65_dlap.xml | 5088584fb11c0f691e000000 |
Reflecting on the Genre | smg10e_ch4_66.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_66_dlap.xml | 5088584fb11c0f691e000000 |
Ammar Rana, Jihad: The Struggle in the Way of God | smg10e_ch4_67.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_67_dlap.xml | 5088584fb11c0f691e000000 |
Slate: What Extremely Walkable and Unwalkable Neighborhoods Look Like | smg10e_ch4_68.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_68_dlap.xml | 5088584fb11c0f691e000000 |
[Analyze] Use the basic features. | smg10e_ch4_69.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_69_dlap.xml | 5088584fb11c0f691e000000 |
Appropriate Explanatory Strategies: Making Textual vs. Visual Distinctions | smg10e_ch4_70.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_70_dlap.xml | 5088584fb11c0f691e000000 |
[Respond] Consider possible topics: Exploring the concept more deeply. | smg10e_ch4_71.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_71_dlap.xml | 5088584fb11c0f691e000000 |
Melinda Beck: What Cocktail Parties Teach Us | smg10e_ch4_72.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_72_dlap.xml | 5088584fb11c0f691e000000 |
[Analyze] Use the basic features. | smg10e_ch4_73.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_73_dlap.xml | 5088584fb11c0f691e000000 |
Appropriate Explanatory Strategies: Examining Causes and Effects | smg10e_ch4_74.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_74_dlap.xml | 5088584fb11c0f691e000000 |
[Respond] Consider possible topics: Explaining a health- or behavior-related concept. | smg10e_ch4_75.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_75_dlap.xml | 5088584fb11c0f691e000000 |
Playing With Genre: Infographics and other Concept Explanations online | smg10e_ch4_76.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_76_dlap.xml | 5088584fb11c0f691e000000 |
[Reflect] Make connections: Multimedia explanations. | smg10e_ch4_77.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_77_dlap.xml | 5088584fb11c0f691e000000 |
[Analyze] Use the basic features. | smg10e_ch4_78.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_78_dlap.xml | 5088584fb11c0f691e000000 |
A Clear, Logical Organization: Using Tabs and Other Web Features | smg10e_ch4_79.html | 5088584fb11c0f691e000000 |
DLAP questions | smg10e_ch4_79_dlap.xml | 5088584fb11c0f691e000000 |
Introduction | smg10e_ch1_1.html | 516f274bb11c0fff46000000 |
DLAP questions | smg10e_ch1_1_dlap.xml | 516f274bb11c0fff46000000 |
Why Write? | smg10e_ch1_2.html | 516f274bb11c0fff46000000 |
DLAP questions | smg10e_ch1_2_dlap.xml | 516f274bb11c0fff46000000 |
How The St. Martinâs Guide to Writing Helps You Learn to Write | smg10e_ch1_3.html | 516f274bb11c0fff46000000 |
DLAP questions | smg10e_ch1_3_dlap.xml | 516f274bb11c0fff46000000 |
THINKING CRITICALLY | smg10e_ch1_4.html | 516f274bb11c0fff46000000 |
DLAP questions | smg10e_ch1_4_dlap.xml | 516f274bb11c0fff46000000 |
Introduction | smg10e_ch2_1.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_1_dlap.xml | 517eab57b11c0fb83d000000 |
Practicing The Genre: Telling a Story | smg10e_ch2_2.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_2_dlap.xml | 517eab57b11c0fb83d000000 |
Guide to Reading | smg10e_ch2_3.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_3_dlap.xml | 517eab57b11c0fb83d000000 |
Analyzing Remembered Event Essays | smg10e_ch2_4.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_4_dlap.xml | 517eab57b11c0fb83d000000 |
Determine the writerâs purpose and audience. | smg10e_ch2_5.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_5_dlap.xml | 517eab57b11c0fb83d000000 |
Assess the genreâs basic features. | smg10e_ch2_6.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_6_dlap.xml | 517eab57b11c0fb83d000000 |
Readings | smg10e_ch2_7.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_7_dlap.xml | 517eab57b11c0fb83d000000 |
Jean Brandt, Calling Home | smg10e_ch2_8.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_8_dlap.xml | 517eab57b11c0fb83d000000 |
Annie Dillard, An American Childhood | smg10e_ch2_9.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_9_dlap.xml | 517eab57b11c0fb83d000000 |
[Reflect] Make connections: Acting fearlessly. | smg10e_ch2_10.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_10_dlap.xml | 517eab57b11c0fb83d000000 |
[Analyze] Use the basic features. | smg10e_ch2_11.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_11_dlap.xml | 517eab57b11c0fb83d000000 |
A Well-Told Story: Constructing an Action Sequence | smg10e_ch2_12.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_12_dlap.xml | 517eab57b11c0fb83d000000 |
Vivid Description of People and Places: Using Names and Details | smg10e_ch2_13.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_13_dlap.xml | 517eab57b11c0fb83d000000 |
Autobiographical Significance: Showing and Telling | smg10e_ch2_14.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_14_dlap.xml | 517eab57b11c0fb83d000000 |
[Respond] Consider possible topics: Remembering unexpected adult actions and reactions. | smg10e_ch2_15.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_15_dlap.xml | 517eab57b11c0fb83d000000 |
Jenée Desmond-Harris, Tupac and My Non-Thug Life | smg10e_ch2_16.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_16_dlap.xml | 517eab57b11c0fb83d000000 |
[Reflect] Make connections: Remembering idols. | smg10e_ch2_17.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_17_dlap.xml | 517eab57b11c0fb83d000000 |
[Analyze] Use the basic features. | smg10e_ch2_18.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_18_dlap.xml | 517eab57b11c0fb83d000000 |
A Well-Told Story: Using Dialogue | smg10e_ch2_19.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_19_dlap.xml | 517eab57b11c0fb83d000000 |
Vivid Description of People and Places: Using Visuals and Brand Names | smg10e_ch2_20.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_20_dlap.xml | 517eab57b11c0fb83d000000 |
Autobiographical Significance: Handling Complex Emotions | smg10e_ch2_21.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_21_dlap.xml | 517eab57b11c0fb83d000000 |
[Respond] Consider possible topics: Recognizing a public event as a turning point. | smg10e_ch2_22.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_22_dlap.xml | 517eab57b11c0fb83d000000 |
Tom Ruprecht, In Too Deep | smg10e_ch2_23.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_23_dlap.xml | 517eab57b11c0fb83d000000 |
[Reflect] Make connections: Using humor. | smg10e_ch2_24.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_24_dlap.xml | 517eab57b11c0fb83d000000 |
[Analyze] Use the basic features. | smg10e_ch2_25.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_25_dlap.xml | 517eab57b11c0fb83d000000 |
A Well-Told Story: Understanding the Dramatic Organization of a Story | smg10e_ch2_26.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_26_dlap.xml | 517eab57b11c0fb83d000000 |
Vivid Description of People and Places: Using Figures of Speech | smg10e_ch2_27.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_27_dlap.xml | 517eab57b11c0fb83d000000 |
Autobiographical Significance: Coming Full Circle | smg10e_ch2_28.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_28_dlap.xml | 517eab57b11c0fb83d000000 |
[Respond] Consider possible topics: Being âIn Too Deep.â | smg10e_ch2_29.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_29_dlap.xml | 517eab57b11c0fb83d000000 |
Guide to Writing | smg10e_ch2_30.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_30_dlap.xml | 517eab57b11c0fb83d000000 |
The Writing Assignment | smg10e_ch2_31.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_31_dlap.xml | 517eab57b11c0fb83d000000 |
Starting Points: Explaining a Concept | smg10e_ch2_32.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_32_dlap.xml | 517eab57b11c0fb83d000000 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch2_33.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_33_dlap.xml | 517eab57b11c0fb83d000000 |
Choose an event to write about. | smg10e_ch2_34.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_34_dlap.xml | 517eab57b11c0fb83d000000 |
Shape your story. | smg10e_ch2_35.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_35_dlap.xml | 517eab57b11c0fb83d000000 |
Organize your story to enhance the drama. | smg10e_ch2_36.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_36_dlap.xml | 517eab57b11c0fb83d000000 |
Choose your tense and plan time cues. | smg10e_ch2_37.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_37_dlap.xml | 517eab57b11c0fb83d000000 |
Use dialogue to tell your story. | smg10e_ch2_38.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_38_dlap.xml | 517eab57b11c0fb83d000000 |
Develop and refine your descriptions. | smg10e_ch2_39.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_39_dlap.xml | 517eab57b11c0fb83d000000 |
Incorporate descriptive details throughout your story. | smg10e_ch2_40.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_40_dlap.xml | 517eab57b11c0fb83d000000 |
Consider ways to convey your eventâs autobiographical significance. | smg10e_ch2_41.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_41_dlap.xml | 517eab57b11c0fb83d000000 |
Write the opening sentences. | smg10e_ch2_42.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_42_dlap.xml | 517eab57b11c0fb83d000000 |
Draft your story. | smg10e_ch2_43.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_43_dlap.xml | 517eab57b11c0fb83d000000 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch2_44.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_44_dlap.xml | 517eab57b11c0fb83d000000 |
A Critical Reading Guide | smg10e_ch2_45.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_45_dlap.xml | 517eab57b11c0fb83d000000 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch2_46.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_46_dlap.xml | 517eab57b11c0fb83d000000 |
Revise your draft. | smg10e_ch2_47.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_47_dlap.xml | 517eab57b11c0fb83d000000 |
A Troubleshooting Guide | smg10e_ch2_48.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_48_dlap.xml | 517eab57b11c0fb83d000000 |
Think about design. | smg10e_ch2_49.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_49_dlap.xml | 517eab57b11c0fb83d000000 |
Edit and proofread your draft. | smg10e_ch2_50.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_50_dlap.xml | 517eab57b11c0fb83d000000 |
A Writer at Work | smg10e_ch2_51.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_51_dlap.xml | 517eab57b11c0fb83d000000 |
Jean Brandtâs Essay | smg10e_ch2_52.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_52_dlap.xml | 517eab57b11c0fb83d000000 |
The First Draft | smg10e_ch2_53.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_53_dlap.xml | 517eab57b11c0fb83d000000 |
Critical Reading and Revision | smg10e_ch2_54.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_54_dlap.xml | 517eab57b11c0fb83d000000 |
Thinking Critically | smg10e_ch2_55.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_55_dlap.xml | 517eab57b11c0fb83d000000 |
Reflecting on What You Have Learned | smg10e_ch2_56.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_56_dlap.xml | 517eab57b11c0fb83d000000 |
Reflecting on the Genre | smg10e_ch2_57.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_57_dlap.xml | 517eab57b11c0fb83d000000 |
Shannon Lewis: We Were Here | smg10e_ch2_58.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_58_dlap.xml | 517eab57b11c0fb83d000000 |
Juliane Koepcke: How I Survived a Plane Crash | smg10e_ch2_59.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_59_dlap.xml | 517eab57b11c0fb83d000000 |
Sally Williams: Sole Survivor: The Woman Who Fell to Earth | smg10e_ch2_60.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_60_dlap.xml | 517eab57b11c0fb83d000000 |
[Analyze] Use the basic features. | smg10e_ch2_61.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_61_dlap.xml | 517eab57b11c0fb83d000000 |
A Well-Told Story: Seeing an Event From Different Perspectives | smg10e_ch2_62.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_62_dlap.xml | 517eab57b11c0fb83d000000 |
[Respond] Consider possible topics: Exploring unexpected events. | smg10e_ch2_63.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_63_dlap.xml | 517eab57b11c0fb83d000000 |
Andrew Lam: Waterloo | smg10e_ch2_64.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_64_dlap.xml | 517eab57b11c0fb83d000000 |
[Analyze] Use the basic features. | smg10e_ch2_65.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_65_dlap.xml | 517eab57b11c0fb83d000000 |
Autobiographical Significance: Pairing Description and Reflection | smg10e_ch2_66.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_66_dlap.xml | 517eab57b11c0fb83d000000 |
[Respond] Consider possible topics: Remembering a turning point. | smg10e_ch2_67.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_67_dlap.xml | 517eab57b11c0fb83d000000 |
Playing With Genre: Remembering an Event in a Graphic Memoir | smg10e_ch2_68.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_68_dlap.xml | 517eab57b11c0fb83d000000 |
[Reflect] Make connections: Revisiting your younger self. | smg10e_ch2_69.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_69_dlap.xml | 517eab57b11c0fb83d000000 |
[Analyze] Use the basic features. | smg10e_ch2_70.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_70_dlap.xml | 517eab57b11c0fb83d000000 |
A Well-Told Story: Using Cartoons to Share an Experience | smg10e_ch2_71.html | 517eab57b11c0fb83d000000 |
DLAP questions | smg10e_ch2_71_dlap.xml | 517eab57b11c0fb83d000000 |
Introduction | smg10e_ch3_1.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_1_dlap.xml | 5183d35cb11c0f896b000004 |
Practicing The Genre: Telling a Story | smg10e_ch3_2.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_2_dlap.xml | 5183d35cb11c0f896b000004 |
Guide to Reading | smg10e_ch3_3.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_3_dlap.xml | 5183d35cb11c0f896b000004 |
Analyzing Profiles | smg10e_ch3_4.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_4_dlap.xml | 5183d35cb11c0f896b000004 |
Determine the writerâs purpose and audience. | smg10e_ch3_5.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_5_dlap.xml | 5183d35cb11c0f896b000004 |
Assess the genreâs basic features. | smg10e_ch3_6.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_6_dlap.xml | 5183d35cb11c0f896b000004 |
Readings | smg10e_ch3_7.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_7_dlap.xml | 5183d35cb11c0f896b000004 |
Brian Cable, The Last Stop | smg10e_ch3_8.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_8_dlap.xml | 5183d35cb11c0f896b000004 |
John T. Edge, Iâm Not Leaving Until I Eat This Thing | smg10e_ch3_9.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_9_dlap.xml | 5183d35cb11c0f896b000004 |
[Reflect] Make connections: Aversion to new foods. | smg10e_ch3_10.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_10_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_11.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_11_dlap.xml | 5183d35cb11c0f896b000004 |
Detailed Information About the Subject: Describing the Place and People | smg10e_ch3_12.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_12_dlap.xml | 5183d35cb11c0f896b000004 |
A Clear, Logical Organization: Taking Readers On a Tour | smg10e_ch3_13.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_13_dlap.xml | 5183d35cb11c0f896b000004 |
The Writerâs Role: Acting As a Spectator | smg10e_ch3_14.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_14_dlap.xml | 5183d35cb11c0f896b000004 |
A Perspective On the Subject: Showing and Telling | smg10e_ch3_15.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_15_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Writing about a specialty restaurant, manufacturer, or store. | smg10e_ch3_16.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_16_dlap.xml | 5183d35cb11c0f896b000004 |
Amanda Coyne, The Long Good-Bye: Motherâs Day in Federal Prison | smg10e_ch3_17.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_17_dlap.xml | 5183d35cb11c0f896b000004 |
[Reflect] Make connections: Unfair punishment. | smg10e_ch3_18.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_18_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_19.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_19_dlap.xml | 5183d35cb11c0f896b000004 |
Detailed Information About the Subject: Using Anecdotes | smg10e_ch3_20.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_20_dlap.xml | 5183d35cb11c0f896b000004 |
A Clear, Logical Organization: Narrating a Day in the Life | smg10e_ch3_21.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_21_dlap.xml | 5183d35cb11c0f896b000004 |
The Writerâs Role: Alternating Participant and Spectator Roles | smg10e_ch3_22.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_22_dlap.xml | 5183d35cb11c0f896b000004 |
A Perspective On the Subject: Using Contrast and Juxtaposition | smg10e_ch3_23.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_23_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Profiling one instance of a recurring event. | smg10e_ch3_24.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_24_dlap.xml | 5183d35cb11c0f896b000004 |
Gabriel Thompson, A Gringo in the Lettuce Fields | smg10e_ch3_25.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_25_dlap.xml | 5183d35cb11c0f896b000004 |
[Reflect] Make connections: Switching perspectives. | smg10e_ch3_26.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_26_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_27.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_27_dlap.xml | 5183d35cb11c0f896b000004 |
Detailed Information About the Subject: Using Quotation, Paraphrase, and Summary | smg10e_ch3_28.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_28_dlap.xml | 5183d35cb11c0f896b000004 |
A Clear, Logical Organization: Narrating an Extended Period | smg10e_ch3_29.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_29_dlap.xml | 5183d35cb11c0f896b000004 |
The Writerâs Role: Participating in a Group | smg10e_ch3_30.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_30_dlap.xml | 5183d35cb11c0f896b000004 |
A Perspective On the Subject: Profiling a Controversial Subject | smg10e_ch3_31.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_31_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Immersing yourself. | smg10e_ch3_32.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_32_dlap.xml | 5183d35cb11c0f896b000004 |
Guide to Writing | smg10e_ch3_33.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_33_dlap.xml | 5183d35cb11c0f896b000004 |
The Writing Assignment | smg10e_ch3_34.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_34_dlap.xml | 5183d35cb11c0f896b000004 |
Starting Points: Writing a Profile | smg10e_ch3_35.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_35_dlap.xml | 5183d35cb11c0f896b000004 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch3_36.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_36_dlap.xml | 5183d35cb11c0f896b000004 |
Choose a subject to profile. | smg10e_ch3_37.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_37_dlap.xml | 5183d35cb11c0f896b000004 |
Conduct your field research. | smg10e_ch3_38.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_38_dlap.xml | 5183d35cb11c0f896b000004 |
Integrate quotations from your interviews. | smg10e_ch3_39.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_39_dlap.xml | 5183d35cb11c0f896b000004 |
Create an outline that will organize your profile effectively for your readers. | smg10e_ch3_40.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_40_dlap.xml | 5183d35cb11c0f896b000004 |
Consider document design. | smg10e_ch3_41.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_41_dlap.xml | 5183d35cb11c0f896b000004 |
Determine your role in the profile. | smg10e_ch3_42.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_42_dlap.xml | 5183d35cb11c0f896b000004 |
Develop your perspective on the subject. | smg10e_ch3_43.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_43_dlap.xml | 5183d35cb11c0f896b000004 |
Write the opening sentences. | smg10e_ch3_44.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_44_dlap.xml | 5183d35cb11c0f896b000004 |
Draft your profile. | smg10e_ch3_45.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_45_dlap.xml | 5183d35cb11c0f896b000004 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch3_46.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_46_dlap.xml | 5183d35cb11c0f896b000004 |
A Critical Reading Guide | smg10e_ch3_47.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_47_dlap.xml | 5183d35cb11c0f896b000004 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch3_48.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_48_dlap.xml | 5183d35cb11c0f896b000004 |
Revise your draft. | smg10e_ch3_49.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_49_dlap.xml | 5183d35cb11c0f896b000004 |
A Troubleshooting Guide | smg10e_ch3_50.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_50_dlap.xml | 5183d35cb11c0f896b000004 |
Think about design. | smg10e_ch3_51.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_51_dlap.xml | 5183d35cb11c0f896b000004 |
Edit and proofread your draft. | smg10e_ch3_52.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_52_dlap.xml | 5183d35cb11c0f896b000004 |
A Writer at Work | smg10e_ch3_53.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_53_dlap.xml | 5183d35cb11c0f896b000004 |
Brian Cableâs Interview Notes and Write-Up | smg10e_ch3_54.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_54_dlap.xml | 5183d35cb11c0f896b000004 |
Thinking Critically | smg10e_ch3_55.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_55_dlap.xml | 5183d35cb11c0f896b000004 |
Reflecting on What You Have Learned | smg10e_ch3_56.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_56_dlap.xml | 5183d35cb11c0f896b000004 |
Reflecting on the Genre | smg10e_ch3_57.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_57_dlap.xml | 5183d35cb11c0f896b000004 |
Brianne OâLeary: Fattyâs Custom Tattooz and Body Piercing | smg10e_ch3_58.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_58_dlap.xml | 5183d35cb11c0f896b000004 |
Sam Dillon: 4,100 Students Prove âSmall Is Betterâ Rule Wrong | smg10e_ch3_59.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_59_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_60.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_60_dlap.xml | 5183d35cb11c0f896b000004 |
Detailed Information About the Subject: Bringing Together Text and Visuals | smg10e_ch3_61.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_61_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Profiling a place. | smg10e_ch3_62.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_62_dlap.xml | 5183d35cb11c0f896b000004 |
Veronica Chambers: The Secret Latina | smg10e_ch3_63.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_63_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_64.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_64_dlap.xml | 5183d35cb11c0f896b000004 |
A Perspective On the Subject: Transcending the Familiar | smg10e_ch3_65.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_65_dlap.xml | 5183d35cb11c0f896b000004 |
[Respond] Consider possible topics: Widening the perspective on someone close to you. | smg10e_ch3_66.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_66_dlap.xml | 5183d35cb11c0f896b000004 |
Playing With Genre: Profiles in the Media | smg10e_ch3_67.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_67_dlap.xml | 5183d35cb11c0f896b000004 |
[Reflect] Make connections: Sharing work stories. | smg10e_ch3_68.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_68_dlap.xml | 5183d35cb11c0f896b000004 |
[Analyze] Use the basic features. | smg10e_ch3_69.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_69_dlap.xml | 5183d35cb11c0f896b000004 |
A Clear, Logical Organization: Examining the Structure of Videos | smg10e_ch3_70.html | 5183d35cb11c0f896b000004 |
DLAP questions | smg10e_ch3_70_dlap.xml | 5183d35cb11c0f896b000004 |
Introduction | smg10e_ch5_1.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_1_dlap.xml | 51898c5eb11c0f7f16000000 |
Practicing the Genre: Finding Common Ground | smg10e_ch5_2.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_2_dlap.xml | 51898c5eb11c0f7f16000000 |
Guide to Reading | smg10e_ch5_3.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_3_dlap.xml | 51898c5eb11c0f7f16000000 |
Analyzing Opposing Positions to Find Common Ground | smg10e_ch5_4.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_4_dlap.xml | 51898c5eb11c0f7f16000000 |
Determine the writerâs purpose and audience. | smg10e_ch5_5.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_5_dlap.xml | 51898c5eb11c0f7f16000000 |
Assess the genreâs basic features. | smg10e_ch5_6.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_6_dlap.xml | 51898c5eb11c0f7f16000000 |
Readings | smg10e_ch5_7.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_7_dlap.xml | 51898c5eb11c0f7f16000000 |
Jeremy Bernard, Lost Innocence | smg10e_ch5_8.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_8_dlap.xml | 51898c5eb11c0f7f16000000 |
Betsy Samson, Does Mother Know Best? | smg10e_ch5_9.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_9_dlap.xml | 51898c5eb11c0f7f16000000 |
[Reflect] Make connections: Parenting styles. | smg10e_ch5_10.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_10_dlap.xml | 51898c5eb11c0f7f16000000 |
[Analyze] Use the basic features. | smg10e_ch5_11.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_11_dlap.xml | 51898c5eb11c0f7f16000000 |
An Informative Introduction to the Issue and Opposing Positions: Providing Background Information | smg10e_ch5_12.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_12_dlap.xml | 51898c5eb11c0f7f16000000 |
A Probing Analysis: Exploring Points of Possible Agreement | smg10e_ch5_13.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_13_dlap.xml | 51898c5eb11c0f7f16000000 |
A Fair and Impartial Presentation: Choice of Verbs | smg10e_ch5_14.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_14_dlap.xml | 51898c5eb11c0f7f16000000 |
A Clear, Logical Organization: Using Transitions | smg10e_ch5_15.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_15_dlap.xml | 51898c5eb11c0f7f16000000 |
[Respond] Consider possible topics: Debates about cultural issues. | smg10e_ch5_16.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_16_dlap.xml | 51898c5eb11c0f7f16000000 |
Melissa Mae, Laying Claim to a Higher Morality | smg10e_ch5_17.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_17_dlap.xml | 51898c5eb11c0f7f16000000 |
[Reflect] Make connections: Hollywood and the ticking time bomb scenario. | smg10e_ch5_18.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_18_dlap.xml | 51898c5eb11c0f7f16000000 |
[Analyze] Use the basic features. | smg10e_ch5_19.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_19_dlap.xml | 51898c5eb11c0f7f16000000 |
An Informative Introduction to the Issue and Opposing Positions: Placing the Issue in a Historical Context | smg10e_ch5_20.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_20_dlap.xml | 51898c5eb11c0f7f16000000 |
A Probing Analysis: Exploring Moral Arguments | smg10e_ch5_21.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_21_dlap.xml | 51898c5eb11c0f7f16000000 |
A Fair and Impartial Presentation: Using Authorities | smg10e_ch5_22.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_22_dlap.xml | 51898c5eb11c0f7f16000000 |
A Clear, Logical Organization: Using Visuals | smg10e_ch5_23.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_23_dlap.xml | 51898c5eb11c0f7f16000000 |
[Respond] Consider possible topics: Debates about current political issues. | smg10e_ch5_24.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_24_dlap.xml | 51898c5eb11c0f7f16000000 |
Guide to Writing | smg10e_ch5_25.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_25_dlap.xml | 51898c5eb11c0f7f16000000 |
The Writing Assignment | smg10e_ch5_26.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_26_dlap.xml | 51898c5eb11c0f7f16000000 |
Starting Points: Finding Common Ground | smg10e_ch5_27.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_27_dlap.xml | 51898c5eb11c0f7f16000000 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch5_28.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_28_dlap.xml | 51898c5eb11c0f7f16000000 |
Choose opposing argument essays to write about. | smg10e_ch5_29.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_29_dlap.xml | 51898c5eb11c0f7f16000000 |
Analyze the opposing argument essays. | smg10e_ch5_30.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_30_dlap.xml | 51898c5eb11c0f7f16000000 |
Think about your readers. | smg10e_ch5_31.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_31_dlap.xml | 51898c5eb11c0f7f16000000 |
Research the issue. | smg10e_ch5_32.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_32_dlap.xml | 51898c5eb11c0f7f16000000 |
Present the issue to your readers. | smg10e_ch5_33.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_33_dlap.xml | 51898c5eb11c0f7f16000000 |
Develop your analysis. | smg10e_ch5_34.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_34_dlap.xml | 51898c5eb11c0f7f16000000 |
Formulate a working thesis statement. | smg10e_ch5_35.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_35_dlap.xml | 51898c5eb11c0f7f16000000 |
Define your purpose for your readers. | smg10e_ch5_36.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_36_dlap.xml | 51898c5eb11c0f7f16000000 |
Consider your tone. | smg10e_ch5_37.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_37_dlap.xml | 51898c5eb11c0f7f16000000 |
Weave quoted material into your own sentences. | smg10e_ch5_38.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_38_dlap.xml | 51898c5eb11c0f7f16000000 |
Create an outline that will organize your analysis effectively for your readers. | smg10e_ch5_39.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_39_dlap.xml | 51898c5eb11c0f7f16000000 |
Write the opening sentences. | smg10e_ch5_40.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_40_dlap.xml | 51898c5eb11c0f7f16000000 |
Draft your essay finding common ground. | smg10e_ch5_41.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_41_dlap.xml | 51898c5eb11c0f7f16000000 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch5_42.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_42_dlap.xml | 51898c5eb11c0f7f16000000 |
A Critical Reading Guide | smg10e_ch5_43.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_43_dlap.xml | 51898c5eb11c0f7f16000000 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch5_44.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_44_dlap.xml | 51898c5eb11c0f7f16000000 |
Revise your draft. | smg10e_ch5_45.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_45_dlap.xml | 51898c5eb11c0f7f16000000 |
A Troubleshooting Guide | smg10e_ch5_46.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_46_dlap.xml | 51898c5eb11c0f7f16000000 |
Think about design. | smg10e_ch5_47.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_47_dlap.xml | 51898c5eb11c0f7f16000000 |
Edit and proofread your draft. | smg10e_ch5_48.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_48_dlap.xml | 51898c5eb11c0f7f16000000 |
A Writer at Work | smg10e_ch5_49.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_49_dlap.xml | 51898c5eb11c0f7f16000000 |
Betsy Samsonâs Analysis of Opposing Argument Essays | smg10e_ch5_50.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_50_dlap.xml | 51898c5eb11c0f7f16000000 |
Thinking Critically | smg10e_ch5_51.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_51_dlap.xml | 51898c5eb11c0f7f16000000 |
Reflecting on What You Have Learned | smg10e_ch5_52.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_52_dlap.xml | 51898c5eb11c0f7f16000000 |
Reflecting on the Genre | smg10e_ch5_53.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_53_dlap.xml | 51898c5eb11c0f7f16000000 |
Appendix | smg10e_ch5_54.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_54_dlap.xml | 51898c5eb11c0f7f16000000 |
Understanding the Issue of Parenting Style | smg10e_ch5_55.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_55_dlap.xml | 51898c5eb11c0f7f16000000 |
Amy Chua, Why Chinese Mothers Are Superior | smg10e_ch5_56.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_56_dlap.xml | 51898c5eb11c0f7f16000000 |
Hanna Rosin, Mother Inferior? | smg10e_ch5_57.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_57_dlap.xml | 51898c5eb11c0f7f16000000 |
Don Aucoin, For Some, Helicopter Parenting Delivers Benefits | smg10e_ch5_58.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_58_dlap.xml | 51898c5eb11c0f7f16000000 |
Understanding the Issue of Sports Helmet Use | smg10e_ch5_59.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_59_dlap.xml | 51898c5eb11c0f7f16000000 |
Nate Jackson, The NFLâs Head Cases | smg10e_ch5_60.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_60_dlap.xml | 51898c5eb11c0f7f16000000 |
David Weisman, Disposable Heroes | smg10e_ch5_61.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_61_dlap.xml | 51898c5eb11c0f7f16000000 |
Lane Wallace, Do Sports Helmets Help or Hurt? | smg10e_ch5_62.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_62_dlap.xml | 51898c5eb11c0f7f16000000 |
Understanding the Issue of Compensating Organ Donors | smg10e_ch5_63.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_63_dlap.xml | 51898c5eb11c0f7f16000000 |
Sally Satel, Yuan a Kidney? | smg10e_ch5_64.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_64_dlap.xml | 51898c5eb11c0f7f16000000 |
National Kidney Foundation, Financial Incentives for Organ Donation | smg10e_ch5_65.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_65_dlap.xml | 51898c5eb11c0f7f16000000 |
Scott Carney, Inside the Business of Selling Human Body Parts | smg10e_ch5_66.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_66_dlap.xml | 51898c5eb11c0f7f16000000 |
Chris Sexton: Virtual Reality? | smg10e_ch5_67.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_67_dlap.xml | 51898c5eb11c0f7f16000000 |
David McCandless, InformationIsBeautiful.net: The Global Warming Skeptics vs. the Scientific Consensus | smg10e_ch5_68.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_68_dlap.xml | 51898c5eb11c0f7f16000000 |
[Analyze] Use the basic features. | smg10e_ch5_69.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_69_dlap.xml | 51898c5eb11c0f7f16000000 |
A Fair and Impartial Presentation: Exploring Objectivity in Graphics | smg10e_ch5_70.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_70_dlap.xml | 51898c5eb11c0f7f16000000 |
[Respond] Consider possible topics: Exploring another scientific issue. | smg10e_ch5_71.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_71_dlap.xml | 51898c5eb11c0f7f16000000 |
Do unpaid internships exploit college students? | smg10e_ch5_72.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_72_dlap.xml | 51898c5eb11c0f7f16000000 |
Raphael Pope-Sussman: Letâs Abolish This Modern-Day Coal Mine | smg10e_ch5_73.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_73_dlap.xml | 51898c5eb11c0f7f16000000 |
David Lat: Why Mess With a Win-Win Situation? | smg10e_ch5_74.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_74_dlap.xml | 51898c5eb11c0f7f16000000 |
Camille Olson: A Valuable Idea, If We Follow the Law | smg10e_ch5_75.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_75_dlap.xml | 51898c5eb11c0f7f16000000 |
[Analyze] Use the basic features. | smg10e_ch5_76.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_76_dlap.xml | 51898c5eb11c0f7f16000000 |
A Probing Analysis: Finding Common Ground in a Debate | smg10e_ch5_77.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_77_dlap.xml | 51898c5eb11c0f7f16000000 |
[Respond] Consider possible topics: Finding common ground in a debate. | smg10e_ch5_78.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_78_dlap.xml | 51898c5eb11c0f7f16000000 |
Playing With Genre: Talk Shows and Blogs | smg10e_ch5_79.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_79_dlap.xml | 51898c5eb11c0f7f16000000 |
[Reflect] Make connections: Examining what makes us happy. | smg10e_ch5_80.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_80_dlap.xml | 51898c5eb11c0f7f16000000 |
[Analyze] Use the basic features. | smg10e_ch5_81.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_81_dlap.xml | 51898c5eb11c0f7f16000000 |
A Fair and Impartial Presentation: Examining the Role of an Interviewer | smg10e_ch5_82.html | 51898c5eb11c0f7f16000000 |
DLAP questions | smg10e_ch5_82_dlap.xml | 51898c5eb11c0f7f16000000 |
Introduction | smg10e_ch6_1.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_1_dlap.xml | 518d1d85b11c0f6440000004 |
Practicing the Genre: Debating a Position | smg10e_ch6_2.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_2_dlap.xml | 518d1d85b11c0f6440000004 |
Guide to Reading | smg10e_ch6_3.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_3_dlap.xml | 518d1d85b11c0f6440000004 |
Analyzing Position Arguments | smg10e_ch6_4.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_4_dlap.xml | 518d1d85b11c0f6440000004 |
Determine the writerâs purpose and audience. | smg10e_ch6_5.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_5_dlap.xml | 518d1d85b11c0f6440000004 |
Assess the genreâs basic features. | smg10e_ch6_6.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_6_dlap.xml | 518d1d85b11c0f6440000004 |
Readings | smg10e_ch6_7.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_7_dlap.xml | 518d1d85b11c0f6440000004 |
Jessica Statsky, Children Need to Play, Not Compete | smg10e_ch6_8.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_8_dlap.xml | 518d1d85b11c0f6440000004 |
Richard Estrada, Sticks and Stones and Sports Team Names | smg10e_ch6_9.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_9_dlap.xml | 518d1d85b11c0f6440000004 |
[Reflect] Make connections: The power of naming. | smg10e_ch6_10.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_10_dlap.xml | 518d1d85b11c0f6440000004 |
[Analyze] Use the basic features. | smg10e_ch6_11.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_11_dlap.xml | 518d1d85b11c0f6440000004 |
A Focused, Well-Presented Issue: Framing an Argument for Your Audience | smg10e_ch6_12.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_12_dlap.xml | 518d1d85b11c0f6440000004 |
A Well-Supported Position: Using Anecdotes and Examples | smg10e_ch6_13.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_13_dlap.xml | 518d1d85b11c0f6440000004 |
An Effective Response: Conceding and/or Refuting | smg10e_ch6_14.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_14_dlap.xml | 518d1d85b11c0f6440000004 |
A Clear, Logical Organization: Using Key Words | smg10e_ch6_15.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_15_dlap.xml | 518d1d85b11c0f6440000004 |
[Respond] Consider possible topics: Issues concerning fairness. | smg10e_ch6_16.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_16_dlap.xml | 518d1d85b11c0f6440000004 |
Amitai Etzioni, Working at McDonaldâs | smg10e_ch6_17.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_17_dlap.xml | 518d1d85b11c0f6440000004 |
[Reflect] Make connections: useful job skills. | smg10e_ch6_18.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_18_dlap.xml | 518d1d85b11c0f6440000004 |
[Analyze] Use the basic features. | smg10e_ch6_19.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_19_dlap.xml | 518d1d85b11c0f6440000004 |
A Focused, Well-Presented Issue: Framing an Argument for a Diverse Group of Readers | smg10e_ch6_20.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_20_dlap.xml | 518d1d85b11c0f6440000004 |
A Well-Supported Position: Using Statistics | smg10e_ch6_21.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_21_dlap.xml | 518d1d85b11c0f6440000004 |
An Effective Response: Presenting and Reinterpreting Evidence to Undermine Objections | smg10e_ch6_22.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_22_dlap.xml | 518d1d85b11c0f6440000004 |
A Clear, Logical Organization: Providing Cues for Readers | smg10e_ch6_23.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_23_dlap.xml | 518d1d85b11c0f6440000004 |
[Respond] Consider possible topics: Issues facing students. | smg10e_ch6_24.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_24_dlap.xml | 518d1d85b11c0f6440000004 |
Daniel J. Solove, Why Privacy Matters Even If You Have âNothing to Hideâ | smg10e_ch6_25.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_25_dlap.xml | 518d1d85b11c0f6440000004 |
[Reflect] Make connections: Privacy concerns on the Internet. | smg10e_ch6_26.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_26_dlap.xml | 518d1d85b11c0f6440000004 |
[Analyze] Use the basic features. | smg10e_ch6_27.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_27_dlap.xml | 518d1d85b11c0f6440000004 |
A Focused, Well-Presented Issue: Reframing Through Contrast | smg10e_ch6_28.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_28_dlap.xml | 518d1d85b11c0f6440000004 |
A Well-Supported Position: Using Sources | smg10e_ch6_29.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_29_dlap.xml | 518d1d85b11c0f6440000004 |
An Effective Response: Refuting by Demonstrating the Effects | smg10e_ch6_30.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_30_dlap.xml | 518d1d85b11c0f6440000004 |
A Clear, Logical Organization: Using Cueing Devices | smg10e_ch6_31.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_31_dlap.xml | 518d1d85b11c0f6440000004 |
[Respond] Consider possible topics: Issues concerning privacy. | smg10e_ch6_32.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_32_dlap.xml | 518d1d85b11c0f6440000004 |
Guide to Writing | smg10e_ch6_33.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_33_dlap.xml | 518d1d85b11c0f6440000004 |
The Writing Assignment | smg10e_ch6_34.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_34_dlap.xml | 518d1d85b11c0f6440000004 |
Starting Points: Arguing a Position | smg10e_ch6_35.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_35_dlap.xml | 518d1d85b11c0f6440000004 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch6_36.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_36_dlap.xml | 518d1d85b11c0f6440000004 |
Choose a controversial issue on which to take a position. | smg10e_ch6_37.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_37_dlap.xml | 518d1d85b11c0f6440000004 |
Frame the issue for your readers. | smg10e_ch6_38.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_38_dlap.xml | 518d1d85b11c0f6440000004 |
Formulate a working thesis stating your position. | smg10e_ch6_39.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_39_dlap.xml | 518d1d85b11c0f6440000004 |
Develop the reasons supporting your position. | smg10e_ch6_40.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_40_dlap.xml | 518d1d85b11c0f6440000004 |
Research your position. | smg10e_ch6_41.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_41_dlap.xml | 518d1d85b11c0f6440000004 |
Use sources to reinforce your credibility. | smg10e_ch6_42.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_42_dlap.xml | 518d1d85b11c0f6440000004 |
Identify and respond to your readersâ likely reasons and objections. | smg10e_ch6_43.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_43_dlap.xml | 518d1d85b11c0f6440000004 |
Create an outline that will organize your argument effectively for your readers. | smg10e_ch6_44.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_44_dlap.xml | 518d1d85b11c0f6440000004 |
Consider document design. | smg10e_ch6_45.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_45_dlap.xml | 518d1d85b11c0f6440000004 |
Write the opening sentences. | smg10e_ch6_46.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_46_dlap.xml | 518d1d85b11c0f6440000004 |
Draft your position argument. | smg10e_ch6_47.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_47_dlap.xml | 518d1d85b11c0f6440000004 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch6_48.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_48_dlap.xml | 518d1d85b11c0f6440000004 |
A Critical Reading Guide | smg10e_ch6_49.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_49_dlap.xml | 518d1d85b11c0f6440000004 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch6_50.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_50_dlap.xml | 518d1d85b11c0f6440000004 |
Revise your draft. | smg10e_ch6_51.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_51_dlap.xml | 518d1d85b11c0f6440000004 |
A Troubleshooting Guide | smg10e_ch6_52.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_52_dlap.xml | 518d1d85b11c0f6440000004 |
Think about design. | smg10e_ch6_53.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_53_dlap.xml | 518d1d85b11c0f6440000004 |
Edit and proofread your draft. | smg10e_ch6_54.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_54_dlap.xml | 518d1d85b11c0f6440000004 |
A Writer at Work | smg10e_ch6_55.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_55_dlap.xml | 518d1d85b11c0f6440000004 |
Jessica Statskyâs Response to Opposing Positions | smg10e_ch6_56.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_56_dlap.xml | 518d1d85b11c0f6440000004 |
Listing Reasons for the Opposing Position | smg10e_ch6_57.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_57_dlap.xml | 518d1d85b11c0f6440000004 |
Conceding a Plausible Reason | smg10e_ch6_58.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_58_dlap.xml | 518d1d85b11c0f6440000004 |
Refuting an Implausible Reason | smg10e_ch6_59.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_59_dlap.xml | 518d1d85b11c0f6440000004 |
Thinking Critically | smg10e_ch6_60.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_60_dlap.xml | 518d1d85b11c0f6440000004 |
Reflecting on What You Have Learned | smg10e_ch6_61.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_61_dlap.xml | 518d1d85b11c0f6440000004 |
Reflecting on the Genre | smg10e_ch6_62.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_62_dlap.xml | 518d1d85b11c0f6440000004 |
Michael Niechayev: Itâs Time to Ban Head-First Tackles and Blocks | smg10e_ch6_63.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_63_dlap.xml | 518d1d85b11c0f6440000004 |
Farhad Manjoo: Troll, Reveal Thyself | smg10e_ch6_64.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_64_dlap.xml | 518d1d85b11c0f6440000004 |
[Analyze] Use the basic features. | smg10e_ch6_65.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_65_dlap.xml | 518d1d85b11c0f6440000004 |
An Effective Response to Opposing Views: Comparing Print and Audio Arguments | smg10e_ch6_66.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_66_dlap.xml | 518d1d85b11c0f6440000004 |
[Respond] Consider possible topics: Looking at Internet-related controversies. | smg10e_ch6_67.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_67_dlap.xml | 518d1d85b11c0f6440000004 |
Laurie Fendrich: Sex for Tuition | smg10e_ch6_68.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_68_dlap.xml | 518d1d85b11c0f6440000004 |
[Analyze] Use the basic features. | smg10e_ch6_69.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_69_dlap.xml | 518d1d85b11c0f6440000004 |
An Effective Response: Conceding and/or Refuting | smg10e_ch6_70.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_70_dlap.xml | 518d1d85b11c0f6440000004 |
[Respond] Consider possible topics: Looking at student-debt-related controversies. | smg10e_ch6_71.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_71_dlap.xml | 518d1d85b11c0f6440000004 |
Playing With Genre: Public Service Announcements | smg10e_ch6_72.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_72_dlap.xml | 518d1d85b11c0f6440000004 |
[Reflect] Make connections: Designing your own public-service ad. | smg10e_ch6_73.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_73_dlap.xml | 518d1d85b11c0f6440000004 |
[Analyze] Use the basic features. | smg10e_ch6_74.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_74_dlap.xml | 518d1d85b11c0f6440000004 |
A Focused, Well-Presented Issue: Examining Arguments in Advertising | smg10e_ch6_75.html | 518d1d85b11c0f6440000004 |
DLAP questions | smg10e_ch6_75_dlap.xml | 518d1d85b11c0f6440000004 |
Introduction | smg10e_ch7_1.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_1_dlap.xml | 518ec29db11c0f3351000000 |
Practicing the Genre: Arguing That a Solution Is Feasible | smg10e_ch7_2.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_2_dlap.xml | 518ec29db11c0f3351000000 |
Guide to Reading | smg10e_ch7_3.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_3_dlap.xml | 518ec29db11c0f3351000000 |
Analyzing Proposals | smg10e_ch7_4.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_4_dlap.xml | 518ec29db11c0f3351000000 |
Determine the writerâs purpose and audience. | smg10e_ch7_5.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_5_dlap.xml | 518ec29db11c0f3351000000 |
Assess the genreâs basic features. | smg10e_ch7_6.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_6_dlap.xml | 518ec29db11c0f3351000000 |
Readings | smg10e_ch7_7.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_7_dlap.xml | 518ec29db11c0f3351000000 |
Patrick OâMalley, More Testing, More Learning | smg10e_ch7_8.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_8_dlap.xml | 518ec29db11c0f3351000000 |
David Bornstein, Fighting Bullying with Babies | smg10e_ch7_9.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_9_dlap.xml | 518ec29db11c0f3351000000 |
[Reflect] Make connections: Thinking about perspective taking. | smg10e_ch7_10.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_10_dlap.xml | 518ec29db11c0f3351000000 |
[Analyze] Use the basic features. | smg10e_ch7_11.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_11_dlap.xml | 518ec29db11c0f3351000000 |
A Focused, Well-Defined Problem: Establishing the Problem | smg10e_ch7_12.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_12_dlap.xml | 518ec29db11c0f3351000000 |
A Well-Argued Solution: Proving It Works | smg10e_ch7_13.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_13_dlap.xml | 518ec29db11c0f3351000000 |
An Effective Response to Objections and Alternative Solutions: Rejecting the Standard Solution | smg10e_ch7_14.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_14_dlap.xml | 518ec29db11c0f3351000000 |
A Clear, Logical Organization: Using Topic Sentences | smg10e_ch7_15.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_15_dlap.xml | 518ec29db11c0f3351000000 |
[Respond] Consider possible topics: Tweaking othersâ solutions. | smg10e_ch7_16.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_16_dlap.xml | 518ec29db11c0f3351000000 |
Kelly D. Brownell and Thomas R. Frieden, Ounces of PreventionâThe Public Policy Case for Taxes on Sugared Beverages | smg10e_ch7_17.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_17_dlap.xml | 518ec29db11c0f3351000000 |
[Reflect] Make connections: Government problem solving. | smg10e_ch7_18.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_18_dlap.xml | 518ec29db11c0f3351000000 |
[Analyze] Use the basic features. | smg10e_ch7_19.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_19_dlap.xml | 518ec29db11c0f3351000000 |
A Focused, Well-Defined Problem: Citing Research Studies | smg10e_ch7_20.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_20_dlap.xml | 518ec29db11c0f3351000000 |
A Well-Argued Solution: Using Comparison-Contrast and Classification | smg10e_ch7_21.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_21_dlap.xml | 518ec29db11c0f3351000000 |
An Effective Response to Objections and Alternative Solutions: Handling Objections | smg10e_ch7_22.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_22_dlap.xml | 518ec29db11c0f3351000000 |
A Clear, Logical Organization: Using Graphs | smg10e_ch7_23.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_23_dlap.xml | 518ec29db11c0f3351000000 |
[Respond] Consider possible topics: Improving a group to which you belong. | smg10e_ch7_24.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_24_dlap.xml | 518ec29db11c0f3351000000 |
Karen Kornbluh, Win-Win Flexibility | smg10e_ch7_25.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_25_dlap.xml | 518ec29db11c0f3351000000 |
[Reflect] Make connections: The problem of child care. | smg10e_ch7_26.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_26_dlap.xml | 518ec29db11c0f3351000000 |
[Analyze] Use the basic features. | smg10e_ch7_27.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_27_dlap.xml | 518ec29db11c0f3351000000 |
A Focused, Well-Defined Problem: Using Statistics | smg10e_ch7_28.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_28_dlap.xml | 518ec29db11c0f3351000000 |
A Well-Argued Solution: Giving Guidelines for Implementation | smg10e_ch7_29.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_29_dlap.xml | 518ec29db11c0f3351000000 |
An Effective Response to Objections and Alternative Solutions: Anticipating Alternatives | smg10e_ch7_30.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_30_dlap.xml | 518ec29db11c0f3351000000 |
A Clear, Logical Organization: Using Headings | smg10e_ch7_31.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_31_dlap.xml | 518ec29db11c0f3351000000 |
[Respond] Consider possible topics: Improving living or working conditions. | smg10e_ch7_32.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_32_dlap.xml | 518ec29db11c0f3351000000 |
Guide to Writing | smg10e_ch7_33.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_33_dlap.xml | 518ec29db11c0f3351000000 |
The Writing Assignment | smg10e_ch7_34.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_34_dlap.xml | 518ec29db11c0f3351000000 |
Starting Points: Proposing a Solution | smg10e_ch7_35.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_35_dlap.xml | 518ec29db11c0f3351000000 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch7_36.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_36_dlap.xml | 518ec29db11c0f3351000000 |
Choose a problem for which you can propose a solution. | smg10e_ch7_37.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_37_dlap.xml | 518ec29db11c0f3351000000 |
Frame the problem for your readers. | smg10e_ch7_38.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_38_dlap.xml | 518ec29db11c0f3351000000 |
Use statistics to establish the problemâs existence and seriousness. | smg10e_ch7_39.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_39_dlap.xml | 518ec29db11c0f3351000000 |
Assess how the problem has been framed, and reframe it for your readers. | smg10e_ch7_40.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_40_dlap.xml | 518ec29db11c0f3351000000 |
Develop a possible solution. | smg10e_ch7_41.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_41_dlap.xml | 518ec29db11c0f3351000000 |
Explain your solution. | smg10e_ch7_42.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_42_dlap.xml | 518ec29db11c0f3351000000 |
Research your proposal. | smg10e_ch7_43.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_43_dlap.xml | 518ec29db11c0f3351000000 |
Develop a response to objections or alternative solutions. | smg10e_ch7_44.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_44_dlap.xml | 518ec29db11c0f3351000000 |
Create an outline that will organize your proposal effectively for your readers. | smg10e_ch7_45.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_45_dlap.xml | 518ec29db11c0f3351000000 |
Write the opening sentences. | smg10e_ch7_46.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_46_dlap.xml | 518ec29db11c0f3351000000 |
Draft your proposal. | smg10e_ch7_47.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_47_dlap.xml | 518ec29db11c0f3351000000 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch7_48.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_48_dlap.xml | 518ec29db11c0f3351000000 |
A Critical Reading Guide | smg10e_ch7_49.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_49_dlap.xml | 518ec29db11c0f3351000000 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch7_50.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_50_dlap.xml | 518ec29db11c0f3351000000 |
Revise your draft. | smg10e_ch7_51.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_51_dlap.xml | 518ec29db11c0f3351000000 |
A Troubleshooting Guide | smg10e_ch7_52.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_52_dlap.xml | 518ec29db11c0f3351000000 |
Think about design. | smg10e_ch7_53.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_53_dlap.xml | 518ec29db11c0f3351000000 |
Edit and proofread your draft. | smg10e_ch7_54.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_54_dlap.xml | 518ec29db11c0f3351000000 |
A Writer at Work | smg10e_ch7_55.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_55_dlap.xml | 518ec29db11c0f3351000000 |
Patrick OâMalleyâs Revision Process | smg10e_ch7_56.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_56_dlap.xml | 518ec29db11c0f3351000000 |
Thinking Critically | smg10e_ch7_57.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_57_dlap.xml | 518ec29db11c0f3351000000 |
Reflecting on What You Have Learned | smg10e_ch7_58.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_58_dlap.xml | 518ec29db11c0f3351000000 |
Reflecting on the Genre | smg10e_ch7_59.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_59_dlap.xml | 518ec29db11c0f3351000000 |
Molly Coleman: Missing the Fun | smg10e_ch7_60.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_60_dlap.xml | 518ec29db11c0f3351000000 |
TempoHousing: Keetwonen (Amsterdam Student Housing) | smg10e_ch7_61.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_61_dlap.xml | 518ec29db11c0f3351000000 |
[Analyze] Use the basic features. | smg10e_ch7_62.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_62_dlap.xml | 518ec29db11c0f3351000000 |
An Effective Response to Objections and Alternative Solutions: Responding Multimodally to Objections | smg10e_ch7_63.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_63_dlap.xml | 518ec29db11c0f3351000000 |
[Respond] Consider possible topics: Living with less space. | smg10e_ch7_64.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_64_dlap.xml | 518ec29db11c0f3351000000 |
Zach Youngerman: Did Bad Neighborhood Design Doom Trayvon Martin? | smg10e_ch7_65.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_65_dlap.xml | 518ec29db11c0f3351000000 |
[Analyze] Use the basic features. | smg10e_ch7_66.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_66_dlap.xml | 518ec29db11c0f3351000000 |
A Well-Argued Solution: Contrasting the Actual and the Possible | smg10e_ch7_67.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_67_dlap.xml | 518ec29db11c0f3351000000 |
[Respond] Consider possible topics: Improving community design. | smg10e_ch7_68.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_68_dlap.xml | 518ec29db11c0f3351000000 |
Playing With Genre: Proposals in Public Service Announcements | smg10e_ch7_69.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_69_dlap.xml | 518ec29db11c0f3351000000 |
[Reflect] Make connections: Aiming for small changes. | smg10e_ch7_70.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_70_dlap.xml | 518ec29db11c0f3351000000 |
[Analyze] Use the basic features. | smg10e_ch7_71.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_71_dlap.xml | 518ec29db11c0f3351000000 |
A Focused, Well-Defined Problem: Presenting Problems in Advertising | smg10e_ch7_72.html | 518ec29db11c0f3351000000 |
DLAP questions | smg10e_ch7_72_dlap.xml | 518ec29db11c0f3351000000 |
Introduction | smg10e_ch8_1.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_1_dlap.xml | 519408c4b11c0fa414000000 |
Practicing the Genre: Choosing Appropriate Criteria and Examples | smg10e_ch8_2.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_2_dlap.xml | 519408c4b11c0fa414000000 |
Guide to Reading | smg10e_ch8_3.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_3_dlap.xml | 519408c4b11c0fa414000000 |
Analyzing Evaluations | smg10e_ch8_4.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_4_dlap.xml | 519408c4b11c0fa414000000 |
Determine the writerâs purpose and audience. | smg10e_ch8_5.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_5_dlap.xml | 519408c4b11c0fa414000000 |
Assess the genreâs basic features. | smg10e_ch8_6.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_6_dlap.xml | 519408c4b11c0fa414000000 |
Readings | smg10e_ch8_7.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_7_dlap.xml | 519408c4b11c0fa414000000 |
William Akana, Scott Pilgrim vs. the World: A Hell of a Ride | smg10e_ch8_8.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_8_dlap.xml | 519408c4b11c0fa414000000 |
Steve Boxer, LA Noire Review | smg10e_ch8_9.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_9_dlap.xml | 519408c4b11c0fa414000000 |
[Reflect] Make connections: Considering what makes genre fiction interesting. | smg10e_ch8_10.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_10_dlap.xml | 519408c4b11c0fa414000000 |
[Analyze] Use the basic features. | smg10e_ch8_11.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_11_dlap.xml | 519408c4b11c0fa414000000 |
A Well-Presented Subject: Deciding How Much to Tell Readers | smg10e_ch8_12.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_12_dlap.xml | 519408c4b11c0fa414000000 |
A Well-Supported Judgment: Basing Judgments On Criteria | smg10e_ch8_13.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_13_dlap.xml | 519408c4b11c0fa414000000 |
An Effective Response to Objections and Alternative Judgments: Anticipating Readersâ Concerns | smg10e_ch8_14.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_14_dlap.xml | 519408c4b11c0fa414000000 |
A Clear, Logical Organization: Using Visuals and Headings | smg10e_ch8_15.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_15_dlap.xml | 519408c4b11c0fa414000000 |
[Respond] Consider possible topics: Evaluating media. | smg10e_ch8_16.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_16_dlap.xml | 519408c4b11c0fa414000000 |
Malcolm Gladwell, What College Rankings Really Tell Us | smg10e_ch8_17.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_17_dlap.xml | 519408c4b11c0fa414000000 |
[Reflect] Make connections: Ideology underlying judgments. | smg10e_ch8_18.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_18_dlap.xml | 519408c4b11c0fa414000000 |
[Analyze] Use the basic features. | smg10e_ch8_19.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_19_dlap.xml | 519408c4b11c0fa414000000 |
A Well-Presented Subject: Introducing a Complicated Subject | smg10e_ch8_20.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_20_dlap.xml | 519408c4b11c0fa414000000 |
A Well-Supported Judgment: Defining Criteria | smg10e_ch8_21.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_21_dlap.xml | 519408c4b11c0fa414000000 |
An Effective Response to Objections and Alternative Judgments: Singling Out a Comment for Response | smg10e_ch8_22.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_22_dlap.xml | 519408c4b11c0fa414000000 |
A Clear, Logical Organization: Using Comparison and Contrast | smg10e_ch8_23.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_23_dlap.xml | 519408c4b11c0fa414000000 |
[Respond] Consider possible topics: Evaluating a text. | smg10e_ch8_24.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_24_dlap.xml | 519408c4b11c0fa414000000 |
Christine Rosen, The Myth of Multitasking | smg10e_ch8_25.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_25_dlap.xml | 519408c4b11c0fa414000000 |
[Reflect] Make connections: Advantages and disadvantages of multitasking. | smg10e_ch8_26.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_26_dlap.xml | 519408c4b11c0fa414000000 |
[Analyze] Use the basic features. | smg10e_ch8_27.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_27_dlap.xml | 519408c4b11c0fa414000000 |
A Well-Presented Subject: Using Definitions and Examples to Reframe the Subject | smg10e_ch8_28.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_28_dlap.xml | 519408c4b11c0fa414000000 |
A Well-Supported Judgment: Using Authorities and Research Studies | smg10e_ch8_29.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_29_dlap.xml | 519408c4b11c0fa414000000 |
An Effective Response to Objections and Alternative Judgments: Using Contrast | smg10e_ch8_30.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_30_dlap.xml | 519408c4b11c0fa414000000 |
A Clear, Logical Organization: Cueing Readers | smg10e_ch8_31.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_31_dlap.xml | 519408c4b11c0fa414000000 |
[Respond] Consider possible topics: Evaluating technology. | smg10e_ch8_32.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_32_dlap.xml | 519408c4b11c0fa414000000 |
Guide to Writing | smg10e_ch8_33.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_33_dlap.xml | 519408c4b11c0fa414000000 |
The Writing Assignment | smg10e_ch8_34.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_34_dlap.xml | 519408c4b11c0fa414000000 |
Starting Points: Justifying an Evaluation | smg10e_ch8_35.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_35_dlap.xml | 519408c4b11c0fa414000000 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch8_36.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_36_dlap.xml | 519408c4b11c0fa414000000 |
Choose a subject to evaluate. | smg10e_ch8_37.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_37_dlap.xml | 519408c4b11c0fa414000000 |
Assess your subject and consider how to present it to your readers. | smg10e_ch8_38.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_38_dlap.xml | 519408c4b11c0fa414000000 |
Formulate a working thesis stating your overall judgment. | smg10e_ch8_39.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_39_dlap.xml | 519408c4b11c0fa414000000 |
Develop the reasons and evidence supporting your judgment. | smg10e_ch8_40.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_40_dlap.xml | 519408c4b11c0fa414000000 |
Research your evaluation. | smg10e_ch8_41.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_41_dlap.xml | 519408c4b11c0fa414000000 |
Respond to a likely objection or alternative judgment. | smg10e_ch8_42.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_42_dlap.xml | 519408c4b11c0fa414000000 |
Organize your draft to appeal to your readers. | smg10e_ch8_43.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_43_dlap.xml | 519408c4b11c0fa414000000 |
Write the opening sentences. | smg10e_ch8_44.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_44_dlap.xml | 519408c4b11c0fa414000000 |
Draft your evaluation. | smg10e_ch8_45.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_45_dlap.xml | 519408c4b11c0fa414000000 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch8_46.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_46_dlap.xml | 519408c4b11c0fa414000000 |
A Critical Reading Guide | smg10e_ch8_47.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_47_dlap.xml | 519408c4b11c0fa414000000 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch8_48.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_48_dlap.xml | 519408c4b11c0fa414000000 |
Revise your draft. | smg10e_ch8_49.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_49_dlap.xml | 519408c4b11c0fa414000000 |
A Troubleshooting Guide | smg10e_ch8_50.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_50_dlap.xml | 519408c4b11c0fa414000000 |
Think about design. | smg10e_ch8_51.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_51_dlap.xml | 519408c4b11c0fa414000000 |
Edit and proofread your draft. | smg10e_ch8_52.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_52_dlap.xml | 519408c4b11c0fa414000000 |
A Writer at Work | smg10e_ch8_53.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_53_dlap.xml | 519408c4b11c0fa414000000 |
William Akanaâs Thesis and Response to Objections | smg10e_ch8_54.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_54_dlap.xml | 519408c4b11c0fa414000000 |
Thinking Critically | smg10e_ch8_55.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_55_dlap.xml | 519408c4b11c0fa414000000 |
Reflecting on What You Have Learned | smg10e_ch8_56.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_56_dlap.xml | 519408c4b11c0fa414000000 |
Reflecting on the Genre | smg10e_ch8_57.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_57_dlap.xml | 519408c4b11c0fa414000000 |
Brittany Lemus: Requiem for a Dream: Fantasy versus Reality | smg10e_ch8_58.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_58_dlap.xml | 519408c4b11c0fa414000000 |
Marlon Bishop: Gig Alert: Bright Eyes | smg10e_ch8_59.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_59_dlap.xml | 519408c4b11c0fa414000000 |
[Analyze] Use the basic features. | smg10e_ch8_60.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_60_dlap.xml | 519408c4b11c0fa414000000 |
A Well-Presented Subject: Establishing and Applying Criteria in Music Reviews | smg10e_ch8_61.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_61_dlap.xml | 519408c4b11c0fa414000000 |
[Respond] Consider possible topics: Evaluating music. | smg10e_ch8_62.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_62_dlap.xml | 519408c4b11c0fa414000000 |
Jean M. Twenge and W. Keith Campbell: Isnât Narcissism Beneficial, Especially in a Competitive World? | smg10e_ch8_63.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_63_dlap.xml | 519408c4b11c0fa414000000 |
[Analyze] Use the basic features. | smg10e_ch8_64.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_64_dlap.xml | 519408c4b11c0fa414000000 |
An Effective Response to Objections or Alternative Judgments: Looking for Concession, Accommodation, and Refutation | smg10e_ch8_65.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_65_dlap.xml | 519408c4b11c0fa414000000 |
[Respond] Consider possible topics: Evaluating behavioral styles or trends. | smg10e_ch8_66.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_66_dlap.xml | 519408c4b11c0fa414000000 |
Playing With Genre: Crowd-Source Evaluations | smg10e_ch8_67.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_67_dlap.xml | 519408c4b11c0fa414000000 |
[Reflect] Make connections: Evaluating sources of reviews. | smg10e_ch8_68.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_68_dlap.xml | 519408c4b11c0fa414000000 |
[Analyze] Use the basic features. | smg10e_ch8_69.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_69_dlap.xml | 519408c4b11c0fa414000000 |
A Well-Supported Judgment: Analyzing a Crowd-Sourced Review | smg10e_ch8_70.html | 519408c4b11c0fa414000000 |
DLAP questions | smg10e_ch8_70_dlap.xml | 519408c4b11c0fa414000000 |
Introduction | smg10e_ch9_1.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_1_dlap.xml | 51957b19b11c0fa22e000001 |
Practicing the Genre: Arguing That a Cause Is Plausible | smg10e_ch9_2.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_2_dlap.xml | 51957b19b11c0fa22e000001 |
Guide to Reading | smg10e_ch9_3.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_3_dlap.xml | 51957b19b11c0fa22e000001 |
Analyzing Texts Speculating about Causes | smg10e_ch9_4.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_4_dlap.xml | 51957b19b11c0fa22e000001 |
Determine the writerâs purpose and audience. | smg10e_ch9_5.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_5_dlap.xml | 51957b19b11c0fa22e000001 |
Assess the genreâs basic features. | smg10e_ch9_6.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_6_dlap.xml | 51957b19b11c0fa22e000001 |
Readings | smg10e_ch9_7.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_7_dlap.xml | 51957b19b11c0fa22e000001 |
Sheila McClain, The Fitness Culture | smg10e_ch9_8.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_8_dlap.xml | 51957b19b11c0fa22e000001 |
Shankar Vedantam, The Telescope Effect | smg10e_ch9_9.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_9_dlap.xml | 51957b19b11c0fa22e000001 |
[Reflect] Make connections: Thinking aboutâand feelingâothersâ suffering. | smg10e_ch9_10.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_10_dlap.xml | 51957b19b11c0fa22e000001 |
[Analyze] Use the basic features. | smg10e_ch9_11.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_11_dlap.xml | 51957b19b11c0fa22e000001 |
A Well-Presented Subject: Using Anecdote to Dramatize the Subject | smg10e_ch9_12.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_12_dlap.xml | 51957b19b11c0fa22e000001 |
A Well-Supported Causal Analysis: Using a Source | smg10e_ch9_13.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_13_dlap.xml | 51957b19b11c0fa22e000001 |
An Effective Response: Using Counterexamples | smg10e_ch9_14.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_14_dlap.xml | 51957b19b11c0fa22e000001 |
A Clear, Logical Organization: Using Rhetorical Questions | smg10e_ch9_15.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_15_dlap.xml | 51957b19b11c0fa22e000001 |
[Respond] Consider possible topics: Current events. | smg10e_ch9_16.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_16_dlap.xml | 51957b19b11c0fa22e000001 |
Stephen King, Why We Crave Horror Movies | smg10e_ch9_17.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_17_dlap.xml | 51957b19b11c0fa22e000001 |
[Reflect] Make connections: Media violence. | smg10e_ch9_18.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_18_dlap.xml | 51957b19b11c0fa22e000001 |
[Analyze] Use the basic features. | smg10e_ch9_19.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_19_dlap.xml | 51957b19b11c0fa22e000001 |
A Well-Presented Subject: Reframing the Subject for Readers | smg10e_ch9_20.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_20_dlap.xml | 51957b19b11c0fa22e000001 |
A Well-Supported Causal Analysis: Using Examples and Comparisons | smg10e_ch9_21.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_21_dlap.xml | 51957b19b11c0fa22e000001 |
An Effective Response: Putting Aside Obvious Causes | smg10e_ch9_22.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_22_dlap.xml | 51957b19b11c0fa22e000001 |
A Clear, Logical Organization: Using Cause-Effect Sentence Strategies | smg10e_ch9_23.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_23_dlap.xml | 51957b19b11c0fa22e000001 |
[Respond] Consider possible topics: Popular culture. | smg10e_ch9_24.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_24_dlap.xml | 51957b19b11c0fa22e000001 |
Erica Goode, The Gorge-Yourself Environment | smg10e_ch9_25.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_25_dlap.xml | 51957b19b11c0fa22e000001 |
[Reflect] Make connections: The freshman fifteen. | smg10e_ch9_26.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_26_dlap.xml | 51957b19b11c0fa22e000001 |
[Analyze] Use the basic features. | smg10e_ch9_27.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_27_dlap.xml | 51957b19b11c0fa22e000001 |
A Well-Presented Subject: Using Examples | smg10e_ch9_28.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_28_dlap.xml | 51957b19b11c0fa22e000001 |
A Well-Supported Causal Analysis: Depicting Research Graphically | smg10e_ch9_29.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_29_dlap.xml | 51957b19b11c0fa22e000001 |
An Effective Response: Answering an Objection | smg10e_ch9_30.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_30_dlap.xml | 51957b19b11c0fa22e000001 |
A Clear, Logical Organization: Forecasting Causes | smg10e_ch9_31.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_31_dlap.xml | 51957b19b11c0fa22e000001 |
[Respond] Consider possible topics: Social problems. | smg10e_ch9_32.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_32_dlap.xml | 51957b19b11c0fa22e000001 |
Guide to Writing | smg10e_ch9_33.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_33_dlap.xml | 51957b19b11c0fa22e000001 |
The Writing Assignment | smg10e_ch9_34.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_34_dlap.xml | 51957b19b11c0fa22e000001 |
Starting Points: Speculating About Causes | smg10e_ch9_35.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_35_dlap.xml | 51957b19b11c0fa22e000001 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch9_36.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_36_dlap.xml | 51957b19b11c0fa22e000001 |
Choose a subject to analyze. | smg10e_ch9_37.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_37_dlap.xml | 51957b19b11c0fa22e000001 |
Present the subject to your readers. | smg10e_ch9_38.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_38_dlap.xml | 51957b19b11c0fa22e000001 |
Analyze possible causes. | smg10e_ch9_39.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_39_dlap.xml | 51957b19b11c0fa22e000001 |
Conduct research. | smg10e_ch9_40.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_40_dlap.xml | 51957b19b11c0fa22e000001 |
Cite a variety of sources to support your causal analysis. | smg10e_ch9_41.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_41_dlap.xml | 51957b19b11c0fa22e000001 |
Formulate a working thesis stating your preferred cause(s). | smg10e_ch9_42.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_42_dlap.xml | 51957b19b11c0fa22e000001 |
Draft a response to objections readers are likely to raise. | smg10e_ch9_43.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_43_dlap.xml | 51957b19b11c0fa22e000001 |
Draft a response to the causes your readers are likely to favor. | smg10e_ch9_44.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_44_dlap.xml | 51957b19b11c0fa22e000001 |
Create an outline that will organize your causal analysis effectively for your readers. | smg10e_ch9_45.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_45_dlap.xml | 51957b19b11c0fa22e000001 |
Write the opening sentences. | smg10e_ch9_46.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_46_dlap.xml | 51957b19b11c0fa22e000001 |
Draft your causal analysis. | smg10e_ch9_47.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_47_dlap.xml | 51957b19b11c0fa22e000001 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch9_48.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_48_dlap.xml | 51957b19b11c0fa22e000001 |
A Critical Reading Guide | smg10e_ch9_49.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_49_dlap.xml | 51957b19b11c0fa22e000001 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch9_50.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_50_dlap.xml | 51957b19b11c0fa22e000001 |
Revise your draft. | smg10e_ch9_51.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_51_dlap.xml | 51957b19b11c0fa22e000001 |
A Troubleshooting Guide | smg10e_ch9_52.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_52_dlap.xml | 51957b19b11c0fa22e000001 |
Think about design. | smg10e_ch9_53.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_53_dlap.xml | 51957b19b11c0fa22e000001 |
Edit and proofread your draft. | smg10e_ch9_54.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_54_dlap.xml | 51957b19b11c0fa22e000001 |
A Writer at Work | smg10e_ch9_55.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_55_dlap.xml | 51957b19b11c0fa22e000001 |
Sheila McClainâs Analysis of Possible Causes | smg10e_ch9_56.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_56_dlap.xml | 51957b19b11c0fa22e000001 |
Thinking Critically | smg10e_ch9_57.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_57_dlap.xml | 51957b19b11c0fa22e000001 |
Reflecting on What You Have Learned | smg10e_ch9_58.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_58_dlap.xml | 51957b19b11c0fa22e000001 |
Reflecting on the Genre | smg10e_ch9_59.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_59_dlap.xml | 51957b19b11c0fa22e000001 |
Michele Cox: The Truth about Lying | smg10e_ch9_60.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_60_dlap.xml | 51957b19b11c0fa22e000001 |
On the Media: The Reel Sounds of Violence | smg10e_ch9_61.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_61_dlap.xml | 51957b19b11c0fa22e000001 |
[Analyze] Use the basic features. | smg10e_ch9_62.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_62_dlap.xml | 51957b19b11c0fa22e000001 |
A Well-Presented, Intriguing Subject: Using Audio Examples | smg10e_ch9_63.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_63_dlap.xml | 51957b19b11c0fa22e000001 |
[Respond] Consider possible topics: Examining other movie trends. | smg10e_ch9_64.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_64_dlap.xml | 51957b19b11c0fa22e000001 |
Shirley S. Wang: A Field Guide to the Middle-Class U.S. Family | smg10e_ch9_65.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_65_dlap.xml | 51957b19b11c0fa22e000001 |
[Analyze] Use the basic features. | smg10e_ch9_66.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_66_dlap.xml | 51957b19b11c0fa22e000001 |
A Well-Supported Causal Analysis: Making Contrasts | smg10e_ch9_67.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_67_dlap.xml | 51957b19b11c0fa22e000001 |
[Respond] Consider possible topics: Exploring another family-related issue. | smg10e_ch9_68.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_68_dlap.xml | 51957b19b11c0fa22e000001 |
Playing With Genre: Graphics and Other Visuals | smg10e_ch9_69.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_69_dlap.xml | 51957b19b11c0fa22e000001 |
[Reflect] Make connections: Discussing the personal effects of the financial crisis. | smg10e_ch9_70.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_70_dlap.xml | 51957b19b11c0fa22e000001 |
[Analyze] Use the basic features. | smg10e_ch9_71.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_71_dlap.xml | 51957b19b11c0fa22e000001 |
A Clear, Logical Organization: Using Images to Enhance Words | smg10e_ch9_72.html | 51957b19b11c0fa22e000001 |
DLAP questions | smg10e_ch9_72_dlap.xml | 51957b19b11c0fa22e000001 |
Introduction | smg10e_ch10_1.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_1_dlap.xml | 51992525b11c0fe247000000 |
Practicing the Genre: Analyzing a Story Collaboratively | smg10e_ch10_2.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_2_dlap.xml | 51992525b11c0fe247000000 |
Guide to Reading | smg10e_ch10_3.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_3_dlap.xml | 51992525b11c0fe247000000 |
Analyzing Essays That Analyze Stories | smg10e_ch10_4.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_4_dlap.xml | 51992525b11c0fe247000000 |
Determine the writerâs purpose and audience. | smg10e_ch10_5.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_5_dlap.xml | 51992525b11c0fe247000000 |
Assess the genreâs basic features. | smg10e_ch10_6.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_6_dlap.xml | 51992525b11c0fe247000000 |
Readings | smg10e_ch10_7.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_7_dlap.xml | 51992525b11c0fe247000000 |
Iris Lee, Performing a Doctorâs Duty | smg10e_ch10_8.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_8_dlap.xml | 51992525b11c0fe247000000 |
Isabella Wright, âFor Heavenâs Sake!â | smg10e_ch10_9.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_9_dlap.xml | 51992525b11c0fe247000000 |
[Analyze] Use the basic features. | smg10e_ch10_10.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_10_dlap.xml | 51992525b11c0fe247000000 |
A Clear, Arguable Thesis: Getting Beneath the Surface | smg10e_ch10_11.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_11_dlap.xml | 51992525b11c0fe247000000 |
A Well-Supported Argument: Pairing Textual Evidence with Analysis | smg10e_ch10_12.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_12_dlap.xml | 51992525b11c0fe247000000 |
A Clear, Logical Organization: Coordinating Key Words and Topic Sentences | smg10e_ch10_13.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_13_dlap.xml | 51992525b11c0fe247000000 |
Guide to Writing | smg10e_ch10_14.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_14_dlap.xml | 51992525b11c0fe247000000 |
The Writing Assignment | smg10e_ch10_15.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_15_dlap.xml | 51992525b11c0fe247000000 |
Starting Points: Analyzing Stories | smg10e_ch10_16.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_16_dlap.xml | 51992525b11c0fe247000000 |
Writing a Draft: Invention, Research, Planning, and Composing | smg10e_ch10_17.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_17_dlap.xml | 51992525b11c0fe247000000 |
Find a story to write about. | smg10e_ch10_18.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_18_dlap.xml | 51992525b11c0fe247000000 |
Analyze the story. | smg10e_ch10_19.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_19_dlap.xml | 51992525b11c0fe247000000 |
Formulate a working thesis. | smg10e_ch10_20.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_20_dlap.xml | 51992525b11c0fe247000000 |
Provide support for your argument. | smg10e_ch10_21.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_21_dlap.xml | 51992525b11c0fe247000000 |
To build on your support, consider doing outside research. | smg10e_ch10_22.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_22_dlap.xml | 51992525b11c0fe247000000 |
Create an outline that will organize your argument effectively. | smg10e_ch10_23.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_23_dlap.xml | 51992525b11c0fe247000000 |
Write the opening sentences. | smg10e_ch10_24.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_24_dlap.xml | 51992525b11c0fe247000000 |
Draft your analysis. | smg10e_ch10_25.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_25_dlap.xml | 51992525b11c0fe247000000 |
Evaluating the Draft: Getting a Critical Reading | smg10e_ch10_26.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_26_dlap.xml | 51992525b11c0fe247000000 |
A Critical Reading Guide | smg10e_ch10_27.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_27_dlap.xml | 51992525b11c0fe247000000 |
Improving the Draft: Revising, Formatting, Editing, and Proofreading | smg10e_ch10_28.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_28_dlap.xml | 51992525b11c0fe247000000 |
Revise your draft. | smg10e_ch10_29.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_29_dlap.xml | 51992525b11c0fe247000000 |
A Troubleshooting Guide | smg10e_ch10_30.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_30_dlap.xml | 51992525b11c0fe247000000 |
Think about design. | smg10e_ch10_31.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_31_dlap.xml | 51992525b11c0fe247000000 |
Edit and proofread your draft. | smg10e_ch10_32.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_32_dlap.xml | 51992525b11c0fe247000000 |
A Writer at Work | smg10e_ch10_33.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_33_dlap.xml | 51992525b11c0fe247000000 |
Isabella Wrightâs Invention Work | smg10e_ch10_34.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_34_dlap.xml | 51992525b11c0fe247000000 |
Thinking Critically | smg10e_ch10_35.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_35_dlap.xml | 51992525b11c0fe247000000 |
Reflecting on What You Have Learned | smg10e_ch10_36.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_36_dlap.xml | 51992525b11c0fe247000000 |
Reflecting on the Genre | smg10e_ch10_37.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_37_dlap.xml | 51992525b11c0fe247000000 |
An Anthology of Short Stories | smg10e_ch10_38.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_38_dlap.xml | 51992525b11c0fe247000000 |
Kate Chopin, The Story of an Hour | smg10e_ch10_39.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_39_dlap.xml | 51992525b11c0fe247000000 |
James Joyce, Araby | smg10e_ch10_40.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_40_dlap.xml | 51992525b11c0fe247000000 |
William Carlos Williams, The Use of Force | smg10e_ch10_41.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_41_dlap.xml | 51992525b11c0fe247000000 |
Sally Crane: Gazing into the Darkness | smg10e_ch10_42.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_42_dlap.xml | 51992525b11c0fe247000000 |
David Ratinov: From Innocence to Insight: âArabyâ as an Initiation Story | smg10e_ch10_43.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_43_dlap.xml | 51992525b11c0fe247000000 |
Adrian Tomine: Mandarin Accent | smg10e_ch10_44.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_44_dlap.xml | 51992525b11c0fe247000000 |
[Analyze] Use the basic features. | smg10e_ch10_45.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_45_dlap.xml | 51992525b11c0fe247000000 |
A Well-Supported Argument: Examining Assertions in Graphic Fiction | smg10e_ch10_46.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_46_dlap.xml | 51992525b11c0fe247000000 |
[Respond] Consider possible topics: Analyzing other works of graphic fiction. | smg10e_ch10_47.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_47_dlap.xml | 51992525b11c0fe247000000 |
Sandra Tsing Loh: My Fatherâs Chinese Wives | smg10e_ch10_48.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_48_dlap.xml | 51992525b11c0fe247000000 |
[Analyze] Use the basic features. | smg10e_ch10_49.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_49_dlap.xml | 51992525b11c0fe247000000 |
A Well-Supported Argument: Examining Dialogue in Stories | smg10e_ch10_50.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_50_dlap.xml | 51992525b11c0fe247000000 |
[Respond] Consider possible topics: Analyzing other short stories about parents. | smg10e_ch10_51.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_51_dlap.xml | 51992525b11c0fe247000000 |
Playing With Genre: Adaptations, Sequels, and Parodies | smg10e_ch10_52.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_52_dlap.xml | 51992525b11c0fe247000000 |
[Reflect] Make connections: Comparing books and movies. | smg10e_ch10_53.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_53_dlap.xml | 51992525b11c0fe247000000 |
[Analyze] Use the basic features. | smg10e_ch10_54.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_54_dlap.xml | 51992525b11c0fe247000000 |
A Well-Supported Argument: Transforming Fiction Into Film | smg10e_ch10_55.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_55_dlap.xml | 51992525b11c0fe247000000 |
Jamaica Kincaid: Girl | smg10e_ch10_56.html | 51992525b11c0fe247000000 |
DLAP questions | smg10e_ch10_56_dlap.xml | 51992525b11c0fe247000000 |
Introduction | smg10e_ch11_1.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_1_dlap.xml | 519abaadb11c0f3e58000000 |
Mapping | smg10e_ch11_2.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_2_dlap.xml | 519abaadb11c0f3e58000000 |
Create a cluster diagram. | smg10e_ch11_3.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_3_dlap.xml | 519abaadb11c0f3e58000000 |
Make a list. | smg10e_ch11_4.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_4_dlap.xml | 519abaadb11c0f3e58000000 |
Create an outline. | smg10e_ch11_5.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_5_dlap.xml | 519abaadb11c0f3e58000000 |
Writing | smg10e_ch11_6.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_6_dlap.xml | 519abaadb11c0f3e58000000 |
Use cubing. | smg10e_ch11_7.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_7_dlap.xml | 519abaadb11c0f3e58000000 |
Construct a dialogue. | smg10e_ch11_8.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_8_dlap.xml | 519abaadb11c0f3e58000000 |
Use the five elements of dramatizing. | smg10e_ch11_9.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_9_dlap.xml | 519abaadb11c0f3e58000000 |
Freewrite for a set amount of time. | smg10e_ch11_10.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_10_dlap.xml | 519abaadb11c0f3e58000000 |
Keep a journal. | smg10e_ch11_11.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_11_dlap.xml | 519abaadb11c0f3e58000000 |
Use looping. | smg10e_ch11_12.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_12_dlap.xml | 519abaadb11c0f3e58000000 |
Ask questions. | smg10e_ch11_13.html | 519abaadb11c0f3e58000000 |
DLAP questions | smg10e_ch11_13_dlap.xml | 519abaadb11c0f3e58000000 |
Introduction | smg10e_ch12_1.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_1_dlap.xml | 519acae4b11c0ff858000000 |
Annotating | smg10e_ch12_2.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_2_dlap.xml | 519acae4b11c0ff858000000 |
Martin Luther King Jr., An Annotated Sample from âLetter from Birmingham Jailâ | smg10e_ch12_3.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_3_dlap.xml | 519acae4b11c0ff858000000 |
Taking Inventory | smg10e_ch12_4.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_4_dlap.xml | 519acae4b11c0ff858000000 |
Outlining | smg10e_ch12_5.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_5_dlap.xml | 519acae4b11c0ff858000000 |
Paraphrasing | smg10e_ch12_6.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_6_dlap.xml | 519acae4b11c0ff858000000 |
Summarizing | smg10e_ch12_7.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_7_dlap.xml | 519acae4b11c0ff858000000 |
Synthesizing | smg10e_ch12_8.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_8_dlap.xml | 519acae4b11c0ff858000000 |
Contextualizing | smg10e_ch12_9.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_9_dlap.xml | 519acae4b11c0ff858000000 |
Exploring the Significance of Figurative Language | smg10e_ch12_10.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_10_dlap.xml | 519acae4b11c0ff858000000 |
Looking for Patterns of Opposition | smg10e_ch12_11.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_11_dlap.xml | 519acae4b11c0ff858000000 |
Reflecting on Challenges to Your Beliefs and Values | smg10e_ch12_12.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_12_dlap.xml | 519acae4b11c0ff858000000 |
Evaluating the Logic of an Argument | smg10e_ch12_13.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_13_dlap.xml | 519acae4b11c0ff858000000 |
Test for appropriateness. | smg10e_ch12_14.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_14_dlap.xml | 519acae4b11c0ff858000000 |
Test for believability. | smg10e_ch12_15.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_15_dlap.xml | 519acae4b11c0ff858000000 |
Test for consistency and completeness. | smg10e_ch12_16.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_16_dlap.xml | 519acae4b11c0ff858000000 |
Recognizing Emotional Manipulation | smg10e_ch12_17.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_17_dlap.xml | 519acae4b11c0ff858000000 |
Judging the Writerâs Credibility | smg10e_ch12_18.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_18_dlap.xml | 519acae4b11c0ff858000000 |
Test for knowledge. | smg10e_ch12_19.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_19_dlap.xml | 519acae4b11c0ff858000000 |
Test for common ground. | smg10e_ch12_20.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_20_dlap.xml | 519acae4b11c0ff858000000 |
Test for fairness. | smg10e_ch12_21.html | 519acae4b11c0ff858000000 |
DLAP questions | smg10e_ch12_21_dlap.xml | 519acae4b11c0ff858000000 |
Introduction | smg10e_ch13_1.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_1_dlap.xml | 519b793ab11c0f225e000000 |
Orienting Statements | smg10e_ch13_2.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_2_dlap.xml | 519b793ab11c0f225e000000 |
Use thesis statements to announce the main idea. | smg10e_ch13_3.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_3_dlap.xml | 519b793ab11c0f225e000000 |
Use forecasting statements to preview topics. | smg10e_ch13_4.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_4_dlap.xml | 519b793ab11c0f225e000000 |
Paragraphing | smg10e_ch13_5.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_5_dlap.xml | 519b793ab11c0f225e000000 |
Paragraph indents signal related ideas. | smg10e_ch13_6.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_6_dlap.xml | 519b793ab11c0f225e000000 |
Topic sentences announce the paragraphâs focus. | smg10e_ch13_7.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_7_dlap.xml | 519b793ab11c0f225e000000 |
Cohesive Devices | smg10e_ch13_8.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_8_dlap.xml | 519b793ab11c0f225e000000 |
Pronouns connect phrases or sentences. | smg10e_ch13_9.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_9_dlap.xml | 519b793ab11c0f225e000000 |
Word repetition aids cohesion. | smg10e_ch13_10.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_10_dlap.xml | 519b793ab11c0f225e000000 |
Synonyms connect ideas. | smg10e_ch13_11.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_11_dlap.xml | 519b793ab11c0f225e000000 |
Sentence structure repetition emphasizes connections. | smg10e_ch13_12.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_12_dlap.xml | 519b793ab11c0f225e000000 |
Collocation creates networks of meaning. | smg10e_ch13_13.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_13_dlap.xml | 519b793ab11c0f225e000000 |
Transitions | smg10e_ch13_14.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_14_dlap.xml | 519b793ab11c0f225e000000 |
Transitions emphasize logical relationships. | smg10e_ch13_15.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_15_dlap.xml | 519b793ab11c0f225e000000 |
Transitions can indicate a sequence in time. | smg10e_ch13_16.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_16_dlap.xml | 519b793ab11c0f225e000000 |
Transitions can indicate relationships in space. | smg10e_ch13_17.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_17_dlap.xml | 519b793ab11c0f225e000000 |
Headings and Subheadings | smg10e_ch13_18.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_18_dlap.xml | 519b793ab11c0f225e000000 |
Headings indicate sections and levels. | smg10e_ch13_19.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_19_dlap.xml | 519b793ab11c0f225e000000 |
Headings are not common in all genres. | smg10e_ch13_20.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_20_dlap.xml | 519b793ab11c0f225e000000 |
At least two headings are needed at each level. | smg10e_ch13_21.html | 519b793ab11c0f225e000000 |
DLAP questions | smg10e_ch13_21_dlap.xml | 519b793ab11c0f225e000000 |
Introduction | smg10e_ch14_1.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_1_dlap.xml | 519ba468b11c0fef62000000 |
Narrating Strategies | smg10e_ch14_2.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_2_dlap.xml | 519ba468b11c0fef62000000 |
Use calendar and clock time to create a sequence of events. | smg10e_ch14_3.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_3_dlap.xml | 519ba468b11c0fef62000000 |
Use temporal transitions to establish an action sequence. | smg10e_ch14_4.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_4_dlap.xml | 519ba468b11c0fef62000000 |
Use verb tense to place actions in time. | smg10e_ch14_5.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_5_dlap.xml | 519ba468b11c0fef62000000 |
Use narrative action for vivid sequences. | smg10e_ch14_6.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_6_dlap.xml | 519ba468b11c0fef62000000 |
Use dialogue to dramatize events. | smg10e_ch14_7.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_7_dlap.xml | 519ba468b11c0fef62000000 |
Narrating a Process | smg10e_ch14_8.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_8_dlap.xml | 519ba468b11c0fef62000000 |
Use process narratives to explain. | smg10e_ch14_9.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_9_dlap.xml | 519ba468b11c0fef62000000 |
Use process narratives to instruct. | smg10e_ch14_10.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_10_dlap.xml | 519ba468b11c0fef62000000 |
Sentence Strategies for Narration | smg10e_ch14_11.html | 519ba468b11c0fef62000000 |
DLAP questions | smg10e_ch14_11_dlap.xml | 519ba468b11c0fef62000000 |
Introduction | smg10e_ch15_1.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_1_dlap.xml | 519bae6db11c0f4364000000 |
Naming | smg10e_ch15_2.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_2_dlap.xml | 519bae6db11c0f4364000000 |
Detailing | smg10e_ch15_3.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_3_dlap.xml | 519bae6db11c0f4364000000 |
Comparing | smg10e_ch15_4.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_4_dlap.xml | 519bae6db11c0f4364000000 |
Using Sensory Description | smg10e_ch15_5.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_5_dlap.xml | 519bae6db11c0f4364000000 |
Describe what you saw. | smg10e_ch15_6.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_6_dlap.xml | 519bae6db11c0f4364000000 |
Describe what you heard. | smg10e_ch15_7.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_7_dlap.xml | 519bae6db11c0f4364000000 |
Describe what you smelled. | smg10e_ch15_8.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_8_dlap.xml | 519bae6db11c0f4364000000 |
Describe tactile sensations. | smg10e_ch15_9.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_9_dlap.xml | 519bae6db11c0f4364000000 |
Describe flavors. | smg10e_ch15_10.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_10_dlap.xml | 519bae6db11c0f4364000000 |
Creating a Dominant Impression | smg10e_ch15_11.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_11_dlap.xml | 519bae6db11c0f4364000000 |
Sentence Strategies for Description | smg10e_ch15_12.html | 519bae6db11c0f4364000000 |
DLAP questions | smg10e_ch15_12_dlap.xml | 519bae6db11c0f4364000000 |
Introduction | smg10e_ch16_1.html | 519bb61bb11c0f3565000000 |
DLAP questions | smg10e_ch16_1_dlap.xml | 519bb61bb11c0f3565000000 |
Sentence Definitions | smg10e_ch16_2.html | 519bb61bb11c0f3565000000 |
DLAP questions | smg10e_ch16_2_dlap.xml | 519bb61bb11c0f3565000000 |
Extended Definitions | smg10e_ch16_3.html | 519bb61bb11c0f3565000000 |
DLAP questions | smg10e_ch16_3_dlap.xml | 519bb61bb11c0f3565000000 |
Historical Definitions | smg10e_ch16_4.html | 519bb61bb11c0f3565000000 |
DLAP questions | smg10e_ch16_4_dlap.xml | 519bb61bb11c0f3565000000 |
Stipulative Definitions | smg10e_ch16_5.html | 519bb61bb11c0f3565000000 |
DLAP questions | smg10e_ch16_5_dlap.xml | 519bb61bb11c0f3565000000 |
Sentence Strategies for Definition | smg10e_ch16_6.html | 519bb61bb11c0f3565000000 |
DLAP questions | smg10e_ch16_6_dlap.xml | 519bb61bb11c0f3565000000 |
Introduction | smg10e_ch17_1.html | 519bbf1bb11c0f2b66000000 |
DLAP questions | smg10e_ch17_1_dlap.xml | 519bbf1bb11c0f2b66000000 |
Organizing Classification | smg10e_ch17_2.html | 519bbf1bb11c0f2b66000000 |
DLAP questions | smg10e_ch17_2_dlap.xml | 519bbf1bb11c0f2b66000000 |
Illustrating Classification | smg10e_ch17_3.html | 519bbf1bb11c0f2b66000000 |
DLAP questions | smg10e_ch17_3_dlap.xml | 519bbf1bb11c0f2b66000000 |
Maintaining Clarity and Coherence | smg10e_ch17_4.html | 519bbf1bb11c0f2b66000000 |
DLAP questions | smg10e_ch17_4_dlap.xml | 519bbf1bb11c0f2b66000000 |
Sentence Strategies for Classification | smg10e_ch17_5.html | 519bbf1bb11c0f2b66000000 |
DLAP questions | smg10e_ch17_5_dlap.xml | 519bbf1bb11c0f2b66000000 |
Introduction | smg10e_ch18_1.html | 519bd015b11c0f3068000003 |
DLAP questions | smg10e_ch18_1_dlap.xml | 519bd015b11c0f3068000003 |
Two Ways of Comparing and Contrasting | smg10e_ch18_2.html | 519bd015b11c0f3068000003 |
DLAP questions | smg10e_ch18_2_dlap.xml | 519bd015b11c0f3068000003 |
Analogy | smg10e_ch18_3.html | 519bd015b11c0f3068000003 |
DLAP questions | smg10e_ch18_3_dlap.xml | 519bd015b11c0f3068000003 |
Sentence Strategies for Comparison and Contrast | smg10e_ch18_4.html | 519bd015b11c0f3068000003 |
DLAP questions | smg10e_ch18_4_dlap.xml | 519bd015b11c0f3068000003 |
Introduction | smg10e_ch19_1.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_1_dlap.xml | 519be202b11c0fcf69000000 |
Asserting a Thesis | smg10e_ch19_2.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_2_dlap.xml | 519be202b11c0fcf69000000 |
Make arguable assertions. | smg10e_ch19_3.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_3_dlap.xml | 519be202b11c0fcf69000000 |
Use clear and precise wording. | smg10e_ch19_4.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_4_dlap.xml | 519be202b11c0fcf69000000 |
Qualify the thesis appropriately. | smg10e_ch19_5.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_5_dlap.xml | 519be202b11c0fcf69000000 |
Giving Reasons and Support | smg10e_ch19_6.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_6_dlap.xml | 519be202b11c0fcf69000000 |
Use representative examples for support. | smg10e_ch19_7.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_7_dlap.xml | 519be202b11c0fcf69000000 |
Use up-to-date, relevant, and accurate statistics. | smg10e_ch19_8.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_8_dlap.xml | 519be202b11c0fcf69000000 |
Cite reputable authorities on relevant topics. | smg10e_ch19_9.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_9_dlap.xml | 519be202b11c0fcf69000000 |
Use vivid, relevant anecdotes. | smg10e_ch19_10.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_10_dlap.xml | 519be202b11c0fcf69000000 |
Use relevant textual evidence. | smg10e_ch19_11.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_11_dlap.xml | 519be202b11c0fcf69000000 |
Responding to Objections and Alternatives | smg10e_ch19_12.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_12_dlap.xml | 519be202b11c0fcf69000000 |
Acknowledge readersâ concerns. | smg10e_ch19_13.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_13_dlap.xml | 519be202b11c0fcf69000000 |
Concede readersâ concerns. | smg10e_ch19_14.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_14_dlap.xml | 519be202b11c0fcf69000000 |
Refute readersâ objections. | smg10e_ch19_15.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_15_dlap.xml | 519be202b11c0fcf69000000 |
Logical Fallacies | smg10e_ch19_16.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_16_dlap.xml | 519be202b11c0fcf69000000 |
Sentence Strategies for Argument | smg10e_ch19_17.html | 519be202b11c0fcf69000000 |
DLAP questions | smg10e_ch19_17_dlap.xml | 519be202b11c0fcf69000000 |
Introduction | smg10e_ch20_1.html | 519c143ab11c0f4a6d000014 |
DLAP questions | smg10e_ch20_1_dlap.xml | 519c143ab11c0f4a6d000014 |
Criteria for Analyzing Visuals | smg10e_ch20_2.html | 519c143ab11c0f4a6d000014 |
DLAP questions | smg10e_ch20_2_dlap.xml | 519c143ab11c0f4a6d000014 |
A Sample Analysis | smg10e_ch20_3.html | 519c143ab11c0f4a6d000014 |
DLAP questions | smg10e_ch20_3_dlap.xml | 519c143ab11c0f4a6d000014 |
Introduction | smg10e_ch21_1.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_1_dlap.xml | 519d0990b11c0fa477000000 |
The Impact of Document Design | smg10e_ch21_2.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_2_dlap.xml | 519d0990b11c0fa477000000 |
Considering Context, Audience, and Purpose | smg10e_ch21_3.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_3_dlap.xml | 519d0990b11c0fa477000000 |
Elements of Document Design | smg10e_ch21_4.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_4_dlap.xml | 519d0990b11c0fa477000000 |
Choose readable fonts. | smg10e_ch21_5.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_5_dlap.xml | 519d0990b11c0fa477000000 |
Use headings to organize your writing. | smg10e_ch21_6.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_6_dlap.xml | 519d0990b11c0fa477000000 |
Use lists to highlight steps or key points. | smg10e_ch21_7.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_7_dlap.xml | 519d0990b11c0fa477000000 |
Use colors with care. | smg10e_ch21_8.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_8_dlap.xml | 519d0990b11c0fa477000000 |
Use white space to make text readable. | smg10e_ch21_9.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_9_dlap.xml | 519d0990b11c0fa477000000 |
Adding Visuals | smg10e_ch21_10.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_10_dlap.xml | 519d0990b11c0fa477000000 |
Choose and design visuals with their final use in mind. | smg10e_ch21_11.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_11_dlap.xml | 519d0990b11c0fa477000000 |
Number, title, and label visuals. | smg10e_ch21_12.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_12_dlap.xml | 519d0990b11c0fa477000000 |
Cite visual sources. | smg10e_ch21_13.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_13_dlap.xml | 519d0990b11c0fa477000000 |
Integrate the visual into the text. | smg10e_ch21_14.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_14_dlap.xml | 519d0990b11c0fa477000000 |
Use common sense when creating visuals on a computer. | smg10e_ch21_15.html | 519d0990b11c0fa477000000 |
DLAP questions | smg10e_ch21_15_dlap.xml | 519d0990b11c0fa477000000 |
Introduction | smg10e_ch22_1.html | 519d216bb11c0f5e7900000b |
DLAP questions | smg10e_ch22_1_dlap.xml | 519d216bb11c0f5e7900000b |
Memos | smg10e_ch22_2.html | 519d216bb11c0f5e7900000b |
DLAP questions | smg10e_ch22_2_dlap.xml | 519d216bb11c0f5e7900000b |
Letters | smg10e_ch22_3.html | 519d216bb11c0f5e7900000b |
DLAP questions | smg10e_ch22_3_dlap.xml | 519d216bb11c0f5e7900000b |
E-mail | smg10e_ch22_4.html | 519d216bb11c0f5e7900000b |
DLAP questions | smg10e_ch22_4_dlap.xml | 519d216bb11c0f5e7900000b |
Résumés | smg10e_ch22_5.html | 519d216bb11c0f5e7900000b |
DLAP questions | smg10e_ch22_5_dlap.xml | 519d216bb11c0f5e7900000b |
Job-Application Letters | smg10e_ch22_6.html | 519d216bb11c0f5e7900000b |
DLAP questions | smg10e_ch22_6_dlap.xml | 519d216bb11c0f5e7900000b |
Web Pages | smg10e_ch22_7.html | 519d216bb11c0f5e7900000b |
DLAP questions | smg10e_ch22_7_dlap.xml | 519d216bb11c0f5e7900000b |
Lab Reports | smg10e_ch22_8.html | 519d216bb11c0f5e7900000b |
DLAP questions | smg10e_ch22_8_dlap.xml | 519d216bb11c0f5e7900000b |
Introduction | smg10e_ch23_1.html | 519d29e6b11c0fff79000002 |
DLAP questions | smg10e_ch23_1_dlap.xml | 519d29e6b11c0fff79000002 |
Analyzing Your Rhetorical Situation and Setting a Schedule | smg10e_ch23_2.html | 519d29e6b11c0fff79000002 |
DLAP questions | smg10e_ch23_2_dlap.xml | 519d29e6b11c0fff79000002 |
Choosing a Topic and Getting an Overview | smg10e_ch23_3.html | 519d29e6b11c0fff79000002 |
DLAP questions | smg10e_ch23_3_dlap.xml | 519d29e6b11c0fff79000002 |
Narrowing Your Topic and Drafting Research Questions | smg10e_ch23_4.html | 519d29e6b11c0fff79000002 |
DLAP questions | smg10e_ch23_4_dlap.xml | 519d29e6b11c0fff79000002 |
Establishing a Research Log | smg10e_ch23_5.html | 519d29e6b11c0fff79000002 |
DLAP questions | smg10e_ch23_5_dlap.xml | 519d29e6b11c0fff79000002 |
Creating a Working Bibliography | smg10e_ch23_6.html | 519d29e6b11c0fff79000002 |
DLAP questions | smg10e_ch23_6_dlap.xml | 519d29e6b11c0fff79000002 |
Annotating Your Working Bibliography | smg10e_ch23_7.html | 519d29e6b11c0fff79000002 |
DLAP questions | smg10e_ch23_7_dlap.xml | 519d29e6b11c0fff79000002 |
Taking Notes on Your Sources | smg10e_ch23_8.html | 519d29e6b11c0fff79000002 |
DLAP questions | smg10e_ch23_8_dlap.xml | 519d29e6b11c0fff79000002 |
Introduction | smg10e_ch24_1.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_1_dlap.xml | 519d33e2b11c0f567b000000 |
Searching Library Catalogs and Databases | smg10e_ch24_2.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_2_dlap.xml | 519d33e2b11c0f567b000000 |
Use appropriate search terms. | smg10e_ch24_3.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_3_dlap.xml | 519d33e2b11c0f567b000000 |
Narrow (or expand) your results. | smg10e_ch24_4.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_4_dlap.xml | 519d33e2b11c0f567b000000 |
Find books (and other sources) through your libraryâs catalog. | smg10e_ch24_5.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_5_dlap.xml | 519d33e2b11c0f567b000000 |
Find articles in periodicals using your libraryâs databases. | smg10e_ch24_6.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_6_dlap.xml | 519d33e2b11c0f567b000000 |
Find government documents and statistical information. | smg10e_ch24_7.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_7_dlap.xml | 519d33e2b11c0f567b000000 |
Find Web sites and interactive sources. | smg10e_ch24_8.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_8_dlap.xml | 519d33e2b11c0f567b000000 |
Conducting Field Research | smg10e_ch24_9.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_9_dlap.xml | 519d33e2b11c0f567b000000 |
Conduct observational studies. | smg10e_ch24_10.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_10_dlap.xml | 519d33e2b11c0f567b000000 |
Conduct interviews. | smg10e_ch24_11.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_11_dlap.xml | 519d33e2b11c0f567b000000 |
Conduct surveys. | smg10e_ch24_12.html | 519d33e2b11c0f567b000000 |
DLAP questions | smg10e_ch24_12_dlap.xml | 519d33e2b11c0f567b000000 |
Introduction | smg10e_ch25_1.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_1_dlap.xml | 519d9efeb11c0fce7f000000 |
Choosing Relevant Sources | smg10e_ch25_2.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_2_dlap.xml | 519d9efeb11c0fce7f000000 |
Choosing Reliable Sources | smg10e_ch25_3.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_3_dlap.xml | 519d9efeb11c0fce7f000000 |
Who wrote it? | smg10e_ch25_4.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_4_dlap.xml | 519d9efeb11c0fce7f000000 |
When was it published? | smg10e_ch25_5.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_5_dlap.xml | 519d9efeb11c0fce7f000000 |
Is the source scholarly, popular, or for a trade group? | smg10e_ch25_6.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_6_dlap.xml | 519d9efeb11c0fce7f000000 |
Who published it? | smg10e_ch25_7.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_7_dlap.xml | 519d9efeb11c0fce7f000000 |
How is the source written? | smg10e_ch25_8.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_8_dlap.xml | 519d9efeb11c0fce7f000000 |
What does the source say? | smg10e_ch25_9.html | 519d9efeb11c0fce7f000000 |
DLAP questions | smg10e_ch25_9_dlap.xml | 519d9efeb11c0fce7f000000 |
Introduction | smg10e_ch26_1.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_1_dlap.xml | 519daa6eb11c0f7b01000001 |
Synthesizing Sources | smg10e_ch26_2.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_2_dlap.xml | 519daa6eb11c0f7b01000001 |
Acknowledging Sources and Avoiding Plagiarism | smg10e_ch26_3.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_3_dlap.xml | 519daa6eb11c0f7b01000001 |
What does and does not need to be acknowledged? | smg10e_ch26_4.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_4_dlap.xml | 519daa6eb11c0f7b01000001 |
Avoid plagiarism by acknowledging sources and quoting, paraphrasing, and summarizing carefully. | smg10e_ch26_5.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_5_dlap.xml | 519daa6eb11c0f7b01000001 |
Using Information from Sources to Support Your Claims | smg10e_ch26_6.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_6_dlap.xml | 519daa6eb11c0f7b01000001 |
Decide whether to quote, paraphrase, or summarize. | smg10e_ch26_7.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_7_dlap.xml | 519daa6eb11c0f7b01000001 |
Copy quotations exactly, or use italics, ellipses, and brackets to indicate changes. | smg10e_ch26_8.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_8_dlap.xml | 519daa6eb11c0f7b01000001 |
Use in-text or block quotations. | smg10e_ch26_9.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_9_dlap.xml | 519daa6eb11c0f7b01000001 |
Use punctuation to integrate quotations into your writing. | smg10e_ch26_10.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_10_dlap.xml | 519daa6eb11c0f7b01000001 |
Paraphrase sources carefully. | smg10e_ch26_11.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_11_dlap.xml | 519daa6eb11c0f7b01000001 |
Summaries should present the sourceâs main ideas in a balanced and readable way. | smg10e_ch26_12.html | 519daa6eb11c0f7b01000001 |
DLAP questions | smg10e_ch26_12_dlap.xml | 519daa6eb11c0f7b01000001 |
Introduction | smg10e_ch27_1.html | 519e4310b11c0fe105000000 |
DLAP questions | smg10e_ch27_1_dlap.xml | 519e4310b11c0fe105000000 |
Citing Sources in the Text | smg10e_ch27_2.html | 519e4310b11c0fe105000000 |
DLAP questions | smg10e_ch27_2_dlap.xml | 519e4310b11c0fe105000000 |
Creating a List of Works Cited | smg10e_ch27_3.html | 519e4310b11c0fe105000000 |
DLAP questions | smg10e_ch27_3_dlap.xml | 519e4310b11c0fe105000000 |
Student Research Project in MLA Style | smg10e_ch27_4.html | 519e4310b11c0fe105000000 |
DLAP questions | smg10e_ch27_4_dlap.xml | 519e4310b11c0fe105000000 |
Introduction | smg10e_ch28_1.html | 51accb49757a2ebf58000000 |
DLAP questions | smg10e_ch28_1_dlap.xml | 51accb49757a2ebf58000000 |
Citing Sources in the Text | smg10e_ch28_2.html | 51accb49757a2ebf58000000 |
DLAP questions | smg10e_ch28_2_dlap.xml | 51accb49757a2ebf58000000 |
Creating a List of References | smg10e_ch28_3.html | 51accb49757a2ebf58000000 |
DLAP questions | smg10e_ch28_3_dlap.xml | 51accb49757a2ebf58000000 |
A Sample Reference List | smg10e_ch28_4.html | 51accb49757a2ebf58000000 |
DLAP questions | smg10e_ch28_4_dlap.xml | 51accb49757a2ebf58000000 |
Introduction | smg10e_ch29_1.html | 51afbaa8757a2e3a13000011 |
DLAP questions | smg10e_ch29_1_dlap.xml | 51afbaa8757a2e3a13000011 |
Preparing for an Exam | smg10e_ch29_2.html | 51afbaa8757a2e3a13000011 |
DLAP questions | smg10e_ch29_2_dlap.xml | 51afbaa8757a2e3a13000011 |
Taking the Exam | smg10e_ch29_3.html | 51afbaa8757a2e3a13000011 |
DLAP questions | smg10e_ch29_3_dlap.xml | 51afbaa8757a2e3a13000011 |
Read the exam carefully. | smg10e_ch29_4.html | 51afbaa8757a2e3a13000011 |
DLAP questions | smg10e_ch29_4_dlap.xml | 51afbaa8757a2e3a13000011 |
Write your answer. | smg10e_ch29_5.html | 51afbaa8757a2e3a13000011 |
DLAP questions | smg10e_ch29_5_dlap.xml | 51afbaa8757a2e3a13000011 |
Introduction | smg10e_ch30_1.html | 51b5ffd8757a2e3758000083 |
DLAP questions | smg10e_ch30_1_dlap.xml | 51b5ffd8757a2e3758000083 |
The Purposes of a Writing Portfolio | smg10e_ch30_2.html | 51b5ffd8757a2e3758000083 |
DLAP questions | smg10e_ch30_2_dlap.xml | 51b5ffd8757a2e3758000083 |
Assembling a Portfolio for Your Composition Course | smg10e_ch30_3.html | 51b5ffd8757a2e3758000083 |
DLAP questions | smg10e_ch30_3_dlap.xml | 51b5ffd8757a2e3758000083 |
Select your work. | smg10e_ch30_4.html | 51b5ffd8757a2e3758000083 |
DLAP questions | smg10e_ch30_4_dlap.xml | 51b5ffd8757a2e3758000083 |
Reflect on your work and what you have learned. | smg10e_ch30_5.html | 51b5ffd8757a2e3758000083 |
DLAP questions | smg10e_ch30_5_dlap.xml | 51b5ffd8757a2e3758000083 |
Organize your portfolio. | smg10e_ch30_6.html | 51b5ffd8757a2e3758000083 |
DLAP questions | smg10e_ch30_6_dlap.xml | 51b5ffd8757a2e3758000083 |
Introduction | smg10e_ch31_1.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_1_dlap.xml | 51b6090f757a2e46570000a6 |
Preparing | smg10e_ch31_2.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_2_dlap.xml | 51b6090f757a2e46570000a6 |
Understand the kind of oral presentation you have been asked to give. | smg10e_ch31_3.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_3_dlap.xml | 51b6090f757a2e46570000a6 |
Assess your audience and purpose. | smg10e_ch31_4.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_4_dlap.xml | 51b6090f757a2e46570000a6 |
Determine how much information you can present in the allotted time. | smg10e_ch31_5.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_5_dlap.xml | 51b6090f757a2e46570000a6 |
Use cues to orient listeners. | smg10e_ch31_6.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_6_dlap.xml | 51b6090f757a2e46570000a6 |
Prepare effective and appropriate visuals. | smg10e_ch31_7.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_7_dlap.xml | 51b6090f757a2e46570000a6 |
Verify that you will have the correct equipment and supplies. | smg10e_ch31_8.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_8_dlap.xml | 51b6090f757a2e46570000a6 |
Rehearse your presentation. | smg10e_ch31_9.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_9_dlap.xml | 51b6090f757a2e46570000a6 |
Delivering Your Oral Presentation | smg10e_ch31_10.html | 51b6090f757a2e46570000a6 |
DLAP questions | smg10e_ch31_10_dlap.xml | 51b6090f757a2e46570000a6 |
Introduction | smg10e_ch32_1.html | 51b60e3e757a2e5152000001 |
DLAP questions | smg10e_ch32_1_dlap.xml | 51b60e3e757a2e5152000001 |
Working with Others on Your Individual Writing Projects | smg10e_ch32_2.html | 51b60e3e757a2e5152000001 |
DLAP questions | smg10e_ch32_2_dlap.xml | 51b60e3e757a2e5152000001 |
Working with Others on Joint Writing Projects | smg10e_ch32_3.html | 51b60e3e757a2e5152000001 |
DLAP questions | smg10e_ch32_3_dlap.xml | 51b60e3e757a2e5152000001 |
Introduction | smg10e_ch33_1.html | 51b614a1757a2e46570000a9 |
DLAP questions | smg10e_ch33_1_dlap.xml | 51b614a1757a2e46570000a9 |
Using Your Service Experience as Source Material | smg10e_ch33_2.html | 51b614a1757a2e46570000a9 |
DLAP questions | smg10e_ch33_2_dlap.xml | 51b614a1757a2e46570000a9 |
Find a topic. | smg10e_ch33_3.html | 51b614a1757a2e46570000a9 |
DLAP questions | smg10e_ch33_3_dlap.xml | 51b614a1757a2e46570000a9 |
Gather sources. | smg10e_ch33_4.html | 51b614a1757a2e46570000a9 |
DLAP questions | smg10e_ch33_4_dlap.xml | 51b614a1757a2e46570000a9 |
Writing about Your Service Experience | smg10e_ch33_5.html | 51b614a1757a2e46570000a9 |
DLAP questions | smg10e_ch33_5_dlap.xml | 51b614a1757a2e46570000a9 |
Writing for Your Service Organization | smg10e_ch33_6.html | 51b614a1757a2e46570000a9 |
DLAP questions | smg10e_ch33_6_dlap.xml | 51b614a1757a2e46570000a9 |
Introduction | smg10e_part1_1.html | 51b64cc4b62f8b1f58000004 |
DLAP questions | smg10e_part1_1_dlap.xml | 51b64cc4b62f8b1f58000004 |
Introduction | smg10e_part2_1.html | 51b66000b62f8b8b3e000016 |
DLAP questions | smg10e_part2_1_dlap.xml | 51b66000b62f8b8b3e000016 |
Introduction | smg10e_part3_1.html | 51b66c56757a2e1b5e000011 |
DLAP questions | smg10e_part3_1_dlap.xml | 51b66c56757a2e1b5e000011 |
Introduction | smg10e_part4_1.html | 51b6770d757a2e2a6c000010 |
DLAP questions | smg10e_part4_1_dlap.xml | 51b6770d757a2e2a6c000010 |
Introduction | smg10e_part5_1.html | 51b67933757a2e0c6c000009 |
DLAP questions | smg10e_part5_1_dlap.xml | 51b67933757a2e0c6c000009 |
Introduction | smg10e_part6_1.html | 51b6b4ee757a2e2165000017 |
DLAP questions | smg10e_part6_1_dlap.xml | 51b6b4ee757a2e2165000017 |
Contents | smg10e_handbook1_1.html | 51b79c26757a2e294000000a |
DLAP questions | smg10e_handbook1_1_dlap.xml | 51b79c26757a2e294000000a |
How to Use This Handbook | smg10e_handbook1_2.html | 51b79c26757a2e294000000a |
DLAP questions | smg10e_handbook1_2_dlap.xml | 51b79c26757a2e294000000a |
Top 25 Errors in Student Papers | smg10e_handbook1_3.html | 51b79c26757a2e294000000a |
DLAP questions | smg10e_handbook1_3_dlap.xml | 51b79c26757a2e294000000a |
Keeping a Record of Your Own Errors | smg10e_handbook1_4.html | 51b79c26757a2e294000000a |
DLAP questions | smg10e_handbook1_4_dlap.xml | 51b79c26757a2e294000000a |
S Sentence Boundaries | smg10e_handbook2_1.html | 51b7c69a757a2eae60000004 |
DLAP questions | smg10e_handbook2_1_dlap.xml | 51b7c69a757a2eae60000004 |
S1 Comma Splices | smg10e_handbook2_2.html | 51b7c69a757a2eae60000004 |
DLAP questions | smg10e_handbook2_2_dlap.xml | 51b7c69a757a2eae60000004 |
S2 Fused Sentences | smg10e_handbook2_3.html | 51b7c69a757a2eae60000004 |
DLAP questions | smg10e_handbook2_3_dlap.xml | 51b7c69a757a2eae60000004 |
S3 Sentence Fragments | smg10e_handbook2_4.html | 51b7c69a757a2eae60000004 |
DLAP questions | smg10e_handbook2_4_dlap.xml | 51b7c69a757a2eae60000004 |
G Grammatical Sentences | smg10e_handbook3_1.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_1_dlap.xml | 51b93d0bb62f8bda50000081 |
G1 Pronoun Reference | smg10e_handbook3_2.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_2_dlap.xml | 51b93d0bb62f8bda50000081 |
G2 Pronoun Agreement | smg10e_handbook3_3.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_3_dlap.xml | 51b93d0bb62f8bda50000081 |
G2-a Use pronouns and antecedents that agree in number. | smg10e_handbook3_4.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_4_dlap.xml | 51b93d0bb62f8bda50000081 |
G2-b Use masculine, feminine, or gender-free forms to match a pronoun with its antecedent. | smg10e_handbook3_5.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_5_dlap.xml | 51b93d0bb62f8bda50000081 |
G3 Relative Pronouns | smg10e_handbook3_6.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_6_dlap.xml | 51b93d0bb62f8bda50000081 |
G3-a Select who for references to people, which for nonrestrictive references to things, and that for restrictive references to groups and things. | smg10e_handbook3_7.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_7_dlap.xml | 51b93d0bb62f8bda50000081 |
G3-b Use who as a subject and whom as an object. | smg10e_handbook3_8.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_8_dlap.xml | 51b93d0bb62f8bda50000081 |
G4 Pronoun Case | smg10e_handbook3_9.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_9_dlap.xml | 51b93d0bb62f8bda50000081 |
G5 Verbs | smg10e_handbook3_10.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_10_dlap.xml | 51b93d0bb62f8bda50000081 |
G5-a Select the appropriate verb tense to place events in past, present, and future time. | smg10e_handbook3_11.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_11_dlap.xml | 51b93d0bb62f8bda50000081 |
G5-b Use the correct verb endings and verb forms | smg10e_handbook3_12.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_12_dlap.xml | 51b93d0bb62f8bda50000081 |
G5-c Choose the correct form of a verb to show the indicative, imperative, or subjunctive mood. | smg10e_handbook3_13.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_13_dlap.xml | 51b93d0bb62f8bda50000081 |
G5-d Use verbs primarily in the active voice. | smg10e_handbook3_14.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_14_dlap.xml | 51b93d0bb62f8bda50000081 |
G6 Subject-Verb Agreement | smg10e_handbook3_15.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_15_dlap.xml | 51b93d0bb62f8bda50000081 |
G6-a Make sure the subject and verb agree even if they are separated by other words. | smg10e_handbook3_16.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_16_dlap.xml | 51b93d0bb62f8bda50000081 |
G6-b Use a singular verb with a subject that is a collective noun. | smg10e_handbook3_17.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_17_dlap.xml | 51b93d0bb62f8bda50000081 |
G6-c Use a verb that agrees with a subject placed after it. | smg10e_handbook3_18.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_18_dlap.xml | 51b93d0bb62f8bda50000081 |
G6-d Use a plural verb with a compound subject. | smg10e_handbook3_19.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_19_dlap.xml | 51b93d0bb62f8bda50000081 |
G6-e Use a verb that agrees with the antecedent of the pronouns who, which, or that. | smg10e_handbook3_20.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_20_dlap.xml | 51b93d0bb62f8bda50000081 |
G6-f Use a singular verb with an indefinite pronoun. | smg10e_handbook3_21.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_21_dlap.xml | 51b93d0bb62f8bda50000081 |
G6-g Use a verb that agrees with the subject rather than a subject complement. | smg10e_handbook3_22.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_22_dlap.xml | 51b93d0bb62f8bda50000081 |
G7 Adjectives and Adverbs | smg10e_handbook3_23.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_23_dlap.xml | 51b93d0bb62f8bda50000081 |
G7-a Select an adverb, not an adjective, to modify an adjective, another adverb, or a verb | smg10e_handbook3_24.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_24_dlap.xml | 51b93d0bb62f8bda50000081 |
G7-b Select an adjective, not an adverb, to modify a noun or pronoun. | smg10e_handbook3_25.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_25_dlap.xml | 51b93d0bb62f8bda50000081 |
G7-c Select the correct forms of adjectives and adverbs to show comparisons. | smg10e_handbook3_26.html | 51b93d0bb62f8bda50000081 |
DLAP questions | smg10e_handbook3_26_dlap.xml | 51b93d0bb62f8bda50000081 |
E Effective Sentences | smg10e_handbook4_1.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_1_dlap.xml | 51bb715e757a2e8225000004 |
E1 Missing Words | smg10e_handbook4_2.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_2_dlap.xml | 51bb715e757a2e8225000004 |
E1-a Supply prepositions, conjunctions, infinitive parts, articles, and verb parts when needed for clarity. | smg10e_handbook4_3.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_3_dlap.xml | 51bb715e757a2e8225000004 |
E1-b Insert the word that if needed to prevent confusion or misreading. | smg10e_handbook4_4.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_4_dlap.xml | 51bb715e757a2e8225000004 |
E1-c Add words to a comparison to make it logical, clear, and complete. | smg10e_handbook4_5.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_5_dlap.xml | 51bb715e757a2e8225000004 |
E1-d Supply all words needed to clarify the parts of a compound structure. | smg10e_handbook4_6.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_6_dlap.xml | 51bb715e757a2e8225000004 |
E2 Shifts | smg10e_handbook4_7.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_7_dlap.xml | 51bb715e757a2e8225000004 |
E2-a Use one verb tense consistently in a passage unless a tense change is needed to show a time change. | smg10e_handbook4_8.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_8_dlap.xml | 51bb715e757a2e8225000004 |
E2-b Change the nouns and pronouns in a passage to a consistent person and number. | smg10e_handbook4_9.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_9_dlap.xml | 51bb715e757a2e8225000004 |
E2-c Establish a consistent mood and voice in a passage. | smg10e_handbook4_10.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_10_dlap.xml | 51bb715e757a2e8225000004 |
E2-d Use either direct or indirect quotation without mixing the two. | smg10e_handbook4_11.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_11_dlap.xml | 51bb715e757a2e8225000004 |
E3 Noun Agreement | smg10e_handbook4_12.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_12_dlap.xml | 51bb715e757a2e8225000004 |
E3-a Select corresponding singular or plural forms for related references to a noun. | smg10e_handbook4_13.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_13_dlap.xml | 51bb715e757a2e8225000004 |
E3-b Decide whether a noun should be singular or plural. | smg10e_handbook4_14.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_14_dlap.xml | 51bb715e757a2e8225000004 |
E4 Modifiers | smg10e_handbook4_15.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_15_dlap.xml | 51bb715e757a2e8225000004 |
E4-a Place a word, phrase, or clause next to or close to the word that it modifies. | smg10e_handbook4_16.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_16_dlap.xml | 51bb715e757a2e8225000004 |
E4-b Place a modifier so that it qualifies the meaning of a particular word in the sentence instead of dangling. | smg10e_handbook4_17.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_17_dlap.xml | 51bb715e757a2e8225000004 |
E4-c Place a limiting modifier just before the word it modifies. | smg10e_handbook4_18.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_18_dlap.xml | 51bb715e757a2e8225000004 |
E4-d Keep the two parts of an infinitive together. | smg10e_handbook4_19.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_19_dlap.xml | 51bb715e757a2e8225000004 |
E5 Mixed Constructions | smg10e_handbook4_20.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_20_dlap.xml | 51bb715e757a2e8225000004 |
E5-a Begin and end a sentence with the same structural pattern. | smg10e_handbook4_21.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_21_dlap.xml | 51bb715e757a2e8225000004 |
E5-b Match the subject and the predicate in a sentence so that they are compatible. | smg10e_handbook4_22.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_22_dlap.xml | 51bb715e757a2e8225000004 |
E5-c Order words logically so that the meaning of the sentence will be clear. | smg10e_handbook4_23.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_23_dlap.xml | 51bb715e757a2e8225000004 |
E5-d Eliminate the phrase is where, is when, or the reason is because, and then rewrite the sentence so that it is clear and logical. | smg10e_handbook4_24.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_24_dlap.xml | 51bb715e757a2e8225000004 |
E6 Integrated Quotations, Questions, and Thoughts | smg10e_handbook4_25.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_25_dlap.xml | 51bb715e757a2e8225000004 |
E6-a Integrate direct quotations into sentences responsibly and correctly. | smg10e_handbook4_26.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_26_dlap.xml | 51bb715e757a2e8225000004 |
E6-b Integrate a question so that its source is clear. | smg10e_handbook4_27.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_27_dlap.xml | 51bb715e757a2e8225000004 |
E6-c Integrate thoughts so that they are clearly identified and consistently punctuated. | smg10e_handbook4_28.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_28_dlap.xml | 51bb715e757a2e8225000004 |
E7 Parallelism | smg10e_handbook4_29.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_29_dlap.xml | 51bb715e757a2e8225000004 |
E7-a Each item in a series must follow the same grammatical pattern as the other items. | smg10e_handbook4_30.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_30_dlap.xml | 51bb715e757a2e8225000004 |
E7-b Both items in a pair must follow the same grammatical pattern. | smg10e_handbook4_31.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_31_dlap.xml | 51bb715e757a2e8225000004 |
E7-c In a comparison using than or as, the items must use the same grammatical form. | smg10e_handbook4_32.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_32_dlap.xml | 51bb715e757a2e8225000004 |
E7-d Use parallel form for items joined by correlative conjunctions. | smg10e_handbook4_33.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_33_dlap.xml | 51bb715e757a2e8225000004 |
E8 Coordination and Subordination | smg10e_handbook4_34.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_34_dlap.xml | 51bb715e757a2e8225000004 |
E8-a Use coordination to join sentence elements that are equally important. | smg10e_handbook4_35.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_35_dlap.xml | 51bb715e757a2e8225000004 |
E8-b Use subordination to indicate that one sentence element is more important than other elements. | smg10e_handbook4_36.html | 51bb715e757a2e8225000004 |
DLAP questions | smg10e_handbook4_36_dlap.xml | 51bb715e757a2e8225000004 |
W Word Choice | smg10e_handbook5_1.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_1_dlap.xml | 51bcc371757a2ecb35000011 |
W1 Concise Sentences | smg10e_handbook5_2.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_2_dlap.xml | 51bcc371757a2ecb35000011 |
W1-a Eliminate or rewrite redundant expressions. | smg10e_handbook5_3.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_3_dlap.xml | 51bcc371757a2ecb35000011 |
W1-b Eliminate words that do not add to a sentenceâs meaning. | smg10e_handbook5_4.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_4_dlap.xml | 51bcc371757a2ecb35000011 |
W1-c Eliminate unnecessary intensifiers or hedges. | smg10e_handbook5_5.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_5_dlap.xml | 51bcc371757a2ecb35000011 |
W1-d Eliminate unnecessary prepositions. | smg10e_handbook5_6.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_6_dlap.xml | 51bcc371757a2ecb35000011 |
W2 Exact Words | smg10e_handbook5_7.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_7_dlap.xml | 51bcc371757a2ecb35000011 |
W2-a Replace incorrect words with intended words. | smg10e_handbook5_8.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_8_dlap.xml | 51bcc371757a2ecb35000011 |
W2-b Use correct prepositions. | smg10e_handbook5_9.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_9_dlap.xml | 51bcc371757a2ecb35000011 |
W2-c Use standard idioms. | smg10e_handbook5_10.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_10_dlap.xml | 51bcc371757a2ecb35000011 |
W2-d Eliminate clichés or overused expressions. | smg10e_handbook5_11.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_11_dlap.xml | 51bcc371757a2ecb35000011 |
W2-e Select the correct form of the word that you intend. | smg10e_handbook5_12.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_12_dlap.xml | 51bcc371757a2ecb35000011 |
W2-f Use appropriate figures of speech. | smg10e_handbook5_13.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_13_dlap.xml | 51bcc371757a2ecb35000011 |
W3 Appropriate Words | smg10e_handbook5_14.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_14_dlap.xml | 51bcc371757a2ecb35000011 |
W3-a Use the level of formality expected in your writing situation. | smg10e_handbook5_15.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_15_dlap.xml | 51bcc371757a2ecb35000011 |
W3-b Limit the use of slang in formal writing situations. | smg10e_handbook5_16.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_16_dlap.xml | 51bcc371757a2ecb35000011 |
W3-c Use nonsexist language. | smg10e_handbook5_17.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_17_dlap.xml | 51bcc371757a2ecb35000011 |
W3-d Replace pretentious language with simpler, more direct wording. | smg10e_handbook5_18.html | 51bcc371757a2ecb35000011 |
DLAP questions | smg10e_handbook5_18_dlap.xml | 51bcc371757a2ecb35000011 |
P Punctuation | smg10e_handbook6_1.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_1_dlap.xml | 51bcebd6757a2e842500000b |
P1 Commas | smg10e_handbook6_2.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_2_dlap.xml | 51bcebd6757a2e842500000b |
P1-a Add a comma between independent clauses joined by a coordinating conjunction. | smg10e_handbook6_3.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_3_dlap.xml | 51bcebd6757a2e842500000b |
P1-b Place a comma after an introductory word, phrase, or clause. | smg10e_handbook6_4.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_4_dlap.xml | 51bcebd6757a2e842500000b |
P1-c Use commas to set off a nonrestrictive word group. | smg10e_handbook6_5.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_5_dlap.xml | 51bcebd6757a2e842500000b |
P1-d Use commas to set off a transitional, parenthetical, or contrasting expression or an absolute phrase. | smg10e_handbook6_6.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_6_dlap.xml | 51bcebd6757a2e842500000b |
P1-e Use commas to separate three or more items in a series, placing the final comma before the conjunction. | smg10e_handbook6_7.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_7_dlap.xml | 51bcebd6757a2e842500000b |
P1-f Use a comma before a trailing nonrestrictive participial phrase. | smg10e_handbook6_8.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_8_dlap.xml | 51bcebd6757a2e842500000b |
P1-g Place a comma between a complete direct quotation and the text identifying the speaker. | smg10e_handbook6_9.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_9_dlap.xml | 51bcebd6757a2e842500000b |
P1-h Add a comma (or pair of commas in the middle of a sentence) to set off expressions commonly included in dialogue. | smg10e_handbook6_10.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_10_dlap.xml | 51bcebd6757a2e842500000b |
P1-i Use a comma between coordinate adjectives. | smg10e_handbook6_11.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_11_dlap.xml | 51bcebd6757a2e842500000b |
P1-j Add commas where needed to set off dates, numbers, and addresses. | smg10e_handbook6_12.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_12_dlap.xml | 51bcebd6757a2e842500000b |
P2 Unnecessary Commas | smg10e_handbook6_13.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_13_dlap.xml | 51bcebd6757a2e842500000b |
P2-a Omit the comma when items in a pair are joined by a coordinating conjunction. | smg10e_handbook6_14.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_14_dlap.xml | 51bcebd6757a2e842500000b |
P2-b Omit any comma that sets off a restrictive word group. | smg10e_handbook6_15.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_15_dlap.xml | 51bcebd6757a2e842500000b |
P2-c Omit any commas that unnecessarily separate a subject and verb or a verb and its object. | smg10e_handbook6_16.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_16_dlap.xml | 51bcebd6757a2e842500000b |
P2-d Omit a comma that separates the main part of the sentence from a trailing adverbial clause. | smg10e_handbook6_17.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_17_dlap.xml | 51bcebd6757a2e842500000b |
P2-e Leave out commas that separate cumulative adjectives. | smg10e_handbook6_18.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_18_dlap.xml | 51bcebd6757a2e842500000b |
P2-f Omit any comma that appears before or after a series of items. | smg10e_handbook6_19.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_19_dlap.xml | 51bcebd6757a2e842500000b |
P2-g Omit or correct any other unnecessary or incorrect commas. | smg10e_handbook6_20.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_20_dlap.xml | 51bcebd6757a2e842500000b |
P3 Semicolons | smg10e_handbook6_21.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_21_dlap.xml | 51bcebd6757a2e842500000b |
P3-a Use a semicolon to join independent clauses if the second clause restates or sets up a contrast to the first. | smg10e_handbook6_22.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_22_dlap.xml | 51bcebd6757a2e842500000b |
P3-b Use semicolons to separate items in a series when they include internal commas. | smg10e_handbook6_23.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_23_dlap.xml | 51bcebd6757a2e842500000b |
P3-c Use a semicolon to join a series of independent clauses when they include other punctuation. | smg10e_handbook6_24.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_24_dlap.xml | 51bcebd6757a2e842500000b |
P3-d Use a semicolon to join two independent clauses when the second clause contains a conjunctive adverb or a transitional expression. | smg10e_handbook6_25.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_25_dlap.xml | 51bcebd6757a2e842500000b |
P3-e Omit a semicolon used incorrectly to replace a comma or another punctuation mark. | smg10e_handbook6_26.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_26_dlap.xml | 51bcebd6757a2e842500000b |
P4 Colons | smg10e_handbook6_27.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_27_dlap.xml | 51bcebd6757a2e842500000b |
P4-a Use a colon to introduce a list, an appositive, a quotation, a question, or a statement. | smg10e_handbook6_28.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_28_dlap.xml | 51bcebd6757a2e842500000b |
P4-b Correct unnecessary or incorrect colons. | smg10e_handbook6_29.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_29_dlap.xml | 51bcebd6757a2e842500000b |
P5 Dashes | smg10e_handbook6_30.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_30_dlap.xml | 51bcebd6757a2e842500000b |
P5-a Type, space, and position a dash correctly. | smg10e_handbook6_31.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_31_dlap.xml | 51bcebd6757a2e842500000b |
P5-b Consider using a dash to set off material from the rest of the sentence. | smg10e_handbook6_32.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_32_dlap.xml | 51bcebd6757a2e842500000b |
P5-c Rewrite a sentence that uses the dash inappropriately or excessively. | smg10e_handbook6_33.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_33_dlap.xml | 51bcebd6757a2e842500000b |
P6 Quotation Marks | smg10e_handbook6_34.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_34_dlap.xml | 51bcebd6757a2e842500000b |
P6-a Set off direct quotations with quotation marks. | smg10e_handbook6_35.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_35_dlap.xml | 51bcebd6757a2e842500000b |
P6-b Follow convention in using punctuation at the end of a quotation, after a signal phrase or speaker tag (she said), and with other punctuation. | smg10e_handbook6_36.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_36_dlap.xml | 51bcebd6757a2e842500000b |
P6-c Enclose titles of short works in quotation marks. | smg10e_handbook6_37.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_37_dlap.xml | 51bcebd6757a2e842500000b |
P6-d Use single quotation marks inside double quotation marks to show a quotation within a quotation. | smg10e_handbook6_38.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_38_dlap.xml | 51bcebd6757a2e842500000b |
P6-e Omit or correct quotation marks used excessively or incorrectly. | smg10e_handbook6_39.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_39_dlap.xml | 51bcebd6757a2e842500000b |
P7 Apostrophes | smg10e_handbook6_40.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_40_dlap.xml | 51bcebd6757a2e842500000b |
P7-a Use an apostrophe to show the possessive form of a noun. | smg10e_handbook6_41.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_41_dlap.xml | 51bcebd6757a2e842500000b |
P7-b Add an apostrophe to show where letters or figures are omitted from a contraction. | smg10e_handbook6_42.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_42_dlap.xml | 51bcebd6757a2e842500000b |
P7-c Check your style guide to determine whether to include an apostrophe to form the plural of a number, a letter, or an abbreviation. | smg10e_handbook6_43.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_43_dlap.xml | 51bcebd6757a2e842500000b |
P7-d Add -âs to form the possessive of an indefinite pronoun but not a personal pronoun. | smg10e_handbook6_44.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_44_dlap.xml | 51bcebd6757a2e842500000b |
P7-e Omit unnecessary or incorrect apostrophes. | smg10e_handbook6_45.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_45_dlap.xml | 51bcebd6757a2e842500000b |
P8 Parentheses | smg10e_handbook6_46.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_46_dlap.xml | 51bcebd6757a2e842500000b |
P8-a Add parentheses to enclose additions to a sentence. | smg10e_handbook6_47.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_47_dlap.xml | 51bcebd6757a2e842500000b |
P8-b Correct the punctuation used with parentheses, and omit unnecessary parentheses. | smg10e_handbook6_48.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_48_dlap.xml | 51bcebd6757a2e842500000b |
P9 Brackets | smg10e_handbook6_49.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_49_dlap.xml | 51bcebd6757a2e842500000b |
P10 Ellipsis Marks | smg10e_handbook6_50.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_50_dlap.xml | 51bcebd6757a2e842500000b |
P11 Slashes | smg10e_handbook6_51.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_51_dlap.xml | 51bcebd6757a2e842500000b |
P12 Periods | smg10e_handbook6_52.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_52_dlap.xml | 51bcebd6757a2e842500000b |
P13 Question Marks | smg10e_handbook6_53.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_53_dlap.xml | 51bcebd6757a2e842500000b |
P14 Exclamation Points | smg10e_handbook6_54.html | 51bcebd6757a2e842500000b |
DLAP questions | smg10e_handbook6_54_dlap.xml | 51bcebd6757a2e842500000b |
M Mechanics | smg10e_handbook7_1.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_1_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M1 Hyphens | smg10e_handbook7_2.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_2_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M1-a Use a hyphen to join compound adjectives that precede nouns. | smg10e_handbook7_3.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_3_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M1-b Present a compound noun as one word, as separate words, or as a hyphenated compound. | smg10e_handbook7_4.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_4_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M1-c Spell words formed with most prefixes as one word with no hyphen. | smg10e_handbook7_5.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_5_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M1-d Use a hyphen when necessary to avoid ambiguity. | smg10e_handbook7_6.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_6_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M1-e Insert a hyphen between syllables to divide a word at the end of a line. | smg10e_handbook7_7.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_7_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M2 Capitalization | smg10e_handbook7_8.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_8_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M2-a Capitalize proper nouns. | smg10e_handbook7_9.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_9_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M2-b Capitalize the word that begins a sentence. | smg10e_handbook7_10.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_10_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M2-c Capitalize the first word in a quotation unless it is integrated into your own wording or continues an interrupted quotation. | smg10e_handbook7_11.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_11_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M2-d Capitalize titles and subtitles of longer works, such as books, magazines, and newspapers. | smg10e_handbook7_12.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_12_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M2-e Capitalize a title that precedes a personâs name. | smg10e_handbook7_13.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_13_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M2-f Avoid overusing capitalization for emphasis. | smg10e_handbook7_14.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_14_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M3 Spacing | smg10e_handbook7_15.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_15_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M3-a Supply any missing space before or after a punctuation mark. | smg10e_handbook7_16.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_16_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M3-b Close up any unnecessary space between words and punctuation marks. | smg10e_handbook7_17.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_17_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M4 Numbers | smg10e_handbook7_18.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_18_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M4-a Spell out select types of numbers in most nonscientific college writing. | smg10e_handbook7_19.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_19_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M4-b Use numerals for numbers over a hundred, in fractions and percentages, with abbreviations and symbols, in dates and addresses, and for page numbers and sections of books. | smg10e_handbook7_20.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_20_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M5 Italics | smg10e_handbook7_21.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_21_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M5-a Italicize titles of long or self-contained works. | smg10e_handbook7_22.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_22_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M5-b Italicize words used as words and letters and numbers used as themselves. | smg10e_handbook7_23.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_23_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M5-c Italicize names of planes, ships, and other vehicles; foreign words not commonly used in English; and, on occasion, words that need special emphasis. | smg10e_handbook7_24.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_24_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M5-d Italicize when appropriate, but not in place of or in addition to other conventional uses of punctuation and mechanics. | smg10e_handbook7_25.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_25_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M6 Abbreviations | smg10e_handbook7_26.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_26_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M6-a Use abbreviations that your readers will recognize for names of agencies, organizations, countries, and common technical terms. | smg10e_handbook7_27.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_27_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M6-b Use a.m., p.m., no., $, BC, and AD only with specific numerals or dates. | smg10e_handbook7_28.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_28_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M6-c Use commonly accepted abbreviations for titles, degrees, and Latin terms. | smg10e_handbook7_29.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_29_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M6-d Use abbreviations when appropriate, but do not use them to replace words in most writing. | smg10e_handbook7_30.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_30_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M7 Spelling | smg10e_handbook7_31.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_31_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M7-a Study the spelling rules for adding prefixes and suffixes to words. | smg10e_handbook7_32.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_32_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M7-b Study the spelling rules (and the exceptions) that apply to words you routinely misspell. | smg10e_handbook7_33.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_33_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M7-c Watch for words that are often spelled incorrectly because they sound like other words | smg10e_handbook7_34.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_34_dlap.xml | 51bd3c97b62f8b1c2e00000e |
M7-d Watch for words that are often misspelled | smg10e_handbook7_35.html | 51bd3c97b62f8b1c2e00000e |
DLAP questions | smg10e_handbook7_35_dlap.xml | 51bd3c97b62f8b1c2e00000e |
T Troublespots for Multilingual Writers | smg10e_handbook8_1.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_1_dlap.xml | 51be7555757a2ee16c000001 |
T1 Articles | smg10e_handbook8_2.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_2_dlap.xml | 51be7555757a2ee16c000001 |
T1-a Select the correct article to use with a count noun. | smg10e_handbook8_3.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_3_dlap.xml | 51be7555757a2ee16c000001 |
T1-b Select the correct article to use with a noncount noun. | smg10e_handbook8_4.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_4_dlap.xml | 51be7555757a2ee16c000001 |
T1-c Select the correct article to use with a proper noun. | smg10e_handbook8_5.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_5_dlap.xml | 51be7555757a2ee16c000001 |
T2 Verbs | smg10e_handbook8_6.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_6_dlap.xml | 51be7555757a2ee16c000001 |
T2-a Select verb tenses carefully in main clauses and conditional clauses. | smg10e_handbook8_7.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_7_dlap.xml | 51be7555757a2ee16c000001 |
T2-b Learn the meanings of idiomatic two- and three-word verbs used in English. | smg10e_handbook8_8.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_8_dlap.xml | 51be7555757a2ee16c000001 |
T2-c Use the correct verb forms after helping verbs. | smg10e_handbook8_9.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_9_dlap.xml | 51be7555757a2ee16c000001 |
T2-d Follow verbs with gerunds or infinitives. | smg10e_handbook8_10.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_10_dlap.xml | 51be7555757a2ee16c000001 |
T3 Prepositions | smg10e_handbook8_11.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_11_dlap.xml | 51be7555757a2ee16c000001 |
T4 Omitted or Repeated Words | smg10e_handbook8_12.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_12_dlap.xml | 51be7555757a2ee16c000001 |
T5 Adjective Order | smg10e_handbook8_13.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_13_dlap.xml | 51be7555757a2ee16c000001 |
T6 Participles | smg10e_handbook8_14.html | 51be7555757a2ee16c000001 |
DLAP questions | smg10e_handbook8_14_dlap.xml | 51be7555757a2ee16c000001 |
R Review of Sentence Structure | smg10e_handbook9_1.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_1_dlap.xml | 51be9b76757a2ee16c000007 |
R1 Basic Sentence Structure | smg10e_handbook9_2.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_2_dlap.xml | 51be9b76757a2ee16c000007 |
R1-a Words, Phrases, and Clauses | smg10e_handbook9_3.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_3_dlap.xml | 51be9b76757a2ee16c000007 |
R1-b Sentence Units | smg10e_handbook9_4.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_4_dlap.xml | 51be9b76757a2ee16c000007 |
R1-c Types of Simple Sentences | smg10e_handbook9_5.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_5_dlap.xml | 51be9b76757a2ee16c000007 |
R1-d Combinations and Transformations | smg10e_handbook9_6.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_6_dlap.xml | 51be9b76757a2ee16c000007 |
R2 Basic Sentence Elements | smg10e_handbook9_7.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_7_dlap.xml | 51be9b76757a2ee16c000007 |
R2-a Parts of Speech | smg10e_handbook9_8.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_8_dlap.xml | 51be9b76757a2ee16c000007 |
R2-b Dependent Clauses | smg10e_handbook9_9.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_9_dlap.xml | 51be9b76757a2ee16c000007 |
R2-c Phrases | smg10e_handbook9_10.html | 51be9b76757a2ee16c000007 |
DLAP questions | smg10e_handbook9_10_dlap.xml | 51be9b76757a2ee16c000007 |
GL Glossary of Frequently Misused Words | smg10e_glossary1_1.html | 51bf2a6bb62f8b152f000009 |
DLAP questions | smg10e_glossary1_1_dlap.xml | 51bf2a6bb62f8b152f000009 |
Index | smg10e_index1_1.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_1_dlap.xml | 51c35e50757a2e0d4b000036 |
Index A | smg10e_index1_2.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_2_dlap.xml | 51c35e50757a2e0d4b000036 |
Index B | smg10e_index1_3.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_3_dlap.xml | 51c35e50757a2e0d4b000036 |
Index C | smg10e_index1_4.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_4_dlap.xml | 51c35e50757a2e0d4b000036 |
Index D | smg10e_index1_5.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_5_dlap.xml | 51c35e50757a2e0d4b000036 |
Index E | smg10e_index1_6.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_6_dlap.xml | 51c35e50757a2e0d4b000036 |
Index F | smg10e_index1_7.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_7_dlap.xml | 51c35e50757a2e0d4b000036 |
Index G | smg10e_index1_8.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_8_dlap.xml | 51c35e50757a2e0d4b000036 |
Index H | smg10e_index1_9.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_9_dlap.xml | 51c35e50757a2e0d4b000036 |
Index I | smg10e_index1_10.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_10_dlap.xml | 51c35e50757a2e0d4b000036 |
Index J | smg10e_index1_11.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_11_dlap.xml | 51c35e50757a2e0d4b000036 |
Index K | smg10e_index1_12.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_12_dlap.xml | 51c35e50757a2e0d4b000036 |
Index L | smg10e_index1_13.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_13_dlap.xml | 51c35e50757a2e0d4b000036 |
Index M | smg10e_index1_14.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_14_dlap.xml | 51c35e50757a2e0d4b000036 |
Index N | smg10e_index1_15.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_15_dlap.xml | 51c35e50757a2e0d4b000036 |
Index O | smg10e_index1_16.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_16_dlap.xml | 51c35e50757a2e0d4b000036 |
Index P | smg10e_index1_17.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_17_dlap.xml | 51c35e50757a2e0d4b000036 |
Index Q | smg10e_index1_18.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_18_dlap.xml | 51c35e50757a2e0d4b000036 |
Index R | smg10e_index1_19.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_19_dlap.xml | 51c35e50757a2e0d4b000036 |
Index S | smg10e_index1_20.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_20_dlap.xml | 51c35e50757a2e0d4b000036 |
Index T | smg10e_index1_21.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_21_dlap.xml | 51c35e50757a2e0d4b000036 |
Index U | smg10e_index1_22.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_22_dlap.xml | 51c35e50757a2e0d4b000036 |
Index V | smg10e_index1_23.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_23_dlap.xml | 51c35e50757a2e0d4b000036 |
Index W | smg10e_index1_24.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_24_dlap.xml | 51c35e50757a2e0d4b000036 |
Index X, Y, Z | smg10e_index1_25.html | 51c35e50757a2e0d4b000036 |
DLAP questions | smg10e_index1_25_dlap.xml | 51c35e50757a2e0d4b000036 |
Index for Multilingual Writers | smg10e_index2_1.html | 51c476bbb62f8beb5e000007 |
DLAP questions | smg10e_index2_1_dlap.xml | 51c476bbb62f8beb5e000007 |
About this Book | smg10e_fm1_1.html | 51c47f51757a2ee641000057 |
DLAP questions | smg10e_fm1_1_dlap.xml | 51c47f51757a2ee641000057 |
What Makes The Guide Special | smg10e_fm1_2.html | 51c47f51757a2ee641000057 |
DLAP questions | smg10e_fm1_2_dlap.xml | 51c47f51757a2ee641000057 |
Advisory Board and Acknowledgments | smg10e_fm1_3.html | 51c47f51757a2ee641000057 |
DLAP questions | smg10e_fm1_3_dlap.xml | 51c47f51757a2ee641000057 |
More Options for Teachers and Students | smg10e_fm1_4.html | 51c47f51757a2ee641000057 |
DLAP questions | smg10e_fm1_4_dlap.xml | 51c47f51757a2ee641000057 |
Correction Symbols | smg10e_bm1_1.html | 51c887b2b62f8bb05d000040 |
DLAP questions | smg10e_bm1_1_dlap.xml | 51c887b2b62f8bb05d000040 |